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Kant's Critique of Judgment: Empirical World Claims

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KANT AND THE CLAIMS OF
THE EMPIRICAL WORLD
A Transcendental Reading of the Critique of the Power
of Judgment
IDO GEIGER
Ben-Gurion University of the Negev
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: Geiger, Ido, author.
: Kant and the claims of the empirical world : a transcendental reading of the Critique of the
power of judgment / Ido Geiger.
: New York : Cambridge University Press, . | Includes bibliographical references
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Judgment (Aesthetics) | Aesthetics. | Teleology.
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Durch die Stadt und durch die Straßen
Geht das bunte Tier spazieren;
Geht und denkt so vor sich hin:
“Stimmt es, dass ich gar nichts bin?
Aller sagen, ich bin Keiner,
nur ein kleiner
Irgendeiner . . .
Ob’s mich etwa gar nicht gibt?
Bin kein Fisch, kein Pony und
auch kein Nilpferd und kein Hund,
nicht einmal ein Hundefloh –
ooo!”
Und das kleine bunte Tier,
das sich nicht mehr helfen kann,
fängt beinah zu weinen an.
Mira Lobe, Das kleine Ich bin Ich
Man wäre versucht zu glauben, dieses Gebilde hätte früher
irgendeine zweckmäßige Form gehabt und jetzt sei es nur
zerbrochen. Dies scheint aber nicht der Fall zu sein; wenigstens
findet sich kein Anzeichen dafür; nirgends sind Ansätze oder
Bruchstellen zu sehen, die auf etwas Derartiges hinweisen würden;
das Ganze erscheint zwar sinnlos, aber in seiner Art abgeschlossen.
Näheres läßt sich übrigens nicht darüber sagen, da Odradek
außerordentlich beweglich und nicht zu fangen ist.
Franz Kafka, Die Sorgen des Hausvaters
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To Aviv
and to Gideon
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KANT AND THE CLAIMS OF THE
EMPIRICAL WORLD
Kant announces that the Critique of the Power of Judgment will bring
his entire critical enterprise to an end. But it is by no means agreed
upon that it in fact does so and, if it does, how. In this book, Ido
Geiger argues that a principal concern of the third Critique is completing the account of the transcendental conditions of empirical
experience and knowledge. This includes both Kant’s analysis of
natural beauty and his discussion of teleological judgments of organisms and of nature generally. Geiger’s original reading of the third
Critique shows that it forms a unified whole – and that it does in fact
deliver the final part of Kant’s transcendental undertaking. His book
will be valuable to all who are interested in Kant’s theory of the
aesthetic and conceptual purposiveness of nature.
  is Associate Professor of Philosophy at Ben-Gurion
University of the Negev. He is author of The Founding Act of
Modern Ethical Life: Hegel’s Critique of Kant’s Moral and Political
Philosophy (), and he has published articles on Kant’s and
Hegel’s practical philosophy, theoretical philosophy, and aesthetics.
Published online by Cambridge University Press
Contents
Acknowledgments
Abbreviations
page ix
xi
Introduction: The Transcendental Undertaking of the Critique
of the Power of Judgment



The Charge of Reflective Judgment and the Conceptual
and Aesthetic Purposiveness of Nature

.
.
.
.
.

Introduction
Why a Critique of the Reflective Power of Judgment (Preface)?
The Reflective Power of Judgment and the Deduction of Its
Transcendental Principle (Introduction, Sections IV and V)
The Aesthetic and the Logical Purposiveness of Nature (Introduction,
Sections VI–VIII)
Conclusion





Organisms, Teleological Judgment and the Methodology
of Biology

Introduction
The Necessity of Teleological Judgments of Organisms
The Objective Representation of the Purposiveness of Nature
The Concept of Organism as a Regulative Principle of Reflective
Judgment
. The Methodology of Biology: Observation and Explanation
. Conclusion






The Antinomy of Teleological Judgment

.
.
.
.


The Principal Thesis, Its Two Aspects and Main Consequences
Method, Scope and Structure
I.
I.
.
.
Introduction
Teleological Judgment: From Organisms to Nature as a
Whole (§§–)
vii
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

Contents
viii


. The Peculiarity of the Antinomy of Reflective Judgment
. Conclusion


Discursivity and the Conceptual Purposiveness of Nature

.
.
.
.
.
Introduction
Discursivity: The Special Character of Human Understanding
Discursivity: Metaphysical and Epistemological Implications
Kant’s Justification of the Regulative Maxim of Mechanism
Conclusion





The Significance of Form and the Aesthetic Purposiveness
of Nature

. Introduction
. Preliminaries: The Four Moments of Pure Judgments of Taste;
Conceptual and Nonconceptual Readings
. Beautiful Forms: Natural Objects; Natural Kinds
. The Cognitive Function of Pure Judgments of Taste
. Conclusion
Conclusion Kant’s Empiricism
C. The Conceptual Purposiveness of Nature
C. The Aesthetic Purposiveness of Nature
References
Index
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









Acknowledgments
I have been working on this book for over a decade, and I have been
thinking about the texts and questions it addresses for much longer.
During this time, I have discussed these and related matters with, and
gained a great deal from, a far greater number of people than I can thank
by name (or, frankly, can remember). I am, though, truly grateful for all
these exchanges. I feel very fortunate to belong to the committed and
demanding circles of Kantian philosophy and scholarship.
I do want to thank in name all those who have read the manuscript or
some of its chapters and have given their intellectually generous responses
to them. I begin by thanking Johannes Haag and Till Hoeppner for
organizing a workshop in Potsdam on an early version of Chapter .
The workshop was extremely helpful in shaping what became a rather
different chapter. I am especially grateful for the participation of Nir
Friedman, Hannah Ginsborg, Stefanie Grüne, Thijs Menting, Aviv
Reiter and, of course, Johannes and Till.
Alix Cohen and Lorenzo Spagnesi organized a workshop in Edinburgh
on the first version of the entire manuscript, which was of invaluable help
to me. I am immensely grateful to Alix and Lorenzo, Yoon Choi, Andrew
Cooper and Antonino Falduto, who commented in detail on chapters and
continued to help me revise them after the workshop.
For discussions of different chapters or on versions of the whole manuscript and their very helpful comments I thank Angela Breitenbach,
Gideon Freudenthal, Peter McLaughlin, Tobias Rosefeldt, Reed
Winegar, John Zammito and, once again, Aviv Reiter.
I feel very fortunate indeed to belong to such an intellectually stimulating and supportive department. I thank my colleagues, who are also my
friends, for reading and discussing various chapters of the book (also for
convincing me to scrap one of them). Thank you, Ori Beck, Hagit
Benbaji, Shlomo Cohen, Nir Fresco, Andy German, Noam Hoffer (who
has recently moved on to Bar-Ilan University), Uri Leibowitz, Yakir Levin,
ix
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x
Acknowledgments
Yanni Nevo and Noa Shein. I am also deeply grateful to Eli Friedlander,
Ofra Rechter and Yaron Senderowicz (all from Tel Aviv University) for
their invaluable input, friendship and enduring support.
I am deeply indebted to two anonymous reviewers for Cambridge
University Press for their exacting criticism and constructive suggestions.
I think the book is far better for contending with their detailed comments.
I am deeply grateful to Hilary Gaskin for her very helpful suggestions and
sure guidance.
I gratefully acknowledge the generous support of the Minerva Stiftung,
the Alexander von Humboldt Stiftung and the Israel Science Foundation.
This research was supported by the Israel Science Foundation (grants
No. / and /).
This book is dedicated to two people: to Aviv Reiter, for countless hours
(past and hopefully extending well into the future) of talking about the
Critique of Judgment and especially for everything I have learned from her
and with her about the Critique of Aesthetic Judgment – this is not a
spousal dedication; and to Gideon Freudenthal, my teacher and very dear
friend, for his unmatchable philosophical example.
Chapter , Section  originally appeared in different form as “Kant on the
Analytic-Synthetic or Mechanistic Model of Causal Explanation,” Kant
Yearbook  (): –. Chapter , Section .. originally appeared in
different form as Aviv Reiter and Ido Geiger, “Natural Beauty, Fine Art
and the Relation between Them,” Kant-Studien  (): –.
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Abbreviations
With two exceptions, the numbers following quotes from Kant’s works
refer to the volume number and pagination in the standard edition of his
works, Kant’s Gesammelte Schriften, edited by the Preussische Akademie
der Wissenschaften (Volumes –), later by the Deutsche Akademie der
Wissenschaften zu Berlin (Volume ), and then by the Akademie der
Wissenschaften zu Göttingen (from Volume ). The Critique of Pure
Reason is referred to by citing the pagination of the  (A) and  (B)
editions of this work. References to the Heschel Logic, discovered in the
s and not included in the Academy Edition, refer to page numbers in
the original manuscript; the translation is based on Pinder Tillman’s
edition, published by Meiner Verlag. In all cases, the pagination also
appears at the margins of the English translations I quote from, namely,
the Cambridge Edition of the Works of Immanuel Kant.
I use the following abbreviations and translations:
A/B:
Anth:
BBM:
Critique of Pure Reason, edited and translated by
Paul Guyer and Allen W. Wood. Cambridge:
Cambridge University Press, .
Anthropology from a Pragmatic Point of View. In
Anthropology, History and Education, edited by
Günter Zöller and Robert B. Louden, translated by
Robert B. Louden. Cambridge: Cambridge
University Press, .
“Determination of the Concept of a Human Race.”
In Anthropology, History and Education, edited by
Günter Zöller and Robert B. Louden, translated by
Günter Zöller and Holly Wilson. Cambridge:
Cambridge University Press, .
xi
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xii
Br:
EEKU:
IaG:
KpV:
KU:
Log:
MAN:
MS:
NTH:
List of Abbreviations
Correspondence, edited and translated by Arnulf
Zweig. Cambridge: Cambridge University
Press, .
“First Introduction to the Critique of the Power of
Judgment.” In Critique of the Power of Judgment,
edited by Paul Guyer, translated by Paul Guyer and
Eric Matthews. Cambridge: Cambridge University
Press, .
“Idea for a Universal History with a Cosmopolitan
Aim.” In Anthropology, History and Education,
edited by Günter Zöller and Robert B. Louden,
translated by Allen W. Wood. Cambridge:
Cambridge University Press, .
Critique of Practical Reason. In Practical Philosophy,
edited and translated by Mary J. Gregor.
Cambridge: Cambridge University Press, .
Critique of the Power of Judgment, edited by Paul
Guyer, translated by Paul Guyer and Eric
Matthews. Cambridge: Cambridge University
Press, .
The Jäsche Logic. In Lectures on Logic, edited and
translated by J. Michael Young. Cambridge:
Cambridge University Press, .
Metaphysical Foundations of Natural Science. In
Theoretical Philosophy after , edited by Henry
E. Allison and Peter Heath, translated by Gary
Hatfield. Cambridge: Cambridge University
Press, .
Metaphysics of Morals. In Practical Philosophy,
edited and translated by Mary J. Gregor.
Cambridge: Cambridge University Press, .
“Universal Natural History and Theory of the
Heavens or Essay on the Constitution and the
Mechanical Origin of the Whole Universe
According to Newtonian Principles.” In Natural
Science, edited by Eric Watkins, translated by
Olaf Reinhardt. Cambridge: Cambridge University
Press, .
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List of Abbreviations
OP:
PG:
Prol:
RGV:
TG:
UD:
ÜGTP:
V-Anth/Fried:
V-Anth/Mron:
xiii
Opus Postumum, edited by Eckart Förster,
translated by Eckart Förster and Michael Rosen.
Cambridge: Cambridge University Press, .
Physical Geography. In Natural Science, edited by
Eric Watkins, translated by Olaf Reinhardt.
Cambridge: Cambridge University Press, .
Prolegomena to Any Future Metaphysics That Will Be
Able to Come Forward as Science. In Theoretical
Philosophy after , edited by Henry E. Allison
and Peter Heath, translated by Gary Hatfield.
Cambridge: Cambridge University Press, .
Religion within the Boundaries of Mere Reason. In
Religion and Rational Theology, edited by Allen
W. Wood and George di Giovanni, translated by
George di Giovanni. Cambridge: Cambridge
University Press, .
“Dreams of a Spirit-Seer Elucidated by Dreams of
Metaphysics.” In Theoretical Philosophy,
–, edited and translated by David
Walford in collaboration with Ralf Meerbote.
Cambridge: Cambridge University Press, .
Inquiry Concerning the Distinctness of the Principles
of Natural Theology and Morality. In Theoretical
Philosophy, –, edited and translated by
David Walford in collaboration with Ralf
Meerbote. Cambridge: Cambridge University
Press, .
“On the Use of Teleological Principles in
Philosophy.” In Anthropology, History and
Education, edited by Günter Zöller and Robert
B. Louden, translated by Günter Zöller.
Cambridge: Cambridge University Press, .
Anthropology Friedländer. In Lectures on
Anthropology, edited by Allen W. Wood and Robert
B. Louden, translated by Robert R. Clewis.
Cambridge: Cambridge University Press, .
Anthropology Mrongovius. In Lectures on
Anthropology, edited by Allen W. Wood and Robert
B. Louden, translated by Robert R. Clewis.
Cambridge: Cambridge University Press, .
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xiv
V-Lo/Blomberg:
V-Lo/Dohna:
V-Lo/Heschel:
V-Lo/Wiener:
V-Met/Dohna:
V-Phys/Danziger:
VvRM:
List of Abbreviations
The Blomberg Logic. In Lectures on Logic, edited and
translated by J. Michael Young. Cambridge:
Cambridge University Press, .
The Dohna-Wundlacken Logic. In Lectures on Logic,
edited and translated by J. Michael Young.
Cambridge: Cambridge University Press, .
The Heschel Logic. In Lectures on Logic, edited and
translated by J. Michael Young. Cambridge:
Cambridge University Press, .
The Vienna Logic. In Lectures on Logic, edited and
translated by J. Michael Young. Cambridge:
Cambridge University Press, .
Metaphysik Dohna. In Lectures on Metaphysics,
edited and translated by Karl Ameriks and Steve
Naragon. Cambridge: Cambridge University
Press, .
Vorlesungen Danziger Physik. AA ..
“Of the Different Races of Human Beings.” In
Anthropology, History and Education, edited by
Günter Zöller and Robert B. Louden, translated by
Holly Wilson and Günter Zöller. Cambridge:
Cambridge University Press, .
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Introduction
The Transcendental Undertaking of the Critique
of the Power of Judgment
I. The Principal Thesis, Its Two Aspects and Main Consequences
Kant’s Critique of the Power of Judgment (), the third and last of his
critical works, has been recognized as a work of great philosophical import
from its first reception, and it continues to draw much attention to this
day. It is nevertheless a highly puzzling book, and its interpretation has
produced a virtual maze of exegetical controversies. On the one hand, it
claims to bring the “entire critical enterprise to an end” (KU :). On
the other hand, it appears to address a great diversity of philosophical
topics, many of which do not seem to be part of or even related to Kant’s
critical project. Its Introduction takes on the task of bridging “the incalculable gulf [unübersehbare Kluft]” (KU :) between nature and
freedom as well as the task of completing the account of the transcendental
conditions of an empirical experience of nature. The book itself, however,
discusses our experiences of the beauty of nature and fine art as well as
different experiences of sublimity. It also discusses the teleological manner
in which we view organic nature and the natural world more broadly. It
ends with a long section devoted to the notion of the highest good.
Consequently, many commentators have treated parts of the book – large
and small – often very insightfully and effectively – without attempting to
relate them directly to a larger, recognizably critical project.
This book aims to remedy this situation – though only in part. It is
devoted to the defense of a single thesis: The a priori principle of the
reflective power of judgment – namely, the assumption of the purposiveness of nature for our cognitive capacities – is, in the full sense of the term,
a transcendental condition of a particular empirical experience of nature.
The thesis is controversial – even though Kant says very clearly in the
Introduction to the book that the Critique of Pure Reason did not present a
complete account of the transcendental conditions of our particular empirical experience of nature, and he expressly introduces the assumption of

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
Introduction: The Transcendental Undertaking
the cognitive purposiveness of nature as his response to this very significant
deficiency. This markedly critical concern, I will argue, is one principal
aim of the book as whole, including both Kant’s analysis of the beauty of
nature and his extended discussion of teleological judgment of the organic
world and of nature generally.
One reason why the thesis, which the books seeks to defend, is controversial might be the fact that its deduction, in the Introduction to the
Critique of the Power of Judgment, is unsatisfactory. In Chapter , I will
point to two problems with it. The first, far lesser problem is that it
assumes that empirical knowledge must take the form of a comprehensive
hierarchical taxonomy of empirical concepts – but does not explain why.
The second and very significant problem is that Kant creates high expectations by employing the demanding term “deduction” and promising to
seek the grounds of the principle of the purposiveness of nature in the
“sources of cognition a priori” (KU :). But he appears simply to
declare that finding a hierarchical system of empirical laws is a need of
the understanding and that although we have no a priori insight into its
existence “such a unity must still necessarily be presupposed and assumed”
and that specifically “the power of judgment must thus assume it as an a
priori principle for its own use” (KU :).
The principal concern of the three following chapters will be to argue
that completing the deduction of the Introduction is the ultimate end of
the Critique of the Teleological Power of Judgment. It culminates in a
discussion of the discursive peculiarity of our understanding, which
explains both why the system of empirical experience and knowledge takes
the shape attributed to it and how the assumption of the conceptual
purposiveness of nature is grounded in the discursivity of our understanding. This, I will claim, is the way the transcendental principle of the
purposiveness of nature is grounded in the “sources of cognition a priori.”
I will claim first in Chapter  and at greater length in Chapter  that
although the Analytic of the Teleological Power of Judgment offers an
argument for the necessity of teleological judgments of organisms, Kant is
ultimately interested in the conceptual purposiveness of nature as a whole:
“by means of the example that nature gives in its organic products, one is
justified, indeed called upon to expect nothing in nature and its laws but
what is purposive in the whole” (KU :–). He constructs an
argument from the organism to this conclusion, because it allows him to
assimilate characteristic features of a dialectic, specifically the fact that it
ensnares ordinary understanding: “No one has doubted the correctness of
the fundamental principle that certain things in nature (organized beings)
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I. Principal Thesis, Its  Aspects & Main Consequences

and their possibility must be judged in accordance with the concept of
final causes” (KU :). What is the point of constructing a dialectic with
an antinomy of teleological judgment? In the first Critique, Kant simply
asserts that there should be and that indeed there is a positive use of the
ideas of reason. In the third Critique, he wants to show that making the
principle of the purposiveness of nature a transcendental principle of
reason for the power of reflective judgment leaves it free of the sort of
contradictions that typically beset reason and that it thus has a legitimate
and indeed necessary role to play in experience.
Though I will claim that Kant’s ultimate concern in the Critique of
Teleological Judgment is the conceptual purposiveness of nature as a
whole, I will also claim that his discussion of the methodology of biology
is of great philosophical interest. Chapter  argues that Kant accepts a very
strong premise: All, in fact, speak of certain natural objects as though they
were self-organizing or self-producing. He then explains that although we
describe certain objects as self-organizing or self-producing and so teleologically, these descriptions take on no commitment to the existence of
end-directed natural causality and so take on no ontological commitment
to the objective existence of self-organizing or self-producing natural
objects. More specifically, I will claim that for Kant all causal explanations
are mechanistic and that he develops a unique model for mechanistic
explanations of the processes through which organisms produce or organize themselves. I will discuss at some length Kant’s various examples for
mechanistic explanations in biology. Teleological judgments of organic
nature are not then a threat to the project of the comprehensive mechanistic explanation of the natural world.
Chapter  will then tackle the considerable exegetical difficulties posed
by the antinomy of teleological judgment. Although the Dialectic of
Teleological Judgment poses an antinomy between regulative maxims of
reflective judgment, it also presents a conflict between would-be constitutive principles of determinative judgment. This fact has led a number of
readers to conclude that the latter conflict is the antinomy of teleological
judgment and the former is its resolution – Kant’s explicit claims to the
contrary notwithstanding. I will argue that posing the conflict between
would-be constitutive principles of determinative judgment is also
explained by the attempt to assimilate characteristic features of a dialectic,
specifically the fact that it ensnares ordinary understanding. Building on
the discussion of the distinction between explanation and description in
Chapter , I will further claim that the regulative maxims of reflective
judgment do not contradict one another, even as they are first presented,
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Introduction: The Transcendental Undertaking
but in fact essentially complement one another. The maxim of teleology
governs the description or observation of organisms as self-organizing
beings; the maxim of mechanism directs us to seek to explain their
generation and the processes they undergo mechanistically.
In Chapter , I will argue that the systematic high points of the
Dialectic of the Teleological Power of Judgment are the very closely
connected arguments that discursivity grounds: () the particular shape
Kant attributes to the system of empirical knowledge; () the principle of
the conceptual purposiveness of nature; and () the part-to-whole or
mechanistic form of causal explanation. Here are very short summaries
of these arguments:
() Creatures with a discursive understanding experience and cognize
particular sensibly given objects by subsuming them under universal concepts, which contain a finite number of common characteristics or marks.
Empirical concepts thus always underdetermine the particular objects subsumed under them, because they do not specify how they might differ from
one another. But a discursive understanding must think of these more
specific differences too as conceptually articulated, on the one hand, and,
on the other hand, of the marks it employs as further analyzable into
simpler, more general concepts. So an ideal system of universal concepts
would take the form of a complete hierarchical taxonomy: from the most
general empirical concepts to ever more specific concepts. This explains the
form Kant attributes to the complete system of concepts through which we
would cognize the world.
() The assumption of such a comprehensive hierarchy of concepts
determining the sensibly given is Kant’s way of talking about the real or
objective order of nature. Only the complete but unattainable determination
of the sensibly given by a complete system of concepts can ground the claims
to objectivity made in determinative judgments, which subsume a particular
under an empirical concept. I will argue that Kant ultimately thinks of such
a system and its concepts as not merely descriptive but as causally informative and thus explanatory as well. The assumption of the comprehensive and
causally explanatory conceptual purposiveness of nature thus underwrites
any subsumption of a particular under an empirical concept in a determinative judgment. It is a transcendental condition of empirical experience and
knowledge, which follows from the fact that we are discursive creatures in
pursuit of objective knowledge. An important consequence of the fact that
this transcendental condition of experience is a regulative principle, which
guides the on-going process of the empirical investigation of nature, is that
for Kant empirical knowledge claims lay claim to being objectively true, but
they are always revisable and indeed defeasible.
() A further very important argument, closely related to the former,
shows that the part-to-whole or mechanistic form of physical explanation –
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I. Principal Thesis, Its  Aspects & Main Consequences

widely accepted in the eighteenth century as part of the proper method of
scientific inquiry and explanation and very closely associated with the name
of Newton – is also grounded in the discursivity of our understanding.
Succinctly, in an ideal system of concepts and, specifically, of causally
explanatory concepts, the higher concepts are poorer or partial in content
and, in this sense, simpler. It is precisely this fact that gives the analytic
explication of concepts as well as the explanation of causal wholes their
distinct directionality, namely, from complex concept or causal whole
upwards to simpler parts. This grounding of the maxim of mechanism in
discursivity allows us to vindicate Kant’s claim that it is provided “by the
mere understanding a priori.” (KU :)
So far I have been speaking as though the purposiveness of nature for our
cognitive capacities just is the conceptual purposiveness of nature for our
discursive understanding. But Chapter  will also defend at some length
the claim that the Preface and Introduction to the book give us good
reason to think that the problem of the transcendental conditions of
experience is addressed fully only in the main body of the work – including
not only the Critique of the Teleological Power of Judgment, but the
Critique of the Aesthetic Power of Judgment as well.
In Chapter , I will then turn to the most challenging and controversial
part of the third Critique, namely, Kant’s analysis of pure judgments of
taste. In this chapter I will argue for the necessity of pure judgments of
taste for empirical experience and knowledge. I will claim that reflective
judgment should be viewed as employing a two-step process in the pursuit
of empirical knowledge: () pure aesthetic judgments preconceptually
delineate the sensible manifold into objects, based on the pleasure occasioned by their mere spatial form; this, in turn, makes possible a preconceptual sorting of objects into natural kinds that have in common their
mere spatial form; () teleological judgment searches for concepts under
which these objects and kinds can be subsumed. The Critique of Aesthetic
Judgment is thus an essential part of the transcendental account of the
conditions of empirical experience and knowledge.
I first present evidence in support of the claims that () the object of
pure judgments of taste is the spatial form of an object, typically a natural
object; and () these forms are the characteristic spatial shapes of natural

For my earlier treatment of the Analytic and Dialectic of Teleological Judgment, see Ido Geiger, “Is
Teleological Judgment (Still) Necessary? Kant’s Arguments in the Analytic and in the Dialectic of
Teleological Judgment,” British Journal for the History of Philosophy  (): –. The last
argument is presented at length in Ido Geiger, “Kant on the Analytic-Synthetic or Mechanistic
Model of Causal Explanation,” Kant Yearbook  (): –.
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Introduction: The Transcendental Undertaking
kinds. I present textual evidence for the first claim and emphasize that it
makes sense of Kant’s accentuation of the apprehension of forms, the
nonconceptual nature of pure judgments of taste and the role of the
imagination in such judgments. Evidence for the second claim is drawn
from an examination of Kant’s examples of free beauty and by highlighting
his discussion of the notion of a normal idea of a species. That the typical
object of pure judgments of taste is a spatial form, the archetype of which
is an aesthetic normal idea of a species, enables us to explain how Kant can
say that natural beauty is nonconceptual but, nevertheless, the expression
of aesthetic ideas:
Beauty (whether it be beauty of nature or of art) can in general be called the
expression of aesthetic ideas: only in beautiful art this idea must be occasioned by a concept of the object, but in beautiful nature the mere
reflection on a given intuition, without a concept of what the object ought
to be, is sufficient for arousing and communicating the idea of which that
object is considered as the expression. (KU :)
The claim further draws support from revealing Kant’s indebtedness to the
Idealist tradition in the theory of fine art, for which beautiful nature means
the archetypical shapes of natural kinds that reveal aesthetically the order
of nature.
The high point of Chapter  focuses on the fourth moment of the
Analytic and the Deduction chapter. The problem they address is explicating the distinct normative profile of pure judgments of taste. They are
singular and nonconceptual. Nevertheless, pure aesthetic judgment
“solicits assent from everyone” (KU :). Indeed, Kant calls the necessity of pure judgments of taste “exemplary, i.e., a necessity of the assent of
all to a judgment that is regarded as an example of a universal rule that one
cannot produce” (KU :). He calls this presupposition of universal
assent the “indeterminate norm of a common sense” (KU :).
The answer to this puzzle is the fourth important argument of the book
and the most controversial:
()
The feeling of harmony expressed by aesthetic judgments is to be
understood as the promissory feeling that a sensible manifold can be
brought under concepts. It is the manifold which does create in us
this particular feeling of cognitive purposiveness that makes us subconsciously identify it as an object exemplary of a natural kind in the
first place, even before we have found concepts under which to
subsume it and its kind. It is thus through aesthetic judgment that
objects are first given to us. Furthermore, it is only on the
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I. Principal Thesis, Its  Aspects & Main Consequences

assumption that the same manifolds will bring about this feeling in
all of us that we will be able to make cognitive judgments about the
same objects. Pure aesthetic judgments thus underwrite our preconceptual identification of spatial forms as exemplary of objective
natural kinds. This is what it means to claim that a pure aesthetic
judgment is “regarded as an example of a universal rule that one
cannot produce.” Succinctly, what Kant is claiming is that it is a
necessary condition of cognition that we carve up the manifold given
to us in intuition into objects exemplary of natural kinds in the same
manner. The assumption of a common sense is, therefore, a necessary
condition of objective empirical experience and knowledge. And it is
this assumption that grounds the appeal to universal assent, which
aesthetic judgments express.
The concluding chapter will summarize the main claims of the book,
sketching a portrait of Kant the empiricist and attempting to highlight
what is of broader philosophical interest in this portrait. As the book
presents him, Kant has a keen understanding that empirical knowledge is
gradually acquired through a process of revision and refinement. Empirical
knowledge is not an epistemic state but a process – not a possession but an
ongoing pursuit. This is a direct consequence of making a regulative or
guiding assumption a necessary condition of empirical experience and
knowledge. In the concluding chapter, I will also suggest that this view
of empirical knowledge applies in an interesting and original way to Kant’s
conception of the aesthetic purposiveness of nature. Furthermore, as
I propose reading Kant, only the complete but unattainable determination
of the sensibly given by a complete system of causally explanatory concepts
can ground the objectivity and truth science seeks. Empirical truth, too, is
ultimately an end we continuously pursue. Our claims to knowledge and
our attempts at scientific explanation lay claim to being objectively true.
But they are in principle open to revision, refinement or outright rejection.
I thus hope that this portrait of Kant will be found of interest to philosophers with a marked empiricist leaning.
It is often thought, I believe, that the assumption of the purposiveness
of nature for our cognitive capacities cannot be a transcendental condition
of experience, precisely because it is a regulative principle of reflective
judgment, rather than a constitutive principle of the understanding, which
shapes experience by employing determinative judgment. In other words,
it is assumed that transcendental conditions of experience must determine
and be constitutive of the most general form of experience. But this
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Introduction: The Transcendental Undertaking
assumption is deeply misguided and probably driven (at least in part) by
the assumption that the account of the transcendental conditions of
experience is delivered in full in the Transcendental Aesthetic and
Transcendental Analytic of the Critique of Pure Reason – Kant’s clear
proclamations to the contrary notwithstanding.
It is without a doubt Kant’s view that the most general form of
experience is determined or constituted a priori by our cognitive capacities.
But the particular empirical content or details of experience cannot be
determined a priori on pain of contradiction. If they are empirical, as Kant
surely thinks they are, they must be learned from nature: “reflection on the
laws of nature is directed by nature” (KU :). The faculty charged with
discovering the empirical order of nature, Kant tells us, is the reflective
power of judgment. Its a priori principle governs this search and thus must
be a regulative principle, precisely because it governs an ongoing process of
investigation and discovery. We learn what the empirical order of nature is
through this investigation. The aim of this book is thus to explore Kant’s
conception of the transcendental framing presuppositions through which
we most fundamentally access and continually investigate the empirical
world. Our ability to experience, make claims about and offer explanations
of the empirical world makes transcendental claims upon us. It is to the
reciprocal relations between these transcendental and empirical claims that
Kant and the Claims of the Empirical World is devoted.
I. Method, Scope and Structure
As I have already said, this book is concerned with the interpretation of
Kant’s account of the transcendental conditions of empirical experience in
the Critique of the Power of Judgment, with the further aim of uncovering
philosophical insights of broader interest. I believe that both the very close
connection Kant draws between our discursivity and the assumption of the
conceptual purposiveness of nature and his distinct idea of an aesthetic
nonconceptual access to the most fundamental order of the empirical
world are such insights.
Interpreting classic texts with the aim of uncovering valuable philosophical insights is the general method of the vast majority of work in the
history of philosophy, and this book is no different. Nevertheless, it is
worth saying a few further words about the method, scope and structure of
the book.
I have put great effort into making the claims of the book as exegetically
plausible as I could. A first and simple reason for this is that it seems to me
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I. Method, Scope and Structure

that close textual analysis is an ever more demanding norm in work on
Kant’s texts. It is a norm I very much value and hope to meet. Another
reason for this effort is that the knot of questions and conflicting answers
concerning the main claims of the third Critique is particularly complex.
There are no accepted answers to the questions of what are the principal
philosophical problems the book addresses and of how they are related to
one another. Nor do we have, I think, a good enough answer to the
question of how the third Critique brings to completion Kant’s critical
undertaking. It is, therefore, to be expected that my interpretative claims
will meet with a great many objections from various quarters. This is
especially true of the claims of Chapter , which is concerned with the
Critique of Aesthetic Judgment – despite its immense influence on philosophical aesthetics, still a most puzzling part of the book. I think,
furthermore, that making the interpretation plausible is a condition of
gaining a hearing for the philosophical insights to be gleaned from studying Kant’s discussion of the transcendental conditions of empirical experience and knowledge.
Is my interpretation perfectly well grounded in the text? No, it isn’t! But
I sincerely believe it deserves a hearing.
One consequence of this exegetical emphasis is that parts of the book
might read like a passage-by-passage commentary. But it is not a commentary. The choice of what to focus on interpretatively is motivated throughout
the book by the attempt to reconstruct Kant’s account of the transcendental
conditions of empirical experience. Another consequence of the exegetical
emphasis of the book is that its chapters are rather long and the book itself is
not short. I have, though, tried to make it as clear and accessible as possible
so that as a whole it might still count as short by the lights of the Abbé
Terrasson – not too short in number of pages to make it too long a read.
Closely related to the point concerning the many controversies to which
the Critique of the Power of Judgment has given rise and somewhat problematically, I have already gestured at and will refer below at significant
junctures to the constraint of offering a unified reading of the book. Such a
reading, I claim, must reveal how the book completes Kant’s critical
undertaking, rather than offer analyses of the employment of reflective
judgment in different realms. The point is problematic because I claim
that my interpretation can constitute an important part of such a unified
reading. But I do not provide such a complete reading in this book. This is
liable to strike many as a lot of hand-waving.
This is a charge I cannot answer in a fully satisfactory manner here. But
let me say briefly what I think are the principal problems the Critique of the
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Introduction: The Transcendental Undertaking
Power of Judgment addresses and how answering them completes Kant’s
critical project; I will also say briefly how my view differs from another,
very prominent attempt to give such an account.
I think the principal problems of the book are two: () the problem of
bridging the gap between our theoretical and practical worldviews, which
results from the facts that we are practically obligated by a rational system
of moral laws but must act in a world governed by a system of natural laws;
it is presented in Sections I–III and IX of the Introduction and answered in
the Methodology of the Teleological Power of Judgment; and () the
problem of the transcendental conditions of a particular empirical experience and knowledge of nature, which is the focus of this book; Sections IV
and V of the Introduction pose the question and offer in brief the answer
to it; Sections VI–VIII then explain that completing the discussion of this
matter requires treating separately and in turn the aesthetic and the logical
(or conceptual) purposiveness of nature.
The problem of the transcendental conditions of empirical experience is
thus the principal (though not the only) concern of the Critique of the
Aesthetic Power of Judgment and of the Critique of the Teleological
Power of Judgment. Employing the results of these discussions of the
Introduction’s second question enables Kant to answer his first question in
the Methodology of Teleological Judgment. There he presents the familiar
argument to the highest good as the bridge between nature and freedom,
but employs physical teleology as a propaedeutic to it. If this is right, then
the Introduction does indeed introduce the work that follows it, and its
structure mirrors that of the book. These claims also explain how the third
Critique completes the critical project: The second problem sets the task of
completing the transcendental account of the conditions of experience
presented in the Critique of Pure Reason; the first aims to bridge the
metaphysical gap between the critical practical and – now complete –
theoretical worldviews. Indeed, I think the point of Kant’s surprising
insistence in the Introduction to the third Critique that the pursuit of
happiness is properly a concern of theoretical rather than practical philosophy is precisely to relocate the argument to the highest good – making it
the bridge between nature and freedom rather than the resolution of the
predicament of finite practical agency.

For my analysis of the Methodology, see Ido Geiger, “Methodology of the Teleological Power of
Judgment,” in The Kantian Mind, edited by Sorin Baiasu and Mark Timmons (London:
Routledge) [forthcoming].
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I. Method, Scope and Structure

But the unity of the text is not complete. The highly influential
discussion of fine art plays only a supporting role in the main argument
of the book. Introducing the distinction between free and dependent
beauty can be understood as a response to the claim that the beauty of
many works of art constitutes a counterexample to the account of the
Analytic of the Beautiful. Kant’s response is to claim that the Analytic is
concerned with free beauty, whereas the beauty of most fine art is concept
dependent. Most art presents aesthetically ideas of reason. The representational visual arts and the academic skill of drawing also provide particularly clear examples of an encounter with the beautiful natural forms,
which are the concern of Kant’s analysis of natural beauty.
Finally, I believe that Kant’s discussion of the sublime is a digression
from the main line of argument of the book. The digression might be
motivated both by the topical importance of the subject and by the fact
that it enables Kant to claim to have offered an exhaustive account of the
different types of aesthetic judgments.
I acknowledge that the charge of hand-waving is to some extent justified, but I hope to a lesser degree than might first be thought. I happily
take on responding to the charge more fully as a debt to be paid in
the future.
As a general rule, I will leave engagement with the secondary literature
to the body of the book. But one such reference belongs here and is
required in order to explain in overview how my reading differs from a
prominent and very similar attempt to offer the core of a unifying reading
of the third Critique. Zuckert’s important, compelling and highly influential Kant on Beauty and Biology takes on the task of offering the main part
of an interpretation that presents Kant’s Critique of the Power of Judgment
as a unified work – emphasizing his claim that the work completes his
critical endeavor. Our projects are also alike in claiming that () an
important concern of the book is completing the account of the

For a more detailed account of the relation between natural beauty and the beauty of fine art, see
Aviv Reiter and Ido Geiger, “Natural Beauty, Fine Art and the Relation between Them,” KantStudien  (): –. For Kant’s account of human-made functional beauty, see Aviv Reiter
and Ido Geiger, “Kant on Form, Function and Decoration,” Proceedings of the European Society of
Aesthetics  (): –. For detailed discussions of aesthetic ideas of nature, see Aviv Reiter,
“Kant on the Aesthetic Ideas of Beautiful Nature,” British Journal of Aesthetics  (): –.
For a detailed discussion of the aesthetic ideas presented in art, see Ido Geiger, “Kant on Aesthetic
Ideas, Rational Ideas and the Subject-Matter of Art,” Journal of Aesthetics and Art Criticism 
(): –.

Rachel Zuckert, Kant on Beauty and Biology: An Interpretation of the “Critique of Judgment”
(Cambridge: Cambridge University Press, ).
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Introduction: The Transcendental Undertaking
transcendental conditions of an empirical experience of nature; () most of
the Critique of Aesthetic Judgment and the Critique of Teleological
Judgment are part of the project of completing the critical undertaking;
() establishing a teleological conception of nature is a step toward bridging the gap between nature and freedom; and () the discussions of fine art
and the sublime are not central components of the critical project. The
projects are even alike in leaving the accounts of fine art and the sublime
outside their scope (Zuckert contends with the bridging task of the
Methodology in her Conclusion).
Despite these and other noteworthy similarities, the accounts are also
quite different. Zuckert sets out from the problem of the transcendental
conditions of a particular empirical experience of nature and knowledge of
its laws. This part of her interpretation targets the Introduction to the third
Critique, supplementing it with an account of Kant’s account of concept
formation drawing on the Jäsche Logic. On this matter there is very
considerable substantive agreement between us – though significantly,
and as I have already mentioned, I take Kant’s account to be completed
only at the end of the Critique of Teleological Judgment. Indeed, on my
view, completing the deduction of the principle of the purposiveness of
nature is the ultimate aim of this part of the third Critique.
More importantly, Zuckert begins by arguing that what she refers to as
the principle of purposiveness without a purpose, unity in diversity or
lawfulness of the contingent is a transcendental condition of experience.
Having done so, she takes natural beauty and biology to be domains in
which the principle is instantiated – significantly recognizing that they
exemplify particularly high degrees of unity or articulation, which exceed
what the Critique of Pure Reason would view as necessary aspects of our
experience of nature. My view is that taking the accounts of natural beauty
and biology to be such instantiations of the principle of purposiveness or of
unity in diversity goes beyond what is strictly required to complete the
critical undertaking. The point can be made from the opposite direction:
What Zuckert calls the principle of unity in diversity is much broader in
application than the principle required in order to complete the account of
the transcendental conditions of empirical experience. I will thus argue, in
contrast, that the two parts of the book are part of the transcendental
account of the conditions of an empirical experience of nature and of
knowledge of its laws. A consequence of this fundamental difference
between our views is that I see the book as central to Kant’s philosophy,
whereas Zuckert sees it as, in an important sense, concerned with its limits,
with the particular or contingent as such. I will have occasion to engage
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I. Method, Scope and Structure

with specific points of Zuckert’s account in the body of the book. These
engagements will reveal that despite agreement on some key matters, our
views of Kant’s Critique of the Power of Judgment are quite different.
I refer quite often in the book to the Appendix to the Transcendental
Dialectic of the first Critique. But I decided not to devote a separate
chapter to it. The more circumscribed aim of the book is to understand
Kant’s view of the transcendental conditions of empirical experience in the
third Critique. I thus refer to the Appendix, where I think it can throw
light on what Kant is claiming in the book. Furthermore, I think it is quite
clear that Kant’s thinking in the Appendix has not yet taken its final form.
So I hope that not including a chapter on the Appendix is a defensible
choice. Articulating in detail Kant’s account of the transcendental conditions of experience in the third Critique will make possible a comparison
with his earlier conception of the matter – another task for the future.
A much more complex issue also has to do with the relationship
between the Critique of the Power of judgment and the Critique of Pure
Reason. As I have already mentioned and will point out below, many
readers apparently believe that Kant’s account of the transcendental conditions of experience is presented in full in the Doctrine of Elements of the
first Critique – many of them think the account is complete by the end of
the Transcendental Analytic. Such readers are likely to find many things
I say wrong and possibly sometimes outrageously so. Questions I think are
raised and answered in the third Critique – they think have already been
answered definitively and differently in the first.
I thought about how to respond to objections of this sort generally and
to specific examples of objections I encountered or saw forthcoming, and
I attempted to incorporate a lengthy substantive answer to one such
objection into an earlier draft of the book. But I came to think that this
type of exchange will be conducted far more fruitfully after the interpretative claims of the book are presented in full. To give an example: Once
we see how Kant conceives of the apprehension of spatial forms in pure

Interpretations such as Zuckert’s and mine should be distinguished from unifying readings that take
the account of the conditions of empirical experience to be complete and consequently focus
exclusively on the task of bridging the theoretical and practical worldviews as the key to the unity
of the book. For a prominent recent account of this sort, see Ina Goy, Kants Theorie der Biologie: Ein
Kommentar. Eine Lesart. Eine Historische Einordnung (Berlin: De Gruyter, ).

For my earlier discussion of the Appendix, see Ido Geiger, “Is the Assumption of a Systematic Whole
of Empirical Concepts a Necessary Condition of Knowledge?” Kant-Studien  (): –.
The discussion there is at crucial junctures rather speculative and attempts to make sense of Kant’s
terse but pregnant pronouncements. In retrospect, I think it is easy to see that what the Appendix
wants is an analysis of discursivity and its implications.
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Introduction: The Transcendental Undertaking
aesthetic judgments and we understand their role in cognition in the third
Critique, we will be able to assess how it stands in relation to the various
readings of the doctrine of threefold synthesis of the A-Deduction of the first
Critique. This will enable us to decide whether or not Kant remains committed to the doctrine and whether he has further elaborated it. But to assume
that Kant remains committed to the doctrine as stated in the A-Deduction
throughout the last decade of his intellectual activity and further to commit
oneself to a particular reading of it is liable to bias the way we examine the
third Critique. And this is obviously highly problematic methodologically.
I am asking then readers not to dismiss a claim I attribute to the third
Critique, simply because it conflicts with what they think Kant says in the
first Critique. This is certainly not at all to say that there are no good
reasons for challenging my interpretation. Nor is it to say that they are
wrong in their reading of the first Critique. But the point of departure of
this entire book is that the Critique of Pure Reason is not Kant’s last word
on the all-important topic of the transcendental conditions of experience.
This is something Kant himself says very clearly in the Introduction to the
Critique of the Power of Judgment.
I have read and learned a great deal from many more papers and books
than I cite. At crucial junctures, I attempt to respond succinctly to
prominent alternatives or to situate my interpretation in relation to others.
And I attempt to relate claims I make to those of others throughout the
book. But my substantive engagement with the secondary literature is far
from complete. At some point it became clear to me that attempting to do
so more comprehensively and in more detail would greatly distract from
the main claims of the book. Engaging in the many controversies to which
the third Critique has given rise too must remain a task for the future.
A final point about the order of discussions. With one exception, the
book follows the order of the Critique of the Power of Judgment. The
exception, as I have already indicated, is taking on the Critique of the
Aesthetic Power of Judgment after the Critique of the Teleological Power
of Judgment. The reasons for this are two. Kant presents a deduction of
the principle of the conceptual purposiveness of nature in the
Introduction, and a principal claim of mine is that the deduction is, in
fact, completed in the second half of the book. So it makes sense to
complete that discussion before turning to what is the newer and more
controversial development in Kant’s thinking. Leaving the discussion to
the end also emphasizes these interesting and controversial claims.
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 
The Charge of Reflective Judgment and the
Conceptual and Aesthetic Purposiveness of Nature
. Introduction
The Introduction to the Critique of the Power of Judgment is a text of
paramount importance for anyone interested in the role that Kant’s
conception of the cognitive purposiveness of nature plays in his account
of the possibility of a particular empirical experience and knowledge of
nature. In the Introduction, Kant poses the question of the conditions of a
particular empirical experience of nature. He states clearly that the Critique
of Pure Reason did not offer the whole answer to it. To complete the
undertaking of the first Critique will require, he tells us, a transcendental
investigation of the reflective power of judgment leading to its guiding
principle, namely, the a priori transcendental principle of the purposiveness of nature. Kant appears to provide a deduction of this principle in
the Introduction.
For me too, the Introduction to the third Critique is, of course, of great
importance; one section of this chapter will be devoted to a discussion of
the problem of the conditions of empirical experience that, I think, Kant
poses and the answer he gives to it in Sections IV and V of the
Introduction. But my discussion of the Introduction will also have two
unusual foci and will attempt to defend two controversial claims: () Less
controversially, I will claim that the argument of Sections IV and V of the
Introduction is, in very important respects, indeed introductory and, in
fact, only finds its completion in the Critique of the Teleological Power of
Judgment; Chapters – will defend this claim in detail. () Far more
controversially, I will claim that the Critique of the Aesthetic Power of
Judgment provides a crucial part of Kant’s account of the transcendental
conditions of empirical experience and knowledge; presenting this argument will be the task of Chapter . In this chapter I will present evidence
supporting the suggestion that this is a principal task of the first half of the
third Critique.

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Charge of Reflective Judgment & Purposiveness of Nature
It is worth emphasizing that the problem of offering a unified reading of the
Critique of the Power of Judgment, raised in the Introduction, is reflected in the
difficulty of offering a unified reading of its Introduction. Simply put, offering
such a reading requires showing that the Introduction is indeed introductory
and, moreover, introduces the book that, in fact, follows it. More specifically,
I have already suggested that the Introduction poses two main problems,
which the book then discusses in detail: () the problem of bridging the gap
between our practical and theoretical worldviews, principally discussed in the
Methodology of the Teleological Power of Judgment; and () the problem of
the transcendental conditions of a particular empirical experience and knowledge of nature, which is the fundamental (though not the only) concern of the
Critique of Aesthetic Judgment and of the Critique of Teleological Judgment.
As I have already mentioned in the Introduction, the latter topic is the focus of
this book, but I think that the answer to the first problem employs as an
assumption the answer given to the second problem. These claims suggest
then what roughly the structure of the third Critique is – though many caveats
must be made, and further explanations are clearly required. More importantly for our present concern, they also help to see the Introduction as a
unified text. Sections I–III and IX are concerned with the first question.
Sections IV and V pose the second question and offer, in brief, the answer to
it. Sections VI–VIII explain that a complete discussion of the matter requires
treating separately and, in turn, the aesthetic and the logical (or conceptual)
purposiveness of nature. Employing the results of these discussions of his
second question will then enable Kant to answer his first question in the
Methodology of Teleological Judgment.
The Introduction thus suggests that it has not given the complete
answer to the question of the conditions of empirical experience.
Obviously, a lot more needs to be said about these issues. But it is worth
stressing again how problematic is the alternative to seeking the sort of
unified reading to which I am committed. It means viewing a large part of
the Introduction as a complete discussion that is only loosely connected to
the book that follows it. On the sort of reading I have in view, the
Introduction does indeed introduce the work, and its structure mirrors
that of the book.
. Why a Critique of the Reflective Power of Judgment (Preface)?
Kant might appear to give two different and possibly conflicting answers to
the questions of why a critique of the reflective power of judgment is
necessary and what its principal task is. The Introduction suggests that a
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. Why a Critique of the Reflective Power of Judgment?

principal task of the work is completing the account of the transcendental
conditions of an empirical experience of nature and that this requires an
investigation of the reflective power of judgment, which is charged with
seeking the empirical order of nature. But the Preface to the work suggests
that writing a critique of the reflective power of judgment is required
because the critical project as a whole is concerned with revealing the a
priori principles of three faculties of cognition: () The Critique of Pure
Reason has as its focus the understanding or “the faculty of cognition,
insofar as it contains constitutive principles of cognition a priori” (KU
:); () the Critique of Practical Reason contends with “reason, which
contains constitutive principles a priori nowhere except strictly with regard
to the faculty of desire” (KU :); () it will be the task of the third
Critique to present the a priori, though regulative, principles of the power
of (reflective) judgment and their relation specifically to the feeling of
pleasure and displeasure. Indeed, this short answer to the question of the
aim of a critique of the power of reflective judgment is often taken to
require no further elaboration. The answer seems to find support in Kant’s
explicit emphasis on the central importance of the Critique of Aesthetic
Judgment to the work. Further conjoining this answer with the claim that
pure aesthetic judgments are nonconceptual or noncognitive leads to the
view that investigating the transcendental conditions of empirical experience cannot be a principal concern of the book as a whole.
I think, though, that this answer and the Preface more generally are
liable to mislead us because the latter answer is, in fact, implicitly dependent on the former. In other words, a critique examining the feeling of
pleasure and displeasure is required because reflective judgment is a faculty
of cognition that plays a necessary role in the construction of experience.
As is well known, Kant did not initially think that the critical undertaking would require writing three distinct works. The Critique of Practical

This point is quite clear in the First Introduction, which first introduces the power of judgment as
“the faculty for the subsumption of the particular under the general” (EEKU :), and only
then raises the possibility that the faculty “contains a priori principles” (EEKU :) for the
feeling of pleasure and displeasure. In the Encyclopedic Introduction (Section XI), Kant says
perfectly explicitly:
The introduction of the power of judgment into the system of the pure faculties of cognition
through concepts rests entirely on its transcendental principle, which is peculiar to it: that
nature [in] the specification of the transcendental laws of understanding (principles of its
possibility as nature in general), i.e., in the manifold of its empirical laws, proceeds in
accordance with the idea of a system of their division for the sake of the possibility of
experience as an empirical system. (EEKU :–)
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
Charge of Reflective Judgment & Purposiveness of Nature
Reason () has its origin in the revisions leading to the second edition of
the Critique of Pure Reason () (see Letter  to Bering; April , ;
Br :–). Kant first mentions a critique of taste in the summer of
 (see Letter  to Schütz; June , ; Br :–; see also
Letter  to Jakob; September (?) , ; Br :–; Letter
 to Herz; December , ; Br :–). In the longest and
most revealing report on the project, Kant dramatically speaks of a
discovery.
My inner conviction grows, as I discover in working on different topics that
not only does my system remain self-consistent but I find also, when
sometimes I cannot see the right way to investigate a certain subject, that
I need only look back at the general picture of the elements of knowledge,
and of the mental powers pertaining to them, in order to discover elucidations [Aufschlüsse zu bekommen] I had not expected. I am now at work on
the critique of taste, and I have discovered a new sort of a priori principles,
different from those heretofore observed. For there are three faculties of the
mind: the faculty of cognition, the faculty of feeling pleasure and displeasure, and the faculty of desire. In the Critique of Pure (theoretical) Reason,
I found a priori principles for the first of these, and in the Critique of
Practical Reason, a priori principles for the third. I tried to find them for the
second as well, and though I thought it impossible to find such principles,
the analysis of the previously mentioned faculties of the human mind
allowed me to discover a systematicity [das Systematische], giving me ample
material at which to marvel and if possible to explore, material sufficient to
last me for the rest of my life. This systematicity put me on the path to
recognizing the three parts of philosophy, each of which has its a priori
principles, which can be enumerated and for which one can delimit
precisely the knowledge that may be based on them: theoretical philosophy,
teleology, and practical philosophy, of which the second is, to be sure, the
least rich in a priori grounds of determination. I hope to have a manuscript
on this completed though not in print by Easter; it will be entitled
“Critique of Taste.” (Letter  to Reinhold; December  and ,
; Br :–)
As this passage makes clear, it is not the mere fact that we have a faculty of
pleasure and displeasure that demands undertaking a critical analysis of it.
It is rather the discovery of a “new sort of a priori principles.” Kant here
calls them “a priori grounds of determination [Bestimmungsgründen].” The
Preface makes the same point by describing the critical project as concerned with the a priori principles of cognition.

I have slightly amended the typography.
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. Why a Critique of the Reflective Power of Judgment?

Kant here and elsewhere speaks of cognition (Erkenntnis) as encompassing both the theoretical and the practical realms and more restrictedly to
refer either to theoretical or to practical cognition. (He also, of course, calls
cognition the sort of a priori philosophical knowledge that the critical
enterprise means to provide; in the letter above the knowledge offered by
the third Critique is called teleology.) But Kant also says in the Preface and
emphasizes in the first sections of the Introduction that with regard to the
domains in which these a priori principles of cognition are legislative, the
distinction between theoretical or natural philosophy and practical or
moral philosophy is exhaustive. Are then the objects of the a priori
principles of the faculty of pleasure and displeasure those that belong to
the domain of nature or those of the domain of freedom? As Kant
emphasizes in the Preface and in the Introduction, the power of judgment
does not have its own domain.
In the Preface, Kant claims that the power of judgment can be annexed
either to the theoretical or to the practical part of philosophy “in case of
need” (KU :). In context, the claim is quite opaque. I think (and hope
to make the thought plausible in what follows) that what the claim means
is that the investigation of the role reflective judgment plays with regard to
the possibility of empirical experience belongs to theoretical philosophy. In
contrast, the use of its principle to establish rational belief in the highest
good as the bridge between nature and freedom is obviously of importance
to practical philosophy. If this is right, then a critique of reflective judgment is required, first and foremost because of its necessary contribution to
theoretical cognition, for the latter argument is dependent on the results of
the former theoretical investigation.
Though Kant certainly could have been clearer, this answer is, in fact,
suggested by the text of the Preface. First, Kant says very clearly that the
understanding is not the only faculty of theoretical cognition. The Critique
of Pure Reason, he surprisingly says, was, in fact, concerned only with “the
understanding, in accordance with its a priori principles, excluding the
power of judgment and reason (as faculties likewise belonging to theoretical cognition)” (KU :). He then goes on to acknowledge the importance of the discussion of reason in the Transcendental Dialectic. But he

These claims find confirmation in the introductory section of the Methodology of the Teleological
Power of Judgment (§), where Kant asks what place teleology has within theoretical philosophy
(cf., KU :). Does it belong to the doctrine of nature or to theology as concerned with the
“original ground of the world as the sum total of all objects of experience” (KU :)? He answers
that teleology belongs to neither doctrine but rather to the critique of the reflective power of
judgment. Nevertheless, the “most important use of it can be made within theology” (KU :).
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Charge of Reflective Judgment & Purposiveness of Nature
now suggests (as clearly as Kant might) that the discussion of the contribution of the regulative ideas of reason to theoretical cognition has its
proper place in a critique of the power of reflective judgment. Without
perfectly explicitly naming the Appendix to the Transcendental Dialectic
(Anhang zur transzendentalen Dialektik), he says that its discussion “could
at best have been appended [angehängt] to the theoretical part of philosophy” (KU :).
Second, and relatedly, in the passage that ends with the above claim,
Kant touches upon what appears to be a decisive argument against taking
the discussion of the conditions of empirical experience to be a concern of
the Critique of Aesthetic Judgment and thus possibly the principal concern
of the third Critique as a whole. Succinctly, the argument is a conclusion
drawn from two claims: () Kant says that in a “critique of the power of
judgment the part that contains the aesthetic power of judgment is
essential, since this alone contains a principle that the power of judgment
lays at the basis of its reflection on nature entirely a priori” (KU :); but
() pure aesthetic judgments are nonconceptual or noncognitive; thus, ()
a discussion of pure aesthetic judgments cannot be an essential part of the
investigation of the conditions of empirical cognition.
It will be the principal task of Chapter  to counter this argument. But
for our present concern, it is important to note that in this passage of the
Preface Kant speaks of an embarrassment or a quandary.
This embarrassment [Verlegenheit] about a principle (whether it be subjective or objective) is found chiefly in those judgings that are called
aesthetic . . . And likewise the critical investigation of a principle of the
power of judgment in these cases is the most important part of a critique of
this faculty. For although by themselves they contribute nothing at all to
the cognition of things, still they belong to the faculty of cognition alone,
and prove an immediate relation of this faculty to the feeling of pleasure or
displeasure in accordance with some a priori principle . . . But in the case of
the logical judging of nature, where experience imposes on things a conformity to law that the understanding’s general concept of the sensible is
not sufficient to understand or explain, and where the power of judgment
can derive from itself a principle for the relation of the thing in nature to the
uncognizable supersensible but can only use it with respect to itself for the
cognition of nature, there indeed such an a priori principle can and must be
applied for the cognition of the beings in the world and at the same time

I have slightly amended the translation. Kant writes: “allenfalls dem theoretischen Teile der
Philosophie . . . hätte angehängt werden können” (KU :). In the Prolegomena, he says that the
first part of the Appendix should be taken as a scholium (Prol :).
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. Why a Critique of the Reflective Power of Judgment?

opens up prospects that are advantageous for practical reason; but it has no
immediate relation to the feeling of pleasure and displeasure, which is
precisely what is puzzling [Rätselhafte] in the principle of the power of
judgment and what makes a special division for this faculty necessary in the
critique, since logical judging in accordance with concepts (from which an
immediate inference to the feeling of pleasure and displeasure can never be
drawn), together with a critical restriction of it, could always have been
appended to the theoretical part of philosophy. (KU :–)
Succinctly, the quandary or puzzle is that aesthetic judgments are immediately related to the feeling of pleasure and displeasure, but “they contribute nothing at all to the cognition of things.” In contrast, the logical
judging of nature in accordance with the principle of reflective judgment
has no immediate relation to the feeling of pleasure and displeasure, but it
“must be applied for the cognition of the beings in the world.” In other
words, what obviously has to do with theoretical cognition is not immediately related to the definitive characteristic of the faculty investigated,
whereas the aesthetic judgments that are immediately related to the feeling
of pleasure appear to play no part in theoretical cognition.
Obviously, a lot more needs to be said about these matters. At this
point, I am only claiming that the puzzle has a solution. I emphasize the
fact that Kant says that both parts of the critique contend with theoretical
cognition – he says of aesthetic judgments that “although by themselves
they contribute nothing at all to the cognition of things, still they belong
to the faculty of cognition alone.” So both the discussion of the aesthetic
and the discussion of the logical or conceptual purposiveness of nature
have their proper place within a critique of the reflective power of judgment. Indeed, I emphasize that Kant states clearly that it is precisely this
puzzle posed by the principle of reflective judgment that “makes a special
division for this faculty necessary in the critique.”
In conclusion of this part, I first want to make the relatively weak claim
that the Preface gives us some reason to think that the first principal task of
the third Critique is completing Kant’s account of the possibility of
empirical experience and knowledge. I also want to acknowledge that it
raises two challenges: First, the interpretation must explain how precisely
the Critique of Teleological Judgment is connected to this undertaking.
This will demand an account of the division of labor between the
Introduction and the body of the book. It will further demand an answer
to the question of why Kant devotes protracted attention to organic
phenomena. The second and more formidable challenge will be to explain
how an account of nonconceptual pure aesthetic judgment might
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
Charge of Reflective Judgment & Purposiveness of Nature
constitute an essential part of Kant’s account of the transcendental conditions of experience and knowledge.
. The Reflective Power of Judgment and the Deduction of Its
Transcendental Principle (Introduction, Sections IV and V)
There can be no denying the importance of the discussion of Sections IV
and V of the Introduction to the Critique of the Power of Judgment –
provided their concern is posed broadly enough. One way of reading these
sections is as exclusively a key to Kant’s view of empirical knowledge and
general theory of science. Alternatively, they also put forward a crucial
extension of Kant’s investigation of the transcendental conditions of
experience. But there is, obviously, a very significant difference between
these two alternatives. On the latter alternative, the discussion belongs to
the very core of Kant’s theoretical philosophy and demands the attention
of anyone interested in his transcendental project; on the former, in
contrast, the discussion is of more specific and discretionary interest,
noteworthy though it may be.
It seems to me that the current state of the debate is askew:
A considerable majority of Kantians vote for the former possibility (or
would if asked to choose); but the evidence, though complex and not
unambiguous, better supports the latter alternative. It is my purpose in this
section of the chapter to do what I can to remedy this situation. I will also
say something about what I think is the ground of the obscurity of these
passages. Succinctly and as I have already suggested above – and will
discuss at greater length in the next section of the chapter – it is the fact
that the discussion of the transcendental conditions of empirical experience
in the Introduction is in two respects truly introductory: It requires the
notion of the aesthetic purposiveness of nature on the one hand, and, on
the other hand, the discussion of the conceptual purposiveness of nature
requires grounding its principle in the discursivity of our understanding, a
task Kant carries out only at the end of the Critique of Teleological
Judgment. These are two central tasks of the work that follows
the Introduction.
..
The Reflective Power of Judgment (Introduction, Section IV)
The opening paragraph of Section IV of the Introduction is indeed very
often quoted. I do not recall encountering, however, a single resolute
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. Reflective Power of Judgment & Deduction

statement of the great challenge it poses for our understanding of the third
Critique.
The power of judgment in general is the faculty for thinking of the
particular as contained under the universal. If the universal (the rule, the
principle, the law) is given, then the power of judgment, which subsumes
the particular under it (even when, as a transcendental power of judgment,
it provides the conditions a priori in accordance with which alone anything
can be subsumed under that universal), is determining. If, however, only
the particular is given, for which the universal is to be found, then the
power of judgment is merely reflecting. (KU :)
The power of judgment is described as the faculty that allows us to
subsume particular sensible objects under universal concepts. It is determinative when we are in possession of the concepts that apply to a given
object. Kant implies here that determinative judgment is either transcendental or empirical. In the former case, the concepts of the understanding
are the categories, which apply to all objects of experience. In the latter
case, the concepts and laws are empirical, and each particular sortal
concept applies only to those objects that possess the sensible marks
contained in it, and each particular law applies only to the objects and
kinds governed by it.
The power of judgment is reflective when the task at hand is finding a
concept or law under which to subsume a sensibly given particular or kind.
As the work unfolds, we learn that reflective judgment is charged with
seeking quite a variety of concepts: () Experiences of the mathematical
sublime lead us to the concept of the highest vocation of our cognitive
faculty and its superiority vis-à-vis the faculty of sensibility; () experiences
of the dynamically sublime lead us to the rational concept of our moral
freedom and its independence of nature; () judgments of artistic beauty
express pleasure in the unending articulation of the content of ideas of
reason; and () teleological judgments seek to describe particular processes
of organic self-organization as well as to explain them.
The problem should be plain for all to see: Pure judgments of taste
neither seek nor find universal concepts for their sensible objects. Indeed,

I discuss teleological judgment in Chapters  and . For discussion of reflective judgments of fine art,
explaining what ideas of reason they elaborate, see Aviv Reiter and Ido Geiger, “Natural Beauty, Fine
Art and the Relation between Them,” Kant-Studien  (): –; Ido Geiger, “Kant on
Aesthetic Ideas, Rational Ideas and the Subject-Matter of Art,” Journal of Aesthetics and Art Criticism
 (): –. For discussion of reflective judgments of the beauty of artifacts and the
concepts to which they lead (or adhere), see Aviv Reiter and Ido Geiger, “Kant on Form,
Function and Decoration,” Proceedings of the European Society of Aesthetics  (): –.
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Charge of Reflective Judgment & Purposiveness of Nature
when Kant first introduces the notion of an aesthetic judgment, in Section
VII of the Introduction, he says clearly that such a judgment “is not
grounded on any available concept of the object and does not furnish
one” (KU :). As I have already emphasized above, Kant speaks in the
Preface of a quandary: Aesthetic judgments “contribute nothing at all to
the cognition of things” (KU :). How then can they have an essential
place in the critique of reflective judgment?
In a critique of the power of judgment the part that contains the aesthetic
power of judgment is essential, since this alone contains a principle that the
power of judgment lays at the basis of its reflection on nature entirely a
priori, namely that of a formal purposiveness of nature in accordance with
its particular (empirical) laws for our faculty of cognition, without which
the understanding could not find itself in it . . . (KU :)
I emphasize that Kant speaks here of reflection on nature and its empirical
laws and of the indispensable role reflective judgment plays in the task of
finding our way in nature. The principle that guides reflective judgment in
this task, Kant says, lies at the heart of the Critique of Aesthetic Judgment;
and the critique of aesthetic judgment is indeed essential, because its
principle is laid down “at the basis of its reflection on nature entirely a
priori.” In the Preface, we saw, Kant speaks of the immediate relation of
aesthetic judgments to the faculty of reflective judgment and its a priori
principle. The reason why a critique of aesthetic judgment is essential for
Kant’s undertaking is then precisely the quandary he describes in
the Preface.
As I have already said above and will have ample occasion to say below,
I think there is an answer to the puzzle concerning the role of an analysis of
pure aesthetic judgments in the critique of reflective judgment: Although
pure aesthetic judgments are nonconceptual or noncognitive, they nevertheless play a necessary role in our search for the empirical conceptual
order of nature. For present purposes, it is of importance simply to note
that immediately after describing the reflective power of judgment Kant
goes on to discuss this very task: the “reflecting power of judgment . . . is
under the obligation of ascending from the particular in nature to the
universal” (KU :).

It bears underscoring that although judgments of sublimity and judgments of adherent beauty (most
judgments of artistic beauty and judgments of the beauty of artifacts) can be thought of as seeking
concepts, none are concerned with the conceptual order of empirical nature, nor, strictly speaking,
with any sensible natural particular. It is striking that, according to a common understanding of the
text, nothing in the first half of the third Critique is directly related to the task of discovering the
conceptual order of empirical nature.
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. Reflective Power of Judgment & Deduction

Here is Kant’s statement of the problem left open by the Critique of
Pure Reason:
But there is such a manifold of forms in nature, as it were so many
modifications of the universal transcendental concepts of nature that are
left undetermined by those laws that the pure understanding gives a priori,
since these pertain only to the possibility of a nature (as object of the senses)
in general, that there must nevertheless also be laws for it which, as
empirical, may seem to be contingent in accordance with the insight of
our understanding, but which, if they are to be called laws (as is also
required by the concept of a nature), must be regarded as necessary on a
principle of the unity of the manifold, even if that principle is unknown
to us. (KU :–)
First, Kant does not say what exactly he means by speaking of
“forms in nature” or by “modifications of the universal transcendental
concepts of nature.” But he seems to mean something like what a
thing is. So the claim is that there is a great variety of ways things in
nature can be or, simply, a great variety of natural things or objects. In
Section V, and in the very same context, Kant speaks simply of “objects of
empirical cognition” and of “specifically distinct natures” (KU :).
This suggests that the scope of the discussion is empirical cognition
quite generally.
Second, Kant appears to be saying that if we take into account the
categories alone, then beyond the determination as objects of experience
quite generally, we find ourselves unable to make any further distinctions
between presumably very diverse natural objects (“such a manifold . . . so
many modifications”). The fact that Kant goes on to talk about empirical
laws might at first seem to narrow down the scope of the discussion. But
I think Kant is naturally moving from the transcendental laws of nature to
empirical laws, but means also to be speaking about the empirical concepts
that allow us to describe the objects and kinds to which these laws apply.
Thus, no restriction of the scope of the discussion is meant. Kant is still
talking about empirical concepts generally. Restricting the scope of the
discussion here would stand in conflict with the fact that we are discussing
the power of reflecting judgment generally, which is charged with the
search for any empirical concept. Furthermore, the contrast Kant is
drawing appears to be the very general and exhaustive one between pure
and empirical concepts of experience. The point then is that categories
alone give us no insight whatsoever into the empirical order of nature.
They apply in just the same way to any object of experience whatsoever
and thus possess no capacity for empirical discrimination. Read in this
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way, the claim echoes an often-quoted passage from the B-Deduction of
the first Critique:
The pure faculty of understanding does not suffice, however, to prescribe to
the appearances through mere categories a priori laws beyond those on
which rests a nature in general, as lawfulness of appearances in space and
time. Particular laws, because they concern empirically determined appearances, cannot be completely derived from the categories, although they all
stand under them. (B)
It would be premature to attempt to settle the point here, but it should be
emphasized parenthetically that taking Kant to be talking of empirical
concepts quite generally as well as to be claiming that the categories alone
give us no insight into the empirical order of nature must, in fact, be highly
controversial. For these are steps toward adopting the strong reading,
which takes Kant’s task to be the completion of the account of the
transcendental conditions of experience. In other words, what is at stake
in taking Kant to be talking about empirical concepts generally is precisely
offering a transcendental reading of the third Critique. I do believe that by
the time we reach the end of this section of the chapter, the evidence in
support of pursuing this line of investigation will clearly outweigh
the alternative.
The next step is the claim that empirical laws too – and by implication,
as I just suggested, all empirical concepts – are a necessary part of
experience. Kant does not say why there must be empirical laws and
concepts. Presumably, the thought is that without them what we receive
in intuition would be utterly undifferentiated and would clearly fall short
of anything that we might think of as experience. Without empirical laws
and concepts we would be able to determine the existence neither of
similarities and distinctions nor of interactions between things, single or
recurring. Presumably, even the simplest experience requires grouping like
with like and identifying some rudimentary causal connections between
things. For this, Kant appears to be claiming, empirical concepts are
needed. To paraphrase Kant’s own famous phrase, “intuitions without
empirical concepts are blind.”
Kant next turns to the question of what we might think of as the
distinct modality of empirical concepts. By saying that empirical laws
“may seem to be contingent in accordance with the insight of our understanding,” Kant simply means, I think, that the pure a priori understanding determines the most general transcendental laws of nature, but it
determines nothing with regard to the empirical order of nature. Does
A resemble B and do Ps cause Qs are empirical questions. Perhaps
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they do; perhaps they don’t. We must turn to the world and our experience to learn the answers. From the perspective of pure understanding,
these matters are perfectly contingent. The point can also be put by saying
that pure understanding can provide no insight into these matters.
However, Kant goes on to say that laws “must be regarded as necessary.”
I claimed that by speaking of laws Kant means to imply empirical concepts
quite generally. So the claim is that the use of any empirical concept
involves a claim of necessity. If A resembles B, then it is necessary to
group them together, and the concept that names things of this kind
applies to them necessarily. If Ps cause Qs, then the law that names the
causal connection between things of these kinds applies to them necessarily. We might also put the point by saying that the investigation of the
empirical order of nature is concerned with objective matters of fact.
Kant then introduces, without offering anything like a structured argument, his solution to the problem. He tells us that () the reflecting power
of judgment requires an a priori transcendental principle grounding the
possibility of the empirical order of nature – a principle that it gives itself;
() this order will take the form of a “systematic subordination of empirical
principles under one another” (KU :); () the principle directs us to
view empirical laws and their systematic order “in terms of the sort of unity
they would have if an understanding (even if not ours) had likewise given
them for the sake of our faculty of cognition, in order to make possible a
system of experience in accordance with particular laws of nature”
(KU :); () this just means that “the principle of the power of
judgment in regard to the form of things in nature under empirical laws
in general is the purposiveness of nature in its multiplicity. I.e., nature is
represented through this concept as if an understanding contained
the ground of the unity of the manifold of its empirical laws.”
(KU :–). These points are made again in Kant’s official deduction
of the principle of the purposiveness of nature and the passage that
promises to convince us of its correctness; so I leave the more detailed
discussion of them to the next subsection.

I thus fully agree that Kant is committed to a necessitation account of laws and kinds (or natures, or
real essences). See Eric Watkins, Kant and the Metaphysics of Causality (Cambridge: Cambridge
University Press, ), –; James Kreines, “Kant on the Laws of Nature: Laws, Necessitation,
and the Limitation of Our Knowledge,” European Journal of Philosophy  (): –; James
Messina, “Kant’s Necessitation Account of Laws and the Nature of Natures,” in Kant and the Laws of
Nature, edited by Michela Massimi and Angela Breitenbach (Cambridge: Cambridge University
Press, ), –. This will be a key claim of Chapter .
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.. The Deduction of the Principle of the Purposiveness
of Nature (Introduction, Section V)
The title of Section V states that the principle of the formal purposiveness
of nature is a transcendental principle of the power of judgment. To deny
that Kant is concerned with the completion of his account of the a priori
transcendental conditions of experience requires showing that he is using
the term “transcendental” in some weaker sense than we associate with the
investigation of the Critique of Pure Reason. In the second edition, Kant
says: “I call all cognition transcendental that is occupied not so much with
objects but rather with our mode of cognition of objects insofar as this is to
be possible a priori” (B). Section V of the third Critique opens, however,
with a clear statement that contradicts the suggestion that the sense of the
term is different:
A transcendental principle is one through which the universal a priori
condition under which alone things can become objects of our cognition
at all is represented. (KU :)
The evidence that he is using the term in just the sense it has in the first
Critique seems to me conclusive: () He goes on to give as an example of a
transcendental principle the principle of causality; () he says that to think
of objects as standing under the principle of the purposiveness of nature is
“only the pure concept of objects of possible experiential cognition in
general” (KU :–); () he says that the principle “belongs among
the transcendental principles” (KU :); and () he says that without its
presupposition “we would have no order of nature in accordance with
empirical laws, hence no guideline for an experience of this in all its
multiplicity and for research into it” (KU :).
This is by no means to deny that a central concern of the text we are
considering is to begin to articulate the differences between the categories
as determining transcendental conditions of experience, on the one hand,
and, on the other hand, the principle of the purposiveness of nature, which
is a transcendental though regulative principle of reflective judgment.
These differences are key to understanding Kant’s conception of empirical
experience and knowledge.
The principle of the purposiveness of nature, Kant says, tells us how
nature ought to be judged; it possesses “logical objective necessity” and
thus “requires a transcendental deduction, by means of which the ground
[Grund] for judging in this way must be sought in the sources of cognition
[Erkenntnißquellen] a priori” (KU :). The paragraph following this
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claim apparently contains the deduction; the paragraph following it is
presented as aiding us “to be convinced of the correctness of this deduction” (KU :). But it seems to me that the two passages are not in any
deep way different in content or manner of argumentation, and I will
employ the latter to illuminate the former.
The very long paragraph that apparently contains the deduction begins
by recapitulating once again the results of the transcendental investigation
of the first Critique. It discovered the pure concepts of the understanding
and their schemata as “grounds of the possibility of an experience” (KU
:). Kant gives as an example the category of causality and, emphasizing the role that transcendental determinative judgment plays, its temporal
schema of succession. Kant apparently introduces causality simply as an
example of a category. Nevertheless, the deduction goes on to employ it,
and in doing so it picks up the focus on empirical laws in the previous
section of the Introduction – thereby suggesting that it is of particular
importance. In the following chapters, I will claim that Kant singles out
causality, because the empirical order of nature, which science seeks, is
ultimately a system of causal laws.
The deduction itself can be presented as consisting of the following
three steps:
() Determination by the schematized categories alone leaves the variety
of objects of experience empirically undetermined. But the understanding, as our faculty of cognition, allows us no access to objects
that are not empirically determined.
() It is a necessary transcendental assumption or presupposition of our
experience of the empirical world and its objects that it forms a
comprehensive hierarchical system of empirical (causal) laws.
() To represent the empirical world in this way is to represent it as
answering the aim or need of our understanding. But this is just to
assume that the empirical world is made to be known by or purposive
for the understanding as our faculty of cognition.
The first response to representing in this way what Kant entitles a deduction might well be incredulity. For so presented, the pivotal move from the
problem bequeathed by the first Critique () to the solution offered to it in
the third Critique () seems quite unwarranted. I nevertheless think that
this is a fair presentation of what the text in fact offers. A closer examination of the passages reveals that there is, in fact, nothing there but a rather
detailed explanation of the problem and a pronouncement of its solution.
The first claim summarizes this passage:
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Now, however, the objects of empirical cognition are still determined or, as
far as one can judge a priori, determinable in so many ways apart from that
formal time-condition that specifically distinct natures, besides what they
have in common as belonging to nature in general, can still be causes in
infinitely many ways; and each of these ways must (in accordance with the
concept of a cause in general) have its rule, which is a law, and hence brings
necessity with it, although given the constitution and the limits of our
faculties of cognition we have no insight at all into this necessity. Thus we
must think of there being in nature, with regard to its merely empirical
laws, a possibility of infinitely manifold empirical laws, which as far as our
insight goes are nevertheless contingent (cannot be cognized a priori); and
with regard to them we judge the unity of nature in accordance with
empirical laws and the possibility of the unity of experience (as a system
in accordance with empirical laws) as contingent. (KU :)
As we saw above, the passage preceding this one assumes that objects of
experience are determined by the schematized categories only and, specifically, by the category of causality and the temporal schema of succession.
Kant now claims that there are infinitely many ways in which different
empirical things can be causes. The very plausible thought seems to be that
experience is varied and differentiated rather than perfectly uniform. But
from the perspective of the categories alone there is no way to set a limit on
this variety. For the categories determine nothing with regard to the
empirical nature of things. So from this perspective, we must think of
experience as “infinitely manifold” and lacking any order – the next
paragraph describes such an “infinite multiplicity of empirical laws” (KU
:) as the most extreme case for the understanding and its task of
seeking order.
Kant then reminds us that the notion of causality is the notion of a
necessary connection. The question is whether we can have any cognitive
access to this variety of singular necessary causal connections. Kant is
asking us to think of whether we would be capable of tackling the variety
of nature equipped with the schematized categories alone. Can this be
done? Kant’s answer is negative: We can have no a priori insight into the
specific ways empirical objects are causes.
Now it is important to see clearly that paradoxically enough Kant is
conjoining here talk of rules or laws with what, from the perspective of the
categories alone, must be singular causal connections. For he is talking
about an infinite or limitless variety of causal connections as the most
extreme case for the understanding and its task of seeking order. But the
paradox is intentional. Kant is working his way precisely to claiming that
for us nature is not an infinite variety of singular causal connections but a
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system of universal empirical laws. A little later, Kant says clearly that our
understanding requires universal empirical laws and that this requires
sorting natural objects into species and genera to which the same causal
explanations apply.
For it may certainly be thought that . . . the specific diversity of the
empirical laws of nature together with their effects could nevertheless be
so great that it would be impossible for our understanding to discover in
them an order that we can grasp, to divide its products into genera and
species in order to use the principles for the explanation and the understanding of one for the explanation and comprehension of the other as well,
and to make an interconnected experience out of material that is for us so
confused (strictly speaking, only infinitely manifold and not fitted for our
power of comprehension). (KU :)
Kant’s last claim in the first step of the deduction is baffling: From the
perspective of the schematized categories we view the unified system of
empirical laws – through which, presumably, we experience the world – as
contingent. The claim, I think, is that from the perspective of the
schematized categories the unified system of empirical laws is contingent
in the sense that we cannot offer an account of it.
This raises two questions: () What precisely does Kant mean by
speaking of a “system in accordance with empirical laws”? () More
importantly for getting a grip on the argument, why does he say that we
must view or judge nature as such a system of empirical laws? Getting clear
on this question is understanding why the assumption of the systematic
conceptual unity of nature is a necessary principle of reflective judgment.
The answer to the first question is that Kant has in mind a comprehensive hierarchical taxonomy of empirical concepts and ultimately of empirical causal laws. In the next passage, we just saw, he speaks of species and
genera and an interconnected experience that allows us to comprehend and
explain nature; pointing once more to the close connection between
sorting nature into kinds and causality, he says that the principle is
expressed in propositions such as these:
. . . that there is in nature a subordination of genera and species that we can
grasp; that the latter in turn converge in accordance with a common

The very close connection between sorting nature into kinds and our capacity to offer causal
explanations that apply to these kinds is a very important theme of this book. It will appear in
discussions of the relation between description and explanation in the following chapters. The
connection has been emphasized by Kreines, who claims that “insofar as we seek knowledge of the
diversity of nature, we generally seek knowledge of particular laws governing interactions between
specifically distinct kinds.” Kreines, “Kant on the Laws of Nature,” .
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principle, so that a transition from one to the other and thereby to a higher
genus is possible; that since it seems initially unavoidable for our understanding to have to assume as many different kinds of causality as there are
specific differences of natural effects, they may nevertheless stand under a
small number of principles with the discovery of which we have to occupy
ourselves, etc. (KU :; cf. KU :)
Frustratingly enough, the second very important question is answered
simply by a statement of the second step of the argument:
But since such a unity must still necessarily be presupposed and assumed,
for otherwise no thoroughgoing interconnection of empirical cognitions
into a whole of experience would take place, because the universal laws of
nature yield such an interconnection among things with respect to their
genera, as things of nature in general, but not specifically, as such and such
particular beings in nature, the power of judgment must thus assume it as
an a priori principle for its own use that what is contingent for human
insight in the particular (empirical) laws of nature nevertheless contains a
lawful unity, not fathomable by us but still thinkable, in the combination of
its manifold into one experience possible in itself. (KU :–)
Kant appears simply to be claiming, first, that experience has the form of a
hierarchical systematic whole or unity of empirical laws and, second, that
as this system cannot be determined a priori by pure understanding, it
must be presupposed as an a priori principle of reflective judgment. Kant
tells us neither why experience must take the shape he claims it does nor why its
possessing this structure must be made an assumption that serves as the a priori
principle guiding reflective judgment.
The last move of the argument is terminological. Finding the system of
empirical concepts is a need of the understanding. But from its perspective,
the existence of such a system is quite contingent. Thus to think of nature
as, in fact, answering the need of the understanding is to think of it as
purposively structured to meet this need. The assumption of the systematic conceptual unity of nature might also be termed the principle of the
cognitive purposiveness of nature.
The following point concerning Kant’s conception of purposiveness is
worth underscoring. We will return to it in Chapter . Kant says in the
quote above that a “thoroughgoing interconnection of empirical cognitions into a whole of experience” is “contingent for human insight” – but it
“must still necessarily be presupposed and assumed.” Kant’s emphasis of
the modal terms necessity and contingency is driven by a characterization
of purposiveness, which he favors in the context of his transcendental
investigation. Purposiveness is the (assumption of the) actual yet
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contingent existence of something that is a necessary requirement of our
cognitive capacities. Specifically, to think of there being an empirical order
of nature – an order which the understanding necessarily requires but the
existence of which is contingent from its perspective alone – is to think of
nature as cognitively purposive or as designed to meet the need or
requirement of our understanding.
The section ends by emphasizing that the principle is not determinative;
it is a principle of reflective judgment, which guides our empirical investigation of nature: “however nature may be arranged as far as its universal
laws are concerned, we must always seek out its empirical laws in accordance with that principle and the maxims that are grounded on it, because
only so far as that takes place can we make progress in experience and
acquire cognition by the use of our understanding” (KU :).
..
What Is the Deduction of the Principle of the Purposiveness
of Nature Missing?
I have pointed to two main problems with what Kant quite misleadingly
calls a deduction. First, it does not explain why empirical knowledge must
take the form of a hierarchical taxonomy (species, genera, etc.) of empirical
concepts – ultimately as Kant suggests, and I will claim in the following
chapters, a system of causal laws. It is worth saying that this problem has
not attracted attention, perhaps because the vision of empirical knowledge
Kant presents here is familiar from the Appendix to the Transcendental
Dialectic of the first Critique and other places, notably Kant’s lectures on
logic, possibly also because it is not taken to be highly controversial or
consequential. It is, furthermore, a picture shared by other philosophers of
the day, most notably perhaps Leibniz.
The second problem is graver. On the one hand, Kant creates high
expectations by employing the term “deduction” – recall his ambivalence

Indeed, Kant explicitly identifies his principle of continuity (equivalent to the idea of a hierarchical
taxonomy of concepts) with Leibniz’s law of continuity in the Appendix to the Transcendental
Dialectic (A/B); see, for example, Gottfried Wilhelm Leibniz, New Essays on Human
Understanding, edited and translated by Peter Remnant and Jonathan Bennett (Cambridge:
Cambridge University Press, ), , . A consequence of Leibniz’s view is the important
infinite analysis thesis: The analysis of any empirical concept into its constituent parts is infinite;
see, for example, Gottfried Wilhelm Leibniz, Philosophical Essays, edited and translated by Roger
Ariew and Daniel Garber (Indianapolis, IN: Hackett Publishing Company, ), –, –.
Zuckert sees clearly the gap in Kant’s argument and supplements it by drawing on the Jäsche
Logic account of empirical concepts. Rachel Zuckert, Kant on Beauty and Biology: An Interpretation
of the “Critique of Judgment” (Cambridge: Cambridge University Press, ), –.
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about using the term in the Appendix to the Transcendental Dialectic
(see: A–/B–, A/B); and he specifically promises to
seek the grounds of the principle of the purposiveness of nature in the
“sources of cognition a priori.” On the other hand, he appears simply to
declare that finding a hierarchical system of empirical laws is a need of the
understanding and that “such a unity must still necessarily be presupposed
and assumed” and specifically that “the power of judgment must thus
assume it as an a priori principle for its own use.”
I hope it is perfectly clear that in pointing out the weaknesses of the
deduction I by no means intend to advocate a dismissive attitude toward it,
still less toward the question it is presented as answering. I have already
said though that it is not at all uncommon to encounter such an attitude
toward Kant’s clear statements that he is complementing the investigation
of the first Critique by introducing a further transcendental condition of
experience; and the weakness of his argument renders such a response
perhaps somewhat more excusable. Another way to contend with Kant’s
claims would be to draw on available Kantian resources in order to
reconstruct a valid argument to the conclusion he states. Though the
ultimate aim of such an approach is obviously very close to mine, my
response to the deduction differs from it. I think that the crucial questions
raised by the deduction are only answered at the end of the Dialectic of
Teleological Judgment. In Chapter , I will argue that Kant’s discussion
of the discursive peculiarity of our understanding explains both why
the system of empirical experience and knowledge takes the shape
Kant attributes to it and how the assumption of the purposiveness
of nature is grounded in discursivity. It is only in Kant’s discussion of
the discursivity of our understanding then that the principle of the
purposiveness of nature is ultimately grounded in the “sources of cognition
a priori.”
. The Aesthetic and the Logical Purposiveness
of Nature (Introduction, Sections VI–VIII)
It is my purpose in this section to argue further that in two quite different
senses the deduction of the principle of the purposiveness of nature is
introductory and indeed introduces the principal tasks of the Critique of

I think it would be fair to describe in this way my past approach to the Appendix to the
Transcendental Dialectic. See Ido Geiger, “Is the Assumption of a Systematic Whole of
Empirical Concepts a Necessary Condition of Knowledge?” Kant-Studien  (): –.
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Aesthetic Judgment and of the Critique of Teleological Judgment. As we
will soon see in more detail, this will raise considerable conceptual and
exegetical challenges, which will only be met in full in the chapters devoted
to these parts of the text. With regard to the Critique of Aesthetic
Judgment, the principal problem, we saw, is the following: How can
nonconceptual pure aesthetic judgments be related to the discussion of
the conditions of experience and knowledge? In Chapter , I will argue
that there is an answer to this formidable challenge. It will be my purpose
in the present chapter only to point to Kant’s indications that the analysis
of pure aesthetic judgments is indeed undertaken as part of the discussion
of the conditions of empirical experience. With regard to the Critique of
Teleological Judgment, the challenge is twofold: () explaining what the
deduction is doing in the Introduction and showing that it finds its
ultimate completion in the discussion of the discursive peculiarity of our
understanding at the end of the Dialectic of Teleological Judgment; and
() explaining why Kant chooses to devote protracted attention to organic
phenomena in the Analytic of Teleological Judgment. In Chapters –,
I will attempt to answer these questions in full. In this chapter, I will claim
that the answers to both questions have to do with relocating the discussion of the conditions of empirical experience from the Appendix to the
Transcendental Dialectic of the first Critique to the critique of reflective
judgment.
Before turning to these tasks, I will discuss the surprising way in which
the Introduction connects the feeling of pleasure to the problem of the
conditions of experience.
.. The Feeling of Pleasure and the Purposiveness of Nature
(Introduction, Section VI)
In the discussion of the Preface above, I claimed that a critique of the
faculty of feeling pleasure and displeasure is required not simply because it
is a faculty of the mind but because reflective judgment is a faculty of
theoretical cognition, and guidance by its a priori principle is a necessary
condition of empirical experience. In other words, I argued that posing the
problem of the conditions of empirical experience underwrites the claim
that the distinct feeling of pleasure that is characteristic of reflective
judgment demands a critique. Section VI of the Introduction confirms
this claim.
Very significantly, Kant focuses, in Section VI, on the distinct feeling of
pleasure we feel when our empirical search for the conceptual order of
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nature is successful. The fact that the structure of experience accords with
the categories evokes no pleasure, he says, “because here the understanding
proceeds unintentionally, in accordance with its nature” (KU :). In
contrast, “the discovered unifiability of two or more empirically heterogeneous laws of nature under a principle that comprehends them both is the
ground of a very noticeable pleasure, often indeed of admiration, even of
one which does not cease though one is already sufficiently familiar with its
object” (KU :). Moreover, though the most fundamental conceptual
order of nature appears to evoke in us no pleasurable response, “it must
certainly have been there in its time, and only because the most common
experience would not be possible without it has it gradually become mixed
up with mere cognition and is no longer specially noticed” (KU :).
Kant is claiming then that the distinct pleasure evoked by the revelation of
the empirical conceptual order of nature is ubiquitous.
It is quite remarkable that the introduction of the feeling of pleasure
into the discussion emphasizes not the immediate pleasure expressed in
pure aesthetic judgments but the pleasure we take in the conceptual order
of nature, which is obviously mediated by the understanding. Our first
thought might be that we are talking about one and the same pleasure that
is accessed in two different ways – mediately and immediately. Indeed,
Kant speaks in this section in the singular of the combination of the feeling
of pleasure with the purposiveness of nature; and nowhere, as far as I can
see, does he claim that the feeling of aesthetic pleasure is qualitatively
distinct from the pleasure occasioned by the discovery of the conceptual
order of nature. But upon reflection it seems much more plausible to think
that the immediacy or mediateness of the pleasure is also an aspect of the
experience. Even then, Kant must think that the two pleasures are very
closely allied and in an important sense of a kind. In a crucial passage, to
which we will return in Chapter , he appears to suggest that the difference
between the conceptual and aesthetic pleasures is one of degree or intensity; he says that whereas in cognition generally the imagination and the
understanding are brought into accord, in aesthetic pleasure the relation
between the faculties is “optimal [zuträglichste] for the animation of both
powers of the mind (the one through the other)” (KU :).

He also speaks of the pleasure we experience in encountering the systematic unity of empirical laws
generally in the last sentence of the paragraph devoted to the deduction of the principle of the
purposiveness of nature in Section V.

For the claim that the difference between the pleasure involved in cognition and the pleasure
expressed in judgments of taste is quantitative only, see Melissa Zinkin, “Kant and the Pleasure of
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Indeed, in the Analytic of the Beautiful, Kant devotes considerable
effort to distinguishing pure aesthetic pleasure from all species of practical
pleasure; there he says that aesthetic pleasure in an object is felt “in mere
contemplation [in der bloßen Betrachtung]” (KU :). The pleasure (or
pleasures) is (are) theoretical or contemplative. However understood,
Kant’s emphasis in Section VI on the pleasure we take in discovering the
conceptual order of nature certainly supports the claim that posing the
problem of the conditions of empirical experience underwrites the claim
that the capacity for feeling this pleasure demands a critique.
This emphasis, however, also poses once more the question of how pure
aesthetic pleasure might be relevant to an investigation of the conditions of
empirical experience. The aim of the next section is not to answer this
question, but to show that Section VII of the Introduction suggests that it
is relevant and contains important clues regarding this puzzling
connection.
.. The Aesthetic Representation of the Purposiveness
of Nature (Introduction, Section VII)
The first very remarkable thing about Section VII of the Introduction is,
then, its title and the topic it announces: On the Aesthetic Representation
of the Purposiveness of Nature. It is remarkable, once again, simply
because it is the first time in the Introduction that Kant says that the
purposiveness of nature has an aesthetic aspect. Until this juncture, the
purposiveness of nature very clearly referred to the conceptual order of
empirical nature, which reflective judgment is charged with seeking.
Textually, this moment of disclosure takes the form of an emphatic
question: “The question is only whether there is such a representation of
purposiveness at all” (KU :).
‘Mere Reflection’,” Inquiry  (): . For a succinct description of Zinkin’s paper and a brief
response to it, see Chapter , note .

Later in the text, Kant calls pure aesthetic pleasure “dry satisfaction [trockenen Wohlgefallen]” (KU
:).

Section VIII contains a sentence that, read out of context, is liable to mislead many readers. Kant
claims that the representation of the conceptual purposiveness of nature, “since it relates the form of
the object not to the cognitive faculties of the subject in the apprehension of it but to a determinate
cognition of the object under a given concept, has nothing to do with a feeling of pleasure in things
but rather with the understanding in judging them” (KU :). Given what he has said in Section
VI, he cannot be saying that the conceptual representation of the purposiveness of nature has
nothing to do with the feeling of pleasure. He is saying that in contrast to the immediate aesthetic
pleasure in things it is an intellectually mediated pleasure in judging things. In the next subsection,
I will turn to the question of what things precisely Kant is speaking about here.
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Section VII begins by distinguishing the merely subjective aesthetic
aspect of a representation from its objective logical aspect:
What is merely subjective in the representation of an object, i.e., what
constitutes its relation to the subject, not to the object, is its aesthetic property;
but that in it which serves for the determination of the object (for cognition) or
can be so used is its logical validity. In the cognition of an object of the senses
both relations are present together. In the sensible representation of things
outside me the quality of the space in which we intuit them is the merely
subjective aspect of my representation of them (through which what they
might be as objects in themselves remains undetermined), on account of which
relation the object is also thereby thought of merely as appearance; space,
however, in spite of its merely subjective quality, is nevertheless an element in
the cognition of things as appearances. (KU :–)
It is important, first, to note that using the phrase “merely subjective” rather
than simply “subjective” is misleading. For the passage clarifies that what is
merely subjective in the representation of an object is present in the cognition
of an object; and cognition is objective. So what is merely subjective is also
present in objective cognition or is an aspect of objective cognition. Second, it
will prove very important indeed to get clear on what Kant means by speaking
of the “quality of the space” in which we intuit objects of the senses. At this
juncture, I claim only that it is most plausible to take him to be referring to the
spatial form of objects. The spatial figure or outline of an external object is a
subjective aspect of its representation, because space is the subjective a priori
form of outer intuition; but it is, nevertheless, an element in the objective
cognition of things that exist in space. Similarly and confirming my suggestion, Kant immediately goes on to point out that the sensation of objects is
merely subjective, but it also refers to “the material (the real) in them (through
which something existing is given), just as space expresses the mere a priori
form of the possibility of their intuition” (KU :).
Having distinguished the objective from the subjective aspect of the
representation of external objects (sensible matter from spatial form), Kant
focuses on what is subjective but cannot become an element in cognition:
However, the subjective aspect in a representation which cannot become an
element of cognition at all is the pleasure or displeasure connected with it;
for through this I cognize nothing in the object of the representation,
although it can well be the effect of some cognition or other. (KU :)

Saying here that the pleasure we are discussing “can well be the effect of some cognition or other”
must be a reference to cases in which pleasure is evoked by the conceptual order of nature, discussed
in Section VI.
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Kant then introduces the notion of the aesthetic representation of purposiveness: “the purposiveness that precedes the cognition of an object,
which is immediately connected with it even without wanting to use the
representation of it for a cognition, is the subjective aspect of it that cannot
become an element of cognition at all” (KU :). It is worth emphasizing that at this juncture we get no explanation of why employing the
notion of purposiveness is appropriate here nor how it might be related to
the empirical conceptual order of nature. The paragraph ends (rather
artificially) by posing the question quoted above of whether there is such
an aesthetic representation of purposiveness.
In the next paragraph we get a condensed description of the pure
aesthetic pleasure, which will be the main object of investigation of the
Analytic of the Beautiful and a first attempt to answer the question of why
it might be appropriate to use the notion of aesthetic purposiveness in this
context. It is worth quoting in full:
If pleasure is connected with the mere apprehension (apprehensio) of the
form of an object of intuition without a relation of this to a concept for a
determinate cognition, then the representation is thereby related not to the
object, but solely to the subject, and the pleasure can express nothing but its
suitability to the cognitive faculties that are in play in the reflecting power
of judgment, insofar as they are in play, and thus merely a subjective formal
purposiveness of the object. For that apprehension of forms in the imagination can never take place without the reflecting power of judgment, even
if unintentionally, at least comparing them to its faculty for relating
intuitions to concepts. Now if in this comparison the imagination (as the
faculty of a priori intuitions) is unintentionally brought into accord with the
understanding, as the faculty of concepts, through a given representation
and a feeling of pleasure is thereby aroused, then the object must be
regarded as purposive for the reflecting power of judgment. Such a judgment is an aesthetic judgment on the purposiveness of the object, which is
not grounded on any available concept of the object and does not furnish
one. That object the form of which (not the material aspect of its representation, as sensation) in mere reflection on it (without any intention of
acquiring a concept from it) is judged as the ground of a pleasure in the
representation of such an object – with its representation this pleasure is
also judged to be necessarily combined, consequently not merely for the
subject who apprehends this form but for everyone who judges at all. The
object is then called beautiful; and the faculty for judging through such a
pleasure (consequently also with universal validity) is called taste.
(KU :–)
First of all, I claim that it is still most plausible to take Kant to be saying
that it is the spatial form of objects that might evoke aesthetic pleasure. It is
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most plausible for several related reasons: () In the first paragraph Kant
spoke of the “quality of the space” in which we intuit objects of the senses
and distinguish what is formal from what is material or real in them; ()
although it might be claimed that in speaking of “the form of an object of
intuition” Kant is employing “form” in some different sense, it is far more
plausible to take the distinction between what is formal and what is
material in a representation to be exhaustive, as juxtaposing in this passage
the form of an object and “the material aspect of its representation, as
sensation” suggests; () taking Kant to be talking about the spatial form of
an object or representation makes very good sense of his emphasis on the
role of intuition and imagination in aesthetic pleasure as well as of his
speaking of the mere apprehension of the form of an object; () it also
makes very good sense of the nonconceptual nature of aesthetic pleasure;
() and it is also in line with the move between the two senses of subjective
representation in the first and second paragraphs of the section: the first
speaks of the spatial form of an object and the second of the pleasure this
form evokes. I will not here offer further defense of the crucial claim that
what typically evokes pure aesthetic pleasure is the spatial form of objects.
It will be elaborated and defended with all the vigor I can summon in
Chapter .
Second and relatedly, I claim at this juncture that taking Kant to be
talking about the pleasure evoked by the spatial form of objects gives us a
first important clue concerning the relation between aesthetic pleasure and
empirical cognition. For the spatial form of objects is, to use Kant’s phrase,
“an element in the cognition of things as appearances.” This is at best a
clue, for Kant emphatically states that aesthetic pleasure has no relation “to
a concept for a determinate cognition” – it “is not grounded on any
available concept of the object and does not furnish one.” So it is still
highly puzzling how aesthetic pleasure might be related to the empirical
conceptual order of nature. In other words and recalling the previous
paragraph, it is far from clear how aesthetic pleasure “precedes the cognition of an object” and how it might be “immediately connected with it.”
Third, this passage is the first of several in which we find some kind of
attempt to say why the pleasure we take in the apprehended form of an
object is an expression of the “subjective formal purposiveness of the
object.” Kant says that the pleasure expresses “its suitability
[Angemessenheit] to the cognitive faculties that are in play in the reflecting

I note here that although this claim is not uncontroversial, it is the view of a significant number of readers;
and a number of those who reject it acknowledge that the text often suggests this reading.
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power of judgment, insofar as they are in play.” The faculties in play –
“free play” (KU :–) he later tells us – are the imagination and the
understanding. So the claim is that the form of an object presented by the
imagination is felt somehow to be suitable to the understanding. Later in
the Analytic of the Beautiful, Kant speaks of the “mutual subjective
correspondence [wechselseitigen subjektiven Übereinstimmung] of the powers of cognition with each other” (KU :), their “mutual agreement
[wechselseitige Zusammenstimmung]” (KU :), “the harmony of the
faculties of cognition [Harmonie der Erkenntnißvermögen]” (KU :),
and of “unison in the play of the powers of the mind” (KU :); a
lengthier characterization speaks of “the subjective purposiveness of representations in the mind of the beholder, which indicates a certain purposiveness of the representational state of the subject, and in this an ease in
apprehending a given form in the imagination” (KU :). He also
clarifies that he calls this interaction free “since no determinate concept
restricts them to a particular rule of cognition” (KU :).
In this passage we also get a somewhat more helpful if still abstruse and
ambiguous characterization of the mental process that brings the
imagination and the understanding into aesthetic accord. Kant appears
to suggest that reflective judgment is regularly engaged in actively or
intentionally seeking a concept under which the form of a representation
might be subsumed. If it finds such a concept, it might then establish
whether the object also possesses the other characteristic marks of objects
that fall under this concept and so whether we can determine what kind
of an object it is. But as the passage asserts, reflective judgment also
operates unintentionally, which I take to mean in operation though not
in pursuit of its distinctive role of finding concepts for apprehended forms.
In the former case, the imagination and the understanding are brought
into accord by finding in an apprehended object the marks contained in
the concept of objects of its kind. In the latter case, the imagination
and the understanding are sometimes brought into accord even though
no such accord is being sought. It is in these cases that a feeling of aesthetic
pleasure is felt.
It seems to me that Kant’s talk of the “apprehension of forms” can be
understood in at least two ways. First, he might mean that the imagination
synthesizes the manifold given in intuition into spatial forms through
some internal and predetermined process. It might also be read as suggesting that the imagination blindly tries different possibilities of synthesizing
the manifold given in intuition into spatial forms and that some of these
are felt to be somehow suitable to the understanding. At this juncture, the
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latter possibility seems the more plausible, for three reasons: () taking the
imagination to be determined by some internal process seems very close to
taking it to be a faculty of rules; () it would be very misleading to describe
such a process of self-determination as unintentional; and () taking the
imagination to be blindly trying out various possible ways of synthesizing
the manifold is in accord with the fact that the conceptual order of nature
is sought rather than somehow internally given.
Kant then moves on to discuss at some length the expectation of
universal agreement, which is an important characteristic of judgments
of beauty. I will have a lot more to say about this important issue as well in
Chapter . At this juncture, it is important to emphasize again the fact that
it is an aspect of the close (if still highly puzzling) connection between
aesthetic judgments and the conditions of empirical experience. Kant says
clearly that the expectation of universal agreement is grounded in the
“universal though subjective condition of reflecting judgments, namely
the purposive correspondence of an object (be it a product of nature or of
art) with the relationship of the cognitive faculties among themselves (of
the imagination and the understanding) that is required for every empirical
cognition” (KU :). Kant does not say that this is a case of an
agreement of the faculties that is similar or somehow comparable to the
correspondence that occurs in cognition. He speaks of the relationship
between the imagination and the understanding that is “required for every
cognition.” This is in line with the suggestion examined in the previous
section that cognitive pleasure in the empirical order of nature and pure
aesthetic pleasure are of a kind.
I want to conclude the discussion of this important introductory section
by emphasizing two points. First, the introduction of the notion of the
aesthetic representation of the purposiveness of nature suggests that what
evokes aesthetic pleasure is the spatial form of empirical objects. In
Chapter , this claim will be elaborated and amended and will receive
considerable support. The second point I would like to pose as a constraint: A reading of the Analytic of the Beautiful should seek to explain
how the discussion of pure aesthetic pleasure is related to the problem of
the transcendental conditions of empirical experience. It might be claimed
that no such connection can exist, precisely because pure judgments of
taste are nonconceptual. But I have shown that puzzling though this is, the
text strongly supports the claim that there is such a connection. It is
supported () by the way pleasure is introduced into the discussion; ()
by the fact that aesthetic pleasure is called the aesthetic representation of
the (conceptual) purposiveness of nature; and () by rather explicit if
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puzzling assertions. Perhaps the most explicit of these assertions occurs in
the next section of the Introduction. There Kant speaks of natural beauty
as the subjective formal presentation of the principle of the purposiveness
of nature, immediately after saying very clearly that the principle is charged
with “providing concepts in the face of this excessive multiplicity in nature
(in order to be able to be oriented in it)” (KU :). For methodological
reasons then a discussion of the text cannot begin by rejecting the possibility that the analysis of pure judgments of taste is an essential part of
Kant’s search for the transcendental conditions of a particular
empirical experience.
..
The Logical Representation of the Purposiveness of Nature
(Introduction, Section VIII)
As we saw above, the title and body of Section VII of the Introduction
puzzlingly suggest that pure judgments of taste are aesthetic, nonconceptual representations of the conceptual purposiveness of nature. But the title
of the next section is also quite surprising, particularly if we emphasize
again the fact that the purposiveness of nature refers to the conceptual
purposiveness of nature. For the title of Section VIII announces its topic to
be the logical – read: conceptual – representation of the conceptual
purposiveness of nature. What is Kant talking about?
The short answer to this question is that in Section VIII Kant
introduces teleological judgments of natural ends (or organisms) as particular judgments that represent – or present (darstellen; exhibēre), as Kant
also says – the more general regulative principle of the conceptual purposiveness of nature. In other words, judgments of organisms apply the
general principle of the purposiveness of nature to certain natural
objects.
Section VIII begins by returning to the aesthetic judgments discussed in
the previous section. These judgments represent purposiveness according
to a “merely subjective ground” (KU :). The ground is the harmonious interaction of the faculties of cognition in pure aesthetic judgments.
The logical representation, in contrast, has an “objective ground, as a
correspondence of its form with the possibility of the thing itself, in
accordance with a concept of it which precedes and contains the ground

I will return to the claim that these judgments are regulative in the next chapter. See Chapter ,
Section .: The Concept of Organism as a Regulative Principle of Reflective Judgment.
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of this form” (KU :). It is important to emphasize that the concept is
not an empirical concept that describes what a thing is. It precedes its
object, because it is an a priori concept; and it contains the ground of the
form of the object, because it is the a priori concept of the purposiveness of
nature applied to or employed in judging particular objects.
If the concept of an object is given, then the business of the power of
judgment in using it for cognition consists in presentation (exhibitio), i.e.,
in placing a corresponding intuition beside the concept – whether this be
done through our own imagination, as in art, when we realize an antecedently conceived concept of an object that is an end for us, or through
nature, in its technique (as in the case of organized bodies), when we ascribe
to it our concept of an end for judging its product, in which case what is
represented is not merely a purposiveness of nature in the form of the thing,
but this product of it is represented as a natural end. (KU :–)
Natural ends or organisms are regarded as presentations or simply examples of judgments according to the a priori principle of the logical or
conceptual purposiveness of nature. Being an example or an instantiation
of a judgment according to a principle of purposiveness is, I submit, the
sense of the term “representation” in the titles of Sections VII and VIII.
That particular judgments of organisms employ the principle of the
conceptual purposiveness of nature to judge natural ends explains why it
isn’t simply redundant to speak of the logical or conceptual representation
of the purposiveness of nature.
On this is grounded the division of the critique of the power of judgment
into that of the aesthetic and teleological power of judgment; by the former
is meant the faculty for judging formal purposiveness (also called subjective)
through the feeling of pleasure or displeasure, by the latter the faculty for
judging the real purposiveness (objective) of nature through understanding
and reason. (KU :)
That Kant is speaking about teleological judgments of organisms in this
section is not controversial. I believe though that focusing on organic
phenomena is the origin of significant misconceptions about the aims of
the Critique of Teleological Judgment and, consequently, about the aims
of the third Critique as a whole. From the perspective of this book, it raises
several considerable challenges. In the next subsection I will discuss the
facts that focusing on organisms and the claim made in Section VIII that
only a critique of aesthetic judgment is essential to a critique of reflective
judgment have led quite a number of readers to the conclusion that the
second half of the third Critique is not directly related to the transcendental question posed in the Introduction. In the next chapter, I will return to
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Section VIII and the question of the precise status of teleological judgments of natural ends or organisms.
.. The Interpretative Challenges
In this section, I want to lay out the interpretative challenges that the
introductory discussions of the aesthetic and logical purposiveness of
nature raise.
The challenge raised by the discussion of the aesthetic purposiveness of
nature is considerable. The task, we saw above, is finding how the
discussion of nonconceptual pure judgments of taste is related to the
problem of the transcendental conditions of empirical experience.
I claimed above that the text of the Introduction strongly supports the
claim that there is such a connection. The main charge of Chapter  will
be to uncover and describe it in detail.
I claimed in the previous section that the Critique of Teleological
Judgment is crucial for the deduction put forward in the Introduction.
For in §, Kant argues that it is the discursivity of our understanding that
makes the assumption of the conceptual purposiveness of nature a necessary transcendental principle guiding the empirical investigation of nature.
In Chapter , I will discuss this argument in detail and claim that the
analysis of what Kant calls in § the discursive peculiarity
(Eigentümlichkeit) of the understanding indeed grounds what he speaks
of in the Introduction as its aim and need (Absicht, Bedürfnis; see: KU
:, –).
But the claim that grounding the principle of the conceptual purposiveness of nature is a principal task of the Critique of Teleological
Judgment must at first appear to be quite controversial and for three
related reasons, the latter two of which come up in Section VIII of the
Introduction. First, thinking of the architectonic structure of the third
Critique, there is surely something odd about taking its Introduction to
offer a self-standing answer to the question of the missing transcendental
principle of empirical experience. But doing so certainly seems well supported by the fact (quite odd in itself ) that Kant claims he is presenting its
deduction in the Introduction. Significantly, the Critique of Teleological
Judgment itself contains no deduction. Second, the Analytic of
Teleological Judgment directs attention to organic phenomena, first introduced in Section VIII; and indeed, organic phenomena are often taken to

See Chapter , Section .: The Objective Representation of the Purposiveness of Nature.
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be the primary concern of both the Analytic and Dialectic of the Critique
of Teleological Judgment. From this perspective, the main concern of the
second half of the third Critique (setting aside the Methodology) is only
obliquely related to the transcendental undertaking of the Introduction.
Third, Kant says in Section VIII that only a critique of aesthetic judgment
is essential to a critique of reflective judgment, and this might very
naturally be taken to suggest that the critique of teleological judgment is
not essential to the principal concerns of the work.
I have already said quite a bit about the first challenge. I want to
concede outright that it is indeed very odd that in the Introduction to
his work Kant presents what he declares is a deduction of the principle of
the purposiveness of nature. I think that one reason for this is the evolution
of the third Critique from the Appendix to the Transcendental Dialectic of
the Critique of Pure Reason. It makes no sense to take very long to present
an idea of key importance at which Kant has already had a go. Had he not,
I submit, the deduction of the conceptual purposiveness of nature might
have found its proper place in the body of the work. This claim is
supported by the fact that at the apex of the Critique of Teleological
Judgment Kant returns to the argument. It is only there that he reveals the
most fundamental ground of the principle of the conceptual purposiveness
of nature – or so I will argue in Chapter .
Furthermore, I will claim in Chapter  that the aesthetic purposiveness of
nature underwrites its logical or conceptual purposiveness. The aesthetic
purposiveness of nature thus has logical priority over its conceptual purposiveness, and it makes sense to discuss it first. But it is very hard to understand
the cognitive role of the assumption of the aesthetic purposiveness of nature
without understanding what it is that it grounds. It is thus very helpful to have
a discussion of the conceptual purposiveness of nature in the Introduction.
In response to the second point, in Chapters – I will argue that the
ultimate end of the discussion of organisms is in fact the principle of the
conceptual purposiveness of nature as a whole. Kant chooses to present an
argument from organic phenomena to this conclusion, because it allows
him to construct an antinomy of teleological judgment. Why Kant invests
considerable effort in the construction of antinomies of aesthetic and
teleological judgment is explained, once again, by the evolution of the
work. Very briefly, Kant wants to show that making the principle of the
purposiveness of nature a principle of reason for the power of reflective
judgment leaves it free of the sort of contradictions that typically beset
reason. In the first Critique, Kant simply asserts that there should be and
indeed there is a positive use of ideas of reason. But how do we know that
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
this use is free of contradictions and so indeed positive? Setting our minds at
ease about this concern, I will claim, is the end of Kant’s construction of
antinomies of reflective judgment. As we will see in detail in Chapter , in the
case of the antinomy of teleological judgment the construction is quite
elaborate and involves considerable difficulties. This point is related to
another made above. The fact that the principle of the purposiveness of
nature is ultimately grounded in the discursivity of our understanding is
precisely what assures us that we can follow it without straying beyond the
bounds of sensibility, to which, of course, the discursive understanding is
limited. This is the deep significance of making reason’s principle of purposiveness a principle guiding the faculty of reflective judgment – defined as the
faculty charged with finding empirical concepts for sensibly given particulars.
The above claim is closely related to the response to the third challenge.
In Section VIII, Kant is certainly not saying that the discussion of the
principle of the logical or conceptual purposiveness of nature is not an
essential part of the third Critique. Indeed, he has already professedly
offered a deduction of it. He is claiming that the critique of aesthetic
judgment is essential, “since this alone contains a principle that the power
of judgment lays at the basis of its reflection on nature entirely a priori”
(KU :); I take the emphasis to be the fact that the principle is entirely
a priori. But the discussion of the Critique of Teleological Judgment takes
as its point of departure organic phenomena, and “no a priori ground at all
can be given why there must be objective ends of nature, i.e., things that
are possible only as natural ends, indeed not even the possibility of such
things is obvious from the concept of a nature as an object of experience in
general as well as in particular” (KU :). I will have a lot more to say
about Kant’s choice. He himself acknowledges the fact that their contingent existence is a considerable weakness of the argument from organic
phenomena. For now, I will say only that it reveals how important it is for
him to demonstrate that making the purposiveness of nature a principle of
reason for reflective judgment leaves it contradiction-free. I am claiming
then that the discussion of the logical or conceptual purposiveness of
nature is essential to the undertaking of the book; furthermore, the
discussion of organisms, though of great independent philosophical interest, is in the third Critique subservient to this end.
. Conclusion
I argued in this chapter that despite what might appear to be evidence to
the contrary both the Preface and the Introduction to the third Critique
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Charge of Reflective Judgment & Purposiveness of Nature
present the question of the transcendental conditions of a particular
empirical experience of nature as a principal concern of the work as a
whole. I also claimed that Kant’s discussion of the problem in the
Introduction is indeed introductory and is only completed in the body
of the work. This last claim poses considerable challenges, with which the
next four chapters will have to contend. In Chapters –, I will argue that
Kant’s ultimate concern in the Critique of Teleological Judgment is not
the analysis of organic phenomena but the assumption of the conceptual
purposiveness of nature as whole. I will also argue that the most important
elements of the deduction, which Kant claims he presents in the
Introduction, are in fact only put forward in the last sections of this part
of the book. Only there do we learn why the system of empirical experience and knowledge takes the shape Kant attributes to it and how the
assumption of the purposiveness of nature is grounded in the discursive
peculiarity of the understanding. In Chapter , I will discuss the crucial
role pure judgments of taste play in the search for the empirical order of
nature. The challenge here, which Kant acknowledges already in the
Preface, is particularly great: How can nonconceptual pure judgments of
taste play a necessary role in the search for the empirical conceptual order
of nature?
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 
Organisms, Teleological Judgment and the
Methodology of Biology
. Introduction
In the last three decades or so, Kant’s analysis of judgments of organic
nature in the Analytic of the Teleological Power of Judgment has received
significant attention. Squinting and from a safe distance, there appears to
be considerable agreement about the general claims the chapter articulates.
First, we necessarily judge certain natural things teleologically, things we
would call organisms and organic processes and think of as the objects
investigated by the biological or life sciences. Second, although these
judgments are necessary, they nevertheless pose no threat or no serious
threat to the mechanistic conception of nature, to which Kant is firmly
committed, because they are not determinative but merely
reflective judgments.
But what from a distance appears to be broad agreement reveals, on
closer scrutiny, a highly significant divergence of views. It is not perfectly
clear, first, how Kant establishes the necessity of teleological judgments of
organisms. Second, there is no agreement what precisely these judgments
mean or what they signify about their objects and so what cognitive gain
they afford. More specifically, it is a matter of controversy whether there
are teleological explanations of organisms, what precisely they might be
and how they might differ from and be reconciled with mechanistic
explanations. This chapter will present my answers to these questions.
A further question is far less often asked about the Analytic of
Teleological Judgment: Why does a book that claims to bring the “entire

Kant typically speaks of organized or self-organized beings and organized nature. But he also speaks
of “organic products [organischen Produkten]” (KU :, , ), “organic beings [organischer
Wesen]” (KU :, , ) and of the “organic technique of nature” (EEKU :) or the
“organic [Organisches]” (KU :n). This is just what I will be referring to when speaking, for
convenience, of organisms and organic processes. By speaking (somewhat anachronistically) of
biology I mean to refer to the scientific study of such beings and processes.

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Organisms, Teleological Judgment & Methodology
critical enterprise to an end” (KU :; see also letter to Jakob,
September , ; Br :) contain a detailed analysis of teleological
judgments of organisms? Why is this analysis of central importance to the
critical undertaking? As important and closely related to the critical project
as the Metaphysical Foundations of Natural Science no doubt is, Kant makes
no such claims about it – to point out the most obvious comparison.
I think it is no coincidence that this question is rarely articulated in such
provocative terms. It is a direct consequence of the sort of disjointed
reading of the third Critique that sees it as offering analyses of different
types of reflective judgments. But on such readings, it is principally, indeed
perhaps almost exclusively, the Introduction that is directly concerned
with the grand critical project of detailing the transcendental conditions
of experience and knowledge. As I said in the Introduction to this book
and emphasized in Chapter , I am methodologically committed to
rejecting this type of collaged reading – although the book offers only a
partial and not a comprehensive alternative to it.
Unlike the discovery of “a new sort of a priori principles different from
those hitherto observed” (Letter  to Reinhold; December  and ,
; Br :), which sets Kant the task of writing a critique of taste,
the problem of the organism is one he recognizes very early on. Emphatic
references to the unique standing of organisms are found in the earlier
precritical writings (see NTH :; TG :–); and Kant’s first
paper on the human races was published in , six years before the first
edition of the Critique of Pure Reason. But even the later papers on the
biological notion of race and teleology (, ) do not so much as
hint that a discussion of organisms is indispensable to the critical project.
Why then does Kant incorporate a discussion of organisms into the
Critique of the Power of Judgment and indeed give it such prominence?

In contrast, Zuckert’s unifying account claims that teleological judgments of organisms are particular
exhibitions or instantiations of the general reflective principle of the purposiveness of nature. This is
not a claim I disagree with. But whereas Zuckert holds that this explains what the analysis of such
judgments is doing in a work devoted to completing the critical project, I see the fact as a problem.
Rachel Zuckert, Kant on Beauty and Biology: An Interpretation of the “Critique of Judgment”
(Cambridge: Cambridge University Press, ),  and passim.

It is not clear to me why Kant speaks in the letter to Reinhold of principles in the plural. Is he
thinking of free judgments of natural beauty and adherent judgments of the beauty of works of art?
Is he thinking of judgments of beauty and sublimity? In the First Introduction he says that the
critique of taste will be concerned with beauty, whereas judgments of sublimity will require a critique
of the feeling of spirit (EEKU :). It seems to me unlikely that he is speaking of teleological
judgment, because the assumption of the conceptual purposiveness of nature was recognized as an a
priori principle in the Appendix to the Transcendental Dialectic, and teleological judgments of
organisms are not purely a priori (see KU :–). Nor are they a new discovery for Kant.
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. The Necessity of Teleological Judgments of Organisms

My answer to this question will be that Kant’s ultimate aim in the
Critique of the Teleological Power of Judgment is to argue for the
assumption of the conceptual purposiveness of nature as a whole, and he
comes to see that constructing an argument from organic life to this
conclusion has advantages of which he wants to avail himself. I will lay
out these considerations in more detail in the next chapter. But it is worth
emphasizing already here that, on my reading, the analysis of organisms is
a stepping-stone toward a more general claim concerning the purposiveness of nature as a whole. This chapter and the following two defend then
a surprising combination of claims: Kant’s analysis of organisms is a
contribution of contemporary and perhaps also lasting value to the philosophy of biology; it is not though the principal philosophical aim of the
Critique of Teleological Judgment. This last claim will be addressed
properly only in Chapter , but it will be a recurring theme in this chapter
and the next.
. The Necessity of Teleological Judgments of Organisms
The problem which Kant apparently takes on in the Analytic of
Teleological Judgment is this: Certain natural objects and processes, which
we would call organisms and organic processes, are spoken of as though
they were self-producing or self-organizing. And this seems to imply that
they are purposive products of their own end-directed agency. But modern
science firmly holds that there are no such end-directed agencies in nature.
As we commonly put it, the forces of nature are blind. We explain the
generation of a material object and the processes governing its interactions
with others as the blind effect of the forces governing the objects involved
in these interactions. No end governs the generation or characteristic
processes of a natural object. To put the point from the complementary
perspective, goal-directed agency exists only where there are rational
agents, who possess a will and act intentionally to realize an end they
conceive. But strictly speaking, such agents as agents are not part of the
order of nature. No will, intention or end govern, then, the generation of a
natural object or its characteristic processes.
Do teleological judgments then have a place within a modern science of
the organism? Or must we purge our language of them? Kant takes on the

For a similar characterization of Kant’s basic problem, see Luca Illetterati, “Teleological Judgments:
Between Technique and Nature,” in Kant’s Theory of Biology, edited by Ina Goy and Eric Watkins
(Berlin: Walter de Gruyter, ), .
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Organisms, Teleological Judgment & Methodology
task of explaining why, though we necessarily employ teleological language
to describe organisms and organic processes, this commits us neither to the
existence of intentional agencies or forces in nature, nor to the existence of
a divine author of nature. In short and put in contemporary terms, he sets
out to show that the use of teleological language commits us neither to
what we might define as vitalism nor to what we would call creationism.
Kant’s terms for these two views are hylozoism and theism (see KU :,
, –; see also TG :; MAN :; V-Met/Dohna :).
That our use of teleological language to describe organisms poses a
problem for the philosophy of science might seem obvious enough. For
it is still the occasion of lively debate in contemporary philosophy of
biology. I will not attempt to survey this discussion here. It is instructive
for our present purposes, however, to consider briefly a highly influential
and characteristic contemporary view of the matter, precisely because it
attempts to solve Kant’s problem by fiat. Ernst Mayr famously champions
the use of the term “teleonomic” to describe goal-directed processes in
nature: “A teleonomic process or behavior is one which owes its goaldirectedness to the operation of a program.” Yet despite the fact that
“program” is very clearly a term that implies intentional agency, Mayr
insists that the “origin of a program is quite irrelevant for the definition. It
can be the product of evolution, as are all genetic programs, or it can be the
acquired information of an open program, or it can be a man-made
device.” Indeed, this clearly stated position seems to be implicit in the
language and practices of many working scientists. That the use of
teleological or teleonomic language in reference to nature seems to commit
us to the existence of unprogrammed programs is, however, precisely the
problem with which Kant contends in the Analytic of Teleological

For a very illuminating account of how Kant might contribute to the contemporary debate, see
Angela Breitenbach, “Teleology in Biology: A Kantian Perspective,” Kant Yearbook  (): –.

Ernst Mayr, “The Multiple Meanings of Teleological,” in Towards a New Philosophy of Biology:
Observations of an Evolutionist (Cambridge: Harvard University Press, ), .

Mayr, “The Multiple Meanings of Teleological,” –. For the claim that Kant’s concept of natural
purpose is or greatly resembles the concept of teleonomy, see Klaus Düsing, “Naturteleologie und
Metaphysik bei Kant und Hegel,” in Hegel und die “Kritik der Urteilskraft,” edited by Hans-Friedrich
Fulda and Rolf-Peter Horstmann (Stuttgart: Klett-Cotta, ), , , .

In the opening paragraph of his book, Lenoir says that “biologists have learned to live with a kind of
schizophrenic language, employing terms like ‘selfish genes’ and ‘survival machines’ to describe the
behavior of organisms as if they were somehow purposive yet all the while intending that they are
highly complicated mechanisms.” Timothy Lenoir, The Strategy of Life: Teleology and Mechanics in
Nineteenth Century German Biology (Chicago: University of Chicago Press, ), ix.
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. The Necessity of Teleological Judgments of Organisms

Judgment. In other words, for Kant, it makes all the difference in the
world whether a program is human-made, in which case the use of
teleological language is perfectly appropriate (if not without its own
considerable metaphysical complexities), or whether it is the product of a
natural process, in which case it poses a very serious philosophical
problem.
Having said that, it is my claim that the central argument of the
Analytic of Teleological Judgment is simple – in fact, misleadingly simple.
Kant begins with the strong and unquestioned assumption that we attribute to certain natural objects the property of self-organization. That we
judge them teleologically follows by conceptual analysis. And it is in this
rather distinct sense that teleological judgments of organisms are
necessary.
() We attribute to certain natural objects and processes the property of
self-organization. More specifically, we attribute to certain objects and
processes properties such as reproduction, growth, interdependence
of organs and systems, including regeneration and compensation for
malformed organs or systems (see KU :–).
() To attribute to an object the property of being organized is to think
that “its parts (as far as their existence and their form are concerned)
are possible only through their relation to the whole. For the thing
itself is an end, and is thus comprehended under a concept or an idea
that must determine a priori everything that is to be contained in it”
(KU :).
But to attribute the property of organization alone to an object is
to think of it as “merely a work of art, i.e., the product of a rational
cause distinct from the matter (the parts), the causality of which (in
the production and combination of the parts) is determined through
its idea of a whole that is thereby possible (thus not through nature
outside of it)” (KU :).
In a self-organizing natural object or process, in contrast, “it is
required that its parts reciprocally produce each other, as far as their
form and their combination is concerned, and thus produce a whole

Ginsborg makes a similar point with regard to the use of the notion of design to explain the use of
functional language in biology. See Hannah Ginsborg, “Oughts without Intentions: A Kantian
Approach to Biological Functions,” in The Normativity of Nature (Oxford: Oxford University Press,
), –.

Cf., Zuckert, Kant on Beauty and Biology, –.
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
()
Organisms, Teleological Judgment & Methodology
out of their own causality, the concept of which, conversely, is in
turn the cause” (KU :).
Therefore, we think of self-organizing objects as ends or purposes of
nature – that is, teleologically: “An organized product of nature is
that in which everything is an end and reciprocally a means as well.
Nothing in it is in vain, purposeless, or to be ascribed to a blind
mechanism of nature” (KU :).
Four remarks are in order. First, the list of typical properties of selforganizing objects and processes given in () – that is, reproduction,
growth and interdependence of organs and systems – is not intended to
be a complete list of organic properties. Significantly, the argument is not
committed to a well-defined and complete biological lexicon. Indeed, Kant
emphasizes that his examples identify different things as self-organizing.
Specifically, in reproduction it is an organic species that generates or
produces itself. Growth is a process through which an individual generates
itself. There is a variety of examples of how the parts, organs and systems of
an individual organism depend on one another and on the whole and thus
can be said to generate each other and the whole of which they are a part.
In fact, there might well be other properties that attribute self-organization
to an object or process, including, as we will see in detail, processes
operative in a race, species or even all organic life. As claim () reveals,
to attribute self-organization to something means, first, attributing to the
parts a dependence on the idea of a whole; and second, attributing this
dependence not to a rational cause distinct from it, but to the natural
object or process itself. Much later in the text, Kant describes additional
organic properties – namely, the generation of species and adaptability of
races (see KU :–). (We will return to these two examples.) These
attributes meet the characterization of self-organization. They are not
mentioned in the Analytic, presumably because the discussion in these
later passages is highly speculative and there would be no agreement
among the audience Kant is addressing that they are indeed attributable
to organisms. Kant’s focus on only a few uncontroversial examples will
prove important in supporting the claim of the next chapter that the
analysis of organic phenomena is not his ultimate philosophical end.
Second, there is a clear gap in the argument. In () Kant speaks of a
number of typical organic properties and so of some degree of selforganization. But in () and () he speaks of every part being an end of
the whole and a means as well. Kant appears here to be anticipating his
conclusion that the principle of purposiveness is a regulative principle that
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. The Necessity of Teleological Judgments of Organisms

guides our investigation of organisms. We will see below that as a regulative principle guiding investigation it is legitimate and indeed recommendable to take this general approach to organisms. But by anticipating this
claim, Kant might be going beyond what anyone who attributes certain
capacities of self-organization to organisms would assert, though he claims
that it is “well known that the anatomists of plants and animals . . . assume
as indispensably necessary the maxim that nothing in such a creature is in
vain” (KU :). It is, therefore, important to note that Kant qualifies his
statement that every part of an organized being must be thought of as both
a means and an end of the whole. He says that it is sufficient that the parts
of an organism be connected in some way to the teleological organization
of the whole. They might be its mechanistic consequences; for example,
they might be grown and formed by it but not serve the whole as means
(KU :; see also MS :).
Third, implicit in the argument is a significant assumption. Three
different ways of conceiving of an object or process are spelled out as
different kinds of relations parts have to a whole. We regard objects or
processes as: () the effect of blind causality; or () the effect of an external
intentional agency; or () self-organizing. The generation and processes of
a nonorganic natural whole are explained as the blind effect of the forces
governing its parts. An artifact is explained as the product of intentional
agency that puts the parts together into a whole so that the forces governing the parts are jointly harnessed to fulfill the end the agent has in mind.
We talk of organisms as though their parts have the joint end of contributing to the functioning of the whole of which they themselves are a part.
This is an extremely important assumption indeed, and we will return to it
in Chapter , where I will attempt to explain why Kant claims that
mechanistic explanation necessarily proceeds from parts and their causal
properties to wholes. It too can be set aside for the time being, because the
assumption seems innocuous in the context of the discussion of organisms.
It seems very natural to think of an organic process and what it involves as
part, say, of an individual organism as a whole, as well as to think that
gaining insight into the working of its processes is explaining what this
whole is and how it functions. Indeed, attributing self-organization to
something and the problem posed by this attribution seems to imply that
understanding it just is discovering how its processes of self-organization
work. Furthermore, Kant has a very flexible view of what these part and
wholes might be. (We will return to this point too in Chapter .) As just
noted, a whole might be an individual organism or its state, a race, a
species or even all organic species as a whole. And he seems to think of a
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Organisms, Teleological Judgment & Methodology
part as anything that might be involved in a process of self-production. For
example, in the case of growth, part of the process are nutrients an
organism “receives from nature outside of itself” (KU :) – so “raw
material” (KU :) that is not a physical part of the organism. In the
case of sexual reproduction, the relevant organic whole is “not one that is
organized in a single body” (KU :). As we will see below, Kant’s
writings on the human races attribute a decisive importance to climate and
physical environment in processes of species adaptation that lead to the
differentiation of the human species into the variety of races.
Finally and most importantly for our immediate concerns, the argument
speaks of the properties attributed to organisms. As I have presented it, the
point of departure of the argument is the way all, in fact, think and speak of
organic phenomena. In Kantian terms, the point of departure of the
argument is the manner in which we judge certain phenomena. A word
of caution is due here. Kant often reverts to the language of objects and
speaks simply of natural products and their properties. It will be of great
importance for the interpretation I offer that, although Kant often reverts
to the language of objects, strictly speaking he is in fact consistently
referring to judgments of objects and the properties attributed to them.
Succinctly, Kant is offering an analysis of a type of judgment – one all
employ; he is not offering an analysis of a type of object. As will be made
clear below, there is a significant gap between these two types of analysis.
Thus presented, Kant’s argument for the necessity of teleological judgments of organisms is very strong. And clearly, it is very strong because it
assumes a great deal at its outset: We judge or attribute to certain objects of
nature – namely, organisms – the property of self-organization. The
conclusion that we judge or think of organisms teleologically () follows
from this premise almost immediately, by analysis of the concept of selforganization (). That something like this two-step inference is part of the
argument of the Analytic might not be very controversial. What is controversial, I think, is the claim that this is all the argument Kant offers. The
starting point of the argument is the common identification of some
objects as self-organizing. It will be my claim that Kant does not argue
that we must accept this starting point. He simply assumes all do.

This claim is central to Zumbach’s interpretation of the Critique of Teleological Judgment which,
in broad outline, is similar to the interpretation developed in the next sections. See Clark Zumbach,
“Kant’s Argument for the Autonomy of Biology,” Nature and System  (): –; Clark
Zumbach, The Transcendent Science: Kant’s Conception of Biological Methodology (The Hague:
Martinus Nijhoff, ).
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. Objective Representation of Purposiveness of Nature

. The Objective Representation of the Purposiveness of Nature
The claim that Kant is offering an analysis of a type of judgment he simply
takes for granted we all make rather than an account of a type of object we
encounter might seem to contradict what he says in the following passage:
Organized beings are thus the only ones in nature which, even if considered
in themselves and without a relation to other things, must nevertheless be
thought of as possible only as its ends, and which thus first provide
objective reality for the concept of an end that is not a practical end but
an end of nature, and thereby provide natural science with the basis for a
teleology, i.e., a way of judging its objects in accordance with a particular
principle the likes of which one would otherwise be absolutely unjustified
in introducing at all (since one cannot at all understand the possibility of
such a kind of causality a priori). (KU :–)
Teleological judgments and the concept of a natural end, Kant says here,
have objective reality, and they thereby provide natural science with a basis
for teleology. Is it then Kant’s claim that it is simply an objective empirical
fact that there are self-organizing natural beings? Is he further claiming that
consequently scientists are required to speak of objective purposive causal
forces and objective teleological explanations?
It bears emphasizing that even in the passage we are considering Kant is,
in fact, talking about a way of considering or thinking, or, as he says
clearly, a way of judging organisms. What is given objective reality is a type
of judgment. He is not saying that our transcendentally unpredictable
encounter with organisms gives the concept of natural self-organization
objective reality in the way that an empirically surprising encounter with
unicorns would give their concept objective reality. What is given objective
reality is judgment according to a particular principle. But what is this
principle?
To get a clearer view, it is first worth recalling the discussion of Section
VIII of the Introduction, in the previous chapter, and specifically the
passages echoed in the quote we are considering. As we saw there, judgments of natural ends or organisms are introduced as presentations or
applications of the principle of the conceptual purposiveness of nature: we
Guyer asks: “Is it just an empirical fact, a matter of empirical psychology rather than
transcendental psychology, that organisms suggest the idea of purposiveness to us?”; Paul Guyer,
“Organisms and the Unity of Science,” in Kant and the Exact Sciences, edited by Eric Watkins
(Oxford: Oxford University Press, ), . As will be made clear below, it cannot just be an
empirical fact. But I do think that the point of departure of the argument is what Kant takes to be
an undisputed fact – namely, that we attribute properties of self-organization to certain objects.
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Organisms, Teleological Judgment & Methodology
can regard “natural ends as the presentation of the concept of a real
(objective) purposiveness” (KU :).
We know from the discussion of the Appendix to the Transcendental
Dialectic of the Critique of Pure Reason that the assumption of the
systematic unity of nature, the predecessor of the principle of the logical
purposiveness of nature, is an idea of reason and that, nevertheless, Kant
wants to secure for it “some objective validity” (A/B). But an idea
of reason, by its very nature, cannot simply have objective validity because
no empirical object can correspond to it. As Kant says in the first Critique,
for a principle or idea of reason “no corresponding schema of sensibility
can be given, and therefore they can have no object in concreto”
(A/B). Whatever course Kant is setting on precisely in the third
Critique, it is clear, first, that he is still contending with the complicated
question of securing some sort of objective validity for an idea of reason.
Note that he is still speaking of the principle of the real or objective
purposiveness of nature as involving both the understanding and reason:
the “concept of ends and of purposiveness is of course a concept of reason”
(EEKU :) – although he now thinks of it as a principle of reason for
reflective judgment (see the title of §; see also KU :–). It is
clear, furthermore, that his way out of this difficulty is similar in both the
Appendix and in the third Critique. In the former, Kant secures for the
idea a “regulative use and with this some objective validity” (A/B).
In the third Critique, Kant further claims that the principle of the purposiveness of nature in its general use, and in relation to organisms specifically, belongs to a power of judgment that is “merely reflecting and is not
determining objects” (KU :) and that the concept of a natural end or
organism is not a “constitutive concept of the understanding or of reason,
but it can still be a regulative concept for the reflecting power of judgment”
(KU :). Thus the use secured for the principle of the purposiveness
of nature will not allow us to assert or determine that an object is
self-organizing. It will, though, secure for the principle a use that relates
it to something real or objective and empirically given. I will try to explain
what precisely the regulative status of the principle means and what kind of
relation to organic phenomena it secures in the next two sections.
.
The Concept of Organism as a Regulative Principle
of Reflective Judgment
I am claiming that the starting point of Kant’s argument in the Analytic of
Teleological Judgment is the fact that we attribute self-organization to
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. Concept of Organism as a Regulative Principle

certain objects of nature. And I am further claiming that Kant does not
justify this starting point. To understand Kant’s argument in the Analytic
it is decisive, I believe, to see that he is not claiming – indeed, that he
cannot be claiming – that we attribute self-organization to organisms
because they just are self-organizing. Thus attributing purposiveness to
an organism is not like attributing the property of being green to a green
object or identifying an object as a piece of jade because it is a green rock of
a certain hardness and toughness. Kant holds that we can never be justified
in asserting that an object is self-organizing. Self-organization, strictly
speaking, is not a property that we can determine an object possesses.
We might think of it as an assumption we make about it – though an
assumption we cannot, in principle and undeniably, satisfactorily unpack
and so affirm as fact.
In order to see that this is the view Kant holds, it is helpful to return to
the distinction between determinative and reflective judgment.
If the universal (the rule, the principle, the law) is given, then the power of
judgment, which subsumes the particular under it (even when, as a transcendental power of judgment, it provides the conditions a priori in
accordance with which alone anything can be subsumed under the universal), is determining. If, however, only the particular is given, for which the
universal is to be found, then the power of judgment is merely reflecting.
(KU :; see also EEKU :)
So to begin with, as a reflective judgment, the attribution of
self-organization to a natural object means undertaking to search for the
concept or universal under which it is subsumed. More concretely, to
identify an object as an organism is to take on the task of specifying the
details of its processes of self-organization.
However, to characterize the attribution of self-organization to an object
as taking a reflective stance toward it is not the whole story. For we can
take a reflective stance toward say jade and search for further properties
and subsets within a representative sample of it. We might then discover
that within the sample objects differ somewhat in their hardness and
toughness and come to think that the objects we are examining, though
similar in appearance, comprise two distinct types of rock. We might
decide to call these two types of rock nephrite and jadeite and employ
our determinative judgment to assert that objects belong to one or the
other group. Thus concepts like jade, jadeite and nephrite figure both in
reflective judgments and in determinative judgments. In contrast – and
this is the crucial point – an attribution of self-organization can never be a
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Organisms, Teleological Judgment & Methodology
determinative judgment. We cannot, in principle, be justified in asserting
or determining that an object is self-organizing.
Why is that? One way of getting at the point is to see that for Kant any
explication of a concept of self-organization will contain as an analysans a
further notion of self-organization. In other words, self-organization cannot be analyzed away. This is not to say that we cannot make progress in
the analysis of such concepts and so gain insight into their objects. We can,
for example, gain insight into a plant’s processes of growth by discovering
how the roots absorb water and minerals from the ground and how the
xylem functions in their distribution through the plant. As we will see in
more detail in the next section, the insight we can gain into the processes
of self-organization of an organism is in principle unlimited. Nevertheless,
as far as the puzzling attribution of self-organization is concerned – an
attribution that demands analysis – it cannot be explicated in a satisfactory
manner, precisely because any such explication will still describe its object
as self-organizing. In our example, we will still be describing the roots and
xylem as self-organizing parts or organs of the plant. It is this particular
aspect of the characterization of self-organization that explains why Kant
speaks of it as “infinitely remote from all art” (KU :; see also KU
:, , , ). In artifacts, in contrast, organization can be traced
back to the idea of an end that is their origin and to parts that are not
themselves thought of as organized.
It might be objected that this way of explaining Kant’s view of the
concept of self-organization reveals that it is very much like his view of any
empirical concept. It is, after all, Kant’s view that the content of any
empirical concept can always be further specified. This is true, and
the point is of great importance. We will discuss it at greater length in
Chapter . Nevertheless, there is a difference between Kant’s view of
ordinary empirical concepts and concepts of self-organization.
Ordinarily, we attribute an empirical concept to an object by distinguishing certain marks that in context are necessary and sufficient to
ground its identification. We might identify a rock of a certain color,
toughness and hardness as jadeite. Now we know that Kant does not think
we can properly define (definieren) any empirical concept, because we
cannot give a list of its necessary and sufficient marks or properties; in

For similar emphases, see Alix A. Cohen, Kant and the Human Sciences: Biology, Anthropology and
History (Houndmills: Palgrave Macmillan, ), ; Breitenbach, “Teleology in Biology,” –;
Angela Breitenbach, Die Analogie von Vernunft und Natur: Eine Umweltphilosophie nach Kant
(Berlin: Walter de Gruyter, ), –; Illetterati, “Teleological Judgments,” , ; cf., ,
, , .
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. Concept of Organism as a Regulative Principle
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other words, we cannot fully specify its content. These properties change
in different contexts (for working into an ornament the various colors and
shades of a rock might be relevant). And future research might reveal
properties previously unknown (the components and structure of the
rock). However, we can, in a given context, explicate (explizieren) the
content of a concept by specifying its contextually necessary and sufficient
marks (see A–/B–; see also V-Lo/Wiener :; V-Lo/
Dohna :). For use in carving or for weapons, the hardness and
toughness of a rock might be all that is relevant. It is in such contexts
that we can employ determinative judgments to assert that we are working
with a sample of jadeite. This we cannot do for concepts of selforganization, precisely because the puzzle they pose cannot be explicated
or analyzed away. In the example given above, explaining a plant’s processes of growth by discovering how the roots absorb nutrients from the
ground and how the xylem functions in their distribution through the
plant describes the roots and xylem as self-organizing parts or organs of
the plant.
The point might be put this way: The status of concepts of selforganization as ideas of reason can be made clearly visible to all and
without relying on the sort of philosophical considerations employed in
the Appendix to the Transcendental Dialectic and in the Introduction to
the third Critique. This is the great advantage they have for the argument
Kant is constructing in the Critique of Teleological Judgment. So although
it is true that for Kant (on my view) any empirical concept presupposes the
assumption of the purposiveness of nature, he comes to think that it is
philosophically considerably less demanding to argue for this in the case of
self-organization. This is what he appears to be emphasizing in saying, as
we saw above, that organized beings are the “only ones in nature which,
even if considered in themselves and without a relation to other things,
must nevertheless be thought of as possible only as its ends, and which
thus first provide objective reality for the concept of an end that is not a
practical end but an end of nature” – it is enough to consider them alone
in order to provide objective reality to the concept of teleology.
Kant attempts to clarify the complex relation the principle of judging
the purposiveness of organisms has to experience. The principle, once

In contrast, in the first Critique introductory discussion of concepts of pure reason, Kant says:
“A plant, an animal, the regular arrangement of the world’s structure (presumably thus also the
whole order of nature) – these show clearly that they are possible only according to ideas” (A/
B). Here Kant appears to attribute the same status to organisms and to regularities in the
structure of the world.
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Organisms, Teleological Judgment & Methodology
again, is stated as follows: “An organized product of nature is that in which
everything is an end and reciprocally a means as well” (KU :). He
immediately continues,
As far as what occasions it [seiner Veranlassung nach], this principle is of
course to be derived from experience [von Erfahrung abzuleiten], that is,
experience of the kind that is methodically undertaken and is called
observation [Beobachtung]; but the universality and necessity that it asserts
of such a purposiveness cannot rest merely on grounds in experience, but
must have as its ground some sort of a priori principle, even if it is merely
regulative and even if that end lies only in the idea of the one who judges
and never in any efficient cause. (KU :)
So it is not the case that experience teaches us that everything in an
organism is end-directed. No experience can ground the universality and
necessity of such an assertion. Indeed, “experience cannot prove the reality
of this to us unless it has been preceded by some sophistry that has merely
projected the concept of the end into the nature of things but has not
derived them from the objects and the experiential cognition of them”
(KU :). What experience teaches us is that the observation of organisms or their empirical investigation is guided by an a priori principle.
Thus the attribution of self-organization means to be guided in empirical
research by the idea that a thing is self-organizing. Teleological judgment is
“rightly drawn into our research into nature [Naturforschung], at least
problematically, but only in order to bring it under principles of observation and research [Beobachtung und Nachforschung] in analogy with causality according to ends, without presuming to explain [erklären] it”
(KU :). The attribution of self-organization then is just taking this
reflective or investigative stance toward an organism. This is what Kant
means by calling the idea a regulative principle: “One can thus call this
principle a maxim for the judging of the inner purposiveness of organized
beings” (KU :; see also KU :). As Kant put the point two years
earlier, “it is undoubtedly certain that nothing of a purposive nature could
ever be found through mere empirical groping without a guiding principle
of what to search for; for only methodically conducted experience can be
called observing [beobachten]” (ÜGTP :).
I have so far tried to explain Kant’s position by explaining what kind of
concept self-organization is. The next section will afford, I hope, deeper
insight into the matter by examining Kant’s conception of the

For the claims that the concept of natural purpose cannot be derived from experience and that it rather
guides our investigations of organisms, see Cohen, Kant and the Human Sciences, , note .
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. Methodology of Biology: Observation & Explanation

methodology of biology and the relation between observing a natural being
under the regulative idea that it is self-organizing and offering scientific
explanations of its organic processes.
. The Methodology of Biology: Observation and Explanation
The best way to confirm the claims of the previous section and to understand
better and in more detail Kant’s views is to examine his concrete discussions of
biological questions. First, it is worth examining his praise of Blumenbach’s
contribution to the methodology of biology and his comparison of it to other
contemporary alternatives. It is further worth surveying briefly Kant’s own
theory of the human races to reveal its methodological underpinnings. Finally,
we will turn to Kant’s examination of a contemporary, highly speculative
conjecture about the origin of all organic species to determine whether it poses
a challenge to the methodology of biology he espouses. These discussions will
illuminate the fundamental distinction Kant draws between teleology as a
regulative principle for the description or observation of organic phenomena
and the mechanistic explanation of the processes that govern them.
.. The Methodology of the Teleological Power of Judgment
Before addressing these matters, it is important for the broader concerns of
this book to emphasize that the passages to which we are turning lie
outside the Analytic of the Teleological Power of Judgment. The very
long Appendix to the Critique of the Teleological Power of Judgment,
which bears the title Methodology of the Teleological Power of Judgment
(§§–), contends with two topics. The first and much shorter part
explains how the principle of teleology is to be employed in empirical
research of organic nature (§§–). It is this part that is directly relevant
to the concerns of this chapter. The second part presents a partly new
argument for the assumption of the highest good and the government of a
benevolent God but also repeats and gives pride of place to the familiar
argument to the same conclusion (§§–). Kant says quite clearly that
this constitutes his answer to the first of the two overarching questions
posed in the Introduction to the third Critique: What is the fate of moral
agency in the natural world (see KU :–)? This division of the

For my analysis of the Methodology, see Ido Geiger, “Methodology of the Teleological Power of
Judgment,” in The Kantian Mind, edited by Sorin Baiasu and Mark Timmons (London:
Routledge) [forthcoming].
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Organisms, Teleological Judgment & Methodology
Methodology is indeed made clear in its introductory section (§). Kant
asks there what place teleology has within theoretical philosophy (cf., KU
:): Does it belong to the doctrine of nature or to theology as
concerned with the “original ground of the world as the sum total of all
objects of experience” (KU :)? His answer is that teleology belongs to
no doctrine (see also KU :). It belongs rather to the critique of the
reflective power of judgment. Nevertheless, he says, the “most important
use of it can be made within theology” (KU :) – this is the task of the
longer second part of the Methodology; and furthermore, “it can and must
provide the method for how nature must be judged in accordance with the
principle of final causes” (KU :) – this is the topic of the two sections
that follow the introduction.
Why is this point important? It is important because it supports the
claim that the Analytic is not concerned with offering a complete analysis
of our standpoint vis-à-vis biological phenomena. If it were then surely
spelling out the implications of the analysis for the methodology of biology
would be the centerpiece of the Analytic. I think Kant’s contribution to
the analysis of biology and its methodology is of real philosophical value.
I nevertheless believe, as I will claim in the next chapter, that the main aim
of the Analytic is to employ this analysis to establish the much more
general claim that the assumption of the logical or conceptual purposiveness of nature as a whole is a necessary condition of experience and
knowledge. This will be my answer to the neglected question formulated
in the introduction to this chapter: Why is an analysis of judgments of
organic life a central part of a book devoted to completing Kant’s transcendental project? As I said there and in the Introduction to this book, the
answer usually (if often implicitly) given to this question is that the
Critique of the Power of Judgment is an investigation of the diverse realms
in which we find reflective judgment employed. In the Introduction,
I took on the methodological commitment of rejecting this disjointed
reading of the work. On the reading I am offering, the principal task of
the Analytic and Dialectic of the Teleological Power of Judgment is
establishing the transcendental necessity of the assumption of the conceptual purposiveness of nature as a whole.

Significant parts of this methodology come out in the Dialectic. But the Dialectic’s main concern is
clearly the task of showing that the maxims of reflective judgment do not contradict one another
but, in fact, complement one another.
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. Methodology of Biology: Observation & Explanation

.. Blumenbach’s Formative Drive (Bildungstrieb) (§)
Returning to the main concern of this chapter, the problem Kant is
contending with in his discussion of organisms is this: On the one hand,
modern science is committed to explaining the generation of a whole and
the processes governing it as the blind effect of the forces governing the
parts involved in these processes. On the other hand, the language biology
employs in describing the beings it investigates and the processes governing them seems to imply that they are the effect of and governed by enddirected forces. In other words, biology does not appear to be able to
explain mechanistically either how the objects it investigates came into
being or the characteristic processes governing them. Kant’s way out of this
dilemma is the following. In order to explain any organized state or whole,
() begin by identifying certain prior structures of organization – without
presuming to be able to give a reductive mechanistic account of their
generation; () given these prior structures of organization, attempt to
explain mechanistically the organized state or whole.
If, therefore, the investigator of nature is not to work entirely in vain, he
must, in the judging of things whose concept as natural ends is indubitably
established (organized beings), always base them on some original organization, which uses that mechanism itself in order to produce other organized forms or to develop its own into new configurations (which, however,
always result from that end and in conformity with it). (KU :)
The starting point of any explanation of an organized form or configuration is identifying an original structure of organization. By calling it a
mechanism Kant apparently means that () the fact that we identify a
structure of organization in nature is taken to be unproblematic in the
current explanatory context, and clearly not that it is actually an organized
mechanism, and that, () the operative forces governing it are taken to be
blind. This is how we would view an existing human-made mechanism
that harnesses natural forces. Thus the process through which the further
organized forms or configurations in need of explanation are produced
engages blind forces and can thus be explained mechanistically. The
explanation refers only to a prior organized structure and the blind forces
it harnesses. Implicit here is the assumption that explanations can and
indeed should be sought for what in one explanatory context is identified
as an original structure of organization, for we do not know “how far the

The phrase “that mechanism itself” might arguably refer to the “mechanism of nature” mentioned
in the previous paragraph. I don’t think this would alter the meaning of the passage.
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Organisms, Teleological Judgment & Methodology
mechanical mode of explanation that is possible for us will extend” (KU
:). But such explanations will also have to identify some prior original
structure of organization. It is assumed then that there are mechanistic
explanations of any organic process or structure. But there are no reductive
explanations of organic phenomena – that is, explanations that do not
begin by identifying “some original organization.” It is this that Kant
appears to be emphasizing in saying that employing teleological judgment
as a guideline for the observation of organisms renounces the “investigation of their ultimate origin [ersten Ursprung]” (KU :). Thus, Kant
insists that all natural explanations are mechanistic and that everything
including biological phenomena can in principle be explained mechanistically. But he concedes that no such explanation will eliminate the
teleological language employed in the biological sciences.
It might be objected that I am speaking of explanation in a rather
circumscribed sense. This is in fact right. I am speaking of explanation
as an account of a change, specifically, of an organic process or the
generation of an organic being. Such an account must identify the cause
of the change by subsuming it under an empirical causal law and identifying a particular natural force. I am insisting then that such empirical
causal explanations are necessarily mechanistic. They can refer only to
blind natural forces. But it might be claimed that we also speak of
explaining what a thing is or does – to give the most obvious alternative
common sense of the term. In this quite ordinary sense we explain, for
example, what the heart or a lever are or do. For the sake of clarity, though,
it is important to note that this is not a causal account of a change.
Moreover, as we saw above, when Kant himself is being precise he says
of just such expressions that they are methodical descriptions. He calls
them observation (Beobachtung) and contrasts them with explanation
(Erklärung). In this precise sense methodical descriptions or observations
set scientists their explanatory tasks. Specifically, teleological observations
of organic phenomena set the biological sciences the task of explaining
mechanistically organic processes.

It is obviously a concession. Kant is apparently attempting to make it somewhat more palatable by
alluding briefly to the third antinomy and reminding us that science always begins with an
assumption of an initial state; the matter of first beginnings, he says, is one “on which physics
always founders” (KU :). But the case of biological phenomena, in contrast to physics,
obviously poses the distinct problem of teleological language.

Many readers speak of teleological explanations in a variety of senses and add caveats to their use.
Although at various places Nuzzo speaks loosely of teleological explanations, she makes clear that
through them “we do not come to know anything scientifically.” Angelica Nuzzo, Kant and the
Unity of Reason (West Lafayette: Purdue University Press, ), . Zuckert too uses the term
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. Methodology of Biology: Observation & Explanation

Kant praises Blumenbach (–) and claims that his decisive
contribution to theories of epigenesis lies in adopting precisely this methodology. The relevant passage concludes Kant’s principled methodological assessment of three competing contemporary theories of generation.
First, according to occasionalism, God “would immediately provide the
organic formation to the matter commingling in every impregnation” (KU
:). This approach Kant calls hyperphysics, because it attributes no
effective causality to nature: “no one who cares anything for philosophy
will assume this system” (KU :).
Kant then distinguishes two types of preformation theories. According
to the theory of individual preformation, all individuals that will ever exist
are preformed and contained one within either the sperm (spermism,
animalculism) or ovum (ovism) of another. It too thus holds that the form
of every individual comes “immediately from the hand of the creator” (KU
:). But it makes a great difference whether these forms “arise supernaturally, at the origin or during the course of the world” (KU :). For
the former possibility “left something to nature” (KU :). But the
theory suffers from decisive weaknesses: () It too is not a wholly naturalistic theory, because the preservation of embryos requires positing a
“multitude of supernatural arrangements” (KU :) and because it
explains miscarriages as designed to astonish future anatomists; () it is
not parsimonious, because many more prefigured beings must exist than
are ever developed; () finally, there is powerful empirical counterevidence
to it – namely, “the generation of half-breeds” (KU :). For our
concerns, the first point is of particular importance: The role “left to
but emphasizes that teleological judgments of organisms are not “explanations properly speaking.”
Zuckert, Kant on Beauty and Biology, . Cohen claims that teleological judgments are hypothetical
modes of explanations but that they do not “attain to the level of objectivity required by physical
science . . . teleological explanations are not informative.” Cohen, Kant and the Human Sciences, .
For the claim that for Kant scientific explanations are mechanistic, see Rudolf A. Makkreel,
“Regulative and Reflective Uses of Purposiveness in Kant,” Southern Journal of Philosophy 
(Supplement) (): –.

See also Letter to Blumenbach, August , ; Br :–. For a different reading of what
draws Kant to Blumenbach, see Cohen, Kant and the Human Sciences, –.

For the historical background of Kant’s philosophy of biology, see Shirley A. Roe, Matter, Life, and
Generation: Eighteenth-Century Embryology and the Haller-Wolff Debate (Cambridge: Cambridge
University Press, ), –; Peter McLaughlin, Kant’s Critique of Teleology in Biological
Explanation: Antinomy and Teleology (Lewiston: Edwin Mellon Press, ), –; Robert J.
Richards, “Kant and Blumenbach on the Bildungstrieb: A Historical Misunderstanding,” Studies
in History and Philosophy of Science, Part C: Studies in History and Philosophy of Biological and
Biomedical Sciences  (): –; Siegfried Roth, “Kant und die Biologie seiner Zeit (§§),” in Immanuel Kant: Kritik der Urteilskraft, edited by Otfried Höffe (Berlin: Akademie Verlag,
), –.
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Organisms, Teleological Judgment & Methodology
nature” is precisely the blind mechanistic task of merely developing or
unfolding an existing form or, as Kant also puts the point, generating “as
mere educts” (KU :); conversely, the arrangements faulted for being
“supernatural” are precisely end-directed. The theory of individual preformation is then read as aspiring to be mechanistic. But it places organic
form outside the realm science investigates, for the form of every individual
organism comes “immediately from the hand of the creator.”
According to theories of epigenesis or generic preformation, “the productive capacity of the progenitor is still preformed in accordance with
internally purposive dispositions that were imparted to its stock” (KU
:). This is the first part of Kant’s method – namely, identifying an
original structure of organization. This allows such theories to explain the
crucial empirical fact of the existence of half-breeds, because they can
attribute to the productive capacity of both progenitors’ internally purposive dispositions to impart their distinct forms of organization to their joint
progeny. The theory is naturalistic and, indeed, more naturalistic than its
competitor “because it considers nature, at least as far as propagation is
concerned, as itself producing rather than merely developing” (KU :).
This is the second part of the method; the theory is naturalistic, because
() it consistently appeals to blind forces rather than end-directed or
supernatural causation, and because () it attributes to these forces a
greater role than theories of individual preformation, thus allowing science
to explain how organized structures or states are produced. No one has
done more than Blumenbach, Kant says, “for the proof of this theory of
epigenesis as well as the establishment of the proper principles of its
application” (KU :).
To confirm these claims, let us see precisely how Kant characterizes
Blumenbach’s contribution to theories of epigenesis.
He begins all physical explanation [physische Erklärungsart] of these formations with organized matter [organisierter Materie]. For he rightly declares it
to be contrary to reason that raw matter should originally have formed itself
in accordance with mechanical laws, that life should have arisen from the
nature of the lifeless, and that matter should have been able to assemble
itself into the form of a self-preserving purposiveness by itself; at the same

Kant does not explain what precisely he means by saying of epigenesis that there was a need to limit
“an excessively presumptuous use of it” (KU :). But the problem must be the attempt to give
an account of the very formation of organic life or the attribution of the capacity for organization to
the forces acting in organic processes – possibly both.
For emphasis on the problematic characterization of forces in theories of epigenesis, see Roth,
“Kant und die Biologie seiner Zeit (§§–),” .
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time, however, he leaves natural mechanism an indeterminable but at the
same time also unmistakable role under this inscrutable principle [unerforschlichen Prinzip] of an original organization [ursprünglichen
Organisation], on account of which he calls the faculty in the matter in
an organized body (in distinction from the merely mechanical formative
power [Bildungskraft] that is present in all matter) a formative drive
[Bildungstrieb] (standing, as it were, under the guidance and direction of
the former principle). (KU :)
It cannot be stressed enough that despite its name Kant sees the formative
drive not as a teleological force or agency, but as a function of an original
organization. Furthermore and decisively, it is mechanistic forces that are
sought to explain further organization “standing, as it were, under the
guidance and direction of the former principle.” I am claiming then that
Kant is not contrasting mechanistic and end-directed powers or forces. He
is distinguishing the mechanistic forces operative throughout nature from
mechanistic forces that operate under a “principle of an original organization.”, 

“Also this insightful man attributes the formative drive, through which he brought so much light
into the doctrine of generations, not to inorganic matter but only to the members of organized
beings” (UTPP :n). McLaughlin points out that Blumenbach’s  edition of the Handbuch
der Naturgeschichte makes the opposite claim. But he deleted this claim from the  edition. See
Peter McLaughlin, “Blumenbach und der Bildungstrieb: Zum Verhältnis von epigenetischer
Embryologie und typologischem Artbegriff,” Medizinhistorisches Journal  (): –.

I think Kant is not contrasting in this passage formative powers and drives. The contrast is between
“the merely mechanical formative power that is present in all matter” and the “formative drive.”
This non-contrastive use echoes Blumenbach:
Ein Trieb, der folglich zu den Lebenskräften gehört, der aber eben so deutlich von den
übrigen Arten der Lebenskraft der organisirten Körper (der Contractilität, Irritabilität,
Sensilität etc.) als von den allgemeinen physischen Kräften der Körper überhaupt, verschieden ist; der die erste wichtigste Kraft zu aller Zeugung, Ernährung, und Reproduction zu
seyn scheint, und den man um ihn von andern Lebenskräften zu unterscheiden, mit dem
Namen des Bildungstriebes (nisus formatiuus) bezeichnen kan. (Johann Friedrich
Blumenbach, Über den Bildungstrieb (Göttingen: Johann Christian Dieterich, ),
–.)
In his evolutionary speculation and in § of the Analytic, the terms bildende Kraft and
Bildungskraft appear to describe the general capacity for self-organization, without explicitly
distinguishing between an original organization and the mechanical forces through which further
organized forms and structures are produced. Both passages though hint at this distinction: The
earlier speaks of an organized being’s “formative power [bildende Kraft]” and specifies that it is a
“self-propagating formative power [fortpflanzende bildende Kraft]” (KU :); the latter speaks of
the universal mother’s fruitful formative power [Bildungskraft] and adds that the archaeologist of
nature “must attribute to this universal mother an organization purposively aimed at all these
creatures” (KU :).

For an authoritative analysis of Blumenbach’s conception of the formative drive, see McLaughlin,
“Blumenbach und der Bildungstrieb,” –. While the first point is clear in Blumenbach’s
mature conception of the formative drive, the second is more clearly articulated by Kant.
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Organisms, Teleological Judgment & Methodology
.. Kant’s Papers on the Human Races
Kant alludes to his own biological writings on race in §. The theory he
speculatively puts forward in these papers employs the very methodology
he champions and for which he applauds Blumenbach. The allusion
occurs in the following schematic passage, which contains all the elements
discussed in the previous section.
Even the alteration to which certain individuals in organized genera
[Gattungen] are contingently [zufälligerweise] subjected, where one finds
that their altered characteristic is heritable and has been taken up into the
generative power, cannot be properly judged as other than an incidental
development of a purposive predisposition to the self-preservation of the
kind that was originally present in the species [gelegentliche Entwicklung
einer in der Spezies ursprünglich vorhandenen zweckmäßigen Anlage zur
Selbsterhaltung], because in the thoroughgoing internal purposiveness of
an organized being the generating of its own kind is so closely connected
with the condition that it incorporate nothing into its generative power that
does not belong to one of the undeveloped original predispositions of such a
system of ends. (KU :)
Note that we have here once again () a single organized species in which
we identify a number of alternative adaptive structures – this is the
teleologically described explanandum; () a posit of purposive
Blumenbach calls the formative drive a force and speaks of its purposiveness; but its formative
capacity (or directionality) is in fact a function of the organization of matter. See McLaughlin,
“Blumenbach und der Bildungstrieb,” –.
For further discussion of the relationship between Kant and Blumenbach, see Timothy Lenoir,
“Kant, Blumenbach and Vital Materialism in German Biology,” Isis  (): –; Lenoir,
The Strategy of Life, –; Richards, “Kant and Blumenbach on the Bildungstrieb,” –. Lenoir,
however, does not see that Kant rejects teleological agency. Lenoir, “Kant, Blumenbach and Vital
Materialism in German Biology,” , ; Lenoir, The Strategy of Life, .
For the claim that Kant rejects vitalism (in the sense I have been using), see Zumbach, “Kant’s
Argument for the Autonomy of Biology,” ; Zumbach, The Transcendent Science, –; Hannah
Ginsborg, “Two Kinds of Mechanical Inexplicability in Kant and Aristotle,” in The Normativity of
Nature (Oxford: Oxford University Press, ), p. ; Illetterati, “Teleological Judgments,”
–; Andrew Cooper, “Kant and Experimental Philosophy,” British Journal for the History of
Philosophy  (): –. Although McLaughlin characterizes Kant as a vitalist, his
conception of a vital force is precisely not one that explains how organic form arises but one that
is only operative in organisms. Vitalism, in this sense, does not explain life but accepts it as a given;
it thus views the realm of life as irreducible to matter and in this sense as sui generis. See
McLaughlin,“Blumenbach und der Bildungstrieb,” –.

See: VvRM :–; BBM :–; UTPP :–. For an illuminating discussion of these
papers, see McLaughlin, Kant’s Critique of Teleology in Biological Explanation, –. For the
historical background of Kant’s writings on race and Herder reviews and a very different reading
of his position in these papers, see John H. Zammito, The Genesis of Kant’s “Critique of Judgment”
(Chicago: University of Chicago Press, ), –.
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predispositions to develop these self-preserving structures – this is the
earlier unexplained organized structure; () an incidental or blind triggering of the predisposition – this is the blind mechanistic causation.
Examining Kant’s writings on the human races confirms that he is
indeed alluding to them in the passage above. The central problem the
papers contend with is explaining racial variety – specifically, human racial
variety. Kant identifies four human races defined by their skin color: ()
white; () black; () olive-yellow (Indian); and () copper-red (American
or Hun) (see VvRM :, ; ÜGTP :). Kant employs skin color
as a criterion because it is the one trait he identifies that can be claimed
with certainty to express itself in reproduction in all cases (see BBM
:–, ; see also ÜGTP :–). He views this trait and the
variety it exhibits as the result of processes of adaptation to different
climates. The problem is the following: The different races belong to the
same species, for procreation involving members of different races bears
fertile progeny – this is Buffon’s criterion for species membership (see
VvRM :; see also BBM :; ÜGTP :–). But they are
differently organized to contend with different climates. How are we to
explain these different adaptations of a single species?
It is noteworthy that unlike many of his contemporaries, including
Blumenbach himself, Kant does not think of the variety of human races
as degenerations of the Caucasian or white race. Kant speculatively posits
an original phylum or phyletic species (Stamm, Stammgattung) (see VvRM
:; BBM :–), which contains various germs (Keime) and dispositions (Anlage) that are of adaptive value in different climates. Nature,
Kant speculates, has taken care “to equip her creature through hidden
inner provisions for all kinds of future circumstances, so that it may

For this point, see Alix A. Cohen, “Kant on Epigenesis, Monogenesis and Human Nature: The
Biological Premises of Anthropology,” Studies in History and Philosophy of Science Part C: Studies in
History and Philosophy of Biological and Biomedical Sciences  (): –.

Cohen emphasizes the importance of having the same origin or monogenesis for establishing the
unity of the human species and explaining racial variety. See Cohen, “Kant on Epigenesis,
Monogenesis and Human Nature,” –. It is worth saying that monogenesis and Buffon’s
criterion can very well go hand in hand. Kant indeed says that there can be only one explanation for
the unity of the human species: “namely, that they all belong to a single phylum, from which,
notwithstanding their differences, they originated, or at least could have originated” (VvRM :).
As the last clause suggests and Kant immediately goes on to say, having the same origin would make
human beings not merely a single species but a single family as well. He dismisses the alternative of
many local creations, because it “needlessly multiplies the number of causes” (VvRM :). As
I will emphasize in the conclusion to this chapter, it is very important that the criterion employed
for species membership is causal.

Although Kant’s focus is the human races, he says that adaptive original dispositions should be
posited to explain varieties as well (see UTPP :–).
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Organisms, Teleological Judgment & Methodology
preserve itself and be suited to the difference of the climate and soil”
(VvRM :). It was the physical conditions of the region in which
members of the original species found themselves that determined which
of the adaptive potentials developed. These conditions also determined
which capacities eventually degenerated so that human beings can now no
longer adapt to climates in which they newly find themselves (see: VvRM
:; BBM :–; ÜGTP :–).
The human being was destined for all climates and for every soil; consequently, various germs and natural predispositions had to lie ready in him
to be on occasion either unfolded or restrained, so that he would become
suited to his place in the world and over the course of the generations would
appear to be as it were native to and made for that place. (VvRM :)
It is of great importance for our concerns to learn that Kant posits
potentially adaptive organizations and that external environmental conditions mechanistically trigger the causal processes through which they are
realized. Outer things “can well be occasioning causes but not producing
ones [Gelegenheits- aber nicht hervorbringende Ursachen]” (VvRM :).
Kant gives the following as nonhuman examples of such adaptations:
In birds of the same kind which yet are supposed to live in different climates there
lie germs for the unfolding of a new layer of feathers if they live in a cold climate,
which, however, are held back if they should reside in a temperate one. Since in a
cold country the wheat kernel must be more protected against the humid cold
than in a dry or warm climate, there lies in it a previously determined capacity or a
natural predisposition to gradually produce a thicker skin. (VvRM :)
The clearest example of human racial adaption occurs, Kant suggests, in
the black race:
For one knows now that the human blood becomes black (as can be seen at
the underside of a blood cake) merely by being overloaded with phlogiston.
Now already the strong odor of the Negroes, which cannot be helped
through any cleanliness, gives cause for conjecturing that their skin removes
much phlogiston from the blood and that nature must have organized this
skin so that the blood could dephlogistize itself in them through the skin in a
far greater measure than happens in us, where that is for the most part the
task of the lungs. Yet the true Negroes live in regions in which the air is so
phlogistized through thick forests and swamp-covered regions, that it is,
according to Lind’s report, deadly peril for the English sailors to navigate up
the Gambia River even for one day in order to buy meat there. Thus it was
an arrangement very wisely made by Nature to organize their skin such that
the blood, since it . . . does not by far sufficiently remove enough phlogiston
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through the lungs, could dephlogistize itself much more strongly through the
skin than is the case with us. It thus had to transport a lot of phlogiston into the
ends of the arteries, thereby becoming overloaded with it in this location, that is,
under the skin itself, and so shine through black, although it is still red in the
interior of the body. Moreover, the different organization of Negro skin from ours
is already noticeable through touch. (BBM :; see also ÜGTP :–)
It is worth noting that skin color is here merely an effect of an adaptive
mechanism of waste disposal; and Kant speculates that this might be the
case with the other races as well (see: VvRM :; BBM :–).
.. The Evolutionary Speculation (§)
In the Methodology of Teleological Judgment we also find a remarkable
passage in which Kant formulates a wholly speculative idea concerning the
origin of all organic species. He calls it “a daring adventure of reason” (KU
: note), for experience reveals no evidence to support it. Nevertheless,
he says, “there may be few, even among the sharpest researchers into
nature, who have not occasionally entertained it” (KU : note).
The agreement of so many genera of animals in a certain common schema,
which seems to lie at the basis not only of their skeletal structure but also of
the arrangement of their other parts, and by which a remarkable simplicity
of basic design has been able to produce such a great variety of species by
the shortening of one part and the elongation of another, by the involution
of this part and the evolution of another, allows the mind at least a weak ray
of hope that something may be accomplished here with the principle of the
mechanism of nature, without which there can be no natural science at all.
This analogy of forms, insofar as in spite of all the differences it seems to
have been generated in accordance with a common prototype, strengthens
the suspicion of a real kinship among them in their generation from a
common proto-mother, through the gradual approach of one animal genus
to the other, from that in which the principle of ends seems best confirmed,
namely human beings, down to polyps, and from this even further to
mosses and lichens, and finally to the lowest level of nature that we can
observe, that of raw matter: from which, and from its forces governed by
mechanical laws (like those which are at work in its production of crystals),
the entire technique of nature, which is so incomprehensible to us in
organized beings that we believe ourselves compelled to conceive of another
principle for them, seems to derive. (KU :–)

Lovejoy’s influential paper claims to dispel the myth of Kant’s evolutionary speculation. See Arthur
O. Lovejoy, “Kant and Evolution,” in Forerunners of Darwin –, edited by Bentley Glass,
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Organisms, Teleological Judgment & Methodology
For our purposes, it is particularly important to underscore that Kant does
not think that this speculative idea is absurd or in any way at odds with the
methodology of biology he champions. Indeed, it must employ it.
And yet ultimately he [the archaeologist of nature] must attribute to this
universal mother an organization purposively aimed at all these creatures,
for otherwise the possibility of the purposive form of the products of the
animal and vegetable kingdom cannot be conceived at all. In that case,
however, he has merely put off the explanation [den Erklärungsgründ nur
weiter aufgeschoben], and cannot presume to have made the generation of
those two kingdoms independent from the condition of final causes. (KU
:–; see also KU :–)
We might speculate that all organisms developed from matter through
processes governed by mechanistic forces and that in this way a scientific
explanation of these processes can be found. Note that Kant is emphatic
here and says that without the principle of the mechanism of nature “there
can be no natural science at all.” But this does not contradict the claim that
teleological judgment of organic nature is necessary. For we would still
have to conceive of the beginning of this evolutionary process as an original
organization – thus merely putting off the explanation of organization. In
Kant’s words, we would have to attribute to the “universal mother an
organization purposively aimed at all these creatures.” The speculative idea
does not contradict and, indeed, must employ the methodology Kant
advocates.
It is noteworthy that Kant himself calls epigenesis a theory of “generic
preformation, since the productive capacity of the progenitor is still preformed in accordance with the internally purposive predispositions that
were imparted to its stock, and thus the specific form was preformed
virtualiter” (KU :). We saw that it is in this sense, according to
Kant, that the human races too are preformed. His speculation about the
origin of all life in raw matter is also preformationist, though it offers no
answer to the very puzzling question of how all organization could be
“preformed virtualiter” within the “universal mother.” It will be of importance to the discussion of the next subsection that in all these cases all the
organization we encounter in nature is in one way or another preformed.
Owsei Temkin and William L. Strauss Jr. (Baltimore: Johns Hopkins University Press, ),
–.

For the argument that explanations of the origin of self-organizing beings must begin with
organized matter, see Hannah Ginsborg, “Kant on Understanding Organisms as Natural
Purposes,” in The Normativity of Nature (Oxford: Oxford University Press, ), –;
Ginsborg, “Two Kinds of Mechanical Inexplicability in Kant and Aristotle,” –.
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..

Is Darwin “Newton of the Blade of Grass”?
To conclude this section, let us turn to what is very possibly the mostoften-quoted – and often misunderstood – passage of the Critique of
Teleological Judgment. In this context, it is worth saying just a few words
about the scientific aftermath of Kant’s biological thinking.
. . . it is quite certain that we can never adequately come to know the
organized beings and their internal possibility in accordance with merely
mechanical principles of nature [bloß mechanischen Prinzipien der Natur],
let alone explain [erklären] them; and indeed this is so certain that we can
boldly say that it would be absurd [ungereimt] for humans even to make
such an attempt or to hope that there may yet arise a Newton who could
make comprehensible even the generation of a blade of grass according to
natural laws that no intention has ordered; rather, we must absolutely deny
this insight to human beings. (KU :; see also NTH :)
Taken wholly out of context, Kant might seem to be professing here the
conviction that in the case of even relatively simple natural organization
the scientific search for mechanistic explanations is utterly futile. He might
further be taken to suggest a belief in the existence of teleological forces in
nature, and for this reason to deny that mechanistic explanations of
organisms are conceivable. If this were so, then we might say with Ernst
Mayr (and others) that “Darwin had solved Kant’s great puzzle.” The
claim of this chapter, on the contrary, was that Kant certainly does not
claim that there are teleological forces in nature, and ipso facto cannot claim
that for this reason mechanistic explanations of organisms are inconceivable. Moreover, I claimed in this section that Kant thinks that any
organized structure can in principle be explained mechanistically.
What then does Kant mean by claiming that a “Newton of the blade of
grass” is an absurdity? Kant’s statement is not a claim about the future of
biology, which stands to be refuted by a momentous scientific discovery. It
is a conceptual truth. To identify an object as self-organizing, we saw, is to
take on the commitment to answer the question of how it produces itself.
This commitment cannot be fulfilled by describing an object as just the


Mayr, “The Multiple Meanings of Teleological,” .
Kant does not explicate his pronouncement in the passage we are examining. But he does add that
we can neither affirm nor deny the existence of “an intentionally acting being as a world-cause
(hence as an author) at the basis of what we rightly call natural ends” (KU :); for such a claim
lies beyond the reach of human reason. And this clearly means that the fact that we employ
teleological language to describe organisms does not commit us to the claim that there are purposes
in nature. Kant, we saw, says clearly that this purposiveness “lies only in the idea of the one who
judges and never in any efficient cause” (KU :).
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
Organisms, Teleological Judgment & Methodology
contingent product of blind mechanistic causality. For the two ways of
identifying objects employ mutually exclusive conceptual tropes – the
trope of intentional action and the trope of blind natural causation. The
first describes an object as though it were an intended end, thus as a
distinct type of unity; the second – as contingent or unintended, and thus
as a mere aggregate. The use of the latter trope cannot make the former
redundant.
We saw above that Kant, in fact, thinks that a mechanistic explanation
of the generation of an organism or of an organized state is always possible.
But it will always begin by identifying an earlier structure of organization.
As Kant says of Blumenbach, “he rightly declares it to be contrary to
reason [vernunftwidrig] that raw matter should originally have formed itself
in accordance with mechanical laws, that life should have arisen from the
nature of the lifeless, and that matter should have been able to assemble
itself into the form of a self-preserving purposiveness by itself” (KU :).
Succinctly stated, “there can be no investigation in physics about the origin
of all organization itself” (ÜGTP :). Even the truth of the daring
speculation about the origin of all animal and vegetable species in matter
“cannot presume to have made the generation of those two kingdoms
independent from the condition of final causes” (KU :). The claim
that a Newton of the blade of grass is an absurdity is not a denial of the
possibility of mechanistic explanations of organisms. It is the claim that
such explanations always begin with some organized structure. What we
cannot do is explain the generation of even a blade of grass employing
mechanical principles of nature alone – this is why Kant speaks of knowing
or explaining organisms “in accordance with merely mechanical principles
of nature.” The claim is then a denial of the possibility of a mechanistically
reductive explanation. It is precisely in this sense that a Newton of the
blade of grass is inconceivable.
This does not provide, however, a conclusive answer to the question of
whether Darwin is as a matter of fact “Newton of the blade of grass.”
Kant’s argument in the Analytic begins with the assumption that we
employ concepts of self-organization to characterize organisms. But don’t
Darwin’s theory of evolution and the later synthesis of evolutionary theory
and modern genetics show that this assumption does not necessarily hold

Suppose you ask me what was my end in doing something and I answer that what you saw was as a
matter of fact an accident and go on to describe how it occurred. I have not then given the
explanation you requested. I redescribed the event for which you sought an explanation and
explained this event. You asked for a teleological explanation (a reason) and received a causal
mechanistic account (an unintended accident) of a different event.
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. Methodology of Biology: Observation & Explanation

true? Do they not show that we can dispense with teleological language
altogether?
To begin to answer these questions it must be noted that modern
biology has not by any means dispensed with teleological language, even
though it has discovered previously unimaginable structures and processes
of organization. This is the reason why the question of teleology is still of
great interest to contemporary philosophy of biology. That its search for
mechanistic explanations has taken biology very far indeed is incontestable.
But Kant too, we saw, holds that the characterization of objects as selforganizing commits us to search for the mechanistic forces that serve its
processes of organization. His claim, indeed, is that the two – teleological
identification and mechanistic explanation – go hand in hand:
For where ends are conceived as grounds of the possibility of certain things,
there one must also assume means the laws of the operation of which do not
of themselves need anything that presupposes an end, which can thus be
mechanical yet still be a cause subordinated to intentional effects. (KU
:)
We can and should be concerned to investigate nature, so far as lies within
our capacity, in experience, in its causal connection in accordance with
merely mechanical laws: for in these lie the true physical grounds of
explanation [wahren physischen Erklärungsgründe], the interconnection of
which constitutes scientific cognition of nature [wissenschaftliche
Naturkenntniß] through reason. But now we find among the products of
nature special and very widely distributed genera, which contain within
themselves a combination of efficient causes that we must ground in the
concept of an end, even if we wish to employ only experience, i.e.,
observation [Beobachtung] in accordance with a principle suitable to their
inner possibility. (EEKU :)

The example Kant goes on to give is also well worth quoting.
. . . by saying that the crystalline lens in the eye has the end of reuniting, by means of a
second refraction of the light rays, the rays emanating from one point at one point on the
retina, one says only that the representation of an end in the causality of nature is conceived
in the production of the eye because such an idea serves as a principle for guiding the
investigation of the eye as far as the part that has been mentioned is concerned, with regard
to the means that one can think up to promote that effect. No cause acting in accordance
with the representation of purposes, i.e., no intentionally acting cause, is thereby attributed
to nature, which would be a determining teleological judgment and as such transcendent,
since it would suggest a causality that lies beyond the bounds of nature. (EEKU :)
Once again, we have here the claims that purposiveness figures in the description of an organ “as a
principle for guiding the investigation” but that in explanations of how the crystalline lens in the eye
arises as an effect no cause “acting in accordance with the representation of purposes, i.e., no
intentionally acting cause, is thereby attributed to nature.”
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Organisms, Teleological Judgment & Methodology
In response, the claim might be made that modern biology does not –
strictly speaking – attribute to organisms the property of self-organization.
The theory of evolution and modern genetics reveal that the appearance of
organization is in fact the result of the blind forces of nature. Indeed, they
are often taken to show that an explanation of the appearance of organization in terms of the laws of physics and chemistry is possible – in
principle, if not in fact. But this rejoinder misses its target. Kant’s argument still holds for those concepts that describe the appearance of selforganization. For Kant never denies – indeed, he very clearly proclaims –
that all explanations are mechanistic. Succinctly, Kant’s argument for the
necessity of teleological judgment is an argument not about the explanans
but about the explanandum. More precisely, it is an argument that turns
on our characterization of the explanandum. It targets the form of the
concepts we employ as sortals in describing the natural world. But as we
saw above, it takes on no correlative ontological commitments about the
world. Conversely, to break the hold of Kant’s argument, it would be
necessary to purge our language of concepts the internal form of which
implies self-organization. This would mean the actual disintegration or
dissolution of biology into physics and chemistry.
As we saw, Kant places two strictures on any scientific explanation in
biology: () A fundamental assumption of the explanation must be the
identification of some structure of organization; () the forces sought to
explain further organization must be mechanistic – that is, blind rather
than purposive. Viewed from this perspective, Darwin’s epochal achievement lies not only in formulating the complementary explanatory mechanistic principles of chance variation and natural selection; in other words,
it lies not only in having discovered the right mechanistic principles, for
which others had been searching since Newton. For these two principles
further reveal that the organization present in nature at any given moment
is all the organization biology need assume. More and better organized
structures and beings can be the blind effects that arise from what is less or
less well organized. This insight finally breaks the staff of preformation
theories – all future organization need not be pre-formed. Indeed,
perhaps all the organization we need attribute to raw matter is the

Cornell succinctly formulates the point: To reject Kant’s argument we would have to “explain
away” the organism. John F. Cornell, “Newton of the Grassblade? Darwin and the Problem of
Organic Teleology,” Isis  (): . See also McLaughlin, Kant’s Critique of Teleology in
Biological Explanation, .

For this important point, see Ginsborg, “Two Kinds of Mechanical Inexplicability in Kant and
Aristotle,” ; Roth, “Kant und die Biologie seiner Zeit (§§–),” .
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. Conclusion

particular organization from which mechanistic laws can produce the first
self-replicating – thus, self-organizing – molecule. But it is precisely by
identifying this particular state of affairs as capable of producing a selforganizing whole that the state of affairs itself is regarded as preformed
virtualiter. Even such an account would not then eliminate teleological
judgments of organic phenomena.
Indeed, Kant might be taken to offer a characterization of the biological
or life sciences. They are the sciences investigating what we describe as selforganizing beings. But this also reveals what might be less than satisfactory when viewed from different philosophical perspectives, both perspectives of some of Kant’s contemporaries and our own. Kant, as I have been
claiming, is offering an analysis of a type of judgment he rightly assumes
we make. And he is consistent in taking on no ontological commitment to
the existence of natural purposes. Viewed from the ontological perspective,
Kant does leave the puzzle posed by our use of teleological language
unsolved.
. Conclusion
We can now see better how the claims of this chapter hang together. Kant
begins by simply accepting the fact that we describe certain natural objects
as self-organizing and so teleologically. Having accepted this, it follows as a
conceptual truth that things so described cannot be explained by reference
to mechanistic forces alone. But this is by no means an admission of the
existence of end-directed forces into the realm of nature. In fact, it is
Kant’s commitment to the exclusive reign of blind mechanistic forces over
the natural world that raises the problem of natural teleology to begin with.
Kant’s solution to the problem of biological explanations is the claim that
all such explanations begin by identifying an organized structure or state,
from which further organized structures or states are produced by blind
mechanistic forces. All natural explanations, including biological explanations, are mechanistic. But biological explanations are not reductive. The
concept of self-organization, once introduced, cannot be eliminated. The
concept, however, occurs only in descriptions of natural phenomena –
never as an explanation. Moreover, so describing a natural being sets

Ginsborg too argues for this conclusion; see Ginsborg, “Two Kinds of Mechanical Inexplicability in
Kant and Aristotle,” –.

For a similar claim, see Breitenbach, “Teleology in Biology,” –, –.

For an illuminating contrastive discussion of naturalizing-ontological and analogical conceptions of
teleology, see Breitenbach, “Teleology in Biology,” –.
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
Organisms, Teleological Judgment & Methodology
science the ongoing task of explaining mechanistically its processes of selforganization. Thus the teleological concept of self-organization, though
applied to objects given to the senses, visibly wears the marks of an idea
of reason.
It is worth underscoring that what we have learned about the close
connection between the teleological description of organisms and explaining their processes of self-organization is a particular example of an
important systematic distinction. In the Preface to the Metaphysical
Foundations of Natural Science, Kant distinguishes the description of nature
from natural or rational science. The former “contains nothing but systematically ordered facts about natural things (and would, in turn, consist
of natural description [Naturbeschreibung], as a system of classification for
natural things in accordance with their similarities, and natural history
[Naturgeschichte], as a systematic presentation of natural things at various
times and places)” (MAN :). The latter systematically presents “an
interconnection of grounds and consequences” (MAN :), which in
turn contains the natural causal laws of the merely observational sciences
and sciences properly so-called, which have constructed the a priori
principles of a special metaphysics. It is of great importance to understand
this distinction and the relations between its terms. Kant is often critical of
causally uninformative descriptions of nature, referring to the “school
system of the description of nature” (VvRM : note) or to nominal
classifications according to merely observational similarities (see BBM
:). In contrast, as we saw in this chapter, he himself strongly advocates
employing causally informative descriptions, such as Buffon’s criterion for
species membership and his own use of skin color as a criterion for racial
membership. Furthermore, though natural history, as Kant characterizes it
in this text, is descriptive (it is a “presentation [Darstellung] of natural
things at various times and places”), its precise aim and indeed the reason
for its spatiotemporal focus is to prepare the ground for an investigation of
causes and thus for natural or rational science. As Kant writes in his “On
the Use of Teleological Principles in Philosophy” essay (confusingly using
the same terms differently), natural description should serve the search for
causal accounts or, what he there calls, natural history. Kant argues for the
need “to establish a principle in advance which is supposed to guide the
investigator of nature even in searching and observing, and especially a
principle that would orient observation toward a natural history to be
furthered by this procedure, in contrast to a mere description of nature”
(ÜGTP :). Indeed, “natural history would only consist in tracing
back, as far as the analogy permits, the connection between certain
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. Conclusion

present-day conditions of the things in nature and their causes in earlier
times according to the laws of efficient causality” (ÜGTP :; see also:
VvRM : note, ; BBM :). Thus Kant’s methodology of
biology and the concrete examples we have examined are particularly clear
illustrations of productive relations between the description of nature and
the scientific goal of seeking causal processes and explanations.
I have argued in this chapter that the point of departure of Kant’s
argument in the Analytic of Teleological Judgment is a very strong
assumption. He simply takes as given the fact that we describe certain
phenomena as self-organizing. His argument that teleological judgment is
necessary follows from this assumption by straightforward conceptual
analysis. I will claim in the next chapter that the overarching aim of
the Critique of Teleological Judgment is to argue for the necessity of the
assumption of the purposiveness of nature as a whole. On the reading of
the Analytic I have presented, Kant appears to work toward this conclusion
by simply accepting that we describe certain phenomena as self-organizing.
It might be claimed that arguing from the strange combination of a
contingent empirical occasion for the employment of a broader a priori
principle or idea lays Kant open to misunderstanding and considerable
difficulties. This is not a claim I would deny. Indeed, I have suggested and
will develop this claim in the next chapter that Kant comes to believe that
the argument from judgments of organisms to the assumption of the
purposiveness of nature has considerable advantages. Its great advantage,
briefly stated, is the very broad agreement that we do indeed judge
organisms teleologically. But the argument also suffers from considerable
disadvantages. One is the danger of misunderstanding Kant’s subtle position in relation to the precise standing of organisms as objects of

It is worth emphasizing that, in the Metaphysical Foundations of Natural Science, natural history is
descriptive but, I am claiming, preparatory to causal accounts – that is, what Kant there calls natural
or rational science. As the passage just quoted reveals and other texts confirm, Kant often describes
the distinction between description and causal explanation as the distinction between natural
description and natural history. For an early example of employing natural history to refer to
such explanatory (if sometimes speculative) accounts, see PG :–. This usage is particularly
clear in the complete title of Kant’s  Universal Natural History and Theory of the Heavens or
Essay on the Constitution and the Mechanical Origin of the Whole Universe According to Newtonian
Principles.

According to Ginsborg’s reconstruction of Kant’s view, the necessity of judging organisms
teleologically follows from their mechanical inexplicability in the sense that they display a unique
reciprocal dependence of parts and whole. As I have suggested throughout this chapter, I view
things the other way round: Organisms are judged as self-organizing and so teleologically; their
reductive mechanistic inexplicability follows from this. See Ginsborg, “Kant on Understanding
Organisms as Natural Purposes,” –.
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
Organisms, Teleological Judgment & Methodology
experience. No smaller danger is arguing for a transcendental principle
from the contingent fact that we judge certain natural objects teleologically. Already in introducing the Critique of Teleological Judgment Kant
says, we saw, that “no a priori ground at all can be given why there must be
objective ends of nature, i.e., things that are possible only as natural ends,
indeed not even the possibility of such things is obvious from the concept
of nature as an object of experience in general as well as in particular” (KU
:; see also: KU :, –, , ; EEKU :; ÜGTP
:–; OP :, ).
I will claim in Chapter  that the Critique of Teleological Judgment
does have an answer to this considerable problem. In the Dialectic of
Teleological Judgment, Kant puts forward a second argument for the
necessity of teleological judgment. Its point of departure is not our
attributions of self-organization but the discursive nature of our cognition.
Kant argues that for discursive beings teleological judgment is a necessary
condition of any empirical experience and knowledge. In the course of the
next chapter, I will also attempt to lay out the advantages Kant thinks the
argument from organic phenomena has as well other weaknesses of it.
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 
The Antinomy of Teleological Judgment
. Introduction
The structure and aims of the Dialectic of the Teleological Power of
Judgment are more complex than first meets the eye. A preliminary
overview suggests that the Dialectic poses and aims to resolve the antinomy
of reflective judgment, which arises between the universal directive to
judge nature mechanistically and the fact that organisms must be judged
teleologically. But a closer look reveals that contending with this central
concern is a rather complex matter. This is initially indicated by two facts.
First, Kant begins the Dialectic with a section announced to be devoted to
explaining what an antinomy of reflective judgment is; as a matter of fact
though, it explains only why such an antinomy might be possible. As the
discussion unfolds, we learn that an antinomy of reflective judgment
differs significantly from the antinomies of the Critique of Pure Reason.
This fact is obscured, though, by Kant’s assimilation into his discussion of
the former important aspects of the latter. Second and very closely related,
Kant in fact presents, in the second section of the Dialectic, what appear to
be two conflicts: () between subjective maxims of reflective judgment;
and () between objective principles of determinative judgment. Kant
states clearly that the former is his foremost concern in the Dialectic.
But he devotes no fewer than three of its ten sections (§§–) as well as
some further passages to the latter conflict. As we will see, the explanation
of this peculiarity is closely related to the former matter.
A further and related complication has to do with the fact that when
Kant gives his most detailed explanation of why we judge teleologically, he
is apparently no longer concerned with organisms alone but with empirical
judgment quite generally. His analysis of the distinct character of our
understanding reveals why nature quite generally is judged as a conceptually purposive whole, and the same analysis also explains why we judge
organisms teleologically. This suggests that organisms are a particularly

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
The Antinomy of Teleological Judgment
noteworthy example of a more general and highly significant fact: As
cognizers with discursive understandings we necessarily view nature generally teleologically or as a conceptually purposive whole. This raises the
question of why the analysis of organic phenomena is given such prominence in the Critique of Teleological Judgment. As we will see, the answer
to this question is closely intertwined with the former concerns. The aim
of this chapter is to unravel the antinomy of teleological judgment and its
construction. The next chapter will focus on the argument from discursivity to the assumption of the conceptual purposiveness of nature.
. Teleological Judgment: From Organisms to Nature
as a Whole (§§–)
We saw in the previous chapter that the first concern of the Analytic of the
Teleological Power of Judgment is an analysis of our attributions of selforganization to natural objects. But already in the last two sections of the
Analytic (§§–), Kant reveals that he holds teleological judgment to be
of much broader application. Indeed, teleological judgment is applicable to
nature as a whole.
It is therefore only matter insofar as it is organized that necessarily carries
with it the concept of itself as a natural end, since its specific form is at the
same time a product of nature. However, this concept necessarily leads to
the idea of the whole of nature as a system in accordance with the rule of
ends, to which idea all of the mechanism of nature in accordance with
principles of reason must now be subordinated (at least in order to test
natural appearance by this idea). The principle of reason is appropriate for it
only subjectively, i.e., as the maxims that everything in the world is good for
something, that nothing in it is in vain; and by means of the example that
nature gives in its organic products, one is justified, indeed called upon to
expect nothing in nature and its laws but what is purposive in the whole.
(KU :–; see also KU :)
A number of points that come up in this passage are important. First and
potentially misleadingly, Kant speaks in this passage of the “maxims that
everything in the world is good for something, that nothing in it is in
vain” – and at first glance it might look as though Kant has in mind
relations of external purposiveness. But he makes it abundantly clear that
what is of interest to him here is the notion of organized matter or judging
“a thing to be purposive on account of its internal form” (KU :) and
the way it can be extended to guide the investigation of “the whole of
nature as a system in accordance with the rule of ends, to which idea all of
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. From Organisms to Nature as a Whole

the mechanism of nature . . . must now be subordinated.” The relation of
external purposiveness, in contrast, ultimately “requires the relation of
nature to something supersensible” (KU :) and leads the physical
investigator of nature into “meddling in someone else’s business (namely,
in that of metaphysics)” (KU :–). The important emphasis in the
maxims is to everything “in the world” (see also KU :). The maxims
are then a “guideline for considering things in nature, in relation to a
determining ground that is already given, in accordance with a new, lawful
order, and for extending natural science in accordance with another
principle, namely that of final causes, yet without harm to the mechanism
of nature” (KU :; see also KU :). Indeed, Kant also recommends
as scientifically productive to consider things that are “counterpurposive
for us” (KU :). The regulative principle of judging nature generally as
a purposive whole is a principle of natural science, which guides the search
for particular laws of nature.
The reason Kant employs ambiguous-sounding maxims must be the
fact that in the Methodology of the Teleological Power of Judgment he
uses the conception of nature as a comprehensive theoretical system as the
first step in an argument for the assumption of the highest practical good
and a benevolent God. In the Analytic, he appears to be foreshadowing
this later concern and the move from the former conception to the latter.
But there, too, he distinguishes clearly the theoretical investigation of
nature under the principle of the purposiveness of nature from the practical question of the final end of creation. He says clearly that physical
teleology, properly construed, is merely a preparation or propaedeutic for
ethicotheology (KU :).
Second, Kant offers a compelling argument to support the claim that
viewing an object as self-organized matter “necessarily carries with it the
concept of itself as a natural end.” But no such argument is introduced
here to support the claim that the former concept “necessarily leads to the
idea of the whole of nature as a system in accordance with the rule of
ends.” It will be a central claim of the next chapter that Kant has a second
independent argument for the necessity of viewing nature teleologically. It

For this point, see Paul Guyer, “From Nature to Morality: Kant’s New Argument in the ‘Critique of
Teleological Judgment’,” in Kant’s System of Nature and Freedom: Selected Essays (Oxford: Clarendon
Press, ), –; Angela Breitenbach, Die Analogie von Vernunft und Natur: Eine
Umweltphilosophie nach Kant (Berlin: Walter de Gruyter, ), –.

For my account of this argument, see Ido Geiger, “Methodology of the Teleological Power of
Judgment,” in The Kantian Mind, edited by Sorin Baiasu and Mark Timmons (London:
Routledge) [forthcoming].
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
The Antinomy of Teleological Judgment
is probably for this reason that he is less concerned with defending the
move he is making from judging organisms teleologically to so judging
nature as a whole.
This last point leads, however, to a third and more complex consideration. I have been claiming that Kant’s ultimate aim in the Critique of
Teleological Judgment is to argue for the teleological conception of nature
as a whole. And I am now suggesting that he has an independent argument
to this conclusion. Why then does he invest such effort in the argument
from the organism? This question is made even more pressing when we see
clearly that the argument from the organism suffers from three considerable weaknesses: First, as I just noted, Kant offers no compelling argument
why accepting his analysis of judgments of organisms necessarily leads to
judging teleologically nature generally, and the fact that he has another
argument to this conclusion does not explain why he does not simply use
it. Second, this move is also a move between two different senses of
teleology. An organism is described as self-producing or self-organizing,
as “a natural end, since its specific form is at the same time a product of
nature” (KU :). But as we will see in more detail below, viewing
nature teleologically does not mean viewing it as a natural end or selforganizing whole – and thus as a distinct kind of natural causal whole. It is,
rather, to view it as a comprehensive system of empirical laws, or, in other
words, to view nature as a conceptually purposive whole, a whole purposive for discursive cognition. This way of regarding nature can be described
as viewing it as though it were the product of intentional design and
emphatically not as a natural end. It is to regard nature as though it were
made to be knowable by us by an intelligent world-author, whose causal
agency clearly lies outside nature. Indeed, Kant later acknowledges the fact
that the concept is employed in distinct, if related, senses when he refers to
the former biological sense as “the strictest sense of the term adduced
above” (KU :). The answer to this difficulty has to do, once again,
with the second argument for the conceptual purposiveness of nature.
Once it is in place, the argument from the organism can be viewed as a
specific and particularly compelling instantiation of a more general principle. As I claimed in the last chapter, judgments of organisms are,
according to Kant, objective representations of the principle of the conceptual purposiveness of nature. The move from the more demanding
concept of organism to the broader concept is less than compelling; but the
converse move might seem far less problematic, especially if, with Kant, we
view the concept of organism as a specific instantiation of a regulative
principle of reflective judgment.
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. The Peculiarity of the Antinomy of Reflective Judgment

The third difficulty is one to which I have already pointed and indeed a
difficulty Kant himself clearly and repeatedly proclaims:
. . . no a priori ground at all can be given why there must be objective ends
of nature, i.e., things that are possible only as natural ends, indeed not even
the possibility of such things is obvious from the concept of nature as an
object of experience in general as well as in particular; rather the power of
judgment, without containing a principle for this in itself a priori, in order
to make use of the concept of ends in behalf of reason, merely contains in
some cases that come before it (certain products) the rule by which that
transcendental principle has already prepared [vorbereitet] the understanding to apply the concept of an end (at least as far as form is concerned)
to nature. (KU :; see also KU :, , –, , ; EEKU
:; ÜGTP :–; OP :, )
Succinctly, the fact that we encounter certain natural objects that we
describe as self-organizing and thus teleologically is entirely contingent.
As I suggested in Chapter , it is precisely Kant’s choice to construct an
argument from this contingent fact to the conceptual purposiveness of
nature as a whole that leads him to say that only the discussion of the
aesthetic power of judgment is essential to a critique of the power of
judgment. For the principle guiding the aesthetic reflection on nature is
alone “entirely a priori” (KU :). In contrast, the application of
teleological judgment to organisms “belongs to the theoretical part of
philosophy” (KU :). Furthermore, according to the passage above
and as I have been suggesting, our judgments of organisms reveal rather
than ground the a priori transcendental principle of the purposiveness of
nature for our cognition. The oddity of the argument from the organism is
worth underscoring: It is an argument from a contingent empirical fact to
an a priori principle.
These difficulties clearly raise the following question: What advantages
are there to the argument from the organism? In the next section, I will
claim that the argument from the organism allows Kant to assimilate some
of the characteristics definitive of an antinomy of theoretical reason into
his discussion of teleology and in this way to buttress the transcendental
status of the principle of the conceptual purposiveness of nature.
. The Peculiarity of the Antinomy of Reflective Judgment
In the Transcendental Dialectic of the Critique of Pure Reason, Kant says
that the antinomies are the inevitable result of a distinct conjunction: ()
reason’s striving for the unconditioned; and () those categories, “in which
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
The Antinomy of Teleological Judgment
the synthesis constitutes a series, and indeed a series of conditions subordinated (not coordinated) one to another for any conditioned” (A/
B). Like the categories that govern subordinating or regressive syntheses, teleological judgment points us back to a first intention-like cause.
I suggest that dividing his discussion into an Analytic and Dialectic and
presenting in the latter an antinomy of reflective judgment is Kant’s way of
reinforcing the claim that, like the categories, the principle of conceptual
purposiveness of nature is a transcendental condition of experience.
Furthermore, the discussion shows that the principle of purposiveness
does not lead into contradiction when employed to guide reflective judgment – this is the significance of emphasizing the fact that we are dealing
with a principle of reason for reflective judgment (see again the title of §;
see also KU :, ).
Kant certainly does not declare that these are his motivations. But there
is considerable textual support for these claims. I will claim in this section
that it is these motivations that explain quite a bit of the oddness of the
first sections of the Dialectic. Specifically, I will claim first that Kant’s
focus on the organism and the formulation of a conflict between determinative principles of mechanism and teleology allow him to assimilate into
his discussion important characteristics of the antinomies of theoretical
reason. I will further claim that the actual antinomy of reflective judgment
is constituted by two maxims that do not contradict one another.
..
The Dogmatic Conflict between Teleology and Mechanism (§)
A first clue why Kant chooses to analyze the concept of organism is the
following plain and emphatic assertion: “No one has doubted the correctness of the fundamental principle that certain things in nature (organized
beings) and their possibility must be judged in accordance with the
concept of final causes” (KU :). It follows then that the interest,
which the conflict between the principles of mechanism and teleology
commands, is quite general. But far more is at stake here, I believe, than a
desire for the broadest audience. It must be remembered how Kant first
introduces the antinomies in the Critique of Pure Reason.

The Critique of the Aesthetic Power of Judgment is also organized into an Analytic and Dialectic. In
the last paragraphs of the First Introduction, Kant announces that the two parts of the work he at
that point foresees will each contain two books, each with an Analytic and Dialectic (EEKU :).

It is worth remarking that these claims hold true of the antinomy of taste as well. I will not, though,
discuss it further.
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. The Peculiarity of the Antinomy of Reflective Judgment

Here a new phenomenon of human reason shows itself, namely a wholly
natural antithetic, for which one does not need to ponder or to lay artificial
snares, but rather into which reason falls of itself and even unavoidably; and
thus it guards reason against the slumber of an imagined conviction, such as
a merely one-sided illusion produces, but at the same time leads reason into
the temptation either to surrender itself to a skeptical hopelessness or else to
assume an attitude of dogmatic stubbornness, setting its mind rigidly to
certain assertions without giving a fair hearing to the grounds for the
opposite. Either alternative is the death of a healthy philosophy, though
the former might also be called the euthanasia of pure reason. (A/
B–; see also Prol :)
An antinomy does not arise between conflicting philosophical propositions. It is a conflict that ensnares ordinary human reason and indeed
necessarily. In the third Critique, Kant emphasizes that the perspective of
the Analytic is that of physics rather than of metaphysics (KU :–)
and later says explicitly that organisms are “the only basis for proof valid
for both common understanding as well as for philosophers of the dependence of these things on and their origin in a being that exists outside the
world” (KU :–).
Furthermore, as the passage above suggests and as Kant says emphatically in the Prolegomena, the antinomy of pure reason “works the most
strongly of all to awaken philosophy from its dogmatic slumber, and to
prompt it toward the difficult business of the critique of reason itself” (Prol
:). The decision to assimilate these important attributes of the
antinomies explains a considerable portion of the oddity in the detail
and construction of the Dialectic. It explains why, despite announcing
clearly that the Dialectic is concerned with an antinomy between maxims
of reflective judgment, Kant poses a second dogmatic conflict between
would-be constitutive principles of determinative judgment, even though
“reason can prove neither the one nor the other of these fundamental
principles” (KU :). As we saw in the discussion of the Newton of the
grass-blade passage, Kant says clearly that “we cannot make any objective
judgment at all, whether affirmative or negative, about the proposition that

In a retrospective letter Kant testifies that “the antinomy of reason . . . first aroused me from my
dogmatic slumber and drove me to the critique of reason itself, in order to resolve the scandal of the
ostensible contradiction of reason with itself” (Letter to Garve, September , ; Br :). For
this point, see Ernst Cassirer, Kant’s Life and Thought, translated by James Haden (New Haven, CT:
Yale University Press, ), –. Kuehn argues that the claim of this letter does not contradict
Kant’s famous assertion that it was Hume who awoke him from his dogmatic slumber (see Prol
:). Manfred Kuehn, “Kant’s Conception of ‘Hume’s Problem’,” Journal of the History of
Philosophy  (): –.
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
The Antinomy of Teleological Judgment
there is an intentionally acting being as a world-cause (hence as an author)
at the basis of what we rightly call natural ends “ (KU :). The
dogmatic conflict between teleology and mechanism arises for those who
purport to possess such objective knowledge. It is precisely the conflict into
which ordinary understanding falls.
Thesis: All generation of material things is possible in accordance with
merely mechanical laws.
Antithesis: Some generation of such things is not possible in accordance
with merely mechanical laws. (KU :)
I suggest then that Kant formulates this conflict between objective, transcendent principles of determinative judgment in § and then proceeds
to argue at length that no existing or conceivable dogmatic treatment of
the problem of teleology is possible (§§–), precisely because this
conflict and the argument against it meet two defining characteristics of
an antinomy: () An antinomy is a conflict that arises necessarily for
common understanding; () it is resolved by rejecting the dogmatic
answers to the problem it poses and adopting the critical perspective.
Indeed, the declaration that no one doubts that organisms must be judged
teleologically is the opening statement of the critique of the dogmatic
accounts of teleology in §§–. I propose to set this discussion aside and
note only that it presents four dogmatic accounts of teleology as two
contradictory types of approaches to the problem (a realistic and an
idealistic approach), within each of which we find two contradictory
positions (physical and hyperphysical or metaphysical). In this two-tiered
antinomial structure the positions thus “all controvert one another dogmatically [dogmatisch . . . unter einander streitig sind]” (KU :). Later in
the text, Kant says explicitly that we could assert the dogmatic antithesis “if
we were justified in regarding material things as things in themselves” (KU
:).
Furthermore and confirming my suggestion above, Kant says explicitly
what motivates the dogmatic treatment of the problem of natural purposes. It is precisely the drive to reach the first cause in a series.

The truth of the thesis would entail the reducibility of the teleological language we employ to
describe organisms, while the truth of the antithesis would be tantamount to asserting that there are
teleological forces and explanations. Interestingly, Kant gives what appears to be a more general
reason why we cannot endorse either principle; they are transcendent and “we can have no
determining principle a priori of the possibility of things in accordance with merely empirical laws
of nature” (KU :). I will discuss the way I understand the relation between the regulative maxim
of mechanism and the determinative use of mechanistic explanations in the next chapter. See
Chapter , Section ..: Mechanism: Determinative Use and Regulative Maxim.
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. The Peculiarity of the Antinomy of Reflective Judgment

It must therefore be a certain presentiment of our reason, or a hint as it were
given to us by nature, that we could by means of that concept of final causes
step beyond nature and even connect it to the highest point in the series of
causes if we were to abandon research into nature (even though we have not
gotten very far in that), or at least set it aside for a while, and attempt to
discover first where that stranger in natural science, namely the concept of
natural ends, leads. (KU :)
The way to avoid the “contradictorily opposed principles” (KU :) we
are led to endorse is to deal with the problem critically: “The dogmatic
treatment of a concept is thus that which is lawful for the determining, the
critical that which is lawful merely for the reflecting power of judgment”
(KU :).
But these considerations have an important flip side. Both the antinomy
of the reflective power of judgment and its resolution differ from those of
the first Critique. The first difference is that the antinomy of reflective
judgment is not a conflict of ordinary understanding or reason. As
I emphasized in the previous chapter, Kant’s discussion of organisms is
an analysis of the way we judge them and not an analysis of what they are
objectively. The latter, and not the former, is the dogmatic perspective.
Differently put, the Kantian notion of a faculty of judgment is not a
dogmatic one. For it is clearly the critical perspective that attributes to us a
faculty of judgment that mediates between sensibility and understanding.
As we will see in the next chapter, the key section of the Dialectic focuses
on the notion of discursivity – namely, conceptual cognition of what is
given sensibly. But it is precisely discursive understanding that requires
judgment for the subsumption of the sensibly given under its concepts. It
is true that Kant calls the antinomy of reflective judgment “a natural and
unavoidable illusion” (KU :). But his explicit explanation of why he
says this is not that the conflict ensnares ordinary understanding. The
reason, rather, is that “each of the two conflicting maxims has its ground in
the nature of our cognitive faculties” (KU :). As we will see in detail in
the next chapter, Kant grounds both maxims in the discursive nature of
our cognition.

Allison and Nuzzo also claim that the point of this discussion is to argue that the conflict between the
principles of mechanism and teleology can only be resolved within the perspective of the reflective
faculty of judgment. See Henry E. Allison, “Kant’s Antinomy of Teleological Judgment,” in Essays on
Kant (Oxford: Oxford University Press, a), –; Angelica Nuzzo, Kant and the Unity of
Reason (West Lafayette, IN: Purdue University Press, ), .

For this important point, see Peter McLaughlin, Kant’s Critique of Teleology in Biological Explanation:
Antinomy and Teleology (Lewiston, ME: Edwin Mellon Press, ), –.
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
The Antinomy of Teleological Judgment
The second closely related difference is of great importance for understanding the principal aims of the Dialectic of Teleological Judgment.
Precisely because the conflict is not a dogmatic one, its resolution cannot
introduce the critical perspective. As we will see in the next subsection,
there is no real conflict between the maxims of mechanism and teleology.
What the Dialectic in fact offers then is not a resolution of a conflict. It
offers deeper insight into the ground of the maxims of teleology and
mechanism in discursivity and a clearer vision of their scope and how
generally they fit together.
..
The Antinomy of Reflective Judgment: An Antinomy with No
Contradiction (§)
The suggestions of the previous section must seem rather baroque: On the
one hand, Kant presents a real contradiction between determinative principles, which is not an antinomy but nevertheless assimilates two of its
defining characteristics; on the other hand, Kant presents an antinomy of
reflective judgment that does not possess these characteristics and is not in
fact a conflict even as it is first formulated. Nevertheless, the latter claim, to
which we now turn, is even more clearly grounded in the text than the
former.
Kant presents the antinomy of reflective judgment in §:
The first maxim of the power of judgment is the thesis: All generation [Alle
Erzeugung] of material things and their forms must be judged as possible in
accordance with merely mechanical laws.

For the claims that the antinomy of teleological judgment presupposes the distinction between
things in themselves and appearances and that its resolution is the elucidation of the role of the
principle of teleology, see Gary Banham, Kant and the Ends of Aesthetics (Houndmills: Palgrave
Macmillan, ), –.

I thus agree with the methodological suggestion made by Quarfood that we should seek what truth
there is both in the approach that takes the antinomy to be the conflict between the constitutive
principles and the approach that takes it to arise between the reflective maxims. See Marcel
Quarfood, “The Antinomy of Teleological Judgment: What Is It and How It Is Solved,” in
Kant’s Theory of Biology, edited by Ina Goy and Eric Watkins (Berlin: Walter de Gruyter, ),
–. On his interpretation, the discussion addresses the dialectical illusion of interpreting
regulative maxims “as having some determining (or ontological) force” (Quarfood, “The Antinomy
of Teleological Judgment,” ). The problem I see with this line of interpretation is that it aims to
contend with a dialectical illusion after the critical perspective of the regulative maxims has been
attained. It is true that an antinomy remains an unavoidable illusion. But after attaining the critical
perspective, we are no longer fooled by it: An antinomy is a “natural and unavoidable illusion,
which even if one is no longer fooled by it, still deceives though it does not defraud and which thus
can be rendered harmless but never destroyed” (A/B–).
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. The Peculiarity of the Antinomy of Reflective Judgment

The second maxim is the antithesis: Some products (Einige Produkte) of
material nature cannot be judged as possible according to merely mechanical laws (judging them requires an entirely different law of causality,
namely that of final causes). (KU :)
He immediately goes on to present the contradiction between transcendent principles of reason and says emphatically of its principles that
“reason can prove neither the one nor the other” (KU :). In this they
apparently differ from the antinomies of theoretical reason. This difference
is in fact a consequence of attaining the critical perspective, from within
which no proof of the dogmatic principles is possible. His next claim is
that the maxims of reflective judgment, in contrast to the would-be
constitutive principles, do not in fact “contain any contradiction” (KU
:). The antinomy of reflective judgment is then clearly and explicitly said to occur between maxims that do not contradict one another.
The explication of this claim should be familiar to us.
For if I say that I must judge the possibility of all events in material nature
and hence all forms, as their products, in accordance with merely mechanical laws, I do not thereby say that they are possible only in accordance with
such laws (to the exclusion of any other kind of causality); rather, that only
indicates that I should always reflect on them in accordance with the
principle of the mere mechanism of nature, and hence research the latter,
so far as I can, because if it is not made the basis for research then there can
be no proper cognition of nature. Now this is not an obstacle to the second
maxim for searching after a principle and reflecting upon it which is quite
different from explanation (Erklärung) in accordance with the mechanism
of nature, namely the principle of final causes, on the proper occasion,
namely in the case of some forms of nature (and, at their instance, even the
whole of nature). For reflection in accordance with the first maxim is not
thereby suspended, rather one is required to pursue it as far as one can; it is
also not thereby said that those forms would not be possible in accordance
with the mechanism of nature. (KU :–)

Kant actually speaks in the singular: “Was dagegen die zuerst vorgetragene Maxime einer
reflektierenden Urteilskraft betrifft . . ..” But I think Quarfood is right to suggest that he is
referring to the conjunction of the two maxims. It seems very odd to say that the maxim of
mechanism contains no contradiction; and the following (quoted) sentences clearly expound the
claim by explaining why the two maxims do not contradict one another. See Quarfood “The
Antinomy of Teleological Judgment,” –, note . For different approaches to this difficulty,
see: McLaughlin, Kant’s Critique of Teleology in Biological Explanation, ; Eric Watkins, “The
Antinomy of Teleological Judgment,” Kant Yearbook  (): –.

I have very slightly amended the translation. Kant writes: “von der Erklärung nach dem Mechanism
der Natur ganz verschieden ist” (KU :.–).
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
The Antinomy of Teleological Judgment
Kant says here explicitly that under the guidance of the principle of
mechanism “we must judge the possibility of all events in material nature
and hence all forms, as their products.” This is precisely an insistence on
the universal scope of mechanistic causal laws as the single explanatory
ground of empirical events and their products. If this principle “is not
made the basis for research then there can be no proper cognition of
nature.” The principle of teleology, on the other hand, is employed in
reflection “which is quite different from explanation in accordance with
the mechanism of nature.” It is employed to reflect upon “some forms of
nature (and, at their instance, even the whole of nature).” This, I suggest, is
the principle guiding the description or observation of organisms and, as
we will soon see in more detail, nature generally.
I argued at length in the last chapter that teleology governs description
or observation whereas mechanism governs explanation and that the two
do not, therefore, contradict but indeed complement one another. But the
objection might be made that quite a bit of the material I employed in the
last chapter is drawn from texts that come after the section we are now
reading. It is indeed true that some particularly clear formulations occur
later in the Dialectic (see §) and in the first sections of the Methodology
of Teleological Judgment (see §§–). But recall that Kant says very
clearly already in the section introducing the entire Analytic that teleological judgment is “rightly drawn into our research into nature
[Naturforschung], at least problematically, but only in order to bring it
under principles of observation and research [Beobachtung und
Nachforschung] in analogy with causality according to ends, without presuming to explain [erklären] it” (KU :).
It is of the greatest importance to underscore that the maxim of
mechanism speaks clearly of all generation (Alle Erzeugung), and thus of
causality, and that Kant further specifies that we are talking about events
and their products. In contrast to the thesis of the antinomy and to both
transcendent determinative principles, Kant’s formulation of the maxim of
teleology does not mention generation. It does not enjoin attributions of a
competing form of causality and causal explanation. There is no contradiction between the maxims precisely for this reason. We should then take

Readers who claim that the reflective maxims do contradict or exclude one another either take the
maxim of teleology to refer to generation as well or else fail to see the significance of the fact that it
does not. For some examples, see G. W. F. Hegel, Science of Logic, edited and translated by George
Di Giovanni (Cambridge: Cambridge University Press, ), ; McLaughlin, Kant’s Critique of
Teleology in Biological Explanation, , –; Allison, “Kant’s Antinomy of Teleological
Judgment,” ; Watkins, “The Antinomy of Teleological Judgment,” ; cf., .
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. The Peculiarity of the Antinomy of Reflective Judgment

very seriously Kant’s claim, which directly follows the presentation of the
antinomy, that its two maxims do not contradict each other.
The unusual construction of an antinomy between nonconflicting maxims
has misled some interpreters into thinking that the determinative real contradiction is, in fact, the antinomy and that coming to see that the principles
of mechanism and teleology are reflective maxims of judgment is its solution.
But Kant is explicit that this is not the case and, once again, in the very
section devoted to presenting the antinomy. It is worth noting that the
interpretation I am offering explains why the mistake is frequently made of
taking the antinomy to occur between the determinative principles and to be
solved by taking them to be reflective maxims: the former assimilates defining
characteristics of an antinomy – namely, a dogmatic conflict of common
understanding; and the latter possesses defining properties of a resolution –
namely, the critical perspective and no conflict or contradiction.
..
Preparation for the Resolution of the Antinomy
of Reflective Judgment (§)
This raises a further question about the unusual antinomy – namely,
whether and how it is resolved. Strikingly and confirming the suggestion
that the maxims constituting the antinomy do not in fact conflict, Kant
calls the next section Preparation for the Resolution of the Above
Antinomy (§). It says nothing concerning a real conflict between the
reflective maxims of mechanism and teleology. It begins rather with the
claim that we can by no means prove either the thesis or the antithesis of
the dogmatic conflict. Kant goes on to say:
However, with respect to our cognitive faculty, it is just as indubitably
certain that the mere mechanism of nature is also incapable of providing an
explanatory ground for the generation of organized beings. It is therefore an
entirely correct fundamental principle for the reflecting power of judgment
that for the evident connection of things in accordance with final causes we
must conceive of a causality different from mechanism, namely that of an
(intelligent) world-cause acting in accordance with ends, no matter how
rash and indemonstrable that would be for the determining power
of judgment. (KU :)

An early and noteworthy example of the mistake is Hegel. For my analysis of Hegel’s response to
the antinomy, see Ido Geiger, “Purposiveness: Regulative or Realized? Hegel’s Response to Kant’s
Antinomy of Teleological Judgment,” Hegel-Jahrbuch (): –. For criticism of the view
that takes the determinative conflict to be the antinomy of teleological judgment, see McLaughlin,
Kant’s Critique of Teleology in Biological Explanation, –. And see again note .
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
The Antinomy of Teleological Judgment
The resolution of the antinomy will not show us how to settle a conflict, a
conflict Kant clearly asserts is not there. Rather, this passage suggests (and
the suggestion will be confirmed below) that the resolution is learning how
the fundamental principle of teleological judgment is grounded in the very
nature of our distinct cognitive faculty. What is distinct about our cognitive faculty, we will see, is its discursivity. And what ultimately justifies
teleology (and mechanism as well) is learning that it is a fundamental
principle of the reflective judgment of a discursive understanding.
The claim that the resolution of the antinomy will be achieved by
gaining deeper insight into its grounds finds support in its very formulation. The maxim of mechanism is a universal directive and thus arguably a
general principle of reflective judgment. Kant indeed says that it is “provided by the mere understanding a priori” (KU :). (I will return to
this claim in the last section of the next chapter.) But the maxim of
teleology is not a universal directive; it speaks only of some products of
material nature. It is indeed “suggested by particular experiences” (KU
:); and we saw above that Kant emphasizes that these experiences are
themselves contingent. We will thus have to see how it is grounded in a
universal principle of reflective judgment. In other words, we will have to
see that the maxim guiding our teleological judgments of organisms is only
a specific use of the more general principle of the purposiveness of nature.
As Kant says, the antinomy can be called a “natural dialectic and unavoidable illusion” only if “each of the two conflicting maxims has its ground in
the nature of the cognitive faculties” (KU :).
Kant’s final claim in this preparatory section is admittedly, at first sight,
baffling, for he appears to claim that there really is no antinomy of
reflective judgment: “All appearance of an antinomy between the maxims
of that kind of explanation which is genuinely physical (mechanical) and
that which is teleological (technical) therefore rests on confusing a fundamental principle of the reflecting with that of the determining power of
judgment” (KU :). But I think that what Kant actually means to say
is that all appearance of a conflict or contradiction between the maxims of
reflective judgment – a conflict of the sort we find in the antinomies of
theoretical reason – rests on confusedly taking them to be determinative
principles; I further suggest that he is saying that between the maxims of

It is this claim specifically that suggests that the resolution of the antinomy is showing it to be no
antinomy. For this formulation, see Eckart Förster, “Die Bedeutung von §§ ,  der Kritik der
Urteilskraft für die Entwicklung der nachkantischen Philosophie [Teil ],” Zeitschrift für
philosophische Forschung  (): .
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. Conclusion

reflective judgment there is no contradiction or conflict. In any case, he
certainly is not claiming that there is a real conflict between the maxims of
reflective judgment.
It should be noted, finally, that this last passage is followed immediately
by the discussion of the dogmatic conflict (§§–). Its results are then
drawn in the following section, which affirms that the principle of purposiveness is a critical principle of reason for the reflecting power of judgment
(§). Following this discussion and a section that he describes as a
digression (§; its last paragraph already belongs though with the next
section), Kant comes to discuss the special character (Eigentümlichkeit) of
human understanding, which is the focus of the next chapter.
. Conclusion
The main claims I presented in this chapter are principally exegetical in
nature. I claimed that the key to a number of quite puzzling questions
concerning the Critique of Teleological Judgment is Kant’s decision to
assimilate characteristics of a dialectic into his discussion. The first fact
explained by this decision is the construction of an argument from the
organism to the conceptual purposiveness of nature as a whole. Though
problematic, the argument from the organism allows Kant to discuss the
possible views ordinary dogmatic understanding adopts concerning natural
teleology and to argue against them – thus showing that the critical
perspective alone can successfully contend with the matter. I also claimed
that the antinomy of teleological judgment comprises two maxims that do
not contradict one another even as they are first formulated. The resolution of this unusual antinomy does not remove a conflict, but will be
rather the attainment of deeper insight into the necessity of the maxims
and into the way they complement one another.
Why did Kant go to such lengths to give his discussion the form
characteristic of a dialectic? I suggested that the construction supports his
claim that the principle of the conceptual purposiveness of nature is a
transcendental condition of experience. It allows him to show, furthermore, that making it a principle of reason for the power of reflective
judgment leaves it free of the contradictions that threaten to assail reason.
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 
Discursivity and the Conceptual Purposiveness
of Nature
.
Introduction
From the perspective of our concerns, we reach the peak of the Dialectic of
the Teleological Power of Judgment – and indeed of the discussion of the
assumption of the conceptual purposiveness of nature – in its penultimate
section: On the Special Character of the Human Understanding, by
Means of which the Concept of a Natural End is Possible for Us (§).
Its concluding paragraph declares teleological judgment to be necessary but
also insists that it stands in no contradiction to the principle of mechanistic
explanation; and it restates the often-quoted assertion, discussed in
Chapter , that a Newton of the grass-blade is an absurdity. Kant opens
this concluding paragraph by claiming that from the argument it summarizes, “we may also understand what we could otherwise easily suspect but
only with difficulty assert as certain and prove, namely, that the principle
of a mechanical derivation of purposive products of nature could of course
subsist alongside the teleological principle, but could by no means make
the latter dispensable” (KU :). It is important to emphasize that Kant
describes the argument of § as an apodictic proof and, as I have been
claiming, says that it affords deeper insight into what we might otherwise
have suspected. This supports the claim of the previous chapter that the
resolution of the antinomy consists in gaining deeper insight into the fact
that the maxims of reflective judgment are both necessary and do not
contradict but, in fact, complement one another.
Furthermore, I suggest that Kant’s statement that his discussion constitutes a certain proof also supports the claim I made in Chapter  that the

Guyer and Matthews sometimes translate Eigentümlichkeit as peculiarity (for example in the titles of
§§, ) and sometimes as special character (as in the title of §). The problem is not with the
translations themselves. But the inconsistency obscures the fact that the sense of the word employed
specifically in the titles of these key sections is almost a technical one. It refers to what is characteristic
of aesthetic and of empirical-conceptual judgments respectively.

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. The Discursivity of Human Understanding

deduction of the Introduction finds its completion in the discussion of the
discursivity of our understanding. As we will see in the next section, here
we learn how the principle of the conceptual purposiveness of nature is
grounded in the discursivity of our understanding – this, recall, was one
important element missing from the deduction offered in Section V of the
Introduction. After discussing some of the metaphysical and epistemological implications of the principle in the following section, the section after
it will turn to a discussion of the maxim of mechanism. It will attempt to
afford deeper insight into the necessity of the maxim and into how the
principles of teleology and mechanism do not contradict one another but,
indeed, essentially complement one another. That discussion will also
explain why and in what sense precisely a discursive understanding necessarily represents the world as a comprehensive hierarchical system of
concepts and ultimately of causal laws – this was the second element missing
from the deduction offered in the Introduction.
. Discursivity: The Special Character of Human Understanding
Before turning to these matters, it is worth examining the final passage of
§, which serves as an introduction to §.
.. Discursivity: The Introductory Argument (§)
Kant gives § the title Remark and dedicates it to what he describes as a
digression (originally printed in smaller letters), which serves for elucidation “not for the proof of what has here been expounded” (KU :).
The bulk of the Remark is substantively devoted to explaining that our
conceptions of the theoretical distinction between possibility and actuality
and the practical distinction between the morally obligatory and the
naturally occurrent are both consequences of the particular nature of our
finite discursive cognition and practical agency. The final, relatively short
paragraph of the Remark is clearly, however, an introduction to the
following section. It is worth quoting in full:
Likewise, as far as the case before us is concerned, it may be conceded that
we would find no distinction between a natural mechanism and a technique
of nature, i.e., a connection to ends in it, if our understanding were not of
the sort that must go from the universal to the particular, and the power of
judgment can thus cognize no purposiveness in the particular, and hence
make no determining judgments, without having a universal law under
which it can subsume the particular. But now since the particular, as such,
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
Discursivity and the Conceptual Purposiveness of Nature
contains something contingent with regard to the universal, but reason
nevertheless still requires unity, hence lawfulness, in the connection of
particular laws of nature (which lawfulness of the contingent is called
purposiveness), and the a priori derivation of the particular laws from the
universal, as far as what is contingent in the former is concerned, is
impossible through the determination of the concept of the object, thus
the concept of the purposiveness of nature in its products is a concept that is
necessary for the human power of judgment in regard to nature but does
not pertain to the determination of the objects themselves, thus a subjective
principle of reason for the power of judgment which, as regulative (not
constitutive), is just as necessarily valid for our human power of judgment
as if it were an objective principle. (KU :)
The first sentence states the thesis: The fact that there is for us a distinction
between the teleological and mechanistic viewpoints, or, alternatively, the
fact that we view particulars as purposive, is a consequence of the discursivity of our understanding – namely, the fact that for us experience is
the subsumption of particulars under concepts or universals. The formulation remarkably suggests that the fact that we judge teleologically is solely
a consequence of possessing distinct cognitive capacities and what this fact
implies concerning our experience and not any particular fact about the
way we judge distinct natural objects. Indeed, the formulation of the thesis
suggests (and its explication confirms the suggestion) that Kant is not
talking about a distinct set of particulars that we judge teleologically –
namely, organisms; he is talking about particulars “as such” or natural
objects quite generally. The claim appears then to be that the very
subsumption of any particular under a universal in a determinative judgment presupposes in some way an attribution of purposiveness to nature
and its objects and that this fact is a consequence of our being discursive
cognizers. The thesis thus states that for discursive cognizers the principle
of purposiveness is both necessary and of universal scope.
The second, very long sentence is supposed to explicate this dramatic
claim. Kant uses here the explication of purposiveness as the lawfulness of
the contingent (see also KU :–; EEKU :). The idea is that
we employ a notion of purposiveness, in one or another of its forms, to

For the claim that the argument from discursivity does not depend on our judgment of organisms,
see Paul Guyer, “Organisms and the Unity of Science,” in Kant and the Exact Sciences, edited by Eric
Watkins (Oxford: Oxford University Press, ), –. For the claim that this passage discusses
teleological judgments of organisms, see Eckart Förster, “Die Bedeutung von §§ ,  der Kritik der
Urteilskraft für die Entwicklung der nachkantischen Philosophie [Teil ],” Zeitschrift für
philosophische Forschung  (): –.
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. The Discursivity of Human Understanding

account for what cannot be explained by specifying the natural properties
of the parts that constitute an object. So we say of an artifact, say a
machine, that its parts are put together in just the way they are because
it is the product of human intentional design; the parts are put together in
a way that harnesses the joint effect of their natural properties to perform
specific tasks. The fact that the parts are put together in just the way they
are is contingent from the perspective of their natural properties. There is
no natural law explaining why they are found together. This lawfulness or
unity – that is, subsuming them under the one concept of a particular
machine – is an attribution of a particular form of purposiveness – that is,
human intentional agency. In the case of organisms, we describe them as
though they organize themselves and thus as though they were the product
of their own purposive agency. For Kant, we saw, the forces governing
organic processes are all blind, but they always presuppose an original
organization for which there is no reductive mechanistic explanation. In
this particular case, purposiveness is a regulative principle guiding our
empirical investigation of organisms.
But why does Kant claim that objects or particulars generally contain
something contingent with regard to universals? After all, we subsume a
particular under a universal because we identify in it those properties or
marks which the concept contains. We determine that a thing is a piece of
jade, for example, because it is a green rock of a certain hardness and
toughness. All jade has this in common and is thus all of one kind. Where
then is the excess unity that requires an account?
I will try to give a more satisfactory answer to this all-important question
in the third and final subsection of this section. But here is a first attempt
to grapple with it, staying close in this and the next subsection to Kant’s
own formulations. Concepts generally, according to Kant, necessarily
determine that particulars belong to a kind (such as jade) because they
possess a finite number of marks such objects share (green rock of a certain
hardness and toughness). This means, Kant is claiming, that the objects are
underdetermined with respect to the universal and its assertion of unity.
They are all determined to be of one kind (unity or lawfulness), even
though they might and generally do differ in some of their other properties
(contingency). This is true no matter how general or specific the concept
employed. This underdetermination is then a fundamental feature of the
relation between concepts and particulars, no matter how precisely we
specify our more general concepts. Subsuming particulars under a universal is thus attributing unity to partly diverse particulars. Though in part
different, they are all determined to be of a single kind.
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
Discursivity and the Conceptual Purposiveness of Nature
Where then does the unity come from? Kant rather obscurely claims
that the “a priori derivation of the particular laws from the universal, as far
as what is contingent in the former is concerned, is impossible through the
determination of the concept of the object.” I take him to be assuming
implicitly that the unity must have its origin in an a priori principle of
judgment. In other words, he is implicitly generalizing his claim concerning the principle of teleological judgment of organisms that the “universality and necessity that it asserts of such a purposiveness cannot rest
merely on grounds in experience, but must have as its ground some sort
of a priori principle” (KU :). The assertion of universality or unity in
determinative judgments cannot be grounded in finite experience –
namely, determinations that are always based on a finite number of shared
properties or marks. It must be grounded in an a priori principle of
judgment. But the principle cannot be a principle of determinative judgment. The opening assertion of the Dialectic is that determinative judgment is no autonomy and has no principles of its own (see KU :).
Recall, furthermore, that the deduction presented in the Introduction
emphatically claimed that pure understanding and its general laws and
the determinative judgments that serve them (“the determination of the
concept of the object”) can offer no insight into the particular laws
of nature.
Kant concludes by claiming that the principle of the “purposiveness of
nature in its products is a concept that is necessary for the human power of
judgment in regard to nature” but that it does not “pertain to the
determination of the objects themselves.” In other words, it is a “subjective
principle of reason for the power of judgment” that we view nature as
purposive for our discursive understanding. We view nature as though it
were constituted by unities that can be subsumed under universal concepts. Although Kant does not make the point explicit in the passage
before us, the last claim is, in fact, tantamount to the claim that we view
nature as though it were systematically constituted by unities that can be
subsumed under a comprehensive system of universal concepts. In other

I will focus on another sense in which experience is finite – that is, that our experience is always of a
finite sample of objects – in the discussion of induction below. See Section ..: Empirical Laws of
Nature and Induction.

Kant makes the point that the universal form of empirical concepts has its origin in us particularly
clearly in the Jäsche Logic. He divides concepts into those given (a priori or a posteriori) and those
made. Empirically given concepts are called concepts of experience. To this distinction between
given and made concepts he adds a note concerning the universality or universal form of concepts:
“The form of a concept, as that of a discursive representation, is always made” (Log :).
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. The Discursivity of Human Understanding

words, we view the realm of nature as though it were constituted throughout its entire extent by unities that can be subsumed under universal
concepts. This is implicit in speaking here not of natural objects but of
our view of nature generally. We view nature as though it were a conceptually purposive whole – as though it were made to be fully knowable by
creatures with a discursive understanding. This regulative principle is “just
as necessarily valid for our human power of judgment as if it were an
objective principle.” Without it, recall, we could “make no determining
judgments.”
..
Discursive vs. Intuitive Understanding: The Principal Argument (§)
Turning to describe the claims of § and Kant’s longer explication of the
connection between discursivity and purposiveness, we find woven
together two lines of thought: First, Kant repeats, in much the same terms,
the claims of the introductory argument; second, as a way of illuminating
the special character of our discursive understanding, he contrasts it with
another conceivable kind of understanding – namely, an intuitive understanding. In this subsection, I will present the argument; and in the next,
I will try to make sense of it.
I propose summarizing the combination of these two lines of thought as
follows:
() Creatures with discursive understanding experience and cognize
particular sensibly given objects by subsuming them under
universal concepts.
() Universal concepts underdetermine the particular objects subsumed
under them. Containing a finite number of common characteristics
or marks, the universal concepts employed in determinative judgments are assertions of unity between diverse particulars. This
asserted unity necessarily exceeds experience.
() A contrast, intuitive understanding (or completely spontaneous intuition) would not subsume sensibly given particulars under universal
concepts. We might think of it as an understanding for which there
would be no underdetermination or contingency in the relation
between universal concepts and particulars. More precisely, an intuitive understanding would grasp a whole and all its diverse parts
together as mutually dependent upon one another.
() But from the perspective of a discursive understanding, viewing parts
as dependent on the whole of which they are a part is possible only if
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
()
Discursivity and the Conceptual Purposiveness of Nature
we represent the parts as causal effects of the representation of the
whole – that is, by representing the whole as a purposive end.
Thus our viewing natural objects and nature generally purposively is
a consequence of the discursive peculiarity of our understanding.
Here are a few characteristic passages from which the first two claims can
be drawn. They explain (rather repetitively) the peculiar or contingent
character of discursive understanding:
This contingency is quite naturally found in the particular, which the power
of judgment is to subsume under the universal of the concepts of the
understanding; for through the universal of our (human) understanding
the particular is not determined, and it is contingent in how many different
ways distinct things that nevertheless coincide in a common characteristic
[einem gemeinsamen Merkmale] can be presented to our perception
[Wahrnehmung]. Our understanding is a faculty of concepts, i.e., a discursive understanding, for which it must of course be contingent what and
how different might be the particular that can be given to it in nature and
brought under its concepts. (KU :)
Our understanding thus has this peculiarity for the power of judgment, that
in cognition by means of it the particular is not determined by the
universal, and the former therefore cannot be derived from the latter alone;
but nevertheless this particular in the manifold of nature should agree with
the universal (through concepts and laws), which agreement under such
circumstances must be quite contingent and without a determinate principle for the power of judgment. (KU :–)
Our understanding, namely, has the property that in its cognition . . . it
must go from the analytical universal (of concepts) to the particular (of the
given empirical intuition), in which it determines nothing with regard to
the manifoldness of the latter, but must expect this determination for the
power of judgment from the subsumption of the empirical intuition (when
the object is a product of nature) under the concept. (KU :)
Note first that Kant speaks most often of cognition in the passages we are
examining. But he makes it abundantly clear that he is also talking about
our most fundamental grasp of or cognitive access to particulars. In the
first quote he speaks explicitly of how we perceive particulars, thus

I have corrected a typo in the translation. The original says: “the particular is not determined by the
universal, and the latter therefore cannot be derived from the former alone.” Kant writes: “Unser
Verstand hat also das Eigene für die Urteilskraft, daß im Erkenntnis durch denselben durch das
Allgemeine das Besondere nicht bestimmt wird, und dieses also von jenem allein nicht abgeleitet werden
kann” (KU :.–).
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. The Discursivity of Human Understanding

indicating that we are talking about how particulars are empirically given
to us at the most fundamental conceptual level. He is talking then of the
very conditions of experiencing and cognizing particulars.
Note further that in the first two quotes Kant says that the particular is
not determined by the universal. But it is quite clear that he means to say
that the particular is not fully determined by the universal. Taken literally,
the first claim would mean that predication is entirely empty, and Kant
speaks clearly of “distinct things that nevertheless coincide in a common
characteristic” and says that the particular cannot be derived from the
universal alone. I further suggest that by calling the universals employed by
discursive beings “analytical universals” he means universals that are necessarily analyzed into a finite number of such characteristics or marks; it is
for this reason, presumably, that the subsumption of a given empirical
intuition under a universal concept “determines nothing with regard to the
manifoldness in the latter.”
The third claim is found (repeatedly again) directly following the former
passages:
But since intuition also belongs to cognition, and a faculty of a complete
spontaneity of intuition would be a cognitive faculty distinct and
completely independent from sensibility, and thus an understanding in
the most general sense of the term, one can thus also conceive of an
intuitive understanding (negatively, namely merely as not discursive [negativ, nämlich bloß als nicht diskursiven]), which does not go from the
universal to the particular and thus to the individual (through concepts),
and for which that contingency of the agreement of nature in its products in
accordance with particular laws for the understanding, which makes it so
difficult for ours to bring the manifold of these to the unity of cognition, is
not encountered – a job that our understanding can accomplish only

For this sense of the analysis of concepts and the role played by experience, see, for example, this
well-known passage:
I can first cognize the concept of body analytically through the marks of extension, of
impenetrability, of shape, etc., which are all thought in this concept. But now I amplify my
cognition and, in looking back to the experience from which I had extracted this concept of
body, I find that weight is also always connected with the previous marks. (A/B)
For the sense of the term “analytical universal,” see Henry E. Allison, “Kant’s Antinomy of
Teleological Judgment,” in Essays on Kant (Oxford: Oxford University Press, a), –.
See also: Clark Zumbach, “Kant’s Argument for the Autonomy of Biology,” Nature and System 
(): ; Clark Zumbach, The Transcendent Science: Kant’s Conception of Biological Methodology
(The Hague: Martinus Nijhoff, ), . Cf.: Peter McLaughlin, Kant’s Critique of Teleology in
Biological Explanation: Antinomy and Teleology (Lewiston, ME: Edwin Mellon Press, ), ;
Peter McLaughlin, “Newtonian Biology and Kant’s Mechanistic Concept of Causality,” in Akten des
Siebenten Internationalen Kant-Kongresses, edited by Gerhard Funke (Bonn: Bouvier, ), .
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
Discursivity and the Conceptual Purposiveness of Nature
through the correspondence of natural characteristics [Naturmerkmale] with
our faculty of concepts, which is quite contingent, but which an intuitive
understanding would not need. (KU :)
Nevertheless, in order for us to be able at least to conceive of the possibility
of such an agreement of the things of nature with the power of judgment
(which we represent as contingent, hence as possible only through an end
aimed at it), we must at the same time [müssen wir uns zugleich] conceive of
another understanding, in relation to which, and indeed prior to any end
attributed to it, we can represent that agreement of natural laws with our
power of judgment, which for our understanding is conceivable only
through ends as the means of connection, as necessary. (KU :)
Now, however, we can also conceive of an understanding which, since it is
not discursive like ours but is intuitive, goes from the synthetically universal
(of the intuition of a whole as such) to the particular, i.e., from the whole to
the parts, in which, therefore, and in whose representation of the whole,
there is no contingency in the combination of the parts, in order to make
possible a determinate form of the whole, which is needed by our understanding, which must progress from the parts, as universally conceived
grounds, to the different possible forms, as consequences, that can be
subsumed under it. (KU :)
The first passage describes an intuitive understanding as a faculty of a
complete spontaneity of intuition that would thus not be dependent on
sensibility in any way. This passage, as well as the next, clearly asserts that
for an intuitive understanding the unity of universal concepts or laws
would not be contingent but necessary. The last passage formulates the
same thought by speaking of the relation of whole and part and claiming
that for an intuitive understanding part and whole are given together as
mutually dependent. This latter formulation is an improvement on the
former, because where there is no distinction between the understanding
as a faculty of concepts and intuition as a faculty of sensibility there is also
no qualitative distinction between universal and particular. It is thus more
helpful to think of an intuitive understanding in terms of relations of
whole and parts.
The fourth and fifth claims are found in one central and long passage:
Thus if we would not represent the possibility of the whole as depending
upon the parts, as is appropriate for our discursive understanding, but
would rather, after the model of the intuitive (archetypical) understanding,
represent the possibility of the parts (as far as both their constitution and
their combination is concerned) as depending upon the whole, then, given
the very same special characteristic of our understanding, this cannot come
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. The Discursivity of Human Understanding

about by the whole being the ground of the possibility of the connection of
the parts (which would be a contradiction in the discursive kind of cognition), but only by the representation of a whole containing the ground of
the possibility of its form and of the connection of parts that belongs to
that. But now since the whole would in that case be an effect (product) the
representation of which would be regarded as the cause of its possibility, but
the product of a cause whose determining ground is merely the representation of its effect is called an end, it follows that it is merely a consequence
of the particular constitution of our understanding that we represent
products of nature as possible only in accordance with another kind of
causality than that of the natural laws of matter, namely only in accordance
with that of ends and final causes, and that this principle does not pertain to
the possibility of such things themselves (even considered as phenomena) in
accordance with this sort of generation, but pertains only to the judging of
them that is possible for our understanding. (KU :–)
It is sometimes thought, I believe, that the argumentative figure of an
intuitive understanding is supposed to bear much of the weight of explaining why purposiveness is necessary, but only for creatures who possess a
discursive understanding. But there is reason to doubt this assumption.
First and generally, Kant holds that the possibility of conceiving of an
intuitive understanding follows immediately and with necessity from, or, is
a simple negation of, our conception of a discursive understanding. He
thus says that in order for us to be able to conceive of the latter possibility
“we must at the same time conceive of another understanding” and that we
conceive of such an intuitive understanding “negatively, namely merely as
not discursive.” But if this is so, then it is hard to see how the argument
can depend on it. Second and more concretely, the figure is employed to
explicate the connection between discursivity and purposiveness. But the
introductory argument in § explained the connection without turning
to it; and this explanation is alluded to in the claim quoted above that we
represent the agreement of natural objects with our discursive judgment
“as contingent, hence as possible only through an end aimed at it.” In
other words, using the explication of purposiveness as lawfulness of the

As is well known, these passages and the idea of an intuitive understanding had the greatest impact
on post-Kantian philosophy. For a broad and very instructive discussion, see Förster, “Die
Bedeutung von §§ ,  der Kritik der Urteilskraft für die Entwicklung der nachkantischen
Philosophie [Teil ],” –; Eckart Förster, “Die Bedeutung von §§ ,  der Kritik der
Urteilskraft für die Entwicklung der nachkantischen Philosophie [Teil ],” Zeitschrift für
philosophische Forschung  (): –.
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Discursivity and the Conceptual Purposiveness of Nature
contingent in place of () above, would allow us to move from claims ()
and () of the argument to its conclusion without employing the contrast
figure of an intuitive understanding in ().
This raises the important question of why Kant thinks the argument he
introduces in the last paragraph of § and presents more fully in §
possesses the force of a proof. The answer, I suggest once again, is that he
has purportedly shown how purposiveness (and, as we will see below,
mechanism) has “its ground in the nature of our cognitive faculties” (KU
:). It is of the greatest importance to recall that in Section V of the
Introduction Kant says that the deduction of the principle of the conceptual purposiveness of nature “requires a transcendental deduction, by
means of which the ground [Grund] for judging in this way must be
sought in the sources of cognition [Erkenntnißquellen] a priori” (KU
:). It is in § that we finally learn that the principle of the conceptual
purposiveness of nature is grounded in the discursive peculiarity of our
understanding. In the next subsection and in the section devoted to the
maxim of mechanism below, we will gain deeper insight into the other
question left open by the deduction – namely, the question of why the
system of empirical knowledge takes the form of a comprehensive hierarchical system of empirical concept and ultimately of causal laws. In the
next subsection we will also contend with a crucial question that has not
been addressed satisfactorily here: Why does Kant insist that any subsumption of a particular under a concept is an attribution of unity
exceeding the limited content of the concept? Why precisely does any
such subsumption implicitly assume the conceptual purposiveness of
nature as a whole? This, of course, is the crux of the matter.
Before concluding this section, it is important to point out two complications raised by the long paragraph from which the last quoted passage
is taken. First, I said that describing an intuitive understanding as grasping

Alternatively, a reconstruction of the argument that takes it to depend substantively on the figure of
an intuitive understanding would have to show what the notion contains and explain how the
argument depends on it and how this content is justified. I emphasize that I think that on the
reconstruction I have suggested the argument does not in fact depend on the figure or step ().

Why then is § explicitly said not to offer a proof? The fact that it uses intuitive understanding
accords with my claim that employing the figure is not the crucial point. But it also relates
peculiarities to our distinct cognitive capacities, which does not accord with my claim that this is
the decisive matter. The most plausible answer I can come up with but do not find wholly
satisfactory is that Kant takes the arguments of § to be short sketches, in contrast to the more
detailed argument of §. This is supported by the fact that the last paragraph of § offers a
compact version of the argument of §.
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whole and parts together as mutually dependent (rather than as a universal
that fully and with necessity determines the particulars under it) is apt,
because for such a cognitive faculty there would be no qualitative
distinction between universal concepts of thought and sensible particulars.
But when Kant asks how the dependence of parts on a natural whole is
conceived by a discursive understanding, he sticks to the part–whole
relation and answers that we can only represent such a whole as a
natural end. This might give the impression that the argument applies
only to our purposive conception of organisms. But as I have been
claiming and as the first steps of the argument show clearly, the concept
of a natural end is only a particularly forceful example of a much more
general principle. We conceive of all natural objects and indeed of nature
generally as a systematic whole under the assumption that it is purposive
for discursive cognizers. That this is the full scope of the principles of
mechanism and purposiveness is made clear by Kant in the penultimate
paragraph of §, in which he summarizes the vision of nature he has
expounded.
. . . that which is necessary in it as object of the senses can be considered in
accordance with mechanical laws, while the agreement and unity of the
particular laws and corresponding forms, which in regard to the mechanical
laws we must judge as contingent, can at the same time be considered in it,
as object of reason (indeed the whole of nature as a system) in accordance
with teleological laws, and the material world would thus be judged in
accordance with two kinds of principles, without the mechanical mode of
explanation being excluded by the teleological mode, as if they contradicted
each other. (KU :)
The second point is of the utmost importance and has to do with what is
probably the most neglected and recalcitrant problem of the Dialectic of
the Teleological Power of Judgment. In the course of the long central
paragraph from which the last quote is drawn, Kant reminds us that in
accordance with “the constitution of our understanding, by contrast, a real
whole of nature is to be regarded only as the effect of the concurrent
moving forces of the parts” (KU :). This, I will argue below, is a
version of the maxim of mechanism, which directs us to explain a whole by
specifying its parts and the forces (in this formulation, moving forces)
governing them. Kant says here very clearly that, like the maxim of
teleology or the assumption of the purposiveness of nature more generally,
mechanistic judgment is a function of the particular constitution of our
understanding. This claim demands careful explication – a task I set aside
for the last section of the chapter.
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Discursivity and the Conceptual Purposiveness of Nature
..
Purposiveness and Empirical Objectivity
I want to return here to the crucial question, which is yet to be answered
satisfactorily: Why does Kant claim that particulars are underdetermined
with respect to the unity attributed by empirical concepts? Why does the
use of any empirical concept also presuppose, as Kant suggests in the
concluding paragraph of § and in the last passage I quoted (see again
KU :, ), the satisfaction of the highest requirement of unity made
by reason? To put the question the other way round, Why not take the use
of an empirical concept to commit us to no more than the analytic claim
that objects falling under it are alike in – and so unified by – sharing the
marks contained in it?
One thought would be that this is a way of alluding to the distinction
between a real or objective unity between particulars and an arbitrary
grouping of particulars that happen to share certain marks. This thought
finds corroboration in the fact that already in the Introduction to the third
Critique Kant claims that empirical laws “must be regarded as necessary”
(KU :). In Chapter , I suggested that Kant claims that formulating
empirical laws, and by implication employing the concepts required to
describe the objects and kinds to which they apply, involves a claim of
necessity, because the investigation of the empirical order of nature is
concerned with objective matters of fact. Furthermore, the problem of a
transition between the general conditions of experience and the conditions
of a particular empirical experience is formulated already in the
Introduction, as I also noted in Chapter , with special emphasis on the
category of causality and the search for empirical causal laws. In other
words, the thought is that Kant is concerned – as I have been emphasizing – with sorting nature in a way that tracks causal laws. To be cognitively
valuable, our sorting and description of nature must be causally informative and so explanatory. The unity Kant is concerned with would then be
the unity of objective universal causal laws. To put the thought we are
considering in contemporary terms, Kant is concerned with the causal
projectability of empirical predicates. It might further be thought that
what is ultimately of interest to science is something that is not itself a set

Kreines puts the point well: “consideration of accidental regularities helps to bring out the sense in
which natural laws are not regularities; where there is a natural law there is necessitation and
absolute or strict universality.” James Kreines, “Kant on the Laws of Nature: Laws, Necessitation,
and the Limitation of Our Knowledge,” European Journal of Philosophy  (): .
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of perceptible marks, but something these marks are to capture – namely,
causal forces that are known only from their effects.
There is an apparently different way of answering the question of excess
unity that is closer to Kant’s own formulations. On the sort of picture
Kant has in mind grouping similar particulars under a concept is assuming
that () these particulars are all further determinable and can be ordered
under more specific concepts; and () the marks employed to group the
particulars are further analyzable into simpler, more general concepts. We
can picture this as a comprehensive hierarchy of concepts, all of which are
only partly determined, and none of which can be fully determined until –
at the unattainable ideal – all are. This is the reason why Kant so
emphasizes the contingent variety of particulars that share certain marks.
I am suggesting that Kant’s vision of a comprehensive hierarchy of concepts leading up to the most general concepts and down to ever more
specific concepts is his way of talking about real or objective unity. The
thought then is that only the complete determination of our system of
concepts can ground the claims to objectivity we make when we subsume a
particular under an empirical concept. This is why the assumption of the
comprehensive conceptual purposiveness of nature underwrites any subsumption of a particular under an empirical concept.
Furthermore, we might add to the picture of a comprehensive system of
empirical concepts the thought that the hierarchy of concepts leads up to
general causal forces and laws and down to ever more specific complexes
explainable in their terms. In other words, we add to Kant’s notion of a
system of empirical concepts the thought that ideally this system is to
inform us about the causal connections between things in the world. If this
is right, then the better textually grounded answer to the question of excess
unity given in the former paragraph is essentially the same as the answer
given in the paragraph before it. Kant is concerned with the objectivity of

For emphasis of this point, see Eric Watkins, “Kant’s Model of Causality: Causal Powers, Laws, and
Kant’s Reply to Hume,” Journal of the History of Philosophy  (): –.

In the Appendix to the Transcendental Dialectic, Kant explicitly relates discursivity, the complete
determination of objects and the demand for continual specification of concepts:
Now the understanding cognizes everything only through concepts; consequently, however
far it goes in its divisions, it never cognizes through mere intuition but always yet again
through lower concepts. The cognition of appearances in their thoroughgoing determinacy
(which is possible only through understanding) demands a ceaselessly continuing specification of its concepts, and a progress to the varieties that always still remain, from which
abstraction is made in the concept of the species and even more in that of the genus. (A/
B)
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Discursivity and the Conceptual Purposiveness of Nature
causal laws. In this way, the assumption of the comprehensive conceptual
purposiveness of nature underwrites the universality and strict necessity of
empirical causal laws. As it turns out, the transcendental assumption of the
conceptual purposiveness of nature is an important component of Kant’s
necessitation conception of causal laws and kinds.
. . . the concept of cause . . . always requires that something A be of such a
kind that something else B follows from it necessarily and in accordance
with an absolutely universal rule. (A/B)
Kant holds then that employing any empirical universal concept to make a
purportedly objective assertion presupposes the conceptual purposiveness
of nature as a whole. We view nature as though it were systematically
constituted by unities that can be subsumed under a comprehensive system
of universal concepts. Significantly, the principle that grounds our claims
to empirical objectivity is not itself an objective principle.
. . . thus the concept of the purposiveness of nature in its products is a
concept that is necessary for the human power of judgment in regard to
nature but does not pertain to the determination of the objects themselves,
thus a subjective principle of reason for the power of judgment which, as
regulative (not constitutive), is just as necessarily valid for our human power
of judgment as if it were an objective principle. (KU :)
Although the principle of the conceptual purposiveness of nature is a
subjective principle that does not determine objects, it is, nevertheless, a
condition of our particular experience of nature. The assumption of the
conceptual purposiveness of nature is then the transcendental bridge Kant
draws between, on the one hand, the general conditions of experience and
the principle of causality specifically and, on the other hand, the conditions of a particular experience of nature comprising empirical concepts
and causal laws. As Kant claims in the Introduction to the third Critique,
“the principle of the purposiveness of nature (in the multiplicity of its
empirical laws) is a transcendental principle” (KU :). And it is the
discussion of the discursivity of our understanding that supplies an element crucially missing from the deduction of the principle in Section V of
the Introduction.
. Discursivity: Metaphysical and Epistemological Implications
In this section, I would like to discuss some closely related metaphysical
and epistemological consequences of the claim that the regulative
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assumption of the conceptual purposiveness of nature is a transcendental
condition of cognition and of experience generally. These consequences
would repay detailed discussion; I will discuss them here only briefly.
..
The Revisability and Defeasibility of Empirical Concepts
and Laws of Nature
In the previous section, I claimed that the regulative assumption of the
conceptual purposiveness of nature is a transcendental condition of objective experience and cognition. In other words, the principle of the conceptual purposiveness of nature necessarily shapes the ongoing
investigation of the objective empirical world. One immediate implication of this view is that the content of the causal laws we formulate, and by
implication our empirical concepts generally, is always subject to revision,
and by the same token, our knowledge of the empirical world we experience is always subject to refinement. To philosophers with empiricist
leanings this should be a very welcome result.
It is, moreover, an interesting and significant component of how we are
to supplement Kant’s metaphysical commitment to empirical realism in
the first Critique. In the context of his earlier investigation, Kant sometimes describes his empirical realism concerning outer experience as the
quite general claim that in space “the real, or the material of all objects of
outer intuition is nevertheless really given, independently of all invention”
(A) – the indefinite emphasis here is simply on the reality of the
material or matter of external experience (see also A, A). More
often, Kant speaks, in the first Critique and Prolegomena, somewhat more
specifically of the reality of things, bodies or objects (and their properties)
in space outside us. According to the third Critique, however, we learn
what the particular rule-governed shape of reality is through ongoing

This aspect of Kant’s conception of empirical nature is nicely formulated in the following passage:
Could Linnaeus have hoped to outline a system of nature if he had had to worry that if he
found a stone that he called granite, this might differ in its internal constitution from every
other stone which nevertheless looked just like it, and all he could hope to find were always
individual things, as it were isolated for the understanding, and never a class of them that
could be brought under concepts of genus and species[?] (EEKU :)

For the view that, for Kant, our knowledge of the empirical world is essentially revisable, see, for
example: Watkins, “Kant’s Model of Causality,” –; Kreines, “Kant on the Laws of
Nature,” .

There are very many examples of such expressions. See, for example: Bxxxix-xli, A/B, A/
B, A–/B–, B, A/B, B, A; Prol :, –.
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Discursivity and the Conceptual Purposiveness of Nature
empirical investigation. As Kant plainly puts it, the “understanding is of
course in possession a priori of universal laws of nature, without which
nature could not be an object of experience at all; but still it requires in
addition a certain order of nature in its particular rules, which can only be
known to it empirically” (KU :). For Kant, the empirical order of
nature is revealed through an ongoing process of investigation guided by
the assumption that nature constitutes a comprehensive system of empirical causal laws.
It might be asked why the third Critique does not lay greater emphasis
on this point. Part of the answer might be that already in the first Critique
Kant very clearly claims that empirical concepts cannot be defined, but
rather serve as designations of objects with which we engage empirically as
investigators of nature.
One makes use of certain marks only as long as they are sufficient for making
distinctions; new observations, however, take some away and add some, and
therefore the concept never remains within secure boundaries. And in any
case what would be the point of defining such a concept? – since when, e.g.,
water and its properties are under discussion, one will not stop at what is
intended by the word “water” but rather advance to experiments, and the
word, with the few marks that are attached to it, is to constitute only a
designation and not a concept of the thing; thus the putative definition is
nothing other than the determination of the word. (A/B)
This passage is quoted very often, but its epistemological import is not
usually emphasized. Kant speaks here clearly of observation and experimentation as guiding the ongoing revision of the content of concepts like
“water” and “gold.”
Another important part of the answer, I believe, is that the revisability of
our empirical worldview is not some further thesis of Kant’s empirical
philosophy. From the very beginning of the investigation conducted in the
third Critique, it is, I think, taken for granted. The characterization of
reflective judgment as charged with the search for empirical concepts
under a regulative principle guiding an ongoing investigation is already
an acknowledgment of the revisability of empirical knowledge. Revisability
is there from the get-go, from the very posing of the problem of the
possibility of empirical knowledge. It is there even before identifying and
justifying the principle guiding reflective judgment.
It might, at this juncture, be claimed that if empirical knowledge is
always revisable then it must also be defeasible, for a revision required in
our conception of empirical nature might be a quite radical one. The
revision might require rejecting an empirical causal law (and with it
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possibly the sortal concepts it employs), because we have encountered a
great many exceptions to it. This is not a challenge I want to dodge. In the
next subsection, I will turn to question of induction. Before turning to this
question, however, it is worth saying here that presenting defeasibility as a
challenge might be the result of missing a crucial aspect of Kant’s conception of empirical knowledge. For to view empirical knowledge as essentially revisable is to hold that the empirical world can never be known with
finality or certainty. From an empiricist perspective, however, defeasibility
too is not a challenge but a very welcome result.
But there is a weighty and philosophically fertile complication here. As
I have presented his view thus far, Kant is committed to the thoroughgoing
revisability of our empirical worldview, precisely because the conceptual
purposiveness of nature is a transcendental condition of any empirical experience. The problem, to put it very briefly, is that this commitment appears to
conflict with the permanence or irrevisability of the most fundamental natural
order given to us in perception. The most fundamental objects and relations
of similarity we perceive do not change with the progress of science – though
scientific investigation might lead us to believe that things we perceive as
similar are not in fact similar. In other words, to speak, as we saw Kant very
often does in the first Critique, of an empirical realism concerning objects
requires some sort of account of the permanence or irrevisability of at least the
ordinary objects we perceive. So the combination of critical or transcendental
idealism and empirical realism at the empirical level (and consequently,
perhaps generally) will turn out to present a complex challenge. This will be
a major concern that will emerge in the next chapter and one of the most
important and original contributions of the Critique of the Aesthetic Power of
Judgment – or so, at least, I will claim in the Conclusion.
..
Empirical Laws of Nature and Induction
Quite a few readers have seen Kant’s discussions of the assumption of the
systematic unity of nature in the Appendix to the Transcendental Dialectic
and of the assumption of the conceptual purposiveness of nature in the third
Critique as directly relevant to the topic of induction. Indeed, some have
claimed that these discussions are written by Kant as his answer to Hume’s
problem of induction. In the following paragraphs, I will attempt to say
something about this matter; it too would repay more detailed attention.

Allison is a prominent example of the former broader connection between the conceptual
purposiveness of nature and induction; Walker and Brittan – of the latter. See: Henry E. Allison,
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Discursivity and the Conceptual Purposiveness of Nature
To see Kant’s notion of the conceptual purposiveness of nature as a
response to Hume’s problem of induction requires conjoining two discussions. First, Kant famously presents his revolutionary contribution to
philosophy as a response to Hume. Hume argues, says Kant in the
Prolegomena, that it is impossible to draw the necessary connection
between cause and effect “a priori and from concepts” and that consequently it must be “really nothing but a bastard of the imagination” (Prol
:). Kant’s response is first to generalize the problem: “I soon found
that the concept of the connection of cause and effect is far from being the
only concept through which the understanding thinks connections of
things a priori; rather, metaphysics consists wholly of such concepts”
(Prol :). He then describes himself as proceeding to the highly
demanding deduction of these concepts of pure understanding (Prol
:). Kant clearly has in mind here the categories of pure understanding
(and, by implication, space and time, required to establish the objective
validity of the categories). But his answer might be taken more broadly as
introducing the notion of a transcendental condition of experience and its
deduction as the source of necessary knowledge Hume overlooked: The
transcendental conditions of experience are synthetic a priori principles –
thus neither analytic connections “from concepts” nor merely habitual
associations of the imagination.
Second, the deduction of the conceptual purposiveness of nature might
indeed be viewed as a response to Hume’s argument that the uniformity of
nature can be established neither by reason nor by experience. Here is a
clear statement of the problem from the Enquiry:
When a man says, I have found, in all past instances, such sensible qualities
conjoined with such secret powers: And when he says, similar sensible qualities
will always be conjoined with similar secret powers; he is not guilty of a
tautology, nor are these propositions in any respect the same. You say that
the one proposition is an inference from the other. But you must confess,
that the inference is not intuitive; neither is it demonstrative: Of what
nature is it then? To say it is experimental, is begging the question. For all
inferences from experience suppose, as their foundation, that the future will
“Reflective Judgment and the Application of Logic to Nature: Kant’s Deduction of the Principle of
Purposiveness as an Answer to Hume,” in Essays on Kant (Oxford: Oxford University Press, ),
–; Ralph C. S. Walker, “Induction and Transcendental Argument,” in Transcendental
Arguments: Problems and Prospects, edited by Robert Stern (Oxford: Clarendon Press, ),
–; Gordon G. Brittan Jr., Kant’s Theory of Science (Princeton, NJ: Princeton University
Press, ), –.

Walker lays great emphasis on the notion of a transcendental argument in his analysis of Kant’s
treatment of induction. See Walker, “Induction and Transcendental Argument,” –.
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resemble the past, and that similar powers will be conjoined with similar
sensible qualities. If there be any suspicion, that the course of nature may
change, and that the past may be no rule for the future, all experience
becomes useless, and can give rise to no inference or conclusion. It is
impossible, therefore, that any arguments from experience can prove this
resemblance of the past to the future; since all these arguments are founded
on the supposition of that resemblance. Let the course of things be allowed
hitherto ever so regular; that alone, without some new argument or inference, proves not, that, for the future, it will continue so.
Very briefly, the transcendental deduction of the principle of conceptual
purposiveness of nature and its grounding in our discursivity can be
regarded as precisely the new argument Hume here demands; for it does
claim that we necessarily regard nature under the assumption that it is
constituted by universal regularities amenable to investigation by our
discursive understanding and, specifically, that we so view the notions of
causality and force or power.
Although it does not constitute an objection to the connection drawn
above, the following point is perhaps significant enough to merit attention.
Kant does not draw the connection between induction and the assumption
of the conceptual purposiveness of nature in the third Critique. In his
lectures on logic, in contrast, he explicitly relates induction to the power of
judgment. Analogy and induction, he says, are “inferences of the power of
judgment” (V-Lo/Dohna :; see also Log :–). He calls them
“logical presumptions [Präsumtionen],” says they are “useful and indispensable for the sake of the extending of our cognition by experience” and
warns us that “since they give only empirical certainty, we must make use
of them with caution and care” (Log :). Errors, he says, “for the most
part arise from them” (V-Lo/Heschel ). Why then is induction not
mentioned in the third Critique?
The answer, I think, is that Kant’s discussion is more fundamental than
Hume’s. In order to see this clearly, note first that Hume does not place in
question our ability to identify and group together “similar sensible
qualities.” His question is whether it is rational to expect similar powers
to continue to be conjoined with similar sensible qualities. Kant, in
contrast, holds that an account is needed even of our most fundamental
employment of universal concepts to group together similar objects. Hume
then takes for granted what Kant thinks requires an account.

David Hume, An Enquiry Concerning Human Understanding, edited by Tom L. Beauchamp
(Oxford: Oxford University Press, ), .
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
Discursivity and the Conceptual Purposiveness of Nature
It is useful to recall here the distinction, drawn in the Appendix to the
Transcendental Dialectic of the first Critique, between the logical principles of systematic unity, similarity, variety and continuity and transcendental principles bearing the very same names (see A–/B–,
A/B, A/B, A/B). The point there, briefly stated, is
that the justification of a transcendental principle underwrites its use as a
principle of logic. For Kant, induction is a logical principle; the task of the
third Critique is transcendental.
That induction belongs, for Kant, to a different level of discussion can
also be seen clearly from the fact that he regularly connects it to inferences
by analogy. Analogy is an inference “from many determinations and
properties, in which things of one kind agree, to the remaining ones, insofar
as they belong to the same principle” (Log :; see also V-Lo/Blomberg
:; V-Lo/Heschel –; V-Lo/Dohna :–). As we saw in
the previous section, the discussion of discursivity stresses that when a
universal subsumes under it a particular, “it determines nothing with
regard to the manifoldness of the latter” (KU :). As discursive creatures we must think of the particulars subsumed under a concept as a
variety rather than as similar in all respects. But these different ways of
regarding the particulars subsumed under a concept only apparently
conflict. The conflict is removed by attending once again to the fact
that they belong to different levels of discussion. The discursivity argument
investigates what is entailed by the very subsumption of particulars
under concepts. Inferences from analogy presuppose the possession of
concepts and knowledge of objects and ask how our knowledge can
be extended.
I claimed that to see the discussion of the conceptual purposiveness of
nature as an answer to Hume requires: () taking Kant’s general response
to Hume to be the introduction of the notion of a transcendental condition of experience and its deduction; and () taking the deduction of the
assumption of the conceptual purposiveness of nature to be a response to
Hume’s problem of induction. But strictly speaking, the deduction is not a
response to the problem of induction. It does, however, entail a response –
though this response does not belong to the level of transcendental
inquiry.
Finally, it is worth emphasizing that, as we saw above, Kant is well aware
of the fact that induction cannot provide us with certainty and does
sometimes lead us to error (see also: V-Lo/Blomberg :; V-Lo/
Dohna : ). He nevertheless appears not to treat this as a problem.
I claimed above that, from an empiricist perspective, the defeasibility of
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. Justification of the Regulative Maxim of Mechanism

empirical laws can be viewed as an advantage. This though is not, to the
best of my knowledge, something Kant ever says.
.
Kant’s Justification of the Regulative Maxim of Mechanism
In his seminal work on Kant’s Critique of the Teleological Power of
Judgment, McLaughlin poses with particular sharpness the exegetical
challenge of finding a justification for the parts-to-whole or analytic–
synthetic conception of physical explanation, which he identifies with
Kant’s regulative maxim of mechanism. His own answer is that Kant
introduces the necessity of judging a whole as the effect of its parts, their
properties and the forces governing them without anything like sufficient
support. In fact, he claims, “Kant merely postulates the mechanical peculiarity of our understanding and makes no attempt to explain what it
consists in and why it is justified.” He goes on to argue that Kant’s
postulate is nevertheless of real epistemological import, for the so-called
analytic–synthetic method and its conception of explanation just is the
unquestioned methodology of the paradigmatic science of the times:
The method of classical modern physics is equated with scientific explanation in general and the latter is equated with knowledge as such. This is
anchored in the “constitution” of our understanding, so that this way of
thinking seems not to be one that arose in the course of history but to be
one that is systematically simply given.
Short of finding or reconstructing a Kantian argument supporting the
mechanistic conception of explanation, McLaughlin’s answer might very
well be the best alternative. It is certainly an interesting and not at all
implausible claim from the perspective of the history and philosophy of
science.

Walker claims that Kant’s response to the problem of induction and his transcendental arguments
generally are responses to the skeptic. See Walker, “Induction and Transcendental Argument,”
–.

McLaughlin, Kant’s Critique of Teleology in Biological Explanation, . Needless to say, I disagree
with McLaughlin’s claim that the peculiarity of our understanding is its mechanistic character. It is,
as Kant says clearly, its discursivity, from which, I hope to show, the commitment to mechanistic
explanation follows. For this formulation of the exegetical challenge, see Peter McLaughlin,
“Mechanical Explanation in the ‘Critique of the Teleological Power of Judgment’,” in Kant’s
Theory of Biology, edited by Ina Goy and Eric Watkins (Berlin: Walter de Gruyter, ), .

McLaughlin, Kant’s Critique of Teleology in Biological Explanation, .

In a retrospective remark, McLaughlin says he does not really like the answer given in his book. But
he appears still to think it’s the best answer available. See McLaughlin, “Mechanical Explanation in
the ‘Critique of the Teleological Power of Judgment’,” , note . For discussion of this problem
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Discursivity and the Conceptual Purposiveness of Nature
But that there should be an argument justifying the maxim of mechanism, just as there is for the maxim of teleology, is clearly suggested by the
claim that both have their “ground in the nature of our cognitive faculties”
(KU :) and that the maxim of mechanism is “provided by the mere
understanding a priori” (KU :) – claims Kant echoes when he says
that we explain parts-to-whole in accordance with “the constitution of our
understanding” (KU :). Indeed, that the arguments are related to the
transcendental ambitions of the third Critique is implied by the claim that
for the reflective power of judgment the maxims are necessary “for the sake
of the cognition of natural laws in experience, in order to arrive by their
means at concepts, even if these are concepts of reason, if it needs these
merely in order to come to know nature as far as its empirical laws are
concerned” (KU :–).
In this section I hope to show that such an argument can be drawn from
the Dialectic. In the course of reconstructing it, I will also offer a detailed
account of the second element missing from the deduction of the principle
of the purposiveness of nature – namely, an explanation why knowledge
must take the shape of a comprehensive and hierarchical taxonomy of
causal laws.
Before turning to the argument for the maxim of mechanism, we must
examine the various senses given by Kant to the term “mechanism” and
ask how they are related as well as examine the important dependent terms
“part” and “whole.”
.. Preliminaries: The Senses of Mechanism
Kant uses the term “mechanism” and its cognates throughout his writings
in a variety of senses and with different emphases. I think the sense that is
of most direct relevance when considering the maxim of mechanism is the
parts-to-whole form of explanation. But as we will see, other senses and
emphases are also of significance for understanding its justification and full
import.
and two other attempts to offer an argument for the principle of mechanism, see Angela
Breitenbach, “Mechanical Explanation of Nature and Its Limits in Kant’s ‘Critique of
Judgment’,” Studies in History and Philosophy of Science, Part C: Studies in History and Philosophy
of Biology and Biomedical Sciences  (): –; Eric Watkins, “The Antinomy of
Teleological Judgment,” Kant Yearbook  (): –.

For discussion of the possible senses of the term and different views as to which is referred to in the
thesis of the antinomy, see McLaughlin, Kant’s Critique of Teleology in Biological Explanation,
–; Breitenbach, “Mechanical Explanation of Nature and Its Limits,” –; Thomas
Teufel, “Wholes that Cause Their Parts: Organic Self-reproduction and the Reality of Biological
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. Justification of the Regulative Maxim of Mechanism
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Kant probably most often speaks of the mechanism of nature in two
very closely related senses: () the necessity of natural causal connections;
and () the necessity of the particular causal laws governing nature. For
example, in the Preface to the second edition of the first Critique, he speaks
of the mechanism of nature as following directly from or as equivalent to
the principle of causality (Bxxvii). In other places, he appears to assume
that this causal determination will take the shape of particular causal laws.
Thus, in the second Critique, he says that “all necessity of events in time in
accordance with the natural law of causality can be called the mechanism of
nature” and immediately goes on to speak in the singular of what appears
to be the particular “necessity of the connection of events in a time series as
it develops in accordance with natural law” (KpV :; see also EEKU
:). In many contexts this difference might appear to be of little or no
consequence. But it is, of course, of great importance to our concerns. For
our principal interest is precisely the gap between, on the one hand, the
principle of causality and what Kant calls in the Introduction to the third
Critique the “general analogy of a possible experience in general” (KU
:) and, on the other hand, the conditions of a particular experience
comprising particular causal laws.
Kant frequently employs the term “mechanism” to refer not to natural
or natural lawful causal necessitation directly but to draw a derivative
contrast. Specifically, he often contrasts natural causation, in the practical
context, with self-determination through freedom and, in the theoretical
context that is our focus, with the intentional agency and end-directedness
that our attributions of self-organization to natural products appear to
Teleology,” Studies in History and Philosophy of Science, Part C: Studies in History and Philosophy of
Biology and Biomedical Sciences  (): ; Allison, “Kant’s Antinomy of Teleological
Judgment,” –; McLaughlin, “Mechanical Explanation,” –; Hannah Ginsborg,
“Kant on Understanding Organisms as Natural Purposes,” in The Normativity of Nature (Oxford:
Oxford University Press, ), –.
I am following McLaughlin’s understanding of the maxim of mechanism as directing us to
employ the parts-to-whole or mechanistic form of explanation, because Kant says that () the
maxims have their “ground in the nature of the cognitive faculties” (KU :); () the maxim of
mechanism is “provided by the mere understanding a priori” (KU :); () we explain parts-towhole in accordance with “the constitution of our understanding” (KU :). But this exegetical
question is not decisive for our present concerns. Kant explicitly endorses the parts-to-whole form
of explanation and says it is grounded in the nature of our understanding. My principle aim in this
section is to reconstruct the argument grounding this claim.

There are very many other examples of these uses and those I mention below.

For emphasis of the importance of this context for understanding Kant’s discussion of the maxim of
mechanism, see Watkins, “The Antinomy of Teleological Judgment,” ; Marcel Quarfood, “The
Antinomy of Teleological Judgment: What Is It and How It Is Solved,” in Kant’s Theory of Biology,
edited by Ina Goy and Eric Watkins (Berlin: Walter de Gruyter, ), .
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Discursivity and the Conceptual Purposiveness of Nature
suggest. End-directed intentional agency is nonnatural causal efficacy.
These two mutually exclusive species of causality are jointly exhaustive of
the notion. The mechanism of nature is thus glossed as “a causal connection for which an understanding does not have to be exclusively assumed
as a cause” (KU :; see also EEKU : (quoted below); KU
:–, , ).
It is this contrast, furthermore, that explains Kant’s quite frequent
characterization of natural causal laws as blind (see KU :, ,
). In contrast to intentional agency, natural causality operates with
no ends in view, or blindly. As we saw in the previous chapter, it is
precisely for this reason that Kant faults purportedly scientific theories
comprising such causality for being nonnaturalistic (see KU :, ).
He emphasizes against hylozoism that the concept of living, that is, selfdetermining and self-moving, matter “contains a contradiction, because
lifelessness, inertia, constitutes its essential characteristic” (KU :; see
also KU :). Natural (lawful) causal necessitation is externally rather
than internally or self-determined and blind rather than end-directed.
In the Dialectic of Teleological Judgment, however, Kant also gives the
term “mechanism” a different sense; it is this sense, I think, that is the
most directly relevant to the discussion of the maxim of mechanism. The
maxim states: “All generation [Alle Erzeugung] of material things and their
forms must be judged as possible in accordance with merely mechanical
laws” (KU :).
Now if we consider a material whole, as far as its form is concerned, as a
product of the parts and of their forces and their capacity to combine by
themselves (including as parts other materials that they add to themselves),
we represent a mechanical kind of generation. (KU :)
Here mechanistic generation is defined as an account of a whole in terms
of its parts and the forces they possess independently of being parts of this

Kant’s frequent emphases of the blindness of mechanism and its contrast to free agency are
obviously related to uses of the term “mechanism” to refer to the externally predetermined
working of a machine (see, for example, EEKU :) or to following a procedure without
thought and, in this sense, blindly or not freely (see, for example, A/B). On the sense of
mechanism as automatic or thoughtless, see Eduard J. Dijksterhuis, Die Mechanisierung des
Weltbildes (Berlin: Springer, ), . A sense closely related to the former is of relevance to
understanding the term “mechanical arts,” constituted by sets of given rules of practice, and their
contrast to the free or liberal arts (see KU §).

Kant is referring here to his Second Law of Mechanics (MAN :); he emphasizes the distinction
between the inertia of matter and intentional agency (see MAN :).

On the significance and limitations of the former contrast, see Dijksterhuis, Die Mechanisierung des
Weltbildes, .
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. Justification of the Regulative Maxim of Mechanism
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or that particular whole. I have been claiming that the emphasis on
production or generation is, in fact, an emphasis on causal processes.
This short passage defines then mechanistic causal accounts or explanations as the explanation of a whole in terms of its parts and the forces
governing these parts. I think that this is the sense most immediately
relevant to the antinomy of reflective judgment, precisely because it seems
to conflict with the apparent dependence of parts on a whole in the case of
teleological judgments of organisms. Kant states the problem clearly in
the First Introduction:
Now since it is entirely contrary to the nature of physical-mechanical causes
that the whole should be the cause of the possibility of the causality of the
parts, rather the latter must be given first in order for the possibility of a
whole to be comprehended from it; since, further, the particular representation of a whole which precedes the possibility of the parts is a mere idea
and this, if it is regarded as the ground of causality, is called an end: it is
clear that if there are such products of nature, it would be impossible [even]
to investigate their character and their cause only in experience (let alone
explain them by reason), without representing their form and causality as
determined in accordance with a principle of ends. (EEKU :)
Succinctly, the problem is that, on the one hand, we are committed to the
parts-to-whole mechanistic form of natural explanation; and, on the other
hand, we speak of certain natural products as though the whole is “the
cause of the possibility of the causality of the parts” and so, in a way, that
appears to imply that they are products of end-directed and thus nonnatural activity. This, I think, is just the apparent conflict of the antinomy
of reflective judgment.
It should be noted, finally, that the characterization of the Dialectic of
mechanistic explanation quoted above from § is presented as though it
were repeating its formulation in the previous paragraph. But the earlier
formulation is, in fact, a specification of the later characterization.
In accordance with the constitution of our understanding, by contrast, a
real whole of nature is to be regarded only as the effect of the concurrent
moving forces of the parts. (KU :; see also KU :, ; EEKU
:)
Here Kant speaks specifically of moving forces, and this raises the question
of whether the narrower or broader characterization is most directly


And see again note .
I have slightly amended the translation. Kant writes: “es unmöglich sei, ihrer Beschaffenheit und deren
Ursache auch nur in die Erfahrung nachzuforschen” (EEKU :.–).
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Discursivity and the Conceptual Purposiveness of Nature
relevant to the discussion. I think the answer is that the broader characterization is most directly relevant to the discussion of organisms, for the
apparent dependence of parts on the organic whole is not restricted to
moving forces. Kant, I think, is merely alluding here to the view
expounded in detail in the Mechanics chapter of the Metaphysical
Foundations of Natural Science. According to this view, moving forces are
the most fundamental forces governing matter as such; and consequently,
the most fundamental explanations of material events refer to moving
forces. It is worth underscoring that this last, more specific characterization of mechanistic explanation as proceeding from parts to whole
explicitly states that it is a consequence of the “constitution of our
understanding.”
Our question then is what justifies the regulative maxim of mechanism,
which directs us to search for explanations of material wholes as products
of their parts and the forces governing them. The answer to the question
should reveal, moreover, a close connection between three of the senses of
mechanism surveyed above: () causal determination generally; () particular empirical causal laws; and () the general mechanistic model of causal
explanation. It will become clearer below that drawing a close connection
between these senses of mechanism is of central importance. For arguing
that the mechanistic model of causal explanation has its “ground in the
nature of our cognitive faculties” (KU :) will demand showing that
it is a consequence of Kant’s transcendental investigation of the possibility
of a particular empirical experience of nature. Succinctly, the transcendental account explaining the move from () to () will have () as its
consequence.
..
Preliminaries: The Senses of Part–Whole
The second important preliminary point is to clarify what precisely falls for
Kant, in this context, under the interdependent terms “part” and “whole.”
Our first thought might be that the wholes investigated and explained
by scientific theories of physical nature are simply spatially extended
bodies, complexes or systems and that the part–whole relation is the


But see again Teufel, “Wholes that Cause Their Parts,” .
On the sense of mechanism as mechanics or doctrine of motion and the great importance of
mathematization, see Dijksterhuis, Die Mechanisierung des Weltbildes, –, –. On the
end of reductive explanation into the terms of mechanics, which he calls mechanicism
(Mechanizismus), see Gideon Freudenthal, “Kritik und Rehabilitierung des Mechanismus,”
Konsequent  (): –.
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. Justification of the Regulative Maxim of Mechanism
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relation of spatial containment. But upon reflection, it should become
clear that identifying the whole and the parts relevant to physical explanation is not a trivial matter. The negative or positive acceleration of a
body might be the result of mechanical explosion or of free fall toward
another body. In the first case, the whole might be a contiguous material
body; in the second – the whole would consist of parts that are not
contiguous. Indeed, identifying the whole and its parts might seem to
depend on identifying a distinct causal connection.
This suggestion is confirmed by examining again Kant’s own examples
of biological explanations. We saw in the previous chapters that the
problem posed by organisms is that we speak of their generation and the
causal processes governing them as though they were end-directed.
I claimed there that Kant’s solution to the problem is a distinct conception
of biological explanation: () The starting point of any explanation of an
organized form or state is identifying an original structure of organization;
() the forces operative in processes of self-organization are blind. We also
saw in Chapter  that Kant has a remarkably flexible view of the wholes
and parts involved in organic processes. The whole in need of explanation
might be: () an individual organism and its states, such as growth and
regeneration (see KU :–); () the procreative processes of reproduction (see KU :, ); () the human species and its races and their
adaptation to the environment; () the human species and its rational
development, described in the naturalistic-teleological account human
history (see IaG :–; KU :–; RGV :); and () conceivably all organic phenomena, discussed in Kant’s evolutionary speculation
(see KU :–).
Remarkably, although these wholes all in some sense exist materially in
space, they are obviously not all simply contiguous spatially extended

The thought would indeed follow from a commitment to atomism. But although the analytic–
synthetic method dovetails nicely with atomism, the connection is not a necessary one (see
Freudenthal, “Kritik und Rehabilitierung des Mechanismus,” ); and Kant is not an atomist
(see MAN :–). It is noteworthy that Kant calls the explanation of impenetrability by atoms
and the void the “mathematical-mechanical mode of explanation” (MAN :) employed by the
“mechanical natural philosophy” (MAN :) and contrasts it to his own dynamical–metaphysical
mode of explanation. This particular sense of mechanism derives, Kant says, from the notion of a
machine, that is, a “a body (or particle) whose moving force depends on its figure” (MAN :).
Zuckert defends this understanding of the part–whole relation, drawn from the conception of
matter in the Metaphysical Foundations of Natural Science. See Rachel Zuckert, Kant on Beauty and
Biology: An Interpretation of the ‘Critique of Judgment’ (Cambridge: Cambridge University Press,
), –.

Kant emphasizes that the process is natural in IaG : and by speaking of the end of nature in KU
:.
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Discursivity and the Conceptual Purposiveness of Nature
bodies, and this entails that the relations between parts are not all interactions of organs or systems spatially contained in a single body. So
although the original structures of organization that figure in the explanans
might indeed often be physical parts of an organism (roots and xylem, leaf
and stem), this is not always the case. They might not be physical parts of a
single organism (sexual reproduction). Turning to the parts that are not
organized and play a role in these processes, the environmental factors that
trigger the processes of adaptation, discussed in the papers on the human
races, are not physical parts of the species, nor are the raw materials
involved in nutrition physical parts of organisms (see KU :). Kant
emphasizes this last point in his clearest formulation of the principle of
mechanism; as we saw above, he says explicitly that the presumably
physical parts of a whole must be viewed as “including as parts other
materials that they add to themselves” (KU :).
Finally, in the naturalistic-teleological account of human rational development Kant introduces a natural force without ascribing it to any
particular material or physical structure. The natural inclination that acts
as the driving force of our teleological progress as a rational species is
“unsociable sociability” (see IaG :–). The point might be made
that a natural force, effective in the physical realm, would ultimately have
to be ascribed to something physical. This might well be right. But Kant
reveals no qualms in speculatively offering what he takes to be a naturalistic
account without doing so. The lesson to draw from these examples is,
I suggest, that Kant’s view of the wholes and parts that figure in natural
explanations is very flexible and indeed goes hand in hand with suggesting
a causal explanation for a process or state. I will claim below that this
flexibility is no coincidence but in fact a distinct feature of Kant’s view.
For the purposes of Chapter , it seemed reasonable to treat Kant’s talk
of wholes and parts as unproblematic. The examples all seemed intuitive
enough. It certainly seems to make sense to think of an organic process
and what it involves as part of an organism, race or species as a whole,
as well as to think that gaining insight into the workings of such
processes is explaining how these wholes function. Thinking of something

McLaughlin holds that Kant is thinking of spatial containment of physical parts. As a
counterexample to Kant’s view, he gives organic or social systems that determine their
constituents. See McLaughlin, Kant’s Critique of Teleology in Biological Explanation, –.
But Kant’s view of human history suggests that he would have no problem with viewing the
state of a society at a given time as one of the forces effecting an individual. For more on the spatial
interpretation of part–whole determination relations, see McLaughlin, “Mechanical Explanation,”
–.
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. Justification of the Regulative Maxim of Mechanism

as self-organizing and the problem posed by this concept seems to imply
that understanding it just is discovering how its various processes of selforganization work. Indeed, the problem the maxim of mechanism poses
has been so elusive, precisely because it seems so unquestionable. But if we
are to gain deeper insight into it, we must understand why this is so and
indeed why, more generally, Kant thinks that causal explanation is for
us mechanistic.
One answer that has been given to this is that the mechanistic relation
of part and whole is a lesson taught by practical mechanics and experience
in the construction of machines; Kant himself might be read as emphasizing this fact.
Why, then, does teleology usually not constitute a proper part of theoretical
natural science, but is instead drawn into theology as a propaedeutic or
transition? This is done in order to keep the study of the mechanism of
nature restricted to what we can subject to our observation or experiments,
so that we could produce it ourselves, like nature, at least as far as the
similarity of [its] laws is concerned; for we understand completely only that
which we ourselves can make and bring about [machen und zustande bringen
kann] in accordance with concepts. (KU :–)
It must be noted though that Kant speaks explicitly of observation; and he
also speaks of laws similar to those we find in nature, thus implying science
might introduce laws speculatively, as long as they are similar in character
to those we have observed. So his notion of making must be broad enough
to include making or bringing about in thought, possibly speculatively.
Second and even more significantly, the aim of this section is certainly
not to deny that we rarely question the necessity of the mechanistic
conception of explanation or that it is deeply rooted in our practical lives.
The aim of this section is to see whether it has a philosophical grounding as
well. What we want then is an account of why parts – as well as what parts

See McLaughlin, Kant’s Critique of Teleology in Biological Explanation, –, –. For a
very illuminating discussion of the relation between the analytic–synthetic method and practical
mechanics, in particular, clocks, their construction and operation as models for scientific
explanation, see Gideon Freudenthal, Atom and Individual in the Age of Newton: On the Genesis
of the Mechanistic World View, translated by Peter McLaughlin (Dordrecht: D. Reidel, ),
–.

I have very slightly amended the translation. Kant writes: “wenigstens der Ähnlichkeit der Gesetze
nach” (KU :.–).

For the emphasis on bringing about in thought, see McLaughlin, Kant’s Critique of Teleology in
Biological Explanation, , , –. For the limitations of actual mechanisms as models for
scientific explanation, see Freudenthal, Atom and Individual in the Age of Newton, –.
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Discursivity and the Conceptual Purposiveness of Nature
precisely – are causally and thus explanatorily simpler or more fundamental than the wholes of which they are a part.
.. Discursivity and Part–Whole Relations
I claimed above that the thesis of the antinomy of reflective judgment and
its emphasis on generation formulates a commitment to mechanistic
(parts-to-whole) causality and explanation. As we saw, in the earlier, more
specific characterization of mechanistic explanation, he says explicitly that
we so explain in accordance with “the constitution of our understanding.”
The section in which this claim is made is devoted to the discursive
peculiarity of our understanding. But if we are to take seriously the claim
that our distinct mode of explanation follows from our discursivity, then
the sense of part and whole must, at least initially, be broader than parts
causally involved in generating or altering the state of a whole. In this
context, it is worth noting that the central passage of §, on which we are
now focusing and in which Kant claims that the mechanistic mode of
explanation is characteristic of our understanding, begins by speaking of
cognition generally and immediately introduces, as an obviously important
example, cognition of “the cause of a product” (KU :). So the
question we should ask is what is distinct about the way discursive
understanding generally conceives of parts and wholes.
I am suggesting turning our focus from parts and wholes that are
physical to concepts of parts and wholes – and as we will soon see, to
concepts as themselves parts and wholes. This shift might seem suspect. Very
significantly, however, in the  Prize Essay, Kant emphatically says that
the Newtonian method of seeking the general explanatory principles
behind complex natural phenomena is essentially the same as “true
method of metaphysics” (UD :), which begins with inner experience
and aims “to seek out those characteristic marks which are certainly to be
found in the concept of any general property” (UD :). I hope this
claim is enough to give me some leeway to pursue this line of thought.
I will return to the obvious question raised by moving from the physical to
the conceptual realm in the last subsection. The question, of course, is

For the crucial claim that for Kant the method of analysis and synthesis of phenomena, associated
with Galileo and Newton, and the analysis and synthesis of concepts, associated with Descartes, are
closely related and can indeed be viewed as varieties of a single method, see Brigitte Falkenburg,
Kants Kosmologie: Die Wissenschaftliche Revolution der Naturphilosophie im . Jahrhundert
(Frankfurt am Main: V. Klostermann, ), –.
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. Justification of the Regulative Maxim of Mechanism

what ensures us that the structure of our system of concepts is isomorphic
to the structure of the world.
In the discussion of definitions in the first Critique Transcendental
Doctrine of Method, Kant famously claims that a constructed mathematical concept has a definition (Definition); for a philosophical concept,
however, we can only offer an exposition (Exposition); whereas analyzing
an empirical concept into its marks is an explication (Explikation). For all
these Latinate terms, he remarks, German has “nothing more than one
word ‘explanation [Erklärung]’” (A/B). So analyzing an empirical
concept into its marks is explicating or, more loosely, explaining it.
Now Kant often speaks of analysis of the content of an empirical
concept into its marks, particularly where the context is empirical cognition. But he also quite often calls a mark (or several marks) a partial
representation or partial concept (see, for example: V-Lo/Dohna :,
; Log :–, ) or simply a part of the concept (see, for example: VLo/Wiener :, ; V-Lo/Dohna :, ; Log :). So
explicating or explaining the content of a concept is analyzing it into
its parts.
Kant also puts this point by speaking of a higher or genus concept
containing the ground of cognition of a lower or species concept contained
under it (see, for example: V-Lo/Dohna :; Log :). But explicating
what an empirical concept contains is also explicating what the objects
subsumed under it are; analysis of a concept into parts also gives the
simpler grounds of cognition of objects:
Now the ground always contains the consequences under itself.
Accordingly, every universal concept is a ground of cognition for many
things, and furnished with a concept, I have a ground of cognition of many
things. The concept itself is also contained in the things, however. For it
constitutes a part of their representation. (V-Lo/Wiener :)
If we apply this understanding to (a concept of ) a causal system or causally
generated whole, then analyzing it into (concepts of ) its causally effective
parts just is offering a causal account or explanation of it; in Kant’s own
words, when we consider a material whole “as a product of the parts and of
their forces and their capacity to combine by themselves . . . we represent a
mechanical kind of generation” (KU :). It is worth emphasizing again
that in all the biological examples we examined above the relevant parts

There are again very many other examples of these uses and those I cite below. I am giving only a
few examples taken from the discussions of concepts in Kant’s critical period lectures on logic.
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
Discursivity and the Conceptual Purposiveness of Nature
just were those involved in the several partial processes of self-organization of
an organic whole. Biological wholes are characterized as self-organizing and
thus as a distinct kind of causal whole, and the explanations Kant discusses
all detail the simpler causal processes of self-organization of these wholes.
It is also important to emphasize again that at this juncture we are
simply positing an analysis of wholes into their causally effective parts; we
are not asserting that we necessarily conceive of wholes through their
causally effective parts. We will return below to the question of the relation
between the structure of the system of concepts and the causal structure of
the world. To accept then that Kant’s conception of causal explanation is
grounded in his understanding of conceptual wholes and their parts and
the objects to which they refer just is to accept that causally effective parts
are explanatorily simpler than the causal wholes they generate.
It might be objected that the above claims show only that Kant’s
commitment to mechanistic explanation follows from his understanding
of the content of concepts in their systematic relations and their connection to the objects subsumed under them; but this does not explain, so the
objection continues, how this understanding of concepts follows from
the discursivity of our cognition. It is important to underscore, first, that
the relevant features of Kant’s theory of concepts and their relations to
objects follow directly from his distinct conception of our discursivity and,
second, that the discussion of the discursive peculiarity of our understanding is the high point of the Dialectic of Teleological Judgment. It is in this
discussion that we find then the second element missing from the deduction Kant offers in the Introduction the third Critique. That empirical
knowledge ideally constitutes a comprehensive hierarchical system of
concepts follows from the discursivity of our understanding.
As discursive creatures, we can only experience and cognize particular
sensibly given objects through concepts, and the content of these concepts
is necessarily a finite number of marks that must be taken to be common
to a diversity of objects. Here is a clear statement of the thought:
From the side of the understanding, human cognition is discursive, i.e., it
takes place through representations which take as the ground of cognition
that which is common to many things, hence through marks as such. Thus
we cognize things through marks and that is called cognizing . . .
A mark is that in a thing which constitutes a part of the cognition of it, or –
what is the same – a partial representation, insofar as it is considered as ground
of cognition of the whole representation. All our concepts are marks, accordingly, and all thought is nothing other than a representing through marks.
(Log :)
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. Justification of the Regulative Maxim of Mechanism

It is crucial to see that Kant’s distinct conception of cognition as ideally
organized into a comprehensive hierarchical taxonomy of concepts follows
from his commitment to the discursive nature of human cognition.
Specifically, in such an ideal system the higher concepts have fewer marks; that
is, they are poorer or partial in content – and, in this sense, simpler. It is precisely
this fact that gives the analytic explication of concepts its distinct directionality –
namely, from complex concept or whole upward to simpler parts.
The series of subordinate marks terminates a parte ante, or on the side of the
grounds, in concepts which cannot be broken up, which cannot be further
analyzed on account of their simplicity; a parte post, or in regard to the
consequences, it is infinite, because we have a highest genus but no lowest
species. (Log :)
It follows, furthermore, from the discursive nature of our cognition that the
analysis of a concept into its simpler parts is both an explication of its content
and an explication of what the objects subsumed under it are. Analysis into
parts also gives the simpler grounds of cognition of objects, precisely because
as discursive beings we can only experience and cognize particular objects
through universals or “representations which take as the ground of cognition
that which is common to many things, hence through marks as such.”
..
Mechanism: Determinative Use and Regulative Maxim
One very important element is missing from the account. The above
claims might be summarized by saying that () to claim responsibly that
an object belongs to a certain species is to possess a contextually satisfactory
analysis of the species concept into its marks or higher partial or genus
concepts; and () to claim responsibly that something is a causal system or
causally generated whole is to possess a contextually satisfactory analysis of
the whole into its causally effective parts and the forces governing them.
But this is to speak in the assertoric or determinative mode. The original
challenge facing us was justifying mechanism as a regulative maxim.

By speaking here of contextually satisfactory analyses I mean to be echoing Kant’s claim in the first
Critique Doctrine of Method that we think in an empirical concept sometimes more and at other
times less. As Kant there puts it: “One makes use of certain marks only as long as they are sufficient
for making distinctions” (A/B; see also V-Lo/Wiener :).

Quarfood’s answer to this question is that mechanism “as discussed in the ‘Dialectic’ of the third
Critique, is subservient to reflecting judgment’s principle of the purposiveness of nature.”
Quarfood, “The Antinomy of Teleological Judgment,” , note . See also Teufel, “Wholes
that Cause Their Parts,” , note . This seems to suggest the priority of the determinative use
over the reflective use. As will become clear, my view is that it is the necessity of the reflective use of
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
Discursivity and the Conceptual Purposiveness of Nature
It should be made perfectly clear that to raise this challenge is by no
means to deny that scientific explanations are mechanistic and that science
indeed offers explanations in the determinative mode. Kant is explicit
about this connection in the introductory section of the Methodology of
the Teleological Power of Judgment; natural science and the mechanistic
explanation of natural phenomena, he says clearly, “requires determining
and not merely reflecting principles in order to provide objective grounds
for natural effects” (KU :). He does not, however, distinguish clearly
enough, on the one hand, the maxim of mechanism and the directive to
seek mechanistic laws and, on the other hand, actually offering laws thus
discovered as explanations. That there is a distinction to be made here is
evident, for seeking explanations and offering explanations are surely two
distinct moments in the work of science. The first is clearly, in Kantian
terms, a task for reflective judgment, whereas the second employs determinative judgment. When we offer an explanation, we do not assume a
reflective or investigative stance in relation to the world. Explanations are
not concerned with what we would like to find out in the future, but
employ what we now claim to know. The question we have to answer then
is, What justifies mechanism as a necessary regulative maxim? And it is to
be hoped that answering this question will also make clear why explanations offered in the determinative mode are mechanistic.
To answer this question we might begin by recalling that, on Kant’s
account, our attributions of self-organization are never determinative
judgments. Self-organization is a regulative principle of reflective judgment. The universality or unity of these attributions, speaking, that is, of
an organism as though it were a distinct kind of causal whole, is a
regulative assumption. It is precisely the fact that we are making such an
the principle that explains its determinative use. This is how Zuckert too seems to see the priority.
See Zuckert, Kant on Beauty and Biology, .

The fact that science does purport to offer explanations, revisable and defeasible though they may
be, is the reason why I feel uneasy about Kreines’s emphatic claim that “purely empirical inquiry
cannot achieve knowledge of particular laws of nature.” Kreines, “Kant on the Laws of Nature,”
. Cf., James Messina, “Kant’s Necessitation Account of Laws and the Nature of Natures,” in
Kant and the Laws of Nature, edited by Michela Massimi and Angela Breitenbach (Cambridge:
Cambridge University Press, ), –. I wholly accept the point that we can have no
empirical knowledge of necessity. But Kreines’s formulation might make us question how science
can so much as claim to know and explain. I thus prefer to say that scientific explanations lay claim
to knowledge and objective truth, though these claims are revisable and indeed defeasible. This
accords with the fact that Kant does speak of knowledge of particular laws. To give only one very
prominent example, the often-quoted claim from the first Critique that particular laws cannot be
completely derived from the categories, continues: “Experience must be added in order to come to
know particular laws at all [um die letztere überhaupt kennen zu lernen]” (B).
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. Justification of the Regulative Maxim of Mechanism

assumption of unity that commits us to corroborating it. But this is just
Kant’s commitment to searching for mechanistic analyses of organisms into
the distinct partial organic processes governing them. And this analysis
cannot, in principle, be completed, precisely because explanations of organic
processes always identify a further original structure of organization, which
itself is necessarily an assumption and so demands further corroboration
through analysis. In the case of organisms, we saw, there are, in principle, no
reductive mechanistic explanations. Succinctly, the continuing commitment
to search for mechanistic explanatory analyses of organisms is the flip side of
the assumptions of unity made in attributions of self-organization.
How then does this apply to nature quite generally? On the reconstruction I offered in the discussion of discursivity above, Kant’s claim is that
employing any universal concept is assuming a comprehensive hierarchy of
concepts leading up to ever more general and down to ever more specific
concepts. I further claimed that the ultimate aim of such a comprehensive
system of concepts is to inform us about the causal connection in the
world. So to employ any universal concept is to assume a comprehensive
system of causal laws; it is to assume a system of ever more general causal
laws and ever more specific complexes explainable in their terms.
It is precisely these assumptions of unity that commit us generally to
corroborating them by offering an analysis of the unity we are assuming.
Employing any universal concept specifically is assuming that there is an
analysis of it into simpler, more general concepts. Applied to a causal
system or whole, the commitment is to offering an analysis of the whole
into its causally effective parts, to offering, in other words, a mechanistic
explanation of the whole. Thus, both the assumption of the conceptual
purposiveness of nature as well as the regulative maxim of mechanism
follow from the discursive character of our cognition.
The general point might be put this way: () An attribution or assumption of unity is an IOU; () searching for mechanistic-like explications or
causal explanations of the unity assumed is the commitment to pay the debt
it incurs; () the series of explications and causal explanations discovered and
offered in the determinative mode are the hard currency of science.
It might be answered that when using a particular concept, I might in
fact have an analysis of it into its simpler partial concepts and that employing it incurs no debt. And the same might be said of a causal whole, of
which I possess an analysis.
The reply to this objection comes in two complementary parts. First, on
Kant’s view, as we saw above, an ultimately reductive explanation would
be given in terms of the most fundamental laws governing the motion of
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
Discursivity and the Conceptual Purposiveness of Nature
matter. If we have no such account, then we are still in debt. But what
about what I called above a contextually satisfactory analysis of a whole
into its causally effective parts and the forces governing them? The second
part of the reply requires spelling out the relations between determinative
and reflective judgment generally and between the regulative maxim of
mechanism and the determinative use of mechanistic explanations specifically. Kant’s fundamental claim, we saw, is that any determinative use of
an empirical concept is underwritten by an assumption of unity and the
regulative principle of the conceptual purposiveness of nature and thus by
reflective judgment. The claim then is that the reflective function of
judgment makes possible and, in this sense, has priority over its determinative use. The obverse side of the assumption of the conceptual purposiveness of nature is the broadly mechanistic-like or parts-to-whole
commitment to corroborating the unity assumed by explicating it. In the
specific case in which the assumption is of a causal unity, the obverse is the
commitment to mechanistic causal explanation. Thus, in the specific case
of causal wholes too, the reflective function of judgment makes possible
and, in this sense, has priority over the determinative use. And this priority
should not surprise us. For surely searching for and finding empirical
concepts under which to subsume a particular is a condition of employing
these concepts in determinative judgments. That a concept must first be
found in order to be used is definitive of empirical concepts.
..
Mechanistic Explanation as a Regulative Ideal
This is the place to return to the objection raised above and to emphasize
an important point regarding the claim that both the assumption of the
conceptual purposiveness of nature and the maxim of mechanism are
regulative. The objection was that there is an obvious problem with
employing a conception of an ideal system of concepts and cognition to
defend the way we are directed to explicate and explain the actual objects
and causal systems we experience. To put the problem plainly, What
guarantees that a causal system – as we in fact conceive of it – can be
explained by analysis into its simpler causally effective parts? What if the
parts, as we conceive of them, are just not the causally effective parts
required for the sort of explanation Kant advocates? It might indeed be
claimed that we do, as a matter of fact, conceive of many things through

For this important criticism of what he calls mechanism (Mechanismus), see Freudenthal, “Kritik
und Rehabilitierung des Mechanismus,” –.
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. Justification of the Regulative Maxim of Mechanism

concepts, the marks of which are not their causally simpler parts. Think
here of concepts that contain mainly or only observable or otherwise
perceptible marks, as does Linnaeus’s classification of plants according to
the number of stamens and pistils they possess.
But there is an answer to this objection. Kant’s vision of a comprehensive system of empirical concepts and cognition is not a characterization of
the system of concepts we in fact possess, nor of the world that these
concepts purport to describe. It is a regulative ideal. It is the directive
guiding the ongoing construction of the system of our empirical concepts
and cognition. Furthermore, even when Kant speaks of describing nature,
as I have been emphasizing, the ultimate end of any such description is
being causally informative and thus explanatory. Kant’s vision of a comprehensive system of empirical concepts is the regulative ideal of what he
calls in the Preface to the Metaphysical Foundations of Natural Science
rational science. It is the ideal of a causally explanatory comprehensive
system of cognition. Think here of progressing from Linnaeus’s descriptive
classification of plants, constructed for the purpose of identification, to a
causally informative evolutionary taxonomy reflecting the phylogeny of
organisms. This, indeed, is just the vision of Kant’s own evolutionary
speculation and Darwin’s historical achievement.
The claim that a principle is a regulative ideal is in some cases a vague
plea for leniency, reminding the reader that the principle is not asserting a
fact and thus might be entertained without worry. But insisting that Kant’s
conception of a causally informative comprehensive system of concepts is a
regulative ideal is nothing of the kind. Indeed, it sets science the most
demanding task of supplementing causally uninformative descriptions
with causally projectible concepts. As we saw in the discussion of
revisability above, in cases where the common sortal concepts we employ
do not track general causal properties, it directs science to discard and
replace them. Kant is not saying that the concepts we employ to talk about
objects and systems are all analyzable into their causal parts; he knows well
they are not. He is saying that they ought to be. This is the work
of science.
Several points are worth emphasizing in conclusion of this very long
section. I claimed that the assumption of the conceptual purposiveness of
nature and the commitment to parts-to-whole mechanistic-like analysis of

In Kant’s evolutionary speculation a “certain common schema” or “analogy of forms” – a visible
similarity between many genera – is the clue to tracing the “real kinship among them in their
generation from a common proto-mother” (KU :).
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
Discursivity and the Conceptual Purposiveness of Nature
our empirical concepts and, specifically, mechanistic explanation are two
sides of one coin and that both follow from our discursivity. But this is an
explanation of how the maxim of mechanism is grounded in the nature of
our cognitive capacities – just as Kant claims. This might partly explain
why Kant does not more explicitly and emphatically offer a defense of the
claim. It is because he sees it as the other side of the assumption of the
purposiveness of nature. And the fact that the maxim of mechanism is only
justified late in the Dialectic is in accord with the exegetical claim that the
antinomy arises while appealing to common understanding and is resolved
by gaining deeper insight into the way the maxims are grounded in the
peculiarity of our cognitive capacities. This point also allows us to recognize that there is some truth in the interpretation put forward by
McLaughlin: Initially, the maxim of mechanism is perhaps to be accepted
without argument as common sense.
The interpretation also allows us to explain what Kant might mean by
saying that the maxim of mechanism is provided “by the mere understanding a priori” (KU :). He cannot be talking about the category of
causality, for the passage in which this claim is found is concerned precisely
with distinguishing the maxims of the reflective power of judgment from
the “universal laws of material nature” (KU :). What Kant apparently
means is that the commitment to mechanistic causation and explanation is
how causality is specified at the empirical level for cognizers with a
discursive understanding. The maxim of mechanism is an a priori principle
of discursive understanding. And there is a further point to note about the
asymmetry between the two maxims of reflective judgment. As I claimed
above, mechanistic explanations are offered in the determinative mode,
and in this sense, mechanism is also a principle of the understanding. But
the assumption of the conceptual purposiveness of nature and the teleological judgment of organisms have no determinative counterpart. The
assumption of the purposiveness of nature is, as Kant says, a principle of
reason for the power of reflective judgment.
Finally, the discussion in this section built on the claim defended above
that the assumption of the conceptual purposiveness of nature is a transcendental condition of experience. Its discussion, thus, very neatly shows
that the different senses of mechanism Kant employs are indeed very
closely related. For the transcendental argument closes the gap between
the general conditions of experience and the determinative principal of
causality specifically, on the one hand, and, on the other hand, particular
empirical causal laws; and in doing so, the argument reveals why the
mechanistic model of explanation is a regulative ideal, to which we are
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. Conclusion

necessarily committed, and why the explanations science in fact offers are
mechanistic.
. Conclusion
In this chapter I presented the substantive core of the discussion of the
conceptual purposiveness of nature. I claimed that the discussion of
discursivity reveals both why empirical knowledge ideally takes the form
of a comprehensive taxonomy of concepts as well as why the assumption of
the conceptual purposiveness of nature is a transcendental condition of
experience. The discussion thus completes the task of the deduction of the
principle undertaken in the Introduction. The principal aim of the
Critique of Teleological Judgment is then to establish the transcendental
status of the principle of the conceptual purposiveness of nature.
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 
The Significance of Form and the Aesthetic
Purposiveness of Nature
.
Introduction
In Chapter , I claimed that the most difficult challenge any reading of the
Critique of the Aesthetic Power of Judgment faces is the question of its
relation to the problem of empirical experience and knowledge, which
Kant presents in the Introduction to the Critique of the Power of Judgment.
As we saw above, Kant claims in the Introduction that although the
Critique of Pure Reason accounts for the necessary conditions of experience
and knowledge in general, it is not a complete transcendental account of
the possibility of a particular empirical experience of objects and knowledge of empirical laws of nature. The forms of intuition and the pure
concepts and principles of the understanding are necessary but not sufficient transcendental conditions of empirical experience and knowledge.
They “yield such an interconnection among things with respect to their
genera, as things of nature in general, but not specifically, as such and such
particular beings in nature” (KU :; see also: KU :; EEKU
:–). To fill this gap the third Critique puts forward, as an
additional transcendental condition of empirical experience and
knowledge, “the principle of the purposiveness of nature in its multiplicity” (KU :).
In the previous chapter, I defended the claim that the principle of the
logical or conceptual purposiveness of nature is indeed a transcendental
condition of empirical experience and knowledge. This interpretation
raises a very serious exegetical difficulty. It seems to solve the problem of
the conditions of a particular empirical experience without drawing on the
Critique of Aesthetic Judgment. However, the principle of the purposiveness of nature is not the subject of the Introduction to the third Critique
and of the Critique of the Teleological Power of Judgment alone. As we
saw in Chapter , Kant introduces the problem of empirical knowledge in
Section IV of the published Introduction and introduces the principle of

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. Introduction

the purposiveness of nature as its solution in Section V. It is only in
Sections VII and VIII that he distinguishes the aesthetic from the logical or
conceptual aspect of the principle. This fact and others detailed in
Chapter  suggest that the analysis of aesthetic judgment is part of
Kant’s discussion of the purposiveness of nature and the transcendental
conditions of empirical experience.
What makes this exegetical problem especially interesting philosophically is the fact that the argument of the Critique of Teleological Judgment
might indeed be taken to answer alone the problem of empirical knowledge Kant poses. Philosophers, who share Kant’s view that we experience
the world through concepts or language, might find compelling the
argument that their view commits them to some sort of transcendental
assumption regarding the conceptual purposiveness of nature. However,
they would not thereby commit themselves to any corresponding
aesthetic condition of empirical experience. Indeed, the Appendix to the
Transcendental Dialectic of the first Critique seems to suggest that the
assumption of the systematic conceptual unity of nature is the single
missing transcendental condition of empirical experience. I will argue in
this chapter that a primary concern of the Critique of the Aesthetic Power
of Judgment is to present the aesthetic aspect of the principle of the
purposiveness of nature and explain the role aesthetic judgment plays in
empirical experience and knowledge.
Indeed, according to the interpretation I will present here, the two parts
of the third Critique – discussing, respectively, aesthetic and logicalconceptual purposiveness – correspond to the first Critique division of
the Transcendental Doctrine of Elements into the Transcendental
Aesthetic and the Transcendental Logic. Both are primarily concerned
with the transcendental conditions of experience: the first part of the third
Critique – with an aesthetic condition; the second – with a conceptual
condition. In other words, the first half of the third Critique is called the
Critique of the Aesthetic Power of Judgment not primarily because we are
dealing with the faculty of feeling pleasure but because it contends with the
spatial conditions of experience.
Other interpretations argue that aesthetic judgments are exercises of
reflective judgment and are, therefore, related to a capacity necessary for

In contrast, Guyer expressly dismisses the fact that Kant introduces the principle of aesthetic
judgment as the “Aesthetic Representation of the Purposiveness of Nature” (KU :). See Paul
Guyer, Kant and the Claims of Taste, second edition (Cambridge: Cambridge University Press,
), –.
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
Significance of Form & Aesthetic Purposiveness of Nature
empirical cognition. More specifically, they claim that aesthetic judgments
employ the same capacities necessary for the process of acquiring empirical
concepts described in the Introduction. In contrast, the interpretation
I will here defend allots the aesthetic power of judgment an actual role
in the mental process leading to empirical cognition – even though, as
Kant says perfectly clearly, a pure aesthetic judgment “is not grounded on
any available concept of the object and does not furnish one” (KU :).
As I have been emphasizing, one very important feature of the interpretation I will put forward in this chapter and in the book more generally is
that it takes the third Critique to be a single unified work: The
Introduction presents its principal questions; the body of the work mainly
presents answers to them.
It is worth saying at the outset of this chapter that although I think the
interpretation I will be putting forward has a substantial textual basis,
Kant’s view is not as clearly articulated as we would wish. Furthermore, it
is not nearly as well worked-out as it should be. I will try to be clear about
what I think is attributable to Kant and where I am filling in what his
account leaves either unarticulated or undeveloped. I nevertheless aim to
stay, in this chapter, relatively close to the text. As we will see in the
Conclusion, there may be good reasons to weaken considerably the claim
that pure aesthetic judgments play an actual role in the process leading to
cognition, while also drawing very valuable lessons from Kant’s view. But
this discussion I leave for the Conclusion, which aims to assess the
philosophical value of the position presented in the book and in this
chapter in particular.
. Preliminaries: The Four Moments of Pure Judgments of Taste;
Conceptual and Nonconceptual Readings
The Critique of Aesthetic Judgment is a maze of interpretative controversies. It is certainly not my intention to avoid all of them. But I would like
to limit the controversies in which I do entangle myself to a more or less
manageable number. In this section, consequently, I will offer only a very
brief introductory presentation of Kant’s analysis of pure judgments of
taste and their four moments, without tackling the many exegetical difficulties that his discussion raises. I will further survey, briefly, three interpretative approaches to the Analytic, specifically to the controversy over
the question of whether pure judgments of taste are nonconceptual or
involve concepts. The next sections will develop a nonconceptual reading
of pure judgments of taste and focus on the notions of the form of
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. Four Moments of Pure Judgments of Taste

beautiful natural objects, the cognitive significance of natural beauty and
the distinct normativity of pure judgments of taste.
..
The Four Moments of Pure Judgments of Taste
Kant’s analysis of pure judgments of taste in the Analytic of Aesthetic
Judgment is, of course, very well known. Organized according to the
fourfold division of the table of categories, Kant analyzes pure judgments
of taste into four very closely related moments. The first moment
announces that pure judgments of taste are not attributions of a property
or set of properties to an object. They report a distinct pleasurable feeling
experienced by a subject in view of an object. Kant describes this pleasurable feeling as an animated self-sustaining absorption in a representation
which he thinks of as the “feeling of life” (KU :; see also: KU :;
EEKU :–) and as the harmonious free play of the imagination
and the understanding (KU :–) or the feeling of their mutual
subjective correspondence or agreement (KU :, ). He emphatically claims that pure judgments of taste express no interest in the existence
of their object. He thereby underscores the claim that pure judgments of
taste are reports of an inner experience of a subject and not claims about an
object. He further establishes thereby that it is a pleasure different from
those of the practical faculty of desire – that is, pleasure in what is agreeable
and what we find good, whether prudentially or morally (KU
:–). As there are no other sorts of practical interest, aesthetic
pleasure must be “merely contemplative” (KU :; see also KU :)
and related to our theoretical capacities.
Kant concludes the discussion of the second moment of pure judgments
of taste with the following claim: “That is beautiful which pleases universally without a concept” (KU :). There are two important elements to
this assertion. First, although this is a hotly disputed matter, which we will
examine in the next subsection, Kant seems to say emphatically and often
that pure judgments of taste are not conceptually grounded. Moreover,


For a similar emphasis see Rachel Zuckert, Kant on Beauty and Biology: An Interpretation of the
“Critique of Judgment” (Cambridge: Cambridge University Press, ), –.
As we saw in Chapter , Section VI of the Introduction to the third Critique suggests that pure
aesthetic pleasure and the pleasure we experience in discovering the conceptual order of nature are
very closely allied and in an important sense of a kind; more on this below. See Section ..: The
Feeling of Pleasure and the Purposiveness of Nature (Introduction, Section VI). Cf., Ralf Meerbote,
“Reflection on Beauty,” in Essays in Kant’s Aesthetics, edited by Ted Cohen and Paul Guyer (Chicago:
The University of Chicago Press, ), –.
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
Significance of Form & Aesthetic Purposiveness of Nature
whatever conceptual grasp we have of objects, it is (so to speak) held in
abeyance when we judge purely aesthetically. In pure aesthetic judgments
we disregard what the object we are judging is or, as Kant later puts it,
“what sort of thing it is supposed to be” (KU :). It is thus not
important whether we know what the object we are judging is (presumably, we usually do), as this knowledge plays no role in pure judgments of
taste. Second, he explains at the beginning of the discussion that from the
disinterestedness of pure judgments of taste it follows that beauty is
represented as the object of universal satisfaction. The thinking here is
clear: As no subjective interests influence pure judgments of taste, the
mental faculties involved in such judgments are taken to operate in a
similar manner in all subjects. Nevertheless, and as we will see in what
follows, this line of thought poses an important constraint: pure judgments
of taste must not only involve mental faculties all subjects share but must
also be related to an actual mental function that can be taken to operate in
the same way in all subjects.
Thus judgments of taste are aesthetic and subjective, but their claim to
universal assent gives them the appearance of objective cognitive judgments. Judgments of taste “must be combined with a claim to subjective
universality” (KU :). That the working of the mind expressed in
pure judgments of taste is taken to be common to all subjects also
explains why their analysis might be of interest to transcendental philosophy (KU :).
The third moment reads: “Beauty is the form of the purposiveness of an
object, insofar as it is perceived in it without representation of an end.”
(KU :). What was earlier described as a feeling of harmony between
the faculties of imagination and understanding is here described as the
feeling that a manifold apprehended in intuition is purposive for the
understanding. Although our conceptual grasp of objects is set aside or
held in abeyance in pure judgments of taste, their object is felt to be fit for
cognition. The apprehended representation carries, we might say, a promise of meaningfulness: concepts can be found for it.

Cohen perceptively notes that Kant addresses the possibility of knowing but disregarding what the
object is already in the first section of the Analytic: “even if the given representations were to be
rational but related in a judgment solely to the subject (its feeling), then they are to that extent always
aesthetic” (KU :). Alix Cohen, “Kant on Beauty and Cognition: The Aesthetic Dimension of
Cognition,” in Thinking about Science and Reflecting on Art: Bringing Aesthetics and the Philosophy of
Science Together, edited by Otávio Bueno, George Darby, Steven French and Dean Rickles (London:
Routledge, ), –. The point is clear in Kant’s remark about the botanist who “knows
what sort of thing a flower is supposed to be” but “pays no attention [nimmt . . . keine Rücksicht] to
this natural end if he judges the flower by means of taste” (KU :).
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. Four Moments of Pure Judgments of Taste

What precisely Kant means here by form is by no means a matter of
general agreement. It will be a central claim of the interpretation I will
present in this chapter that Kant is speaking simply of the spatial shape of
an apprehended manifold. Indeed, as Section VIII of the Introduction
suggests and as Kant says very clearly in the second part of the third
Critique, beauty in nature is “ascribed to objects only in relation to
reflection on their outer intuition, thus only to the form of the surface”
(KU :). Pure aesthetic judgments then express the feeling that a
spatial form apprehended in intuition is cognitively purposive.
Finally, the fourth moment focuses on the distinct modality of pure
aesthetic judgments. Though they are subjective and there are no objective
arguments regarding them, we nevertheless feel others ought to agree with
us: “whoever declares something to be beautiful wishes that everyone
should approve of the object in question and similarly declare it to be
beautiful” (KU :), or, as Kant also puts the point, one “solicits assent
from everyone” (KU :).
..
Pure Judgments of Taste: Conceptual or Nonconceptual?
There is considerable disagreement about the nature of the mental interaction that occasions pure aesthetic pleasure. Kant says that we feel this
distinct pleasure when our understanding and imagination are in a state of
harmonious free play and self-sustaining animation. But what precisely is
this state? Most readers, it seems, understand Kant to be saying that it is a
feeling of a harmony or fit between the understanding and the imagination, although no concept is employed by the understanding, which the
apprehended manifold in intuition might be said to fit. It is sometimes
characterized further as a precognitive state in which all the conditions
necessary for cognition are met, except for the actual subsumption of a
sensible manifold under a concept. Other readers take Kant to be claiming

I have slightly amended the translation. Kant speaks in the singular: “der Form der Oberfläche.” The
emphasis on spatial shape is also particularly clear where Kant contrasts aesthetic pleasure with the
pleasure we find in the usefulness of a spatial shape for calculating a geometrical area. In such cases,
he says, “the satisfaction does not rest immediately on the view of the shape” (KU :) – clearly
suggesting that the satisfaction in aesthetic pleasure does rest immediately on the spatial shape. In
discussing the intellectual interest in the beauty of nature, in which “not only the form of its product
but also its existence pleases,” he speaks clearly of the “beautiful shape [Gestalt] of a wildflower, a
bird, an insect, etc.” (KU :).

A few examples reveal that pure aesthetic pleasure is sometimes occasioned by spatiotemporal form.
I will discuss these examples separately below and explain why they appear not to be of importance
for the cognitive task of the delineation and sorting of objects, as Kant conceives of it. See Section
..: Spatiotemporal Forms, Pure Tones and Colors.
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
Significance of Form & Aesthetic Purposiveness of Nature
that aesthetic pleasure in natural objects is a state in which the understanding surveys a sensible manifold under a variety of concepts that might
be applied to it, without determining the manifold by means of any of
these particular concepts. The understanding proposes, so to speak, a
variety of ways to conceive of a sensible manifold, but it does not fix on
any one way. A third approach suggests that in aesthetic judgments an
object is determined by the concepts required to identify it as the kind of
thing it is, yet we feel that it offers more unity or coherence than the
application of these concepts demands. It is this special gratuitous unity
that is the cause of aesthetic pleasure.
The latter two interpretations, however, find but scant support in Kant’s
text. Indeed, the latter so-called metacognitive reading seems to find no
texts that expressly support it. The second, so-called multicognitive
interpretation seems to depend on but a few ambiguous claims. Kant does
say that in judgments of taste the apprehension of the form of a given
object “agrees with the presentation of a concept of the understanding
(though which concept be undetermined)” (EEKU :–). This
might perhaps be read as the claim that concepts play a part in this
interaction, though not determinatively. But the passage does not expressly

Seel claims that in aesthetic judgments the transition from a form produced by the imagination to a concept
of the understanding is repeated without subsuming and thus fixing the form in imagination. Gerhard Seel,
“Über den Grund der Lust an schönen Gegenständen. Kritische Fragen an die Ästhetik Kants,” in Kant:
Analysen, Probleme, Kritik, Band III, edited by Hariolf Oberer and Gerhard Seel (Würzberg: Königshausen
& Neumann, ), –. Rush claims that in aesthetic judgment we perceive a “manifold as having
one among many potential possible characters. That is, it is a state in which it is implicitly registered that
what is perceived is one way, but that does not foreclose, and indeed it rests upon, other ways it might be
subject to synthesis.” Fred L. Rush, Jr., “The Harmony of the Faculties,” Kant-Studien  (): .
According to Friedlander, aesthetic judgments take note of the kind of object upon which we are reflecting.
They take place in “the space of meaning opened by the subject in being responsive to the object. Though
such responsiveness implies a devotion to the details of the experience, opening this space of meaning must
be distinguished from ascertaining the actual properties of the object under consideration.” Eli Friedlander,
“Meaning and Aesthetic Judgment in Kant,” Philosophical Topics  (): –.

For a helpful overview and criticism of the former two approaches, which he calls the precognitive
and multicognitive readings, and a presentation of the third, metacognitive interpretation see Paul
Guyer, “The Harmony of the Faculties Revisited,” in Aesthetics and Cognition in Kant’s Critical
Philosophy, edited by Rebecca Kukla (Cambridge: Cambridge University Press, ), –. It
bears emphasizing that in contrast to the former view Guyer does not understand the reponse to
unity or coherence “to consist in a play among alternative cognitions or conceptualizations of the
object.” Guyer, “The Harmony of the Faculties Revisited,” .

This is acknowledged by Guyer. See Guyer, “The Harmony of the Faculties Revisited,” .

There are several other similarly ambiguous formulations: “The satisfaction in the beautiful must depend
upon reflection on an object that leads to some sort of concept (it is indeterminate which)” (KU :);
the “powers of the cognition that are set into play by this representation are hereby in a free play, since no
determinate concept restricts them to a particular rule of cognition” (KU :); the interaction of our
faculties in aesthetic judgment is purposive “with regard to cognition in general, but without being
restricted to a particular cognition” (KU :); see also EEKU :.
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. Four Moments of Pure Judgments of Taste

assert that a variety of concepts is found to fit an object and that we take
aesthetic pleasure in freely flitting between these possibilities. It can surely
be read differently. More importantly, both these readings contradict an
explicit and indeed central Kantian claim – namely, the second moment of
pure judgments of taste: “That is beautiful which pleases universally
without a concept” (KU :). Indeed, this claim is made so often in
the Critique of the Aesthetic Power of Judgment that it is hardly necessary
to offer detailed textual support for it. It is a cornerstone of Kant’s
conception of pure judgments of taste.
From the perspective that I have been emphasizing, there is also a
glaring and very significant problem with the first, nonconceptual or
precognitive interpretation – as it presently stands: It offers no account of
how aesthetic judgment might be part of Kant’s account of the conditions
of empirical knowledge. Put in the terms Kant’s readers sometimes
employ, it just isn’t clear what it might mean to say that all the conditions
necessary for cognition are met except for the actual subsumption of a
sensible manifold under a concept. What are these conditions? Why posit
their existence? Indeed, it is precisely the fact that aesthetic judgments are
neither grounded in concepts nor do they furnish concepts that seems to
imply that their analysis can have no bearing on the question of empirical
experience. Aesthetic pleasure involves the same faculties that take part in
cognitive judgments – namely, the understanding and the imagination, as
well as what is described as an accord or fit between them. But according
to the extant precognitive views, aesthetic judgment does not reveal a
necessary condition of experience. Contradicting the presentation of the
Introduction to the third Critique, the analysis of aesthetic judgment is not
a part of Kant’s transcendental project. We seem to be facing a dilemma:

One reason why readers might want to defend the multicognitive view is to allow the Analytic of the
Beautiful to apply to the sort of aesthetic pleasure we take in works of fine art. And Guyer explicitly
asserts that “only the metacognitive interpretation of the harmony of the faculties can make sense
without paradox of Kant’s recognition of adherent beauty and artistic beauty” as involving concepts.
Guyer, “The Harmony of the Faculties Revisited,” .
It is my view that pure judgments of taste principally apply to natural objects and that their
analysis is the main concern of the Analytic of the Beautiful. I also think that the notion of adherent
beauty is introduced in order to explain the beauty of functional objects and most works of fine art.
I don’t think the four moments of the Analytic apply straightforwardly to works of art. For
discussion see: Aviv Reiter and Ido Geiger, “Kant on Form, Function and Decoration,”
Proceedings of the European Society of Aesthetics  (): –; Aviv Reiter and Ido Geiger,
“Natural Beauty, Fine Art and the Relation between Them,” Kant-Studien  (): –.

For the heterodox view that aesthetic pleasure can enhance cognition see Cohen, “Kant on Beauty
and Cognition,” –. Cohen’s account is very different from mine and seems not to be
concerned with the very conditions of experience and knowledge.
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Significance of Form & Aesthetic Purposiveness of Nature
Aesthetic judgment is nonconceptual; and yet experience for Kant is
necessarily conceptual, for “intuitions without concepts are blind”
(A/B). How then can aesthetic judgment be a condition of empirical
experience?
I will return to this pivotal question shortly and argue that aesthetic
judgment is indeed nonconceptual and, nevertheless, a condition of
empirical experience.
. Beautiful Forms: Natural Objects; Natural Kinds
In this section I aim to defend two important claims, the second of which
is a specification of the first: () the object of pure judgments of taste is the
spatial form of an object, typically the form of a natural object; and ()
these beautiful natural forms are the characteristic forms of natural kinds.
The first claim is not uncontroversial, although quite a few readers endorse
it. I expect the second to meet with great resistance. Nevertheless,
I believe it is Kant’s view and the key to solving the great puzzle of the

For a comparable formulation of the problem see Dieter Henrich, “Kant’s Explanation of Aesthetic
Judgment,” in Aesthetic Judgment and the Moral Image of the World: Studies in Kant (Stanford, CA:
Stanford University Press, ), –. Henrich holds that what aesthetic judgments respond to is
the “unity and the precision of the arrangement of a perceived manifold in space and time” and what
makes perceiving these forms a source of pleasure is the fact that they fit the “conditions of a
possible conceptualization in general.” Henrich, “Kant’s Explanation of Aesthetic Judgment,”, .
What these general conditions are Henrich does not say. Indeed, he does not explain why we should
think that there are such conditions, which, he makes clear, are less general than the categories and
more general than the conditions of employing particular empirical concepts. It bears emphasizing
that they clearly are not actively conditions of cognition. Positing such conditions thus enables
Henrich to explain the close relation of aesthetic judgment to cognition, without making them
conditions of cognition. For comparable criticism see Hannah Ginsborg, “Lawfulness without a
Law: Kant on the Free Play of Imagination and Understanding,” in The Normativity of Nature
(Oxford: Oxford University Press, ), .

For the claim that form means spatial or spatiotemporal form see, among others: Walter Biemel,
Die Bedeutung von Kants Begründung der Ästhetik für die Philosophie der Kunst (Köln: Kölner
Universitäts-Verlag, ), –; D. W. Gotshalk, “Form and Expression in Kant’s Aesthetics,”
British Journal of Aesthetics  (): ; Theodore E. Uehling Jr., The Notion of Form in Kant’s
“Critique of Aesthetic Judgment” (The Hague: Mouton, ), –; Mark L. Johnson, “Kant’s
Unified Theory of Beauty,” Journal of Aesthetics and Art Criticism  (): –; Ruth
Lorand, “Free and Dependent Beauty: A Puzzling Issue,” British Journal of Aesthetics  (): ;
Klaus Düsing, “Beauty as the Transition from Nature to Freedom in Kant’s ‘Critique of
Judgement’,” Noûs  (): ; Robert Wicks, “Dependent Beauty as the Appreciation of
Teleological Style,” Journal of Aesthetics and Art Criticism  (): , ; Robert Hanna,
“Kant and Nonconceptual Content,” European Journal of Philosophy  (): , note ; Ido
Geiger, “Transcendental Idealism in the Third Critique,” in Kant’s Idealism: New Interpretations of a
Controversial Doctrine, edited by Dennis Schulting and Jacco Verburgt (Dordrecht: Springer, ),
–; Aviv Reiter and Ido Geiger, “Natural Beauty, Fine Art and the Relation between Them,”
–; Aviv Reiter, “Kant on the Aesthetic Ideas of Beautiful Nature,” British Journal of Aesthetics
 (): –.
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. Beautiful Forms: Natural Objects; Natural Kinds

role played by the analysis of pure judgments of taste in his account of the
transcendental conditions of empirical experience and knowledge. Briefly
stated: The pleasure evoked by a spatial form underwrites the nonconceptual
delineation of a natural object from the manifold of intuition; and these
natural forms allow for a first non-conceptual sorting of natural objects, which
underwrites our conceptual grasp of natural kinds. It would be far more
accurate to speak of proto-objects and proto-kinds to emphasize the fact
that what I am referring to as objects and kinds are not subsumed under
concepts. I will nevertheless speak of objects and kinds, simply for the sake
of convenience.
By speaking of natural kinds I mean initially things that are visibly
similar, but also reveal upon examination similarities that are not immediately visible, specifically things that alike obey characteristic laws of
nature. The members of these groups are alike in such processes as
formation, growth, reproduction or motion-pattern and many others.
More generally, in similar circumstances they behave or react in a similar
manner. In other words, I mean things that are causally alike, but also look
alike – specifically, alike in their spatial form. The guiding idea I am
attributing to Kant then is that our pleasurable response to certain spatial
forms of natural objects affords a first glimpse of where the causal joints of
nature are located. Similarity in spatial form is our first clue where a natural
kind is to be found.
One reason for using the term “natural kind” is textual. We are
discussing the investigation of the empirical order of nature; and Kant
typically speaks of the natural order in terms of a comprehensive hierarchical taxonomy. Furthermore and as we will see in what follows, he speaks
explicitly of natural species. Not surprisingly, his paradigmatic examples
are biological species such as plant and animal kinds, although as we will
see he also gives noteworthy examples of mineral kinds. Talk of natural
kinds obviously suggests to contemporary readers an essentialist stance
Fricke acknowledges that Kant suggests this understanding, but she claims that the form of
purposiveness must refer to conceptual form. Christel Fricke, “Kants Theorie der schönen Form,”
in Akten des Siebenten Internationalen Kant-Kongresses, II.., edited by Gerhard Funke (Bonn:
Bouvier, ), –. Allison, too, acknowledges that some passages clearly suggest this
understanding but thinks they are exceptions and that this conception is not required even where
Kant thinks it is. Henry E. Allison, Kant’s Theory of Taste: A Reading of the “Critique of Aesthetic
Judgment” (Cambridge: Cambridge University Press, ), , –. See also: John
H. Zammito, The Genesis of Kant’s “Critique of Judgment” (Chicago: The University of Chicago
Press, ), –; Zuckert, Kant on Beauty and Biology, –, –.
For further discussion of what he thinks of as the formalist strand in Kant’s thought and the
tension in which it stands to the doctrine of the harmony of the faculties see Guyer, Kant and the
Claims of Taste, –.
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
Significance of Form & Aesthetic Purposiveness of Nature
toward the empirical world and its scientific inquiry. But this is a welcome
connotation, for, as I have already emphasized more than once, Kant is
concerned with discovering the objective order of nature. He is committed
to a necessitation account of kinds, or, as some readers emphasize, of
natures, or real essences. We also know what, for Kant, belonging to a
natural kind must properly consist in. It is simply obeying the same causal
laws or possessing the same causal powers.
My initial brief explication of the connection between natural beauty
and the empirical order of nature obviously raises many exegetical questions and suggests a variety of objections. In the last subsection of this
section I will qualify my preliminary claims in more than one way. Some of
these qualifications will help offer a more precise understanding of what for
now, for the sake of simplicity, I am referring to as natural kinds. One
problem, however, is particularly glaring and worth underscoring here. It is
the obviously problematic association of the visible property of spatial form
with the causal properties properly definitive of a kind. I will say something about this problem, too, in the final subsection of the section. It will
be a recurring theme at various points in this chapter and will be discussed
at greater length in the Conclusion. It is, though, worth remarking already
here that it is an instance of the tension, discussed in previous chapters,
between the description of nature and the goal of revealing explanatory
causal laws.
..
The Beauty of Natural Objects
In Chapter , I claimed that Section VII of the Introduction, charged with
presenting the notion of the aesthetic purposiveness of nature, reveals that
the object of pure judgments of taste is the spatial shape of objects. To
recapitulate the main pertinent claims of the discussion: () It makes good
sense to take the “quality of the space” (KU :) in which we intuit
objects of outer sense to refer to their spatial form, because such spatial
outlines are a subjective aspect of their representation; this also allows us to
distinguish two senses of subjectivity: the spatial form of an object and the
pleasure this form evokes. () Space is the subjective a priori form of outer
intuition, but it is nevertheless an element in the objective cognition of
things that exist in space; it thus makes sense of the claims that the object
of pure aesthetic judgments “precedes the cognition of an object” and is

See Chapter , Section ..: The Aesthetic Representation of the Purposiveness of Nature
(Introduction, Section VII).
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. Beautiful Forms: Natural Objects; Natural Kinds

“immediately connected with it” (KU :) and that aesthetic pleasure is
“the effect of some cognition or other” (KU :). () Kant appears to
draw an exhaustive distinction regarding the representation of objects of
experience between “the material (the real) in them” and space as “the
mere a priori form of the possibility of their intuition” (KU :). ()
This understanding makes good sense of the emphasis on the role of
intuition and imagination in aesthetic pleasure as well as of speaking of
the mere apprehension of the form of an object (more on apprehension
later) and the key emphasis on the nonconceptual nature of aesthetic
pleasure. I have already quoted above, moreover, Kant’s very clear statement in the Critique of Teleological Judgment: “Beauty in nature . . . is
ascribed to objects only in relation to reflection on their outer intuition,
thus only to the form of the surface” (KU :).
It might be thought surprising that Kant does not discuss the matter at
or close to the beginning of his analysis of pure judgments of taste. I don’t
think it is. There are indeed two reasons for this merely apparent neglect.
First, as I have just claimed, Kant takes himself to have stated clearly that
spatial forms are the objects of pure judgments of taste in Section VII of
the Introduction. Indeed, the fact that he doesn’t offer such an explication
in the opening sections of the Analytic of the Beautiful can be taken to
support this claim. Second, the view that the spatial shape characteristic of
natural kinds is the proper object of the beauty we find in nature is a very
prevalent view. I will return to this very important point below.
After the Introduction, the next clear supports for the sense of the term
“form” are found in the third moment of the Analytic. It is telling that the
discussions do not introduce a new claim. They occur where Kant is
contending with competing accounts of beauty. (I will discuss the second
of these in the next subsection.) In §§–, Kant claims that pure
judgments of taste are independent of charm and emotion and illustrates
his claim. He responds, more specifically, to the opinion that the beauty of
an object can be heightened by charm. In responding, he turns to products
of art, presumably because in these cases charm is added to and so can be
clearly distinguished from form.
In painting and sculpture, indeed in all the pictorial arts, in architecture and
horticulture, insofar as they are fine arts, the drawing is what is essential, in
which what constitutes the ground of all arrangements for taste is not what
gratifies in sensation but merely what pleases through its form. The colors
that illuminate the outline [Abriß] belong to charm; they can of course
enliven the object in itself for sensation, but they cannot make it worthy of
being intuited and beautiful, rather, they are often even considerably
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
Significance of Form & Aesthetic Purposiveness of Nature
restricted by what is required by beautiful form, and even where charm is
permitted it is ennobled only through the former. (KU :)
Clearly, though, drawing is employed to present the three-dimensional
form or outline (as Kant says) of objects. Kant goes on to speak of the
shape (Gestalt) of objects and says emphatically that drawing is “the proper
object of the pure judgment of taste” (KU :). It is important to see
clearly that although Kant is illustrating his point through works of fine
art, he is not concerned here with judgments of the beauty of such works,
which is adherent or concept-dependent rather than free or nonconceptual
(more on this below), but with the forms presented in or by such works. It
bears saying that understanding form to mean the spatial contour of
objects has the virtue of being both a predominant Kantian usage as well
as a clearly defined sense of the term.
Further evidence that Kant is targeting spatial form appears in contexts
which reveal that he typically and paradigmatically has the spatial form of
natural kinds in mind. The next subsection presents these discussions.
.. The Beauty of Natural Kinds
I believe that the exegetical key to understanding the role pure judgments
of beauty play in cognition is to see that the beautiful form of objects
typically and paradigmatically refers to the shapes characteristic of natural
kinds. By saying that the objects of pure judgments of taste are paradigmatically the forms of natural kinds, I mean to be claiming that this is the
reason Kant investigates pure judgments of taste. They are the connection
to the transcendental question of the conditions of a particular empirical
experience of nature.
The first thing to note when examining the Critique of Aesthetic
Judgment to shore up the connection between pure aesthetic judgments
and natural kinds is just how many of Kant’s examples support it. What
I am calling natural kinds are by far the most common examples of objects
of pure judgments of taste. Kant’s most prevalent examples of such objects
are flowers and other biological kinds. His specific examples include the
rose (KU :) and the tulip (KU : note); he speaks of wildflowers
(KU :) and most often of flowers in general (KU :, , ,
, ). Indeed, some of these loci seem all but explicitly to claim that all

I am here setting aside the arts that present a play of shapes (mime, dance), which obviously require
the presentation of shape, as well as those that present a play of sensations in time (music).
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. Beautiful Forms: Natural Objects; Natural Kinds

flowers are beautiful. “Flowers,” Kant says, “are free natural beauties” (KU
:), and he continues to say that the botanist – who can presumably
classify most any flower – does not attend to their attributes in judging
flowers aesthetically. Animal kinds are also very common examples:
“Many birds (the parrot, the hummingbird, the bird of paradise) and a
host of marine crustaceans are beauties in themselves” (KU :); but he
also speaks, generally again, of a bird or insect as beautiful (KU :) as
well as of seashells (KU :).
It cannot be stressed enough that although Kant lays great emphasis on
the fact that judgments of taste are singular, he nevertheless selfconsciously employs general terms to present his examples. To put the
same point differently and perhaps provocatively, Kant’s text contains no
examples of objects of pure judgments of taste; strictly speaking, all his
examples are what he refers to as aesthetically grounded logical judgments,
that is, pure aesthetic judgments that have been transformed through
comparison into concepts:
In regard to logical quantity all judgments of taste are singular judgments.
For since I must immediately hold the object up to my feeling of pleasure
and displeasure, and yet not through concepts, it cannot have the quantity
of an objectively generally valid judgment, although if the singular representation of the object of the judgment of taste in accordance with the
conditions that determine the latter is transformed into a concept through
comparison, then a logically universal judgment can arise from it: e.g., by
means of a judgment of taste I declare the rose that I am gazing at to be
beautiful. By contrast, the judgment that arises from the comparison of
many singular ones, that roses in general are beautiful, is no longer pronounced merely as an aesthetic judgment, but as an aesthetically grounded
logical judgment. (KU :; see also KU :)
None of Kant’s examples in the text resemble “the rose that I am gazing
at.” They all arise from “the comparison of many singular ones.” The
object of comparison, I am claiming, is their spatial form. Kant is then
saying that each ordinary or typical specimen of the general kinds he mentions
is singly beautiful.
In two striking and often overlooked discussions, Kant says quite clearly
that typically the object of pure judgments of taste is the characteristic
shape of natural kinds. The context of the first of these is somewhat
complex to unravel; the second is located at the very end of the Critique


In the Metaphysics of Morals, he speaks broadly of “the indescribable beauty of plants” (MS :).
In the deduction of pure aesthetic judgments, Kant employs the singular demonstrative adjective:
“This flower is beautiful” (KU :).
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Significance of Form & Aesthetic Purposiveness of Nature
of Aesthetic Judgment and perhaps for this reason has drawn relatively
little attention.
The second of these discussions is found in §. Its task is to argue that
the purposiveness of the beautiful objects of nature is not to be ascribed to
a real, that is, intentional, end of nature, but is a regulative ideal directing
our minds. More importantly for our present concern, Kant also says in
this passage, all but explicitly, that natural kinds quite generally are beautiful
in form. He begins by pointing to the beauty of the “flowers, the blossoms,
indeed the shape of whole plants; the delicacy of animal formations of all
sorts of species” and to the beauty of pheasants, crustaceans, insects “right
down to the commonest flowers” (KU :). He then moves on to
discuss inorganic matter. Here he does not merely mention striking
examples of the beauty of solids that have crystallized – for example,
freezing water, lead sulfide, ferric oxide, calcium carbonate and crystals
found in geodes (KU :–). Significantly, he claims that solids
generally assume “upon solidification a determinate shape or fabric (figure
or texture) [Gestalt oder Gewebe (Figur oder Textur)] which, where there is a
specific difference in the matter, is different, but if the matter is the same is
exactly the same” (KU :). Responding to the objection that the beauty
of such solids is not in all cases externally apprehensible, he claims that
“internally all materials that were fluid only because of heat and which
through cooling have become solid reveal, when broken, a determinate
texture, and thus make it possible to judge that if their own weight or
contact with air had not prevented it, they would also have displayed their
specifically proper shape [spezifisch eigentümliche Gestalt] externally” (KU
:); and he asserts that the difference between the forms of snowflakes
depends on “the difference of the particular mixture of air” (KU :).
Kant is clearly proclaiming that all inorganic solid kinds have a “specifically
proper shape.” The beautiful forms of the organic world, animal and

For detailed discussion of the former passages and their central importance for Kant’s theories of the
beauty of functional objects and fine art see: Reiter and Geiger, “Kant on Form, Function and
Decoration,” –; Reiter and Geiger, “Natural Beauty, Fine Art and the Relation between
Them,” –; Reiter, “Kant on the Aesthetic Ideas of Beautiful Nature.” For an important
discussion of the latter passages see Reinhard Brandt, “Die Schönheit der Kristalle und das Spiel der
Erkenntniskräfte,” in Autographen, Dokumente und Berichte: zu Edition, Amtsgeschäften und Werk
Immanuel Kants, edited by Reinhard Brandt and Werner Stark (Hamburg: Felix Meiner Verlag,
), –. See note .

In the Metaphysics of Morals, he speaks generally of “beautiful crystal formations” (MS :).
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. Beautiful Forms: Natural Objects; Natural Kinds

vegetable, as well as the forms of solid matter, suggest how the kingdom of
nature might be cut at the joints.
The first discussion is found in the third moment of the Analytic. It is
even more explicit about the relation between the typical shape of natural
species and pure judgments of taste. Furthermore, it contains a most
important reference to the cognitive role of pure judgments of taste, which
is the topic of the next section.
Just as §§–, discussed above, claim that pure judgments of taste are
independent of charm and emotion, § claims that such judgments are
independent of perfection. The central claim is clear: To say of something that it is perfect is to say that it possesses inner objective purposiveness, and such purposiveness can only be cognized through concepts –
thus contradicting the second moment of the analysis of pure judgments of
taste; put simply, to say of something that it is perfect requires knowing
“what sort of thing it is supposed to be” (KU :).
So much is clear; §§– then offer a significant concession to the
aesthetics of perfection. There are indeed judgments of beauty that presuppose concepts and so notions of perfection. Pure judgments of taste are
indeed nonconceptual; adherent judgments of taste presuppose concepts.
But the beauty of a human being (and in this species that of a man, a
woman, or a child), the beauty of a horse, of a building (such as a church, a
palace, an arsenal, or a garden-house) presuppose a concept of the end that
determines what the thing should be, hence a concept of its perfection, and
is thus merely adherent beauty. (KU :)
More specifically, the problem is that of the beauty of artifacts: ()
functional objects designed to serve a determinate end, such as a functional
building or the horse as an animal bred to fulfill certain human functions;
() works of fine art, created to express sensibly ideas of reason, and
specifically works created to express the ideal of beauty, that is, the “visible

For our purposes, it is particularly important to note Brandt’s view of natural beauty as holding the
promise of conceptual order. The beauty of crystals is especially significant, he stresses, because it
reveals that the promise is not limited to the organic but extends to blind mechanical nature.
Brandt, “Die Schönheit der Kristalle und das Spiel der Erkenntniskräfte,” –.

Kant is clearly responding in these sections to competing analyses of beauty: “And yet charms are
not only often included with beauty . . . but are even passed off as beauties in themselves” (KU
:); “Now here there may arise many objections, pretending that charm is not merely a
necessary ingredient of beauty, but even entirely sufficient by itself to be called beautiful” (KU
:); “As for the opinion that the beauty that is attributed to the object on account of its form
may well be heightened by charm, this is a common error” (KU :); “an objective inner
purposiveness, i.e., perfection, already comes closer to the predicate of beauty, and has therefore
been held to be identical with beauty even by philosophers of repute, though with the proviso if it is
thought confusedly” (KU :). See also KU :.
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
Significance of Form & Aesthetic Purposiveness of Nature
expression of moral ideas, which inwardly govern human beings” (KU
:). Such works of fine art depict the human figure and visage and
through them sensibly represent the rational idea of humanity and its
moral vocation.
But there are two elements involved here: first, the aesthetic normal idea,
which is an individual intuition (of the imagination) that represents
the standard for judging it as a thing belonging to a particular species of
animal; second, the idea of reason, which makes the ends of humanity
insofar as they cannot be sensibly represented into the principle for the
judging of its figure, through which, as their effect in appearance, the
former are revealed. (KU :)
The aesthetic normal idea of a species is the standard or characteristic
spatial shape of its members. It is the shape we would get if we were “to
superimpose one image on another and by means of the congruence of
several of the same kind to arrive at a mean that can serve them all as a
common measure. . . . One could get the same result mechanically if one
measured all thousand men, added up their heights, widths (and girths)
and then divided the sum by a thousand” (KU :). The average spatial
shape of a thousand men is the “stature for a beautiful man” (KU :).
The discussion strongly suggests that species quite generally have such
normal ideas. In pure judgments of taste, I am claiming, we typically and
paradigmatically respond to spatial forms, the archetype of which is an
aesthetic normal idea of a species.
The normal idea . . . is the image for the whole species, hovering among all
the particular variously diverging intuitions of the individuals, which nature
used as the archetype underlying her productions in the same species, but
does not seem to have fully achieved in any individual. (KU :–)

Obviously, the beauty of a human being need not appear in works of fine art. But Kant is
apparently thinking of artistic representations of such beauty. His focus is exemplary products of
taste (KU :).

For detailed discussion of this passage and its significance for Kant’s theory of fine art see Ido
Geiger, “Kant on Aesthetic Ideas, Rational Ideas and the Subject-Matter of Art”, Journal of
Aesthetics and Art Criticism  (): –.

Daston and Gallison elaborate in detail and carefully document the striving to present archetypal
images representative of natural kinds in the eighteenth century. For their discussion of the
scientific and aesthetic ideal of “truth-to-nature” and its importance for the illustrations of the
atlases of the observational sciences, see Lorraine Daston and Peter Gallison, Objectivity (New York:
Zone Books, ), –. I quote one passage only from this chapter:
The naturalists and illustrators of the eighteenth and early nineteenth centuries were not,
however, self-deceived or hypocritical, preaching fidelity to nature while practicing manipulation in the service of preconceived notions. They deemed the crafting – they would have
called it “perfecting” – of images to be their scientific duty rather than a guilty distortion,
and they practiced it openly. The nature they sought to portray was not always visible to the
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. Beautiful Forms: Natural Objects; Natural Kinds

By saying that in pure judgments of taste we typically respond to spatial
forms, the archetype of which is an aesthetic normal idea of a species,
I don’t mean that we respond to them as (approximations of ) normal
ideas. This would make the judgment conceptual. What we respond to are
“particular intuitions of individuals.” It is Kant’s analysis that asserts that
hovering among them and expressed by them is the normal idea of the
species to which they belong.
Indeed, it is precisely the claim that the typical object of pure judgments
of taste are spatial forms – the archetype of which is an aesthetic normal
idea of a species – that enables us to explain how Kant can say later in the
text that natural beauty is nonconceptual but, nevertheless, the expression
of aesthetic ideas:
Beauty (whether it be beauty of nature or of art) can in general be called the
expression of aesthetic ideas: only in beautiful art this idea must be occasioned by a concept of the object, but in beautiful nature the mere
reflection on a given intuition, without a concept of what the object ought
to be, is sufficient for arousing and communicating the idea of which that
object is considered as the expression. (KU :)
The normal idea of a species is an aesthetic idea that is not “occasioned by
a concept.” It is aroused and communicated by “mere reflection on a given
intuition, without a concept of what the object ought to be.”
eye, and almost never to be discovered in the individual specimen. In their opinion, only lax
naturalists permitted their artists to draw exactly what they saw. Seeing was an act as much
of integrative memory and discernment as of immediate perception; an image was as much
an emblem of a whole class of objects as a portrait of any one of them. Seeing – and, above
all, drawing – was simultaneously an act of aesthetic appreciation, selection, and accentuation. These images were made to serve the ideal of truth – and often beauty along with
truth – not that of objectivity, which did not yet exist. (Daston and Gallison, Objectivity,
.)

This is not to deny that painters and their audiences can knowingly consult the normal idea of a
species and ask whether an individual is correctly depicted. But Kant says that in such contexts the
drawing “does not please because of beauty, but merely because it does not contradict any condition
under which alone a thing of this species can be beautiful” (KU :). What would make it
beautiful, of course, is if it contributed to the successful depiction of a rational idea – the second
element in the quote above (see KU :).

Cf. Andrew Chignell, “Kant on the Normativity of Taste: The Role of Aesthetic Ideas,” Australasian
Journal of Philosophy  (): –. For a detailed discussion of aesthetic ideas that reads
them all as counterparts of ideas of reason, see Rudolf Lüthe, “Kants Lehre von den ästhetischen
Ideen,” Kant-Studien  (): –. For an authoritative and historically informed account of
the notion of aesthetic ideas of beautiful nature, see Reiter, “Kant on the Aesthetic Ideas of Beautiful
Nature,” British Journal of Aesthetics  (): –.
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Significance of Form & Aesthetic Purposiveness of Nature
It will prove of the greatest importance for our concerns that Kant
suggests in his discussion that the capacity to form in mind such normal
ideas of species precedes and indeed makes possible our conceptual grasp
of these species. I will return to this very important point in the
next section.
Obviously, a lot more needs to be said about the role of pure aesthetic
judgments in Kant’s theory of cognition. I will return to this central
question in the next section. Before doing so, I would like to address three
issues: () I will relate our discussion to the important notion of empirical
schemata; () I will offer one more, very important piece of evidence that
Kant is analyzing our response to the shape of natural kinds; and () I will
address objections to the claims made in this section; this will lead to
several significant qualifications and refinements of the claim that in pure
judgments of taste we respond to the characteristic forms of natural kinds.
.. The Forms of Natural Kind as Empirical Schemata
In the Appendix to the Transcendental Dialectic of the first Critique, Kant
is undecided whether the argument he presents qualifies as a transcendental deduction of the principle of the systematic conceptual unity of nature.
His qualms appear to stem from the fact that he cannot directly relate the
principle to the sensibly given and thus secure its objective validity. The
problem is clearest where Kant gives the principle an “analogue of a
schema of sensibility.” The passage is worth quoting here in full.
The understanding constitutes an object for reason, just as sensibility does
for the understanding. To make systematic the unity of all possible empirical actions of the understanding is a business of reason, just as the
understanding connects the manifold of appearances through concepts
and brings it under empirical laws. The actions of the understanding,
however, apart from the schemata of sensibility, are undetermined; likewise
the unity of reason is also in itself undetermined in regard to the conditions
under which, and to the degree to which, the understanding should
combine its concepts systematically. Yet although no schema can be found
in intuition for the thoroughgoing systematic unity of all concepts of the
understanding, an analogue of such a schema can and must be given, which
is the idea of the maximum of division and unification of the understanding’s cognition in one principle. For that which is greatest and most
complete may be kept determinately in mind, because all restricting conditions, which give indeterminate manifolds, are omitted. Thus the idea of
reason is an analogue of a schema of sensibility, but with this difference,
that the application of concepts of the understanding to the schema of
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reason is not likewise a cognition of the object itself (as in the application of
the categories to their sensible schemata), but only a rule or principle of the
systematic unity of all use of the understanding. (A–/B–)
From the very beginning of the Transcendental Dialectic to its Appendix,
Kant lays great emphasis on the analogy between two relations: the relation
of the understanding to sensibility; and the relation of reason to the
understanding. Empirical concepts unify manifolds given in intuition.
An idea of reason directs us to unify a variety of concepts into a systematic
whole. As Kant stresses in the passage before us, there is also a significant
difference between these relations. The application of concepts to sensibility is directed by schemata, and, as Kant says in the Schematism chapter,
schemata are mediating representations – they are “intellectual on the one
hand and sensible on the other” (A/B). Both reason and understanding, however, are intellectual or conceptual capacities. Thus, the
“analogue of a schema of sensibility” has no sensible aspect. The “idea of
a maximum of division and unification of the understanding’s cognition in
one principle” is purely intellectual or conceptual. It gives us no determinate directions how to apply it to the sensibly given; it is “only a rule or
principle of the systematic unity of all use of the understanding.” In other
words, the problem is precisely that in the Appendix there is no sensible
correlate to the idea of the conceptual purposiveness of nature.
From our current vantage point, we can also see why the Appendix
seems condemned to ambiguity. On the one hand, Kant clearly wants to
award the principle of the systematic unity of nature transcendental status,
and this means that it must be a condition of the application even of our
simplest, most fundamental empirical concepts. On the other hand, reason
is described as a second-order faculty; its business is to make “systematic
the unity of all possible empirical actions of the understanding.” But it is
hard to see how, at the most fundamental level of experience, it can carry
out its unifying charge, precisely because it seems to presuppose the actions
of the understanding. We can, though, understand how it can seek to
unify and extend our current knowledge. But this suggests that it is not a
transcendental condition of experience.
According to the reading presented in this chapter, it is precisely the
main task of the Critique of Aesthetic Judgment to answer these problems.
Consequently, it throws light on the ambiguity of the Appendix to the
Transcendental Dialectic and on its relation to the third Critique. It is
noteworthy that, in the Deduction of Pure Aesthetic Judgments, Kant
himself suggests the connection to the question of empirical schematism.
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Significance of Form & Aesthetic Purposiveness of Nature
He claims that in pure aesthetic judgments the imagination “schematizes
without a concept” (KU :). The principle of the aesthetic purposiveness of nature is the sensible correlate of the principle of the conceptual
purposiveness of nature. It gives us a fundamental division of intuition into
objects and kinds. In other words, it supplies the sensible or aesthetic
aspect that was missing from the “analogue of a schema of sensibility.”
At this juncture, it is worth recalling Kant’s brief but suggestive reference to empirical schematism in the first Critique.
This schematism of our understanding with regard to appearances and their
mere form is a hidden art in the depths of the human soul [eine verborgene
Kunst in den Tiefen der menschlichen Seele], whose true operations we can
divine from nature and lay unveiled before our eyes only with difficulty. We
can say only this much: the image is a product of the empirical faculty of
productive imagination, the schema of sensible concepts (such as figures in
space) is a product and as it were a monogram [Monogramm] of pure a
priori imagination, through which and in accordance with which the images
first become possible, but which must be connected with the concept, to
which they are in themselves never fully congruent, always only by means of
the schema that they designate [bezeichnen]. (A–/B–)

In the First Introduction, in contrast, Kant says that the principle of reflection does not operate
schematically (EEKU :). However, he seems to be drawing the contrast between reflective
judgment and its search for empirical concepts, on the one hand, and the schemata of the categories
and determinative judgment, on the other hand. He means then that the relation between empirical
concepts and intuition is not determinative. For another discussion that associates only pure
concepts of the understanding with the notion of schemata, see KU :–. For Kant’s use
of the notion of schematism in the concrete moral sphere, see MS :–.

Later in the first Critique, Kant mentions monograms again. They are “creatures of imagination . . .,
as it were, monograms, individual traits, though not determined through any assignable rule,
constituting more a wavering sketch [Zeichnung], as it were, which mediates between various
appearances, than a determinate image, such as what painters and physiognomists say they have
in their heads, and is supposed to be an incommunicable silhouette [Schattenbild] of their products
or even of their critical judgments” (A/B).
For the claim that Kant has in mind not spatial shapes but “a holistic representation of a concept
made sensible, i.e. a representation of how the various marks of that concept manifest in a unified
sensible way,” see Samantha Matherne, “Kant and the Art of Schematism,” Kantian Review 
(): . See also Samantha Matherne, “Images and Kant’s Theory of Perception,” Ergo 
(): –. Matherne suggests translating the last word in the passage with “delineate” rather
than designate. See Matherne, “Images and Kant’s Theory of Perception,” , note .
In contrast, Williams claims that for Kant empirical schemata are spatiotemporal forms. She
explains their importance for the task of ordering nature taxonomically and compellingly relates this
task to eighteenth-century scientific practice. See again note . Williams does not, though, connect
pure aesthetic judgment with empirical schemata, though she does appreciate the importance of the
notion of the normal idea of a species. See Jessica J. Williams, “‘The Image of a Four-Footed Animal
in General’: Kant on Empirical Schemata and the System of Nature,” HOPOS: The Journal of the
International Society for the History of Philosophy of Science  (): –.
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Kant appears to have this discussion in mind when he describes the
common ground of the unanimity we expect in pure judgments of taste
as “deeply buried [tief verborgenen] in all human beings” (KU :; see
also KU :) and as a secret of nature (KU :). I am suggesting that
unveiling these hidden operations of our minds is the primary task of the
Critique of Aesthetic Judgment. Remarkably, Kant’s example of an empirical schema in the Schematism chapter is the spatial shape of a dog.
If this is right, then the Schematism chapter of the first Critique deals
with transcendental schemata (A–/B–), whereas the
Critique of Aesthetic Judgment views natural objects judged aesthetically
as presentations of particular empirical schemata. Whereas the categorial
schemata are transcendental time determinations (A/B), the schemata of natural kinds are spatial. This, of course, makes good sense. Kant’s
claim in the first Critique is that as the form of inner intuition time alone is
a formal condition of any representation, inner or outer, and so can serve
as the formal condition of the universal application of the categories. But
we are now discussing the actual experience of what is given to us
empirically in outer sense. Empirical schemata must be spatial.
Conversely put, the application of the categories is undetermined with
regard to what is actually given to us in outer sense. This is a way of posing
the central concern of Kant’s project in the third Critique – namely,
completing the task of articulating the transcendental conditions of a
particular empirical experience of the world.
It is worth pointing out here another interesting reference to the first Critique. In the
B Deduction, Kant describes figurative synthesis (synthesis speciosa) as proceeding in accordance
with the categories and as the “first application (and at the same time the ground of all others) to
objects of the intuition that is possible for us” (B). In the First Introduction, Kant describes
aesthetic judgment as figurative and says that “the technique of nature with regard to such forms
can also be so called (technica speciosa)” (EEKU :).

In speaking of “the shape of a four-footed animal in general without being restricted to any single
particular shape” (A/B), I think Kant means the general shape of the particular four-footed
animal dog and not the shape of any quadruped. It is true that he is insisting on the generality of a
schema as “a general procedure of the imagination” (A/B) and contrasts it with the
particularity of an image. But it would make no more sense to claim that we apply the concept
dog by employing the schema of a quadruped than to hold that the rule for constructing polygons is
the schema of the concept triangle. This is not to deny that there is a schema for the concept
quadruped (see again KU :). Erdmann suggests inserting “such” to read: “The concept dog
signifies a rule whereby my imagination can trace the shape of such a four-footed animal in a
general way.”

In his well-known discussion of the empirical doctrine of the soul, Kant is perhaps alluding to the
lack of empirical sensibly determined schemata for representations of inner sense when he says that
“the manifold of inner observation can be separated only by mere division in thought” (MAN
:). Cf., A/B-A/B.
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Significance of Form & Aesthetic Purposiveness of Nature
On this reading then the analogy between the discussions of the
transcendental conditions of experience in the first Critique and third
Critique is complete. Just as the first has a Transcendental Aesthetic and
a Transcendental Logic, so the third has a Critique of the Aesthetic Power
of Judgment and a Critique of the Teleological Power of Judgment. The
first member of each pair contends with sensibility; the second – with the
understanding and the conceptual conditions of experience. Both texts
now specify how our faculty of concepts shapes what is given to us
aesthetically. The first Critique does this in the Schematism chapter. In
the third Critique, reflective judgment is directed by a single principle with
two presentations or aspects, sensible and discursive. The first tells us to
apply the idea of conceptual purposiveness or systematic unity to intuition.
Pure judgments of taste are responses to the empirical schemata that first
make possible this quest.
I conclude this discussion by underscoring an important shift that
occurs in the third Critique in comparison to the Appendix to the
Transcendental Dialectic, namely, making the idea of the purposiveness
of nature a principle of reason for reflective judgment (see again the title of
§; see also KU :, ). In the Appendix, the objects of reason are
the concepts and claims of the understanding. It is for this reason that the
principle of reason can have no sensible schema. But judgment is the
faculty that mediates between understanding and intuition, and its principle can and indeed must have both a sensible and an intellectual aspect.
..
Beautiful Natural Forms: The Idealist Tradition
in the Theory of Visual Art
In the next subsection I will attempt to contend with several objections
that should be raised against the claims made above. But one objection
invites a more detailed response here. It can be formulated as the following
question: Where would Kant have gotten the idea that the objects of
judgments of natural beauty are the spatial forms characteristic of natural

It is noteworthy that Kant uses the expression the “transcendental aesthetic of the power of
judgment” (KU :). In the First Introduction, he says: “the aesthetic of the reflecting power
of judgment will occupy one part of the critique of this faculty, just as the logic of the same faculty,
under the name of teleology, will constitute its other part” (EEKU :). Cf., Zuckert, Kant on
Beauty and Biology, .

In stark contrast, Zuckert claims that the “principle of purposiveness cannot . . . be schematized.”
Zuckert, Kant on Beauty and Biology, .
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kinds? The short answer to this question is that this is the predominant
view of the Idealist tradition in the theory of visual art.
A separate paper would be needed to establish the claim more fully. To
give but a very quick sketch of it, I turn to two pivotal thinkers from
Kant’s more immediate past, who formulated most clearly the idea that
Kant incorporates into his account of natural beauty.
I am claiming that judgments of natural beauty typically and paradigmatically respond to spatial forms or three-dimensional outlines that are
characteristic of natural kinds. The idealized representation of natural
beauties of this sort is precisely the task Winckelmann attributes to works
of visual art. In his History of the Art of Antiquity (), in a section
significantly titled Ideal Beauty, he writes the following:
Nevertheless, the nature and build of the most beautiful bodies is rarely
without fault, and they have forms or parts that can be found or imagined
more perfectly in other bodies. Accordingly, this experience led these wise
artists to proceed like a skilled gardener, who grafts different shoots of a
noble species onto one stem. And as the bee gathers from many flowers, so
their concept of beauty was not limited to the individual attributes of a
single beauty – as are at times the conceptions of ancient and modern poets,
and of most artists of the present day. Rather, these artists sought to
combine beauty from many beautiful bodies.
Winckelmann goes on to tell the story of Zeuxis, “who selected the most
beautiful parts of five beautiful women of Kroton for his painting of
Juno.” We also find reference to this well-known story, told by Cicero
and Pliny the elder, in the writings of Bellori. Panofsky attributes to

This subsection is an adaptation of a parallel one in Reiter and Geiger, “Natural Beauty, Fine Art
and the Relation between Them,” –. I am very deeply indebted to Aviv Reiter’s work on this
tradition. See Aviv Reiter, The End and Historicity of the Fine Arts: From the Idealist Theory of the
Renaissance to the Formation of a Systematic-Historical Conception in Hegel’s Philosophy of Art, Ph.D.
dissertation, Tel-Aviv University, ; Reiter, “Kant on the Aesthetic Ideas of Beautiful Nature.”

Johann Joachim Winckelmann, History of the Art of Antiquity, translated by Harry Francis
Mallgrave (Los-Angeles, CA: Getty Research Institute, ), . Kant names Winckelmann in
this context. See V-Anth/Mron :. For the important claim that Kant is following
Winckelmann’s Idealist understanding of form, see Biemel, Die Bedeutung von Kants Begründung
der Ästhetik für die Philosophie der Kunst, , note ; Düsing, “Beauty as the Transition from Nature
to Freedom in Kant’s ‘Critique of Judgement’,” .

Winckelmann, History of the Art of Antiquity, .

See: Marcus Tullius Cicero, On Invention. The Best Kind of Orator. Topics, translated by H. M.
Hubbell (Cambridge, MA: Harvard University Press, ), –; Pliny, Natural History,
translated by H. Rackham (Cambridge, MA: Harvard University Press, ), Book , §;
Giovanni Pietro Bellori, The Lives of the Modern Painters, Sculptors and Architects, translated by Alice
Sedgwick Wohl (Cambridge: Cambridge University Press, ), . The picture of Helen by
Zeuxis, without the story of its models, is also mentioned by Valerius Maximus, Dionysius of
Halicarnassus, Plutarch and Aelian.
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Significance of Form & Aesthetic Purposiveness of Nature
Bellori the explicit and systematic formulation of the conception of beauty
taken for granted by Renaissance theorists and indeed claims that it was
through The Lives of Modern Painters, Sculptors, and Architects () that
the notion of the ideal of beauty entered French and German art criticism. Bellori writes:
That supreme and eternal intellect, the author of nature, looking deeply
within himself as he fashioned his marvelous works, established the first
forms, called Ideas, in such a way that each species was an expression of that
first Idea, thereby forming the wondrous context of created things. . . .
[T]he sublunar bodies . . . are subject to change and ugliness and even
though nature intends always to make its effects excellent, nevertheless,
owing to the inequality of matter, forms are altered, and human beauty in
particular is confounded, as we see in the innumerable deformities and
disproportions that there are in us. For this reason noble painters and
sculptors, imitating that first maker, also form in their minds an example
of higher beauty, and by contemplating that, they emend nature without
fault of color or of line. . . . The Idea of the painter and of the sculptor is
that perfect and excellent example in the mind whose imagined form, when
imitated, the things that appear before our eyes resemble . . . Thus the Idea
constitutes the perfection of natural beauty and unites the truth with the
verisimilitude of things that appear before the eye, always aspiring to the
best and to the marvelous, so that it not only rivals but becomes superior to
nature, revealing its works to us elegant and finished, whereas nature is not
wont to display them to us perfect in every part.
The forms that Winckelmann calls “Ideal Beauty” and Bellori calls “Ideas”
and describes as the perfection of natural beauty are, according to Kant,
the archetypes of the objects of pure judgments of natural beauty. Kant’s
term for these idealized forms is aesthetic normal ideas of species. It is,
moreover, perfectly clear that he is familiar with this tradition and its
classical sources. He cites the very examples that are repeatedly referred to
in the tradition.
It is the image for the whole species, hovering among all the particular and
variously diverging intuitions of the individuals, which nature used as the

Erwin Panofsky, Idea: A Concept in Art Theory, translated by Joseph J. S. Peake (Columbia:
University of South Carolina Press, ), –.
Bellori, The Lives of the Modern Painters, Sculptors and Architects, –.

In his response to Goethe’s drawing of a “symbolic plant,” Schiller famously says: “That is not an
observation from experience. That is an idea.” To which Goethe replies: “Then I may rejoice that
I have ideas without knowing it, and can even see them with my own eyes.” Johann Wolfgang von
Goethe, “Fortunate Encounter,” in Scientific Studies, edited and translated by Douglas Miller (New
York: Suhrkamp, ), .

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. Beautiful Forms: Natural Objects; Natural Kinds
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archetype underlying her productions in the same species, but does not
seem to have fully achieved in any individual. . . . It is, as was said of
Polycletus’s famous Doryphorous, the rule (and Myron’s cow could be used
in the same way in its species). For that very reason it cannot contain
anything specifically characteristic, for then it would not be the normal idea
for the species. (KU :–)
Kant’s conception of natural beauty draws significantly on the predominant Idealist tradition in the theory of visual art.
.. Objections, Replies and Refinements
I expect (based on past experience) that the claim that the spatial forms
characteristic of natural kinds are what Kant primarily has in mind in the
Analytic of the Beautiful will meet with considerable resistance. In what
follows, I articulate objections to this claim and attempt to answer them.
Some of the replies lead to significant refinements of the claims made
above. In formulating these replies furthermore, I draw on Kant’s text
where it contains a response to an objection. But in some cases, the
answers are, in part or whole, mine.
Before considering these objections, however, I will respond to two
more general problems that Kant’s analysis of beauty is often thought to
face. I think it is a virtue of the interpretation I am proposing that it has
the resources to respond to these problems.
The Problem of the Ubiquity of Beauty
Kant is sometimes thought to be committed to the very implausible view
that every object of a cognitive judgment can be, if we only manage to
judge it disinterestedly, the object of a pure aesthetic judgment. Indeed,
this is a problem all nonconceptual readings of pure aesthetic judgments
might appear to face, just because the nonconceptual nature of the
judgments seems to preclude any manner of distinguishing between different objects. In other words, it is a challenge to explain how some but not
other things are found beautiful by a judgment that does not distinguish
between those things conceptually.
On the view I am attributing to Kant, however, it is objects that possess
what we might think of as a significant form that are found to be
beautiful – paradigmatically objects whose spatial form is characteristic

Kant may well have Pliny the Elder in mind here, who mentions both Polycletus’s Doryphorous or
Canon and Myron’s cow. Pliny, Natural History, Book , §§–.
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Significance of Form & Aesthetic Purposiveness of Nature
of a natural kind. This answer explains why Kant claims that nature has
spread beauty “extravagantly everywhere” (KU :). But it does not
commit him to the claim that all objects are beautiful, because the form of
many objects is not characteristic of a natural kind. Many objects clearly
cannot give rise to aesthetic pleasure on the interpretation I am presenting.
Many objects, for example, are too small or too large for us to perceive
(though they might be discovered to be beautiful with the aid of a
microscope or astrophotography). There are also concrete perceivable
objects that do not share a common spatial form but are alike in significant
ways (sand or gravel from the same kind of rock). There are composite
objects (a pile of rocks or leaves) and very abstract objects (a biological
kingdom or domain), as well as objects that cannot be observed and the
existence of which is indirectly or theoretically inferred (quarks, black
holes). There are also very many objects that do belong to a natural kind
distinguished by a typical spatial form that do not display this form (halfeaten rotting apples, wilted flowers, crushed acorns). It is typically a form
characteristic of a natural kind that is the object of pure judgments of taste.
It is these objects that paradigmatically evoke the feeling of the aesthetic
harmony of the faculties.
But this response might seem to land us in in even deeper trouble: How
can it be claimed that the analysis of pure aesthetic judgments is part of the
transcendental account of the conditions of empirical experience while
denying that all objects of experience can be found aesthetically pleasing?
This issue will be a recurring theme in this chapter and a major topic of the
Conclusion. But let me suggest briefly here how Kant might respond to
this question. Pure judgments of taste, he might claim, offer a first partial
delineation of nature into objects, which in turn makes possible a first
provisional sorting of nature into kinds. Pure judgments of taste are
nevertheless a necessary condition of experience generally, because in the
order of discovery they in effect serve as our first fallible and revisable
hypothesis where the joints of nature are located. Some of these hypotheses
might ultimately have to be rejected; other joints will be discovered later by
conceptually guided empirical research. But in both cases, empirical investigation sets out from and so depends upon these first hypotheses. This
response though is not one we find in Kant’s text.

For a comparable formulation of the problem see Miles Rind, “Can Kant’s Deduction of Judgments
of Taste Be Saved?,” Archiv für Geschichte der Philosophie  (): –.
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. Beautiful Forms: Natural Objects; Natural Kinds

Kant Appears Not to Present a Conception of Ugliness
Kant mentions ugliness only once in Critique of Aesthetic Judgment. The
context is the very important claim that the things presented in beautiful
works of art need not be beautiful: “Beautiful art displays its excellence
precisely by describing beautifully things that in nature would be ugly or
displeasing [häßlich oder mißfällig]” (KU :). Although Kant speaks
here of nature, the example he goes on to give are not objects considered to
be natural but rather examples of what he must consider to be objects of
adherent judgments of taste: “The furies, diseases, devastations of war, and
the like can, as harmful things [Schädlichkeiten], be very beautifully
described, indeed even represented in painting” (KU :). It bears
emphasizing that the examples are of harmful things rather than ugly
ones. If the examples are indeed meant to be displeasing rather than
ugly, then we are not given a single example of an ugly natural object.
On the interpretation I am proposing, it is clear why there is neither a
discussion nor examples of ugly natural objects. Objects, the form of
which does not evoke in us the pleasurable feeling that they are cognitively
significant, need not arouse in us any displeasure. They would simply fail
to attract our continuing attention. But they would not repulse us.
Admittedly, if this is right then Kant’s many references in the book to
displeasure are highly misleading.

This problem might appear to be closely related to the previous one. One obvious explanation of
the fact that Kant does not discuss ugliness might be that he thinks that all objects viewed
disinterestedly can evoke in us pure aesthetic pleasure. I do not think this is the
right explanation.

In Anthropology Friedländer Kant says:
It is said of the human being: he is handsome [when] well formed. This refers partly to the
form of the entire figure of the body, partly to the form of the face. Thus one also says: the
human being is ugly. However “ugly [häßlich]” is derived from “to hate [hassen].” But if it is
derived from there, one cannot thus say, that such a face or figure of the body, which
deviates from the true proportion, is ugly; it may not at all be hated because of this. In order
to be ugly, something contradicting morality must lie in the face: guile, malice, spite,
recalcitrance, crudeness, only that is ugly in the case of the human being. The unproportionate form of the body and the face may not however be ugly because of it. (V-Anth/Fried
:)

For the claim that pure aesthetic judgments are either positive or neutral and textual support for the
existence of this third possibility, see Paul Guyer, “Kant on the Purity of the Ugly,” in Values of
Beauty: Historical Essays in Aesthetics (Cambridge: Cambridge University Press, ), –.
Guyer’s reasoning though differs from mine and depends on his endorsement of the metacognitive
reading of pure judgments of taste. See note .
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Significance of Form & Aesthetic Purposiveness of Nature
Counterexamples, Generality, Circularity
Not all of Kant’s examples of objects of pure judgments of taste are shapes
typical of natural kinds or even natural objects. Moreover, it seems likely
or at least possible that things Kant would think of as real natural kinds
cannot be distinguished by their common spatial form; and some things
that do share a common form are not what he would think of as real
natural kinds. In responding to these objections it is important to avoid the
circular stipulation that all and only natural kinds share a common form.
It is true that a much smaller group of Kant’s examples comprises not
biological kinds but spatial forms designed by human beings: “free designs
[freie Zeichnungen], lines aimlessly intertwined in each other under the
name of foliage [Laubwerks]” (KU :); “designs à la grecque, foliage for
borders or on wallpaper” (KU :); “curlicues and light but regular
lines” (KU :). However, I am not attributing to Kant the claim that
only forms characteristic of natural kinds are objects of pure judgments of
taste. I am attributing to him the claim that forms characteristic of natural
kinds are the typical and paradigmatic objects of pure judgments of taste.
The close alliance of pure judgments of taste and nature is clear in places
where Kant speaks of them in summary (see, for example: KU :–
[several times];  [twice],  [quoted above]).
Moreover, I am not claiming we should read Kant as claiming that all
natural kinds share a common form. Specifically, gas and liquid kinds as
such do not possess typical observable spatial forms. Nor should we take
him to claim that a common form is in all cases an indication that we are
contending with a natural kind. The best way to understand Kant,
I suggest again, is as claiming that sorting natural objects according to
their spatial shapes affords a first conjecture where some of the joints of
nature are to be found. But this first sorting is hypothetical, open to
confirmation, revision or outright rejection; it also requires supplementing
by conceptually guided empirical research. These points are of central
importance and, as I will claim, a great virtue of Kant’s theory as
I suggest elaborating it. I will return to these points below.

As the examples just quoted show, decorative arts produce free beauty. There are several other
examples of free beauty that are not natural. Kant also mentions the English taste in gardens as an
example of free beauty (KU :). He further suggests that the beauty of musical fantasies and
music without text more generally are free (KU :), presumably because their appreciation does
not presuppose a concept of “what the thing is supposed to be.”

I will say something more about the possibility of judging beautiful the color of a gas or liquid
below. See Section ..: Spatiotemporal Forms, Pure Tones and Colors.
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. Beautiful Forms: Natural Objects; Natural Kinds

Some of Kant’s Examples Refer Not to Natural Kinds but to Their Parts;
Other Examples Are More General Than What We Would Think of
as a Natural Kind
Kant does speak of the beauty of the “flowers, the blossoms, indeed the
shape of whole plants” (KU :) as well as of bird feathers (KU :),
indicating that both an object and a part of it can be found beautiful.
He also speaks of schemata or forms common to many genera (see KU
:). But this is not a threat to the idea that aesthetic judgment
underwrites our fundamental sorting of nature into objects and kinds. So
the term “natural kind” should be taken to be used somewhat loosely
and to refer not only to kinds but also to things like the characteristic
shape of a leaf or blossom – which do indeed serve to identify a kind – as
well as to the shape typical of a genus or family, where they share a
characteristic form.
There Are Concepts That Correspond to the Spatial Outlines Characteristic
of Natural Kinds
Specifically, the spatial shapes that occasion pure aesthetic pleasure can be
conceptualized perhaps by employing mathematical languages or simply
by speaking of the property of having that shape. So on the account I have
described, pure judgments of taste would be conceptual rather than nonconceptual – Kant’s repeated claims to the contrary.
It is perhaps trivially true that concepts can be found for every spatial
shape. Indeed, we usually (perhaps always) do possess concepts that we
know apply to the objects of pure judgments of taste. The point is precisely
that they need not be found and we need not apply the concepts we do
possess to apprehend them, because the forms of intuition and the understanding are two distinct stems of cognition. On Kant’s view, I am claiming, we can apprehend spatial shapes without the conceptual involvement
of the understanding. (Of course, the understanding is involved in aesthetic judgment through its coordinate response to the imagination.) This
is what I mean by saying that in pure aesthetic judgments our conceptual
grasp of an object is held in abeyance. It is, moreover, clear that when
judging the form of say a rose to be beautiful, I don’t possess its complex
mathematical conceptualization; and as Kant stresses that pure judgments
of taste are singular, I am not responding to it as the bearer of a property
potentially shared by many others – that would make it an aesthetically
grounded logical judgment. Kant, indeed, insists that simple geometric
shapes are not beautiful, precisely because in such cases we cannot but
subsume them under concepts.
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Significance of Form & Aesthetic Purposiveness of Nature
Now geometrically regular shapes – a circle, a square, a cube, etc. – are
commonly adduced by critics of taste as the simplest and most indubitable
examples of beauty; and yet they are called regular precisely because they
cannot be represented except by being regarded as mere presentations of a
determinate concept, which prescribes the rule for that shape (in accordance
with which it is alone possible). Thus one of the two must be wrong: either
the judgment of the critics that attributes beauty to such shapes, or ours,
which finds purposiveness without a concept to be necessary for beauty.
(KU :)
Kant Claims That Pure Judgments of Taste Are Nonconceptual. Doesn’t This
Imply That Beautiful Natural Forms Fall under No Cognitively or
Conceptually Significant Category?
I don’t think it does. On the contrary, interpreting Kant in this way would
force us to choose between two unattractive possibilities: either () any
form whatsoever might be found beautiful; or () only some forms are
found to be beautiful, but there is nothing further to say about what
distinguishes them from forms that are not found to be beautiful. The
former alternative was discussed at the beginning of this subsection. The
problem with the latter is that it renders inexplicable Kant’s claim that
judgments of beauty are expressions of harmony between the imagination
and the understanding. For what possible role might the understanding –
the faculty of concepts – play in the interaction? Some connection between
aesthetic and cognitive judgments is required in order to make sense of the
involvement of the understanding in aesthetic pleasure. A pure judgment
of taste is not a cognitive judgment: “it is neither grounded on concepts
nor aimed at them” (KU :). Nevertheless, it expresses “pleasure in the
harmony of the faculties of cognition” (KU :). On my view, the
harmony of the faculties is the promissory feeling that a sensible manifold
can be brought under concepts; it is the feeling that a spatial form is
cognitively significant.

In contrast, Guyer claims that it is Kant’s view that the objects of pure judgments of taste “must be
identified by means of particular empirical concepts” and uses as examples “concepts such as
‘triangle’ or ‘plate’, ‘hummingbird’ or ‘painting.’” Guyer, “The Harmony of the Faculties
Revisited,” , . Guyer further argues that Kant cannot have thought that the categories are
applied to the objects of pure judgments of taste without at the same time applying empirical
concepts to them. Guyer, “The Harmony of the Faculties Revisited,” . But my claim is that
pure aesthetic judgment is a condition of the application of the categories as well as of
empirical concepts.
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. The Cognitive Function of Pure Judgments of Taste

Some Attributions of Beauty Are Made Where No Distinct Spatial Shape Is
Found; We Speak, for Example, of a Beautiful Vista
This may well be true. But Kant explicitly distinguishes beautiful objects
from beautiful views of objects. The former are his principal concern. The
latter, he says (surprisingly perhaps), are not beautiful, although they do
possess charm.
Further, beautiful objects are to be distinguished from beautiful views of
objects (which on account of the distance can often no longer be distinctly
cognized). In the latter, taste seems to fasten not so much on what the
imagination apprehends in this field as on what gives it occasion to invent,
i.e., on what are strictly speaking the fantasies with which the mind
entertains itself while it is being continuously aroused by the manifold
which strikes the eye, as for instance in looking at the changing shapes of a
fire in a hearth or of a rippling brook, neither of which are beauties, but
both of which carry with them a charm for the imagination, because they
sustain its free play. (KU :)
It is worth emphasizing that Kant says that in beautiful views objects
cannot be apprehended or cognized distinctly. This confirms that for him
free beauty is attributed to objects.
.
The Cognitive Function of Pure Judgments of Taste
The aim of this section is to discuss the cognitive function of pure
judgments of taste. It should by now be clear that, on my reading of it,
the analysis of pure aesthetic judgments is an account of the most fundamental delineation of the empirical manifold of intuition into objects. At
the most fundamental level (more on this very important qualification
below), the spatial forms that occasion aesthetic pleasure are taken to
present us with empirical objects. These spatial forms make possible,
furthermore, a first sorting of natural objects into kinds – thus enabling
the search for concepts that apply to these objects and kinds. As I remarked
above, it would be cumbersome, but in fact much more accurate, to speak
here of proto-objects and proto-kinds to emphasize the fact that what I am
calling objects and kinds, in this context, are not subsumed
under concepts.
The first subsection will contend with the delineation of the manifold
into objects by focusing on the notion of nonconceptual aesthetic apprehension. The focus of the second will be on the aesthetic sorting of nature
into kinds and the notion of a normal idea of a species. Though both
subsections discuss notions central to Kant’s published text, they also rely
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
Significance of Form & Aesthetic Purposiveness of Nature
to a considerable degree on the First Introduction. The third and fourth
subsections then focus on the second and fourth moments of the Analytic;
they attempt to reveal the cognitive role of pure aesthetic judgments by
reconstructing Kant’s argument grounding their claim to universal assent.
The fifth subsection addresses briefly some skeptical concerns that Kant’s
account of the normative status of pure judgments of taste might raise.
The final subsection will discuss the case of beautiful spatiotemporal
forms, specifically sounds and colors.
..
The Aesthetic Apprehension or Preconceptual Delineation
of Empirical Objects
The Critique of Aesthetic Judgment lays great emphasis on the notion of
apprehension – and specifically on the aesthetic or nonconceptual apprehension of objects in pure judgments of taste. In the First Introduction,
Kant describes the role apprehension plays in determinative empirical
judgment.

It might be claimed that any serious discussion of the notion of apprehension in Kant should return
to the threefold synthesis of the A edition of the first Critique. But there is quite a variety of
understandings of this difficult chapter. Furthermore, it seems that whatever interpretation of it we
endorse, there is very good reason to take the third Critique to offer either a significant amendment
to the earlier text or else to be developing a novel notion of aesthetic nonconceptual apprehension.
The following remarks about the threefold synthesis should nevertheless be made:
() Very many interpreters assume Kant remains committed to the doctrine throughout his
philosophical career. An editorial note in the Guyer and Wood translation (note ,
p. ) refers as evidence of this to a Reflexion from  (see R  :–,
esp. ). I don’t see decisive evidence there. The reference is apparently to this paragraph:
To the empirical cognition (of experience) there belongs: . Intuition, i.e., representation
through which an object is given, . a concept, through which this is thought, .
composition of the manifold of intuition, . unity in the consciousness of it.
() Hanna claims that the first two stages of the threefold synthesis constitute Kant’s account of
empirical, nonconceptual content. Very significantly for our concerns, he claims that the
products of these two acts of synthesis are forms, patterns and shapes. See: Hanna, “Kant and
Nonconceptual Content,” . He also describes it, drawing on Kitcher, as delineating the
boundaries of objects. See: Robert Hanna, Kant and the Foundations of Analytic Philosophy
(Oxford: Oxford University Press, ), –. See also Patricia Kitcher, Kant’s
Transcendental Psychology (Oxford: Oxford University Press, ), –. Obviously,
the discussion of the threefold synthesis makes no mention of aesthetic pleasure.
() Guyer claims that the manifolds that evoke aesthetic pleasure have undergone the first two
steps of the threefold synthesis, the synthesis of apprehension in intuition and the synthesis of
reproduction in the imagination, but not the third, the synthesis of recognition in a concept.
Guyer, Kant and the Claims of Taste, –. This explains the close connection to cognition,
without making aesthetic judgments themselves cognitions. Aesthetically pleasing manifolds
are somehow synthesized without a concept. See also note . For criticism, see Ginsborg,
“Lawfulness without a Law,” ; Hannah Ginsborg, “Thinking the Particular as Contained
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. The Cognitive Function of Pure Judgments of Taste

To every empirical concept, namely, there belong three actions of the selfactive [selbsttätigen] faculty of cognition: . the apprehension [Auffassung]
(apprehensio) of the manifold of intuition; . the comprehension, i.e., the
synthetic unity of the consciousness of this manifold in the concept of an
object (apperceptio comprehensiva); . the presentation (exhibitio) of the
object corresponding to this concept in intuition. For the first action
imagination is required, for the second understanding, for the third the
power of judgment, which, if it is an empirical concept that is at issue,
would be the determining power of judgment. (EEKU :)
Now it is often thought that the distinction between apprehension and
comprehension is merely notional and refers to two aspects of a single act
that are interdependent and never occur alone. They certainly are inseparable
aspects of cognition: Determinative judgments present in intuition an actual
object corresponding to an empirical concept. But the analysis of pure
judgments of taste clearly constitutes a noteworthy exception to this generalization: In pure aesthetic judgments the imagination apprehends a manifold of
intuition without being determined conceptually by the understanding.
If, then, the form of a given object in empirical intuition is so constituted
that the apprehension [Auffassung] of its manifold in the imagination
under the Universal,” in The Normativity of Nature (Oxford: Oxford University Press, ),
–.
() Ginsborg suggests that the first two stages of the threefold synthesis can be read as an account
of our most fundamental acquisition of empirical concepts.
On the reading that I am proposing, the activity of reproductive synthesis, like the
association of ideas for Hume is simply something that we are naturally disposed to do.
It is a natural psychological fact about human beings that, if shown a certain number of
trees, they will develop a disposition such that the perception of one tree will tend to call to
mind other previously perceived trees. What makes the corresponding associations rulegoverned is not that they are guided by a specific, antecedently grasped rule, but rather the
fact that we take them to have normative significance. The associations are rule-governed
because in carrying them out I take myself to be doing not only what I am disposed to do,
but also what I (and everyone else) ought to do. That is, I take my actual associations,
blindly habitual though they are, to manifest conformity to a normative standard applicable
to everyone. The rule-governedness of my associations is thus a function of my taking them
to be rule-governed, which is in turn a function of my taking my natural dispositions as
exemplifying a universally valid norm. (Ginsborg, “Thinking the Particular as Contained
under the Universal,” )
As Ginsborg emphasizes, the distinct normative aspect she attributes to Kant’s account draws
on his analysis of pure judgments of taste: “the idea that our imaginative activity can be, and
be recognized by us, as rule-governed, without our having any awareness of the relevant rules
prior to engaging in that activity . . . is not explicitly articulated by Kant, but I take it to be a
consequence of the account of aesthetic experience which he gives in the Critique of
Judgment.” Hannah Ginsborg, “Empirical Concepts and the Content of Experience,”
European Journal of Philosophy  (): . For my detailed response to Ginsborg see
Geiger, “Aesthetic Normativity and the Acquisition of Empirical Concepts,” Con-Textos
Kantianos  (): –.
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Significance of Form & Aesthetic Purposiveness of Nature
agrees with the presentation of a concept of the understanding (though
which concept be undetermined), then in the mere reflection understanding and imagination mutually agree for the advancement of their business,
and the object will be perceived as purposive merely for the power of
judgment, hence the purposiveness will be considered as merely subjective;
for which, further, no determinate concept of the object at all is required
nor is one thereby generated, and the judgment itself is not a cognitive
judgment. – Such a judgment is called an aesthetic judgment of reflection. (EEKU :–)
Kant is claiming, I suggest, that aesthetic judgments of reflection apprehend forms that are felt to make their objects generally fit to be subsumed
under empirical concepts – this is the “advancement of their business” and
what Kant means by an agreement with the presentation of an undetermined concept. They do this without being determined by the understanding and its concepts.
Indeed, Kant is even more emphatic about the nonconceptual nature of
pure judgments of taste in the published Introduction. In Chapter , we
examined in detail Section VII of the Introduction and the passage
corresponding to the one just quoted.
If pleasure is connected with the mere apprehension (apprehensio) of the form
of an object of intuition without a relation of this to a concept for a
determinate cognition, then the representation is thereby related not to the
object, but solely to the subject, and the pleasure can express nothing but its
suitability to the cognitive faculties that are in play in the reflecting power of
judgment, insofar as they are in play, and thus merely a subjective formal
purposiveness of the object. For that apprehension of forms in the imagination can never take place without the reflecting power of judgment, even if
unintentionally, at least comparing them to its faculty for relating intuitions
to concepts. Now if in this comparison the imagination (as the faculty of a
priori intuitions) is unintentionally brought into accord with the understanding, as the faculty of concepts, through a given representation and a feeling of
pleasure is thereby aroused, then the object must be regarded as purposive for
the reflecting power of judgment. Such a judgment is an aesthetic judgment
on the purposiveness of the object, which is not grounded on any available
concept of the object and does not furnish one. That object the form of
which (not the material aspect of its representation, as sensation) in mere
reflection on it (without any intention of acquiring a concept from it) is
judged as the ground of a pleasure in the representation of such an object –
with its representation this pleasure is also judged to be necessarily combined,
consequently not merely for the subject who apprehends this form but for
everyone who judges at all. The object is then called beautiful; and the faculty
for judging through such a pleasure (consequently also with universal validity) is called taste. (KU :–)
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. The Cognitive Function of Pure Judgments of Taste

Now this characterization of pure aesthetic pleasure as presenting us with
objects that are felt to be fit for subsumption under empirical concepts is
not really controversial. It is merely a characterization of the feeling of
pleasure Kant describes as the harmonious free play of the imagination and
the understanding and as the feeling of their mutual correspondence or
agreement. But the claim I am attributing to Kant is much stronger and
surely is controversial: I am suggesting that the analysis of pure aesthetic
pleasure is an account of how, at the most fundamental level, we are
presented with empirical objects. It is the pleasure we take in a particular
spatial form that grounds, at the most fundamental level, the delineation of
the manifold given to us in intuition into objects.
In the First Introduction Kant is somewhat clearer about the connection
of nonconceptual aesthetic judgment and cognition.
A merely reflecting judgment about a given individual object, however, can
be aesthetic if (before its comparison with others is seen), the power of
judgment, which has no concept ready for the given intuition, holds the
imagination (merely in the apprehension [Auffassung] of the object)
together with the understanding (in the presentation of a concept in
general) and perceives a relation of the two faculties of cognition which
constitutes the subjective, merely sensitive condition of the objective use of
the power of judgment in general (namely the agreement of the faculties
with each other). (EEKU :–)
The claim that aesthetic judgment precedes the comparison of like objects
is important. For it suggests that aesthetic judgment precedes the search for
empirical concepts that apply to an apprehended form. Note that Kant
says that judgment “has no concept ready for the given intuition.” No less
important is the claim that aesthetic judgment is the “merely sensitive
condition of the objective use of the power of judgment in general.” It is
pure aesthetic pleasure, I am claiming, that guides the apprehension or
preconceptual delineation of the sensible manifold into objects and makes
possible the comparisons, which the search for universal empirical concepts requires. (We will return to the notion of comparison in the next
subsection.)
Now this claim must seem highly surprising. Aesthetic judgments
involve the very faculties necessary for cognition – namely, imagination
and understanding. But as we saw above, it seems evident that aesthetic
judgments themselves can play no part in cognition. We might

Henrich comes close to making just this claim but rejects it. See Henrich, “Kant’s Explanation of
Aesthetic Judgment,” –.
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Significance of Form & Aesthetic Purposiveness of Nature
characterize this view as taking aesthetic pleasure to be an epiphenomenon
involving the very faculties necessary for cognition, although not itself a
necessary condition of cognition. This very common view is assumed to
be a necessary consequence of Kant’s often-repeated claims that aesthetic
judgments are not conceptual and thus not cognitions. But Kant says
clearly that the aesthetic pleasure in the apprehension of an object accompanies a procedure that judgment “must also exercise for the sake of the
most common experience.”
Without having any purpose or fundamental principle for a guide, this
pleasure accompanies the common apprehension of an object by the
imagination, as a faculty of intuition, in relation to the understanding, as
a faculty of concepts, by means of a procedure of the power of judgment,
which it must also exercise for the sake of the most common experience:
only in the latter case it is compelled to do so for the sake of an empirical
objective concept, while in the former case (in the aesthetic judging) it is
merely for the sake of perceiving the suitability of the representation for the
harmonious (subjectively purposive) occupation of both cognitive faculties
in their freedom, i.e., to sense the representational state with pleasure. (KU
:)
In stark contrast to the view that aesthetic judgments play no part in
cognition, I am claiming that by delineating the manifold given in intuition into objects, aesthetic judgments ground (either directly or indirectly – I will return to this important distinction below) every cognitive
judgment – even though they are not conceptual and thus not themselves
cognitions.
.. The Normal Ideas of Species and Natural Kind Concepts
I have been claiming that Kant’s analysis of pure judgment of taste is, in
fact, an account of our most fundamental delineation of the sensible
manifold into objects. What I now want to focus on are two closely related
points: () the aesthetic delineation of the manifold into objects makes
possible a preconceptual sorting of objects according to their mere form;
and () this preconceptual sorting of objects into kinds is a transcendental
aesthetic condition of the search for empirical concepts.

Guyer formulates the thought clearly and succinctly: “Since it is the use of a concept that ordinarily
guarantees the unification of a manifold, unification without a concept could obviously be regarded
as the contingent and unexpected fulfillment of our aim in knowledge . . .” Guyer, Kant and the
Claims of Taste, .
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. The Cognitive Function of Pure Judgments of Taste

In the published text of the third Critique, this condition of the
acquisition of empirical concepts is most clearly referred to in the discussion of the notion of the normal idea of a species, examined in the previous
section. It is worth quoting again Kant’s characterization of the notion:
It is the image for the whole species, hovering among all the particular
variously diverging intuitions of the individuals, which nature used as the
archetype underlying her productions in the same species, but does not
seem to have fully achieved in any individual. (KU :–)
Kant’s elaboration of the mental process of the formation of these aesthetic
ideas begins by contrasting the imagination’s capacity to recall for concepts, even after a long time, their sensible signs or marks with what the
imagination can apparently achieve without the guidance of concepts.
It should be noted that the imagination does not only know how to recall
for us occasionally signs [Zeichen] of concepts, even after a long time, in a
way that is entirely incomprehensible to us; it also knows how to reproduce
the image and shape [das Bild und die Gestalt] of an object out of an
immense number of objects of different kinds, or even of one and the same
kind; indeed, when the mind is set on making comparisons, it even knows
how, by all accounts actually if not consciously, as it were to superimpose
one image on another and by means of the congruence of several of the
same kind to arrive at a mean that can serve them all as a common measure.
(KU :–)
The important emphasis, I suggest, is that the imagination is not working
under the conceptual guidance of the understanding. It does not create
normal ideas for a conceptually sorted kind. Rather, it operates on its
own. Kant goes on to say that the imagination operates “by means of a
dynamic effect, which arises from the repeated apprehension of such
figures on the organ of inner sense” (KU :). Note that he is speaking
only of the imagination and its capacity for apprehension – thus apparently
stressing that the activity here is properly that of the imagination. By
speaking of a dynamic effect, he furthermore appears to be saying that
the imagination is here productive and composes something new (see Anth
: note). I suggest that it is experiences of the beauty of natural
objects – “the repeated apprehension of such figures on the organ of inner
sense” – that makes possible the compositions of normal ideas of species.

In the Anthropology, Kant describes the former as the reproductive or recollective power of the
imagination, “which brings back to the mind an empirical intuition that it had previously” (Anth
:).

It is noteworthy that for the Idealist tradition, discussed in the last section, the conceptual grasp of
the species does indeed precede the envisioning and fashioning of its aesthetic ideal.
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
Significance of Form & Aesthetic Purposiveness of Nature
Someone has seen a thousand grown men. Now if he would judge what
should be estimated as their comparatively normal size, then (in my
opinion) the imagination allows a great number of images (perhaps all
thousand) to be superimposed on one another, and, if I may here apply
the analogy of optical presentation, in the space where the greatest number
of them coincide and within the outline of the place that is illuminated by
the most concentrated colors, there the average size becomes recognizable,
which is in both height and breadth equidistant from the most extreme
boundaries of the largest and smallest statures; and this is the stature for a
beautiful man. (KU :)
Kant is not claiming then that we arrive at normal ideas by an empirical
process of abstraction, which presupposes a conceptual sorting of objects
that belong to a species or kind. He says clearly that the normal idea
“represents the standard for judging it as a thing belonging to a particular
species of animal” (KU :). He might well have the classic tale of
Zeuxis in mind and the concrete presentation of such an idea, described in
the previous section, when he says that the normal idea “must take its
elements for the figure of an animal of a particular species from experience”
(KU :). But he immediately goes on to qualify this claim:
. . . the greatest purposiveness in the construction of the figure [Gestalt],
which would be suitable as a universal standard for the aesthetic judging of
every individual of this species, the image which has as it were intentionally
grounded the technique of nature, to which only the species as a whole but
not any separate individual is adequate, lies merely in the idea of the one
who does the judging, which, however, with its proportions, can be
represented fully in concreto as an aesthetic idea in a model image. (KU
:)
Crucially for our concerns, Kant suggests that it is such normal ideas and
the mental process of comparison it presupposes that make possible the
empirical judgment of nature. As we just saw, he speaks of the normal idea
as “the standard for judging it as a thing belonging to a particular species of
animal” and as the “universal standard for the aesthetic judging of every
individual of this species.” Our capacity to apprehend the characteristic
shape of a species is a condition of our possession of concepts for this
species:
This normal idea is not derived from the proportions taken from experience, as determinate rules; rather, it is in accordance with it that rules for
judging first become possible. (KU :–)

Kant subsequently claims that the normal idea “is by no means the entire archetype of beauty in
this species, but only the form that constitutes the indispensable condition of all beauty, and so
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. The Cognitive Function of Pure Judgments of Taste

It is worth turning here to a very important passage, in which Kant
explicitly connects the aesthetic sorting of objects according to their form
with the process of empirical concept formation. Turning to the First
Introduction once again, Kant distinguishes the “multiplicity and diversity
of . . . laws” from the “natural forms corresponding to them” (EEKU
:) – a distinction he also describes by speaking of empirical laws
and “specific forms matching these, which however through their comparison with others are also generically corresponding forms [generisch
übereinstimmende Formen]” (EEKU :). Indeed, in characterizing
what he calls there the principle of reflection he seems briefly to distinguish
its aesthetic and conceptual tasks:
The principle of reflection on given objects of nature is that for all things in
nature empirically determinate concepts can be found, which is to say the
same as that in all of its products one can always presuppose a form that is
possible for general laws cognizable by us. For if we did not presuppose this
and did not ground our treatment of empirical representations on this
principle, then all reflection would become arbitrary and blind [bloß aufs
Geratewohl und blind], and hence would be undertaken without any wellgrounded expectation of its agreement with nature. (EEKU :–)
Note that Kant speaks here of a “form that is possible for general laws
cognizable by us” – suggesting that we seek general laws for objects that
have in common their mere form. If we did not presuppose this first
aesthetic sorting of nature, then anything at all might be a potential object
merely the correctness in the presentation of the species” and that it “does not please because of
beauty, but merely because it does not contradict any condition under which alone a thing of this
species can be beautiful” (KU :). This might seem to contradict the claim that the spatial shape
typical of a natural kind is what evokes the pleasure expressed in pure judgments of taste. But Kant
is discussing here judgments of the adherent beauty of art and is claiming that the correct
presentation of the form of a kind, or drawing correctly, is only a condition of artistic beauty in
works of representational visual art. For much more on this issue, see: Aviv Reiter, “Kant and Hegel
on the End and Means of Fine Art: From an A-Historical to a Historical Conception of Art,” Hegel
Jahrbuch (): –; Reiter and Geiger, “Natural Beauty, Fine Art and the Relation between
Them,” –.

Baum quotes this passage, but does not identify the aesthetic aspect of the principle. See Manfred
Baum, “Kants Prinzip der Zweckmäßigkeit und Hegels Realisierung des Begriffs,” in Hegel und die
‘Kritik der Urteilskraft’, edited by Hans-Friedrich Fulda and Rolf-Peter Horstmann (Stuttgart: KlettCotta, ), . See also Zuckert, Kant on Beauty and Biology, . Allison takes the mention of
form to gloss rather than specify the principle that “for all things in nature empirically determinate
concepts can be found.” See Henry E. Allison, , “Reflective Judgment and the Application of Logic
to Nature: Kant’s Deduction of the Principle of Purposiveness as an Answer to Hume,” in Essays on
Kant (Oxford: Oxford University Press, ), . Ginsborg appears to take the emphasis on form
to refer to the very possibility of applying concepts to objects. See Hannah Ginsborg, “Reflective
Judgment and Taste,” in The Normativity of Nature (Oxford: Oxford University Press, ),
–.
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
Significance of Form & Aesthetic Purposiveness of Nature
of the process of comparison through which we seek empirical concepts.
We would have no clue what objects we are to compare – this, I am
suggesting, is the meaning of the claim that “all reflection would become
arbitrary and blind.”
In the note clarifying this passage Kant makes the decisive claim that the
principle of reflection is not a principle of mere logic, which teaches us that
we can compare objects and thus form concepts. It is a synthetic transcendental assumption, which is a condition of applying this principle of logic
to nature.
On first glance, this principle does not look at all like a synthetic and
transcendental proposition, but seems rather to be tautological and to
belong to mere logic. For the latter teaches how one can compare a given
representation with others, and, by extracting what it has in common with
others, as a characteristic for general use, form a concept. But about
whether for each object nature has many others to put forth as objects of
comparison, which have much in common with the first in their form, it
teaches us nothing; rather, this condition of the possibility of the application of logic to nature is a principle of the representation of nature as a
system for our power of judgment, in which the manifold, divided into
genera and species, makes it possible to bring all the natural forms that are
forthcoming to concepts (of greater or lesser generality) through comparison. Now of course pure understanding already teaches (but also through
synthetic principles) how to think of all things in nature as contained in a
transcendental system in accordance with a priori concepts (the categories);
only the (reflecting) power of judgment, which also seeks concepts for
empirical representations, as such, must further assume for this purpose
that nature in its boundless multiplicity has hit upon a division of itself into
genera and species that makes it possible for our power of judgment to find
consensus in the comparison of natural forms and to arrive at empirical
concepts, and their interconnection with each other, through ascent to
more general but still empirical concepts; i.e., the power of judgment
presupposes a system of nature which is also in accordance with empirical
laws and does so a priori, consequently by means of a transcendental
principle. (EEKU –, note)
The logical process of the formation of concepts, alluded to in this passage,
comprises three steps: comparison, reflection and abstraction (see, for

It is very interesting to note that in the Appendix to the Transcendental Dialectic of the first
Critique Kant might be taken to allude to the idea of a preconceptual sorting of genera according to
their form when he says: “If among the appearances offering themselves to us there were such a great
variety – I will not say of form (for they might be similar to one another in that) but of content . . .
then the logical law of genera would not obtain at all” (A/B).
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. The Cognitive Function of Pure Judgments of Taste

example: V-Lo/Wiener :; Log :–). But logic, Kant says, does
not answer the question of “whether for each object nature has many
others to put forth as objects of comparison, which have in common with
the first their form.” This precisely is the role of the merely formal division
of the manifold into species and genera. It “makes it possible for our power
of judgment to find consensus in the comparison of natural forms and to
arrive at empirical concepts.”
The assumption of the aesthetic purposiveness of nature is then the
assumption of the existence of aesthetically significant forms. Sorting
nature into objects which share these forms is a condition of the search
for concepts under which to subsume these objects and kinds. The assumption of the aesthetic purposiveness of nature is a necessary transcendental
condition of empirical experience and knowledge.
I think that the First Introduction offers very strong support indeed for
the interpretation I am defending. It is, of course, problematic that the text
is not part of the published work. In the next subsections, we will return to
the Analytic of the Beautiful and the clearest support found for the
interpretation in the published text of the third Critique.
..
The Claim of Pure of Judgments of Taste to Universal Assent (§§–)
Kant is clearest about the transcendental onus of the Analytic in the second
moment. It is important, however, to see that whereas the second moment
takes on this task and characterizes it in general terms, it is the fourth
moment that fully discharges it. The detailed analysis of the argument of
the fourth moment, in the next subsection, is therefore the focal point of
this section.
Kant lays great emphasis on the unique quantitative profile of pure
judgments of taste: In terms of their “logical quantity all judgments of taste
are singular” (KU :); but they carry “an aesthetic quantity of universality, i.e., validity for everyone” (KU :). It is this surprising combination that commands the attention of the transcendental philosopher:

Readers often quote this account of concept formation and take it to be a complete account of the
formation of empirical concepts. For the claim that it is not, see: Ginsborg, “Thinking the Particular
as Contained under the Universal,” –; Allison, Kant’s Theory of Taste, –.

Henrich expressly denies the claim I am defending: “the operation or set of operations through
which a world of given objects is disclosed to us and which gives all perceptions of objects in this
world their distinctive formal constitution cannot be the same process on which, in whatever way,
the aesthetic judgment is based.” Henrich, “Kant’s Explanation of Aesthetic Judgment,” .
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
Significance of Form & Aesthetic Purposiveness of Nature
This particular determination of the universality of an aesthetic judgment
that can be found in a judgment of taste is something remarkable, not
indeed for the logician, but certainly for the transcendental philosopher, the
discovery of the origin of which calls for no little effort on his part, but
which also reveals a property of our faculty of cognition that without this
analysis would have remained unknown. (KU :)
Now Kant offers an explanation of the universality of judgments of taste
already in the first paragraph of the second moment. The title of § is,
“The beautiful is that which, without concepts, is represented as the object
of a universal satisfaction” (KU :). It opens with the following
clarification:
This definition of the beautiful can be deduced from the previous explanation of it as an object of satisfaction without any interest. For one cannot
judge that about which he is aware that the satisfaction in it is without any
interest in his own case in any way except that it must contain a ground of
satisfaction for everyone. For since it is not grounded in any inclination of
the subject (nor in any other underlying interest), but rather the person
making the judgment feels himself completely free with regard to the
satisfaction that he devotes to the object, he cannot discover as grounds
of the satisfaction any private conditions, pertaining to his subject alone,
and must therefore regard it as grounded in those that he can also presuppose in everyone else; consequently he must believe himself to have grounds
for expecting a similar pleasure of everyone. (KU :)
The argument might appear to be self-standing, even though the universality or necessity of pure judgments of taste is not the stated concern of
the second moment but of the fourth moment. I want to suggest, however,
that it is only the beginning or a general sketch of an argument. To see
why, consider the following question: My awareness that the pleasure I feel
in view of an object is disinterested reveals that it is not grounded in
something particular about me. This leads me to expect that others, too,
can respond in like manner. But what reason do I have to expect that
others will respond in like manner to the same objects? Why not think that
the imagination and the understanding can be brought into harmonious
accord in anyone, but that different objects occasion pleasure in different
subjects, or that it is more or less arbitrary which objects bring our faculties
into accord?

The question is obviously closely connected to the point I made in the previous section, namely,
that we need some sort of account of which objects bring our faculties into accord. We don’t want
to claim that all do; and it is highly problematic to say that only some do without offering any
account of which do.
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. The Cognitive Function of Pure Judgments of Taste

In other words, I want to suggest that Kant’s complete thought here is
that as pure aesthetic judgments involve no private subjective relation to
their objects, we can take the functioning of the cognitive faculties
involved in them to be the same in all subjects. But we need further
clarification concerning the nature of this function. Ultimately, we want to
be able to explain what reason we have for thinking that there is such a
function attributable to all cognitive subjects as such and that it responds
in a similar manner to the same objects. I suggest that it is the discovery of
this function or “property of our faculty of cognition” that “calls for no
little effort.”
In §, Kant gives us the clearest indication where this task is discharged.
It is in his discussion of the distinct normative and modal standing of pure
judgments of taste – which is the topic of the fourth moment of the
Analytic, a topic to which Kant returns in the Deduction of Pure Aesthetic
Judgments. Both the necessity of pure judgments of taste (the focus of the
fourth moment) and their a priori standing (the focus of the Deduction)
are referred to in the following passage:
When we call something beautiful, the pleasure that we feel is expected of
everyone else in the judgment of taste as necessary, just as if it were to be
regarded as a property of the object that is determined in it in accordance
with concepts; but beauty is nothing by itself, without relation to the
feeling of the subject. However, we must reserve the discussion of this
question until we have answered another: how and whether aesthetic
judgments a priori are possible. (KU :)
We will return to the fourth moment and the Deduction in the next
subsection. It is important first to discuss § itself at greater length for it
contains, Kant says, “the key to the critique of taste” (KU :). More
precisely, the key to the critique of taste is answering the question formulated in its title: “whether in the judgment of taste the feeling of pleasure
precedes the judging of the object or the latter precedes the former” (KU
:).
Longuenesse too claims that the disinterestedness of aesthetic judgments does not alone explain
their appeal to universal agreement. See Béatrice Longuenesse, “Kant’s Leading Thread in the
Analytic of the Beautiful,” in Aesthetics and Cognition in Kant’s Critical Philosophy, edited by
Rebecca Kukla (Cambridge: Cambridge University Press, ), –.

Zinkin writes: “The question one ought to ask Kant of the ‘pleasure of reflection’ is ‘what function
does it serve?’” See Melissa Zinkin, “Kant and the Pleasure of ‘Mere Reflection’,” Inquiry  ():
. For a succinct description of Zinkin’s paper and a brief response to it see note .

It is further worth pointing out that Kant claims that pure judgments of taste postulate the idea of a
universal voice and says that it will be investigated later (KU :).
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
Significance of Form & Aesthetic Purposiveness of Nature
This section has occasioned considerable controversy. This is, to a
great extent I believe, the result of the ambiguous and misleading formulation of the question it aims to answer. The section itself suggests that the
question is not ultimately one of temporal order but of explanatory priority
or grounding. Indeed, it is only in the case of the answer Kant rejects that
it makes sense to speak of temporal priority. It is, furthermore, only in this
case that it is appropriate to distinguish between a feeling and an act of
judgment; for, in Kant’s view, the aesthetically pleasurable mental state he
is analyzing is itself an act of judgment.
It is not controversial that Kant claims that the pleasure he calls agreeableness
has merely private validity and thus cannot possibly ground the claim pure
judgments of taste make to universal assent. It is clear then that he is championing the second of the possibilities stated in the title of the section. Here is a
simple formulation of this alternative: To declare an object to be beautiful and
to request the assent of others to it is to give expression to a pleasurable mental
state that can be assumed to occur in all subjects. It is in this sense that the
nature of the mental state or judgment grounds the claim to universal assent of
the pleasure. So it is not the case that there is first a judgment and then a
pleasure. Rather, the claim to the universal communicability of the pleasure
made in an overt judgment of taste is revealed to be a grounded in a property of
the distinct pleasurable mental state itself: “Thus it is the universal capacity for
the communication of the state of mind in the given representation which, as
the subjective condition of the judgment of taste, must serve as its ground and
have the pleasure in the object as a consequence” (KU :).
Admittedly, reading Kant in this way requires considerable exegetical juggling:
() “the judging of the object” in the title refers, in the first option, to the overt
judgment of taste and its request for universal assent or “the universal
communicability . . . attributed in the judgment of taste to the representation
of the object”; () in the second option, “the judging of the object” refers to the
mental state: “the universal capacity for the communication of the state of mind
in the given representation”; and () the “pleasure in the object” that is said to be
the consequence of the mental state and its capacity for universal communication
is again the request for universal assent made in an overt judgment of taste.

For some very prominent discussions, see: Hannah Ginsborg, “On the Key to Kant’s Critique of
Taste,” in The Normativity of Nature (Oxford: Oxford University Press, ), –; Ginsborg,
“Reflective Judgment and Taste,” –; Guyer, Kant and the Claims of Taste, –; Allison,
Kant’s Theory of Taste, –.

A little later, Kant again speaks misleadingly and says that “this merely subjective (aesthetic) judging
of the object, or of the representation through which the object is given, precedes the pleasure in it,
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. The Cognitive Function of Pure Judgments of Taste

For our concerns, what is most important in this section is the claim
that now follows:
Nothing, however, can be universally communicated except cognition and
representation so far as it belongs to cognition. For only so far is the latter
objective, and only thereby does it have a universal point of relation with
which everyone’s faculty of representation is compelled to agree. Now if the
determining ground of the judgment on this universal communicability of
the representation is to be conceived of merely subjectively, namely without
a concept of the object, it can be nothing other than the state of mind that
is encountered in the relation of the powers of representation to each other
insofar as they relate a given representation to cognition in general. (KU
:)
Pure judgments of taste are clearly not cognitive judgments. But they do
not merely involve the faculties employed in cognition in some other way.
Kant says that they “belong to cognition” – they are mental states in which
a given representation is related to “cognition in general.” The most
important clue regarding the connection between pure aesthetic judgment
and cognition is Kant’s repeated characterization of the pleasurable mental
representation as one through which an object is given, in order for there to be
cognition of it:
Now there belongs to a representation by which an object is given, in order
for there to be cognition of it in general, imagination for the composition of
the manifold of intuition and understanding for the unity of the concept
that unifies the representations. This state of a free play of the faculties of
cognition with a representation through which an object is given must be
able to be universally communicated, because cognition, as a determination
of the object with which given representations (in whatever subject it may
be) should agree, is the only kind of representation that is valid
for everyone. (KU :)
and is the ground of this pleasure in the harmony of the faculties of cognition” (KU :). I am
suggesting that he should be read as saying that the communicability of the subjective mental state
is the explanatory ground of the distinct pleasure we feel in this very mental state of the harmony of
the faculties. This seems to find confirmation in the next passage, in which Kant apparently speaks
of a distinct pleasure that accompanies a universally communicable mental state: “being able to
communicate one’s state of mind, even if only with regard to the faculties of cognition, carries a
pleasure with it [eine Lust bei sich führen]” (KU :). It is true that the context in which this claim
occurs is his denial that this connection can be established by empirical psychology. But this is not a
denial of the characterization of the connection.

Kant speaks of a representation through or by which an object is given no fewer than fifteen times in
the Critique of Aesthetic Judgment (see: KU : [twice in this passage and one further use], ,
, , , , ,  [twice], ,  [three times]; see also: EEKU :, ). In the
Introduction, Kant says:
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
Significance of Form & Aesthetic Purposiveness of Nature
I emphasize that Kant states here that aesthetic judgments must be
universally communicable, because cognition “is valid for everyone.”
Indeed, in clear opposition to the thought that aesthetic pleasure merely
involves the same faculties employed in cognition, Kant says here clearly
that cognition itself is “the only kind of representation that is valid for
everyone.” The simplest way of understanding the thought Kant is expressing here is, I suggest, that in making aesthetic judgments we expect
universal agreement, because they present us with the spatial form of
objects and, in this way, underwrite our capacity to experience, investigate
empirically and ultimately make cognitive judgments about the very same
objects. Pure aesthetic judgments are thus a condition of objective, universally valid cognitive judgments.
I believe that this is the fact brought to light by transcendental analysis
and to which Kant refers by stating that the “discovery of the origin” of
the universality of pure judgments of taste “reveals a property of our
faculty of cognition that without this analysis would have remained
unknown” (KU :).
..
The Normativity of Pure Aesthetic Judgments and the Sensus
Communis (§§–)
In this subsection I want to focus on the distinct normative status of pure
judgments of taste, a focus Kant himself suggests. Kant characterizes the
activity of the imagination as “free lawfulness” (KU :) and emphasizes
that we are here contending with the imagination “taken not as reproductive, as subjected to the laws of association, but as productive and selfactive (as the authoress of voluntary [willkürlicher] forms of possible
intuitions” (KU :). The task of the fourth moment is to explain
how the self-active or free – that is, not concept or law-governed – activity
of the imagination is grounded in the lawful application of concepts by the
understanding. Kant does not, of course, claim that the free activity of
the imagination and its harmony with the understanding is normative in
The fundamental transcendental principle . . . for representing a purposiveness of nature in
subjective relation to our faculty of cognition in the form of a thing as a principle for
judging it . . . leaves it to the aesthetic power of judgment to make out, in taste, the
suitability of the thing (of its form) to our cognitive faculties (insofar as these decide not
through correspondence with concepts but through feeling). (KU :)

I will discuss different accounts of the relation between pure judgments of taste and cognitive
judgment in the next subsection. See note .
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the same sense that the conceptual employment of the power of judgment
is normative. Indeed, his efforts are directed at offering an analysis of the
peculiar normative status of aesthetic judgments. The task, in other words,
is to show how the aesthetic nonconceptual normativity of pure judgments
of taste is grounded in the conceptual normativity of cognitive judgments.
This is the explicit topic of the fourth moment of the Analytic, which
analyses the modality of judgments of taste and its ground, a topic to
which Kant returns later in the Deduction.
Kant calls the necessity of pure judgments of taste “exemplary, i.e., a
necessity of the assent of all to a judgment that is regarded as an example of
a universal rule that one cannot produce” (KU :). An objective
cognitive judgment can be thought of as demanding universal assent: If
the concepts comprising my judgment are employed correctly, then I can
demand the agreement of others to it; for its unconditional necessity is
demonstrable from the rules that determine the correct application of these
concepts. Objective cognitive judgments are thus, in this precise sense,
apodictic. In contrast, the “should [Sollen] in aesthetic judgments of
taste is . . . pronounced only conditionally” (KU :); the aesthetic
judgment “solicits assent from everyone [wirbt um jedes andern
Beistimmung]” (KU :). But this assent cannot be grounded in concepts. The judgment is “regarded as an example of a universal rule that one
cannot produce.” Nevertheless, the assent of others is presupposed by us.
This presupposition Kant calls the “indeterminate norm of a common
sense” (KU :).
The question of how to interpret Kant’s thinking in the fourth moment
has been given very different answers. For our purposes, it is most useful to
present the difficulty as posing the dilemma that has been leading us
through this chapter. On the one hand, Kant grounds the particular
normative claim of pure aesthetic judgments for universal assent in the
universal communicability of objective cognitive judgments. On the other
hand, it is clearly important not to make aesthetic judgments into cognitive judgments, thus contradicting the claim of the second moment:
aesthetic judgments are not conceptual. So the task is to understand how
the distinct normative claim of aesthetic judgments can be grounded in the
communicability of cognitive judgments, without making them

Allison argues that the fourth moment adds nothing to the content of aesthetic judgments. It
introduces the notion of a common sense as unifying the first three moments. See Allison, Kant’s
Theory of Taste, –, –. It should be clear that I do not at all agree.
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dependent on concepts. The task, more specifically, is to show how the
universal assent solicited by nonconceptual aesthetic judgments can be
grounded in the demand for universal assent and universal communicability definitive of objective cognitive judgments.

Meerbote suggests that aesthetic judgments respond to “orderliness or orderability (both spatial and
temporal) and lawfulness (categorizability). The Transcendental Aesthetic establishes the former;
the Transcendental Deduction, the latter.” Meerbote, “Reflection on Beauty,” . Presumably,
however, in cognitive judgments too “orderliness or orderability . . . and lawfulness” are present. An
aesthetic judgment then seems to be a component of (or step toward) any cognitive judgment
regarding a sense-perceptible object. Furthermore, it is hard to see what the claim that aesthetic
judgments are not determinate and are lawful without a law amounts to on this reading, for
employing the categories to synthesize a sensible manifold is surely a determinate, law-governed use
of judgment. It bears emphasizing that Meerbote does not acknowledge the central problem that
the forms of intuition and the categories are not sufficient conditions of the order and lawfulness of
particular sense-perceptible objects. See Meerbote, “Reflection on Beauty,”, –.
Fricke presents two alternative interpretations that together pose a dilemma: () Kant cannot
ground the assumption of an aesthetic common sense on the universal communicability of
cognitive judgment, because objects need not occasion aesthetic pleasure to be determined by
concepts; () Kant can ground the assumption of an objective common sense guiding the
subsumption of intuitions under concepts on the universal communicability of cognitive
judgments, but this is no justification of the claim to universal assent of pure judgments of taste.
Her way of avoiding the dilemma ultimately returns to the disinterestedness of pure judgments of
taste. Christel Fricke, Kants Theorie des reinen Geschmacksurteils (Berlin: de Gruyter, ),
–. But the argument that disinterested judgments can with right claim universal assent
assumes that all share the faculties involved in them: “he cannot discover as grounds of the
satisfaction any private conditions, pertaining to his subject alone, and must therefore regard it as
grounded in those that he can also presuppose in everyone else” (KU :). The argument of §
aims precisely to establish that we can indeed presuppose all share an aesthetic common sense. It
bears emphasizing that on Fricke’s reading the fourth moment seems to be redundant, for its central
claim was already established in the first moment.
Allison escapes the dilemma by loosening the connection between cognition and aesthetic
judgment. The particular harmony of the faculties that aesthetic judgments express is not a
condition of cognition, though cognition too presupposes a fit between the imagination and the
understanding. This, in turn, enables him to claim that not all objects are beautiful. See Allison,
Kant’s Theory of Taste, –. What I think remains unclear is why, under ideal conditions,
should the same objects evoke the free play of the faculties in all of us. In other words, loosening the
relation between cognition and aesthetic judgments undermines the claim of the latter to
universal assent.
Ameriks’s way out of the difficulty is to claim that although all cognitions presuppose a fit
between the imagination and the understanding, there are particular objects which bring about the
most harmonic fit between them. Thus, the harmony of the faculties “occurs as simply a special
species (namely as the most ‘harmonic’ one) of a proportion that must always exist in some form in
any cognition.” See Karl Ameriks, “How to Save Kant’s Deduction of Taste as Objective?” in
Interpreting Kant’s “Critiques” (Oxford: Clarendon Press, ), . In response we should note
that the claim to universality of aesthetic judgments is thus grounded in the existence of “some
form” of proportion and not in the existence of the most harmonic proportion. Even if different
objects evoked the harmony of the faculties in different people, they would still be able to
communicate about them as long as the ordinary fit presupposed by cognition is evoked. To
communicate about a tulip we need to have the same concept of a tulip and apply it correctly. But
why would we need to agree that it is beautiful? It is further noteworthy that Ameriks defends the
claim that aesthetic judgments are objective; that is, they respond to formal properties of objects.
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. The Cognitive Function of Pure Judgments of Taste

For our purposes the first discussion of the idea of a common sense in
the fourth moment, especially in §, is of the greatest significance. For its
argument grounds in most detail the distinct normative claim of aesthetic
judgments in the normative claim of cognitive judgments. The argument
has the familiar form of a regress on conditions: () the possibility of
objective cognition and judgment and their communicability is assumed;
() it is shown to have as a condition the universality or necessity of pure
judgments of taste or the assumption of an aesthetic common sense. Here
is the text of § in its entirety (the numbering and breaks are mine):
() Cognitions and judgments must, together with the conviction that
accompanies them, be able to be universally communicated, for otherwise
they would have no correspondence with the object: they would all be a
merely subjective play of the powers of representation, just as
skepticism insists.
() But if cognitions are to be able to be communicated, then the mental
state, i.e., the disposition of the cognitive powers for a cognition in general,
and indeed that proportion which is suitable for making a cognition out of a
representation (whereby an object is given to us) must be capable of being
universally communicated; for without this, as the subjective condition of
cognizing, the cognition, as an effect, could not arise. And this actually
happens every time when, by means of the senses, a given object brings the
imagination into activity for the synthesis of the manifold, while the
imagination brings the understanding into activity for the unification of
the manifold into concepts.
See Ameriks, “How to Save Kant’s Deduction of Taste as Objective?,” –. Cf., Meerbote,
“Reflection on Beauty,” –; and see again note .
Although her focus is not the fourth moment, Zinkin takes on the task of showing that pure
judgments of taste are necessarily related to empirical experience. On her account, the pleasure
expressed in pure judgments of taste is the pleasure in attending to or focusing upon the various
aspects of a manifold. This attention is a precondition of the process of concept formation and thus
necessarily related to experience. See Zinkin, “Kant and the Pleasure of ‘Mere Reflection’,”
–. There is much that I find persuasive in her account. Indeed, I think something like it
must be part of the account of the connection between aesthetic judgment and empirical
experience. But I think the account is incomplete, because: () it seems to assume that the
manifold given in sensibility is already somehow delineated into particular manifolds to which we
attend in pure judgments of taste; () the account of concept formation wants the transcendental
assumption that underwrites it. For this last point, see again Section ..: The Normal Ideas of
Species and Natural Kind Concepts. Furthermore, her response to the problem of the ubiquity of
beauty is vulnerable to a serious objection. On her account, we find beautiful those “purposive
forms in which there is much that is obscure” and so “require lengthy reflection.” See Zinkin, “Kant
and the Pleasure of ‘Mere Reflection’,” . But obscurity (whatever precisely aesthetically
apprehended obscurity might be) and the length of reflection required to clarify it don’t seem to
me to align with beauty.
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() But this disposition of the cognitive powers has a different proportion
depending on the difference of the objects that are given. Nevertheless, there
must be one in which this inner relationship is optimal for the animation of
both powers of the mind (the one through the other) with respect to
cognition (of given objects) in general; and this disposition cannot be
determined except through the feeling (not by concepts).
() Now since this disposition itself must be capable of being universally
communicated, hence also the feeling of it (in the case of a given representation), but since the universal communicability of a feeling presupposes a
common sense, the latter must be able to be assumed with good reason, and
indeed without appeal to psychological observations, but rather as the
necessary condition of the universal communicability of our cognition,
which is assumed in every logic and every principle of cognitions that is
not skeptical. (KU :–)
The first step is obvious enough. Making cognitive claims about an object,
for example, to claim that this is a bird of paradise, presupposes that there
is a correct way of subsuming externally given sensible manifolds under
this concept. If I have rightly applied the concept to an object given in
sensibility, then others ought to agree with me. I can then with right
demand their assent. Objective cognitive claims and the conviction accompanying them are therefore communicable.
The second step claims that every cognition presupposes a certain
mental process and, specifically, a fit between a concept of the understanding and a manifold of intuition represented by the imagination. To claim
that this is a bird of paradise a manifold represented by the imagination
must exhibit the characteristic marks contained in the concept of such a
bird. This fit between the faculties in making cognitive judgments is clearly
a condition of communication. It is, Kant emphasizes, the subjective
condition of cognizing and so of communicating our objective cognitions.
The state is subjective in the sense that it is the state of the mental faculties
of the subject – significantly, of the subject in making objective judgments.
Later in the text, Kant describes again this relation of the mental faculties,
speaking of agreement and flowing together rather than proportion:
The aptitude of human beings for communicating their thoughts also
requires a relation between the imagination and the understanding in order
to associate intuitions with concepts and concepts in turn with intuitions,
which flow together into a cognition; but in that case the agreement of the
two powers of the mind is lawful, under the constraint of
determinate concepts. (KU :–)
As the next step in the argument makes very clear, this subjective condition
of communication is a feeling. And as we saw in Chapter , Kant associates
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. The Cognitive Function of Pure Judgments of Taste
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cognitive judgments generally, and the discovery of the conceptual order in
particular, with a feeling of pleasure.
The third step asserts clearly that not every object brings our faculties
into optimal fit, agreement or greatest mutual animation, which aesthetic
judgments express. It is only certain manifolds that bring about this
distinctly powerful feeling of harmony. The claim that different objects
evoke feelings of different proportions or strengths suggests perhaps a
process in which different sensible forms are presented by the imagination
to the understanding; and the power of judgment senses the strength of the
feelings the interaction evokes. However interpreted though, it is crucial
to see that it is pure aesthetic judgments that express these distinctly
powerful feelings of harmony and seek universal assent to them. They
are not expressions of the less-powerful – though still pleasurable – feelings
of the fit between the imagination and the understanding, which is
characteristic of cognitive judgments generally. What is puzzling, of
course, is that it is the latter cognitive judgments that do rightfully demand
universal assent. How then is the universal assent that cognitive judgments
demand dependent upon aesthetic judgments?
My suggestion, as is by now clear, is that the feeling of harmony
expressed by aesthetic judgments is to be understood as the promissory
feeling that a sensible manifold can be brought under concepts. It is the
manifold which does create in us this particular feeling of cognitive
purposiveness that makes us subconsciously identify it as an object exemplary of a natural kind in the first place, even without the employment of

See Chapter , Section ..: The Feeling of Pleasure and the Purposiveness of Nature
(Introduction VI).
For the distinction between the harmony in cognitive judgments – which the passage just cited
refers to as lawful agreement – and the free harmony of aesthetic judgments, see Rush, “The
Harmony of the Faculties,” –.

In the General Remark on the first Section of the Analytic, which follows §, Kant describes the
process as one in which the imagination is “productive and self-active (as the authoress of voluntary
[willkürlicher] forms of possible intuitions)” (KU :). By speaking of voluntary forms, the
translators obviously do not mean to suggest a process of free choice – for no rule or principle guides
the self-active imagination. Speaking of arbitrary or random forms would also be appropriate. Kant
might then be thinking of the mental process as one in which various arbitrary syntheses of the
imagination are put before the understanding, possibly unintentionally (see KU :). Some evoke
a particularly strong feeling of their mutual animation.

In §, which we examined in the previous subsection, Kant speaks of aesthetic pleasure as the “wellproportioned disposition that we require for all cognition” (KU :). In the section we are
examining, he speaks of the pleasure we take in a beautiful object as an effect of “that proportion
[Proportion] which is suitable for making cognition out of a representation (whereby an object is
given to us)” (KU :). Later he says that “the proportion of these cognitive faculties that is
required for taste is also requisite for the common and healthy understanding that one may
presuppose in everyone” (KU :–).

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Significance of Form & Aesthetic Purposiveness of Nature
concepts under which it and its kind might be subsumed. It is thus
through pure aesthetic judgment that objects are first given to us.
Finally, it is only on the assumption that the same manifolds will bring
about this feeling in all of us that we will be able to make cognitive
judgments about the same objects. More precisely, pure aesthetic judgments
underwrite our first preconceptual identification of spatial forms as exemplary of natural kinds. This, I suggest, is what Kant means by the claim that
a pure aesthetic judgment is “regarded as an example of a universal rule that
one cannot produce.” Succinctly, what Kant is claiming is that it is a
necessary condition of cognition that we carve up the manifold given to
us in intuition into objects exemplary of natural kinds in the same manner.
The assumption of a common sense is therefore a necessary condition of
empirical experience and knowledge. And it is this assumption that grounds
the appeal to universal assent which aesthetic judgments express.
It bears emphasizing once again that this is not all to say that all empirical
objects, if judged disinterestedly, can evoke in us pure aesthetic pleasure. As
I claimed in the previous section, there are many obvious examples of
objects that cannot evoke such pleasure – for example, very large or small
objects, composites or fragments of natural kinds, abstract or theoretical
objects and more. There might also be objects that are alike in their causal
interactions but do not share a common form. I suggest reading Kant as
claiming that the identification of such objects would be indirectly dependent on our first common sorting of nature into natural kinds that have in
common their spatial form. This is what I meant in claiming in the first
subsection of this section that aesthetic judgments ground cognitive judgments either directly or indirectly. As I said in the last subsection of the
previous section, pure judgments of taste offer a first partial delineation of
nature into objects, making possible a first provisional or hypothetical
sorting of nature into kinds. Some of these hypotheses will ultimately be
rejected; other objects and kinds will be discovered later by conceptually
guided empirical research. Empirical investigation generally, however, sets
out from and in this sense depends upon these first hypotheses.
Kant discusses again the normativity of pure judgments of taste in what
might be called the Deduction of Pure Aesthetic Judgments chapter of the
Critique of Aesthetic Judgment (§§–). Indeed, the claim that we
take on our common aesthetic judgments as grounds of conceptual norms

For an explanation why these sections might be referred to as the third chapter of the Critique of
Aesthetic Judgment, see the editorial note to the Guyer and Matthews translation (note ,
–).
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. The Cognitive Function of Pure Judgments of Taste
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is the heart of the deduction. In the last paragraph of the fourth moment,
Kant gives us an important clue in what such a deduction consists. The
argument of the Analytic, he says, establishes that the “indeterminate norm
of a common sense really is presupposed by us” (KU :). What it
claims to leave an open question, presumably to be answered in the
Deduction chapter, is whether the principle is constitutive of the possibility of experience or whether it is regulative.
In the short section devoted to the actual deduction, Kant claims that in
pure aesthetic judgments the power of judgment is directed to the “subjective conditions of the use of the power of judgment in general . . . and
thus to the subjective element that one can presuppose in all human beings
(as requisite for possible cognition in general)” (KU :). In other
words, in pure aesthetic judgments we are attending to the subjective –
that is, aesthetic, working of judgment necessary for cognition. The
deduction thus tracks back aesthetic judgments to the fundamental activity
of judgment that is necessary for empirical cognition. It is thus “a legitimation of its presumption” (KU :; see also KU :). For this
reason, we must assume that the activity is common to all: “the correspondence of a representation with these conditions of the power of
judgment must be able to be assumed to be valid for everyone a priori”
(KU :). As Kant stresses in the Remark appended to the deduction,
there is no need here to prove the objective reality of aesthetic judgments,
because in these judgments we are attending only to the subjective aspect
of the work of judgment and not to the assumption of “nature as a sum of
objects of taste a priori” (KU :). The question of the conceptual
employment of reflective judgment is a task left to the Critique of
Teleological Judgment. The assumption of a common sense is not a
constitutive principle of nature. We take on our aesthetic judgments as
the grounds of our common search for empirical laws. It is thus a
regulative principle necessary for empirical cognition.
Before concluding this subsection, I want to say straightforwardly that if
the interpretation I offered here is right, then Kant certainly could have

Kant obviously thinks the principle is regulative. But he expresses himself in surprising terms: the
indeterminate norm of a common sense is “yet to be acquired” (KU :); a judgment of taste,
“with its expectation of a universal assent, is in fact only a demand of reason to produce such a
unanimity in the manner of sensing” (KU :); it “signifies only the possibility of coming to
agreement about this” (KU :). But he says nothing about a process of acquiring a common
sense and thereby reaching unanimity. Perhaps he is concerned that he has not sufficiently clarified
the norm’s regulative status and so speaks of a process of acquisition, analogous to our ongoing
search for the empirical order of nature.
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formulated his claims much more clearly. Whether or not the interpretation gets Kant right, I will claim in the Conclusion that the view is of real
philosophical interest.
.. Aesthetic Normativity: Skeptical Challenges
There might appear to be two skeptical questions that can be raised here –
the first, objective; the second, intersubjective – that tellingly are not raised
by Kant. The first challenge asks what guarantees that my pure judgments
of taste carve up the manifold into objects and offer a rudimentary sorting
of them in a manner that corresponds to the objective order of nature. In
the last chapter, I claimed that for Kant the objectivity of empirical
cognition is grounded in the search for a comprehensive system of empirical causal laws. What (if anything), it might be asked, guarantees that pure
aesthetic judgments in fact offer the first step in such a continuingly
productive empirical investigation? The second question that might be
raised here is: What (if anything) guarantees that others will find the same
spatial Gestalts beautiful that I do and that consequently we will all carve
up the manifold and sort objects in a similar manner and so pursue
together the task of investigating the objective order of nature?
On the basis of the purported fact that we have knowledge of the
empirical world and communicate it to others Kant, I think, simply
assumes that we all sense the same joints when we carve up the spatial
manifold and that our aesthetic delineation and sorting have in general
proven to be productive for joint empirical research. Kant seems to be
untroubled by the fallibility of our knowledge claims or fundamental
aesthetic sorting of nature; and he shows no trace of concern that different
groups of people will delineate the manifold differently and that, consequently, their empirical ontology and their languages will be incommensurable. As Kant says, a common sense is “the necessary condition of the
universal communicability of our cognition, which is assumed in every
logic and every principle of cognitions that is not skeptical.” Obviously,
and as Kant himself notes (see KU :), not all non-skeptical views
presuppose the same notion of a common sense that he defends; his claim
then is not an argument for his conception, but rather a dismissal of

Many passages in the Critique of Aesthetic Judgment contend with the tension between the claim
that judgments of taste are universal and the fact that people often disagree in their judgments.
Kant’s general strategy in this matter is to emphasize the difficulty of making pure judgments of
taste. Ultimately, disagreements are consequences of a failure to set aside our interests in the objects
we judge. See, for example: KU :, , , –.
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
skeptical doubts. More precisely and as I claimed in the previous chapter,
Kant should not be read as aiming to deliver proofs of the objective validity
of our infallible empirical knowledge claims. He is best thought of as
holding that our empirical knowledge lays claim to being objectively valid
even though it is revisable and fallible.
This is not at all to deny that lurking behind these claims are skeptical
doubts about the reliability of our aesthetic delineation and sorting as well
as a distinct form of other-minds skepticism. Both are of philosophical
interest. One point made in my replies to possible objections to the claim
that the paradigmatic objects of pure aesthetic judgments are approximations of natural kinds is worth repeating here – although it is not a claim
Kant ever makes. We need not assume that pure judgments of taste
infallibly track natural kinds; nor must we assume that all natural kinds
have a distinct spatial form and can be aesthetically tracked. All we need
assume is that sorting natural objects according to their spatial shapes
affords a first conjecture where some of the joints of nature are to be found.
But each such first sorting is hypothetical and open to confirmation,
revision or outright rejection. Once again, I think that Kant is best read
as endorsing the view that empirical knowledge claims are revisable and
fallible. Indeed, I suggested in the previous chapter that the fact that
empirical knowledge claims are revisable and fallible can be viewed as an
epistemological virtue of Kant’s theory. The same holds true of their
aesthetic grounds taken as clues in our cognitive investigation of nature.
I will say more about the fact that in a very important sense aesthetic
judgments are irrevisable in the Conclusion. I will claim that this indeed,
too, is a great virtue of Kant’s theory of perception.
One more thought about the interesting possibility of incommensurate
aesthetic judgments – that is, the possibility that different people will carve
up the manifold differently and that consequently their conceptual
schemes will be incommensurable. Aesthetic judgments are subjective,
and the possibility of incommensurate aesthetic judgments seems therefore
to be undeniable. And if we think of systems of concepts which take these
diverse judgments as their ontological grounds as merely descriptive, this
seems to lead to incommensurable conceptual schemes with an equal claim
to objectivity – hence to ontological and epistemological incommensurability. In the previous chapter, I claimed, however, that for Kant the

I think Ginsborg’s account of experience, inspired by Kant, also has this consequence. See Hannah
Ginsborg, “Aesthetic Judgment and Perceptual Normativity,” in The Normativity of Nature
(Oxford: Oxford University Press, ), .
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Significance of Form & Aesthetic Purposiveness of Nature
objectivity of empirical knowledge claims is best thought of as grounded
not in discovering relations of observable similarity but in the continuing
search for causal laws. The interesting question to consider here is whether
this weighty constraint effectively blocks the possibility of incommensurable conceptions of the causal connections that hold in the empirical world.
If it does, then Kant preserves an important characteristic of the way in
which we ordinarily think about objective truth – namely, as exclusive.
A final thought. I have been claiming that for Kant the aesthetic sorting
of nature is a condition of the search for empirical concepts and causal laws
in particular. This suggests the skeptical scenario of a world unlike ours, in
which spatial form is not even a moderately reliable clue to the causal
properties of objects. In such a world, the search for causal laws would be,
as Kant says in the First Introduction, “arbitrary and blind, and hence
would be undertaken without any well-grounded expectation of its agreement with nature” (EEKU :–). It would not perhaps be impossible. But it would be extremely difficult.
.. Spatiotemporal Forms, Pure Tones and Colors
Throughout this chapter, I have spoken about the beauty of spatial forms.
This emphasis is justified both by Kant’s rather clear claims about the
object of pure judgments of taste as well as by the bulk of his examples. It
might well though raise the question of whether Kant thinks we might find
a spatiotemporal form or pattern beautiful. Are there any such examples?
The answer is affirmative. Kant appears to hold that pure tones are
examples of spatiotemporal forms we find beautiful; and he entertains the
possibility that the case of colors might be analogous to that of sound.
If one assumes, with Euler, that the colors are vibrations (pulsus) of the air
immediately following one another, just as tones are vibrations of the air
disturbed by sound, and, what is most important, that the mind does not
merely perceive, by sense, their effect on the animation of the organ, but
also, through reflection, perceives the regular play of the impressions (hence
the form in the combination of different representations) (about which
I have very little doubt), then colors and tones would not be mere sensations, but would already be a formal determination of the unity of a
manifold of them, and in that case could also be counted as beauties
in themselves. (KU :)

The phrase “about which I have very little doubt [woran ich doch gar nicht zweifle]” follows the third
edition (). The first and second editions (, ) have “which I very much doubt [woran
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. The Cognitive Function of Pure Judgments of Taste

In order to assert that pure colors and tones are beautiful we would have to
accept two claims: First, we would have to endorse a physical theory that
describes tones and colors as regular vibrations in a medium. Second, we
would have to claim that our feeling of pleasure is not merely the
immediate subjective effect of the vibrations on our sense organs, but a
result of reflection upon the objective spatiotemporal pattern or form we
perceive. The first assumption, regarding sound, had been accepted very
widely (though not without exception) since antiquity (see KU :).
With regard to light, the assumption finds support in Euler’s periodic
pulse theory of light and color that assumes a perfect analogy with sound.
Later in the third Critique, Kant gives one argument against the second
assumption – namely, the great rapidity of the vibrations might suggest
that the “division of time by means of them is not noticed and drawn into
the judging, hence that in the case of colors and tones there is associated
only agreeableness, not beauty of their composition” (KU :–). On
the other hand, he adds, two facts support the contrary conclusion: First,
we note an alteration in quality between two colors or two tones and not
merely a change in degree of sensation, and these alterations serve for
making objective distinctions; second, people who cannot distinguish
colors or tones but nevertheless are of acute sight or hearing. These facts
suggest that we should regard our pleasure in tones and colors “as the effect
of a judging of the form in the play of many sensations” (KU :). So
although Kant presents both possibilities in the passage under discussion,
he appears to lean toward the latter. He endorses it in the Anthropology,
where he says that the senses of touch, hearing and sight “lead the subject
ich doch gar sehr zweifle].” This is usually taken to correct a misprint. Förster though claims that this
is a consequence of Kant’s rejection of Euler’s mechanical theory of the ether and his replacing it
with a dynamical theory. Eckart Förster, Kant’s Final Synthesis: An Essay on the “Opus Postumum”
(Cambridge, MA: Harvard University Press, ), –. It seems, however, that the phrase in
fact refers only to the latter of the conditions having to do with the theory of sight and not with the
former assumption concerning Euler’s physical theory of light. If both conditions were meant, then
the phrase would probably not appear in parenthesis after the second and its reference to both
would be made explicit. Furthermore, introducing a condition which you very much doubt would
invite a conjunction clearly suggesting contrast (aber, jedoch) rather than affirmation (doch).

For Euler’s account of sound, see Leonhard Euler, Letters to a German Princess on Different Subjects
of Physics and Philosophy, translated by Henry Hunt (London: H. Murray, ), Vol I, Letter .

See Euler, Letters to a German Princess on Different Subjects of Physics and Philosophy, Vol I, Letters
–. For an emphatic statement of the analogy, see Euler, Letters to a German Princess on Different
Subjects of Physics and Philosophy, Vol I, Letter . For accounts of Euler’s evolving work on a
periodic pulse theory of light, see: Casper Hakfoort, Optics in the Age of Euler: Conceptions of the
Nature of Light – (Cambridge: Cambridge University Press, ); Kurt Møller Pedersen,
“Leonhard Euler’s Wave Theory of Light,” Perspectives on Science  (): –. The analogy
is endorsed in the Danziger Physik of  (V-Phys/Danziger ., :).

For Kant’s elaboration of this example, see Letter to Hellwag, January , ; Br :.
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Significance of Form & Aesthetic Purposiveness of Nature
through reflection to cognition of the object as a thing outside ourselves”
(Anth :; see also KU :).
Kant insists that colors and tones might be beautiful “only insofar as
both are pure, which is a determination that already concerns form” (KU
:); and he contrasts simple and mixed colors, claiming that only the
latter are beautiful (KU :–). This seems to suggest that he thinks
that only a small number of colors and tones are rightly said to be
beautiful; and the suggestion is supported by the claims that a “mere color,
e.g., the green of a lawn, a mere tone (in distinction from sound and
noise), say that of a violin, is declared by most people to be beautiful in
itself, although both seem to have as their ground merely the matter of the
representations, namely mere sensation, and on that account deserve to be
called only agreeable” (KU :). In this context, it is worth emphasizing
that although Euler often speaks of five, six or seven simple colors, he in
fact holds that any intermediate regular pulse formation is simple, though
we may not have names for all. And Kant echoes the thought that beauty
is a function of regularity in saying that in pure tones and colors “uniformity is not disturbed and interrupted by any foreign sensation” (KU
:).
Pure colors and tones are then examples of beautiful spatiotemporal
forms. I have relegated discussion of them to the end of the chapter for two
interlocking reasons. First, the formal properties of pure colors and tones
are, on the view Kant seems to endorse, their only properties. So they can
only serve as clues for a possible way of sorting nature into objects and
kinds, where they are properties of objects. Second, Kant appears not to
consider spatiotemporal properties alone – of liquids or gases, for example –
or a conjunction of formal properties such as shape and color for preconceptually picking out objects and natural kinds. I think that it would
not though be inconsistent with his line of reasoning to give an example of
a characteristic spatial shape of a kind and of its color or typical pattern of
coloring (accepting a much wider array of colors than Kant appears to),
like those of a monarch butterfly, or even perhaps of the color alone of a

See Euler, Letters to a German Princess on Different Subjects of Physics and Philosophy, Vol I,
Letter .
For the claim that by composite pulses Euler means irregular pulses, see Hakfoort, Optics in the Age
of Euler, .

One possible exception to the claim that Kant doesn’t consider the conjunction of shape and color
is the reference to “the beauty of flowers, of bird feathers, and seashells . . . in terms of both their
shape and their color” (KU :). But it isn’t clear that he means to speak of the conjunction of
shape and color.

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. Conclusion

liquid or gas, or of a conjunction of spatial shape and spatiotemporal
pattern of movement, such as the particular gait of a giraffe.
. Conclusion
I have argued at some length in this chapter that Kant’s analysis of pure
judgments of taste constitutes a central component of his undertaking to
complete the account of the transcendental conditions of empirical knowledge. The analysis of pure aesthetic judgments, I claimed, is an account of
the delineation of the manifold into would-be objects and of the first
preconceptual sorting of them according to their spatial form. I have
claimed that pure aesthetic judgments thus underwrite the search for the
empirical conceptual order of nature. Unlike the important discussion of
the transcendental assumption of the conceptual purposiveness of nature,
the account of the assumption of the aesthetic purposiveness of nature is
utterly new. Its analysis will also very probably prove to be the most
controversial part of this book.
I want to acknowledge that there remains some tension in the view
I have attributed to Kant. On the one hand, I claimed that pure aesthetic
judgments are a condition of the investigation of the conceptual order of
nature. On the other hand, Kant says that we feel aesthetic pleasure when
the imagination is “unintentionally brought into accord with the understanding” (KU :) and that we experience pleasure in the form of an
object “without any intention of acquiring a concept from it” (KU :).
This seems to leave some distance between pure aesthetic judgment and
the investigation of the conceptual order of nature. At the very least, Kant’s
view needs elaboration on this point. The critical reader might claim that
acknowledging this distance or lack simply means the failure of the task
taken on by this chapter – namely, showing how precisely pure aesthetic
judgment might be a transcendental condition of empirical experience and
knowledge of nature.
I hope I have presented enough support for my reading to keep readers
from dismissing it yet. But I will not attempt to resolve the tension here.
Rather, I will suggest in the Conclusion how it might be resolved, possibly
by somewhat loosening the connection between aesthetic judgment and
cognition – without altogether dismissing it. The principal reason for not
dismissing the reading presented in this chapter yet is that there is an
interesting philosophical lesson to learn from it – or so I will claim in the
Conclusion.
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Significance of Form & Aesthetic Purposiveness of Nature
In the Conclusion then, I aim to discuss further and from a somewhat
broader perspective Kant’s conception of our fundamental connection to
the empirical world, which seems to be unique in the philosophical
landscape. On the reading I have proposed, Kant does not side with the
out-and-out conceptualist, who holds that even our most fundamental
perception of things is conceptually structured. The analysis of pure
aesthetic judgment reveals that the most fundamental apprehension of
objects exemplary of natural kinds precedes our search for concepts that
describe them and their properties. This is not at all to deny that, for Kant,
our encounters with what is given to us sensibly are ordinarily conceptually
structured. It is precisely this that makes pure aesthetic judgment so
difficult a task to achieve. But he rejects the claim that pure aesthetic
apprehension is conceptually structured. Significantly, Kant sees clearly
that this fundamental aesthetic sorting has no cognitive ground. Rather, it
is the assumption of a common sense that serves as the ground of
conceptual norms, without being itself conceptually or normatively
grounded. But we can assume normative responsibility for it. We can take
on the responsibility of seeking concepts under which to subsume these
objects, ultimately seeking concepts that describe their causal powers.
Thus, the appeal of aesthetic judgments to universal assent is not grounded
in a norm. It is the appeal to take on our common aesthetic judgments as
grounds of conceptual norms.
I will have more to say about the philosophical significance of this view
in the Conclusion. But it is worth articulating the following thought here.
The examination of the assumption of the conceptual purposiveness of
nature revealed that all empirical concepts are, strictly speaking, hypotheses. On Kant’s view, the contents of any empirical concept or claim are
revisable. Indeed, empirical concepts or claims might ultimately be
rejected. As I suggested above, the assumption of the aesthetic purposiveness of nature for our cognitive capacities shares this hypothetical character. We might at some point discover that a form that evoked in us pure
aesthetic pleasure is not, as a matter of fact, the form of a single coherent
object. One half of what we implicitly took to be a single object might get
up and walk away – a familiar scene in science fiction movies. We might
discover that an originally aesthetically delineated natural kind in fact
comprises two very different kinds. We might even discover that such an
aesthetic sorting is of no scientific use, because the objects it lumps
together, though similar in form, are causally very different. The important
difference is that there is a sense in which aesthetic judgments are not
revisable. We will continue to find the same forms beautiful (if we manage
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. Conclusion

to judge them disinterestedly), no matter what we discover about the
objects whose forms they are. In this sense, our most fundamental relation
to the empirical world is irrevisable. This distinct fact, I will claim in the
next chapter, captures a fundamental fact about perception: Though we
may reject the cognitive import of what we perceive, there is a very obvious
sense in which some fundamental perceptions are just not revisable.
Before concluding this chapter and turning to the final task, it is worth
emphasizing a highly significant implication of the view I have presented.
Though Kant never draws this conclusion explicitly, a consequence of his
view seems to be that pure aesthetic judgment logically precedes not only
the application of empirical concepts to objects. It logically precedes the
application of the categories too. For clearly the categories must be applied
to objects. And I have claimed that it is pure aesthetic judgment that gives
us objects. It thus precedes the conceptual work of the understanding.
This is indeed a very important consequence of the interpretation I have
presented. For Kant is generally thought to hold that any experience
presupposes the conceptual activity of the understanding. What we should
now say is that all experience presupposes both the activity of the
imagination and the involvement of the understanding – but not necessarily its conceptual activity. All cognition and ordinarily perception too
presuppose the work of the imagination and the conceptual work of the
understanding. But the pure aesthetic apprehension or perception of
objects presupposes the work of the imagination and the nonconceptual
harmony it brings about in its relation to the understanding. Kant’s theory
of the mind would thus rightly be held to recognize the existence of
nonconceptual mental contents in pure aesthetic perception. This fact will
be a major concern of the Conclusion.
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Conclusion: Kant’s Empiricism
In this concluding chapter, I aim to summarize the interpretation I have
presented of the transcendental undertaking of the Critique of the Power of
Judgment. I will discuss first and more briefly the conceptual purposiveness
of nature, as I have already had the opportunity to highlight the main
points and draw the implications of Kant’s view in Chapters –. I will
spend somewhat more time drawing out what I find of most significance in
the interpretation of the aesthetic purposiveness of nature, discussed in
Chapter . In doing so, I will also take a step beyond the interpretation of
the text.
C. The Conceptual Purposiveness of Nature
The Critique of the Power of Judgment is often thought of has having two
great topics: beauty and biology. In Chapters –, I claimed that the
ultimate aim of the discussion of organic phenomena is, in fact, to claim
that teleological judgment applies to nature generally. The ultimate aim of
the Critique of the Teleological Power of Judgment, I claimed, is to
establish that the principle of the conceptual purposiveness of nature is a
transcendental condition of experience. It follows from the discursive
peculiarity of our understanding.
C.. Teleology and Biology
In Chapters  and , I defended an unusual combination of exegetical
claims. Although the interpretation I offered is admittedly baroque in style,
I actually think it makes good sense of the text and its several peculiarities.
Specifically, it makes sense of the fact that Kant analyzes our teleological
judgments of organisms in a book that he proclaims is devoted to completing his critical undertaking; and it makes sense of the often-noted
oddity of presenting two sets of apparent conflicts in the Dialectic of

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C. The Conceptual Purposiveness of Nature

Teleological Judgment: () a real contradiction between objective principles of determinative judgment, which is not the central concern or indeed
perspective of the Dialectic; () two subjective maxims of reflective judgment, which Kant says clearly are his foremost concern, but between
which no contradiction arises.
I claimed that Kant’s analysis of our teleological judgments of organic
phenomena ultimately aims to establish the conceptual purposiveness of
nature as a whole. Though problematic in several respects, the argument
from the organism to this conclusion and the presentation of a dogmatic
conflict between teleology and mechanism allow Kant to assimilate characteristic features of a dialectic, specifically the following: () the fact that it
ensnares ordinary understanding; and () the claims that dogmatic treatments of the problem lead to contradiction; and () that it is only from
the critical perspective that teleology can be dealt with adequately.
I suggested that the aim of doing so was to show that, as a transcendental
principle of reason for the power of reflective judgment, the principle of
the conceptual purposiveness of nature is free of the sort of contradictions
that beset reason. This supports the claim that the principle has a legitimate and indeed necessary role to play in experience. I also claimed
that the antinomy of teleological judgment comprises two maxims that
do not contradict one another. The Dialectic does not then remove a
conflict; it affords deeper insight into the necessity of the reflective maxims
of teleology and mechanism and into the way they complement
one another.
Setting aside these considerations, I claimed that Kant’s discussion of
our teleological judgments in biology is nevertheless of great interest. The
problem Kant addresses concerns the language biology employs in describing the beings it investigates. The language seems to imply that these
beings are the effect of and governed by end-directed forces. But modern
science is firmly committed to explaining the generation of a whole and the
processes governing it as the blind effect of the forces governing the parts
involved in these processes. Kant’s way out of this dilemma is to distinguish sharply the description of nature and its causal explanation.
Teleology, he claims, belongs exclusively to the description of organisms,
emphatically not to explanations of their generation or to the processes
that characterize them. Kant thus denies the existence of teleological
natural forces and causal laws. Explanations are mechanistic and refer
exclusively to blind causal laws. On Kant’s view then our employment of
teleological language poses no threat to the commitment to explain mechanistically all natural events and processes. The distinction between the
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Conclusion: Kant’s Empiricism
description of nature and its explanation is an important theme which runs
through the book.
I also spent some time discussing Kant’s model for mechanistic
explanations in biology. According to this model, in order to explain any
organized state or whole we begin by identifying certain prior structures of
organization; and given these prior structures of organization, we aim to
explain mechanistically the organized state or whole. The model reveals
why Kant holds that teleological language is ineliminable. This is precisely
what he means by asserting that a “Newton of the blade of grass” is an
absurdity. Kant does not hold that organisms and organic processes cannot
be explained mechanistically – quite the contrary. What he does claim is
that there are no reductive mechanistic accounts of organic phenomena,
precisely because mechanistic explanations of organic processes always
begin by identifying a prior structure of organization. I also discussed
examples of such explanations – specifically, Kant’s account of the variety
of human races and his bold evolutionary speculation.
C.. Discursivity and the Conceptual Purposiveness of Nature
On the interpretation presented in this book, the high point of the
Critique of Teleological Judgment is the grounding of the assumption of
the conceptual purposiveness of nature in the discursivity of our understanding. Indeed, I argued in Chapter  that the deduction of the assumption of the conceptual purposiveness of nature, offered in the Introduction
to the third Critique, is completed only in the discussion of the discursive
peculiarity of our understanding at the end of the Critique of
Teleological Judgment.
In Chapter , I made explicit the way in which Kant’s theory of
concepts and their relations to objects follow directly from his conception
of our discursivity – this was one element I claimed is missing from the
deduction presented in the Introduction to the book. As discursive creatures, we can only experience and cognize particular sensibly given objects
through concepts. The content of these concepts is necessarily a finite
number of marks that must be taken to be common to a diversity of
objects. Kant’s distinct conception of cognition as ideally organized into a
comprehensive hierarchical taxonomy of concepts thus follows from his
commitment to the discursive nature of human cognition. In such an ideal
system, the higher concepts have fewer marks; that is, they are poorer,
partial and, in this sense, simpler in content; the lower are increasingly
richer and more complex. It is through such an infinitely articulated
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
Conclusion: Kant’s Empiricism
understanding that supplies the elements crucially missing from the deduction of the principle in Section V of the Introduction.
I laid emphasis on the fact that, for Kant, the investigation of nature is
an ongoing task. Empirical knowledge is continuously subject to critical
scrutiny and refinement and possibly to radical revision. This is the deep
significance of claiming that a transcendental condition of empirical experience is a regulative principle. It is a principle governing the ongoing task
of investigating nature. I suggested that the revisability and defeasibility of
empirical knowledge claims is a feature of Kant’s philosophy that should
be found attractive by philosophers inclined toward empiricism.
Finally, I claimed that the view I attributed to Kant is part of his
systematic conception of the transcendental conditions of experience and
knowledge. But I hope it is of more than exegetical significance. For the
thought that we are discursive creatures who experience the world and
come to know it through concepts or language is still defended, or at least
taken seriously, by contemporary philosophers such as Wittgenstein,
Sellars and McDowell, as well as their followers and interlocutors. It seems
to me that conceptualists about experience might find that they are also
committed to something not unlike Kant’s assumption of the conceptual
purposiveness of nature – without thereby committing themselves to his
comprehensive conception of the aesthetic and conceptual transcendental
conditions of experience. If they also take on board a commitment to a
necessitation account of kinds and causal laws, theirs might be a view
interestingly like the one I attributed to Kant.
C. The Aesthetic Purposiveness of Nature
In the previous section, I described briefly what I think is of philosophical
importance in Kant’s discussion of biology and in the argument for the
assumption of the conceptual purposiveness of nature. I claimed that the
argument is part of Kant’s complete account of the transcendental conditions of our empirical experience and knowledge of nature. I also suggested
that the view might be of broader interest for philosophers with empiricist
leanings who, like Kant, are conceptualists about empirical experience and,
furthermore, emphasize the central importance of necessitating causal laws
for gaining scientific knowledge of nature.
In this concluding section, I will describe what I think is of broader
philosophical importance in Kant’s argument for the assumption of the
aesthetic purposiveness of nature. Interestingly, these features of his view
have to do with considerations that are usually taken to be challenges to
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C. The Aesthetic Purposiveness of Nature

conceptualism about experience. Getting at what is of contemporary
importance in Kant’s view will require a somewhat lengthier discussion.
In order to see the contemporary relevance of the view quite a bit of
Kantian baggage will have to be discarded. I thus begin with the very
dramatic act of proposing to discard a central and highly intriguing part of
Kant’s view, namely, that it is our experience of beauty that accounts for the
most fundamental preconceptual delineation of the manifold into objects
and kinds. Kant might be right about the connection. Contemporary
philosophers would want empirical proof of this. If there is a way of
confirming the claim empirically, this would be a case of astonishing insight
on Kant’s behalf – and I am not one to dismiss such a possibility. But even if
Kant is right and there is a connection between aesthetic pleasure and
cognition, there might be reason to think the connection is somewhat looser
than Kant might appear to be claiming; alternatively, a final clarification is
due about the way Kant sees the connection between aesthetic pleasure and
the search for the conceptual order of nature. A way of getting at the point is
to return to a claim with which I ended the previous chapter: There remains
some tension between taking aesthetic pleasure to be the first step in or
condition of discovering the order of nature, on the one hand, and, on the
other hand, claiming that we feel aesthetic pleasure when the imagination is
“unintentionally brought into accord with the understanding” (KU :)
and that we experience pleasure in the form of an object “without any
intention of acquiring a concept from it” (KU :).
A way of resolving the tension would be to begin with what at the most
fundamental level we would subconsciously identify as an object possessing significant form. It is these objects that we would pick out were we
imaginarily first setting out to investigate nature; and we would naturally
take their forms as first clues as to what objects possess common properties
beyond their form. Our experiences of natural beauty can be thought of as
making conscious such moments – but, in cases of aesthetic judgment, our
attention remains focused on the object and goes no further. So pure
aesthetic judgments would be very closely allied to what we imaginarily
conceive of as the first step in or condition of the search for empirical
knowledge, without themselves being the first step in that search. Indeed,
it might make sense to think of aesthetic pleasure as an experience that
presupposes possessing empirical knowledge of nature (as Kant clearly
does) and as a disinterested and protracted return to those moments of
naturally focusing on an object and its form. The experience of pure
aesthetic pleasure would in this way reveal to us a condition of empirical
experience and knowledge, without itself being the condition. In short, to
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Conclusion: Kant’s Empiricism
get at what is philosophically significant in Kant’s view, I propose reading
him as revealing that a condition of the search for empirical knowledge of
nature is a preconceptual identification of would-be objects and a rudimentary preconceptual sorting of them into would-be kinds. It is easily
seen that this condition, on the face of it, exerts pressure against
conceptualism.
The second Kantian doctrine I propose to leave behind is the tenet that
space and time are the subjective transcendental forms of receptivity and with
it the Kantian distinction between the aesthetic transcendental and empirical
aspects of our psychology. To insist on the indispensability of these foundational Kantian ideas would put a great, possibly unbridgeable distance
between Kant and contemporary naturalistic views about experience.
Bracketing the matter also allows us to discard Kant’s exclusive focus on
spatial form and adopt, instead, an empirically oriented approach to perception that might acknowledge its importance but recognize the importance of
other fundamental sensible properties such as say color and whatever other
deliverances of our sense modalities are discovered to be involved in our
perception of the most fundamental order of nature. In other words, what
sensible properties are involved in the most fundamental delineation of the
sensibly given into objects and kinds is a question for empirical psychology.
I propose that the modified conception of the aesthetic condition of
empirical experience and knowledge has three important features: () It is
an account of the acquisition of our most fundamental empirical concepts
of observation, according to which the acquisition of these concepts does
not presuppose that conceptual capacities are already in play in the process
and indeed presupposed by any experience. () It is also an account of
what I shall call the obduracy or givenness of perception – namely, the fact
that what we most fundamentally perceive are unchanging simple objects
and their salient sensible properties and that experience of these objects
and properties is in one important sense the ground of our knowledge of
the world. () Although the aesthetic condition of experience is nonconceptual, Kant’s view, nevertheless, does not fall prey to the so-called “myth
of the given,” namely, viewing our most fundamental perception of the
empirical world as a natural-causal connection and so as unable to serve as
the rational ground of our empirical knowledge of nature.
C.. Avoiding the “Myth of the Given”
In the next paragraphs, I will describe briefly and without much argument
the philosophical concern described as the “myth of the given.” In the
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C. The Aesthetic Purposiveness of Nature
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following subsections, I will claim that Kant’s analysis of pure judgments
of taste and their necessary contribution to empirical experience is a
noncircular account of the acquisition of empirical concepts which, at
the same time, explains the obduracy of perception. It is remarkable that
although Kant is a conceptualist about cognitive experience, the account
recognizes a distinct kind of nonconceptual experience and content –
namely, aesthetic experience. On Kant’s view, as I propose reading him,
our cognitive experience of nature is underwritten by aesthetic experience –
and aesthetic experience is not conceptual. The account nevertheless does
not, I will claim, fall prey to the myth of the given. Interestingly then, Kant
offers us a way of avoiding the myth of the given that is not committed to a
thoroughgoing conceptualism about all experience.
What is myth of the given and why should it be avoided? The locus
classicus is, of course, Sellars’s seminal paper “Empiricism and the
Philosophy of Mind.” But it is difficult to clip short and accessible answers
to these questions from his very dense text. (We will return to it below.)
For our purposes, it is useful to turn to McDowell’s well-known answer to
these questions. It begins with the thought that the space of empirical
knowledge and thought quite generally is constituted by rational relations –
this is what Sellars calls the “space of reason.” But once we view the
relations of empirical thought and knowledge (say relations between
judgments or beliefs) as rational relations, we face the threat that our
thinking about the world nowhere makes contact with its object. The
myth of the given is a response to this concern.
The putatively reassuring idea is that empirical justifications have an
ultimate foundation in impingements on the conceptual realm from outside. So the space of reasons is made out to be more extensive than the space
of concepts. Suppose we are tracing the ground, the justification, for a belief
or a judgment. The idea is that when we have exhausted all the available
moves within the space of concepts, all the available moves from one
conceptually organized item to another, there is still one more step we
can take: namely, pointing to something that is simply received in
experience.
When thinking specifically of how our most fundamental observational
concepts are acquired and come to have content and so make possible
using them in justifiable or knowledgeable judgments, we are led to the
following idea:

John McDowell, Mind and World (Cambridge, MA: Harvard University Press, ), .
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Conclusion: Kant’s Empiricism
The idea is that if concepts are even partly constituted by the fact that
judgments in which they figure are grounded in the Given, then the
associated conceptual capacities must be acquired from confrontations with
suitable bits of the Given: that is, occasions when pointing to an ultimate
warrant would have been feasible. But in any ordinary impingement on our
sensibility, it would have to be a manifold Given that is presented to us. So
in order to form an observational concept, a subject would have to abstract
the right element in the presented multiplicity.
But the response and the idea, McDowell claims, are deeply inadequate:
The idea of the Given is the idea that the space of reasons, the space of
justifications and warrants, extends more widely than the conceptual
sphere. The extra extent of the space of reasons is supposed to allow it to
incorporate non-conceptual impacts from outside the realm of thought. But
we cannot really understand the relations in virtue of which a judgment is
warranted except as relations within the space of concepts: relations
such as implication and probabilification, which hold between potential
exercises of conceptual capacities. The attempt to extend the scope of
justificatory relations outside the conceptual sphere cannot do what it is
supposed to do.
For the sake of this concluding chapter, I will accept the force of this line
of thinking, although there is a great deal more to say about it – both for
and against it. As I said above, the aim of this section of the conclusion is
to ask how this thought can be combined with two further desiderata: ()
offering a noncircular account of concept acquisition; () accounting for
the obduracy of our fundamental experience. My claim is that Kant’s
account of the contribution of aesthetic judgment to cognition meets
them without yielding to the myth of the given.
C.. The Acquisition of Empirical Concepts
To begin to see the great interest of Kant’s conception of our most
fundamental acquisition of concepts it is very useful to turn to Kant’s
empiricist predecessors. According to the view we find in Locke, Berkeley
and (according to most readers) Hume, universal concepts are constructed
from particular ideas by attending to some features different particulars
share and disregarding other features peculiar to them. But the account is
circular: It attributes to us the capacity to recognize common, general


John McDowell, Mind and World (Cambridge, MA: Harvard University Press, ), .
John McDowell, Mind and World (Cambridge, MA: Harvard University Press, ), .
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C. The Aesthetic Purposiveness of Nature
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features; and it attributes to us the capacity to distinguish those features
that make up the content of the universal concepts we employ from those
that do not. Significantly, the same problem arises for Kant, if the oftenquoted Jäsche Logic account of concept formation, which I mentioned in
Chapter , is taken to be his complete answer to the question.
According to the reading I presented in Chapter , Kant holds that pure
aesthetic judgments delineate spatial forms; and furthermore, he holds that
we can recognize the same form in other objects. In this way, pure
aesthetic judgments serve for a first sorting of objects according to mere
shape. Presumably, Kant would not deny that we can register comparable
similarities of other sensible properties such as color. And anyway,
I suggested we should loosen the Kantian distinction between the formal
and the material aesthetic and allow for sorting according to sensible
properties generally. How, in this looser account, does our most fundamental capacity to delineate objects and sort them according to their
fundamental observable similarities fall short of being a conceptual sorting
of nature into kinds – thus presupposing what is apparently a conceptual
capacity to recognize common general features? In what way is Kant’s view
different from that of his empiricist predecessors? Alternatively, if it is
simply a brute natural fact that we delineate the manifold and sort in
certain ways, how can these mental functions serve to provide us with
rational norms?
I want to suggest that even for the more relaxed Kantian view we are
considering our fundamental sorting is not in itself conceptually normative. Nor is it a brute natural fact about us of the kind we share with
animals, or a distinct natural feeling that accompanies an otherwise natural
mental function. Kant says clearly that aesthetic pleasure is not natural –
precisely not something we share with animals, though he emphasizes the
fact that it is in part grounded in our animal nature: “beauty is valid only
for human beings, i.e., animal but also rational beings, but not merely as
the latter (e.g., spirits), rather as beings who are at the same time animal”
(KU :). What is missing in order to make the delineation and sorting
conceptually normative, I propose, is taking upon ourselves the rational
responsibility for the operations of our mind. This means, among other
things, that these proposed fundamental norms are not immune to rational
criticism. We have the responsibility of testing them empirically. We
accept them provisionally and take upon ourselves the rational responsibility to revise or even reject them – if that is required.

See Chapter , Section ..: The Normal Ideas of Species and Natural Kind Concepts.
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Conclusion: Kant’s Empiricism
Of decisive importance, on the Kantian view I am proposing, is the
question of whether any further generalizations, crucially, any causal
generalizations apply to a proposed kind. Putting the point skeptically
(as Kant does not), on the account as I suggest reading it, we might
ultimately claim that what our senses most fundamentally present to us
as similar are not in fact similar, or, more precisely and decisively, not
similar in any way beyond being merely observationally similar. This is the
way I am suggesting we gloss the distinction between aesthetic and
conceptual normativity.
In other words, our first aesthetic sorting is not yet integrated into the
sort of systematic and causally informative body of knowledge, which Kant
envisions as our end in cognition. Suppose sorting certain like-shaped and
similarly colored and patterned objects is causally just uninformative. They
would then be precisely the “grues” and “sphubes” of discussions of
empirical conceptualization. In Chapter , I claimed that Kant thinks that
the idea of the complete determination of what is given to us sensibly, by a
comprehensive system of empirical explanatory concepts, grounds the
claims made by empirical determinative judgments to being objectively
true. So for Kant, objects that are merely observationally similar are not
objectively similar. In other words, to claim that observationally similar
objects are objectively similar is to claim that they would fit into the
comprehensive system of concepts that fully describes the natural world
and its laws. To put the same point in yet another way, I claimed in
Chapter  that the assumption of a common sense underwrites our search
for the conceptual order of nature. The reconstruction of the regressive
argument of § put the point the other way round. It claimed that the
normative claim of aesthetic judgments is in this way grounded in
the normative claim of cognitive judgments, for only if we delineate the
manifold into objects and sort them into kinds in the same way are
objective conceptual norms possible. But the regressive argument assumes
that objective conceptual norms are possible.
Putting the point about the integration of observational kinds into a
system of knowledge in this way brings to mind a very important and
highly pertinent passage from Sellars. Sellars clearly wants to affirm that
experience rests on observation and that these observations, like empirical
knowledge generally, can be revised or rejected.

See Chapter , Section ..: The Normativity of Pure Aesthetic Judgments and the Sensus
Communis (§§–).
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C. The Aesthetic Purposiveness of Nature
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There is clearly some point to the picture of human knowledge as resting on
a level of propositions – observation reports – which do not rest on other
propositions in the same way as other propositions rest on them. On the
other hand, I do wish to insist that the metaphor of “foundation” is
misleading in that it keeps us from seeing that if there is a logical dimension
on which other empirical propositions rest on observation reports, there is
another logical dimension in which the latter rest on the former.
Above all, the picture is misleading because of its static character: One seems
forced to choose between the picture of an elephant which rests on a
tortoise (What supports the tortoise?) and the picture of the great
Hegelian serpent of knowledge with its tail in its mouth (Where does it
begin?). Neither will do. For empirical knowledge, like its sophisticated
extension, science, is rational, not because it has a foundation but because it
is a self-correcting enterprise which can put any claim in jeopardy, though
not all at once.
To put the point skeptically, the worry is that no further empirical
propositions might rest on our fundamental observations and, conversely,
that there would be no sense in which the observations rest on such further
empirical propositions. Put non-skeptically, I think Kant gets right the
precise status of our most fundamental observations. They are proposals or
hypotheses; their normative status, content and truth ultimately depend
on what they turn out to ground. Put slightly differently, our fundamental
observations of similarity are not rationally normative independently of
revealing further similarities – crucially for Kant, similarities in causal
properties. Insisting on this means that, on Kant’s account, even our most
fundamental observations of similarity can be put in jeopardy and corrected, if and when this is required. For the “bald naturalist,” these
fundamental observations are facts about us and are thus immune to
correction. But it should be definitive of empirical norms that they must
not be immune to revision and possibly even rejection.
Recall here the important passage from the Introduction to the
Metaphysical Foundations of Natural Science, discussed in Chapter .
Systematically ordered our fundamental observations would constitute part
of a historical doctrine of nature. But they would not qualify as rational
natural science. As I claimed in Chapter , Kant is presumably assuming
that the historical doctrine of nature and natural history specifically
employ for classification those similarities that can also serve for


Wilfrid Sellars, Empiricism and the Philosophy of Mind (Cambridge, MA: Harvard University Press,
), §, –.
See Chapter , Section .: Conclusion.
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Conclusion: Kant’s Empiricism
constructing a system in accordance with causal similarities. On the
skeptical scenario we are considering, however, this would not hold true.
The systematized descriptions or observations would be cognitively barren – in no way part of the self-correcting enterprise of a rational science of
nature (in Kant’s sense) or of the logical space of reason (to use the
Sellarsian phrase). For Kant, there is an important sense according to
which it is not perception that ties us to the empirical world. What in
fact ties us to the empirical world is the ongoing and self-correcting
investigation of nature as a whole – just as Sellars insists.
To the claim that delineating objects and sorting them in the way we do
is just a natural disposition of ours, a fact about the functioning of our
cognitive system, the Kantian reply would be that the natural disposition
to see just these objects and similarities cannot itself be epistemically or
rationally normative. Kant can be read as making the conceptual point that
a natural fact cannot be a norm. In this too he would be foreshadowing
Sellars, who emphasizes that the myth of the given takes facts to be norms
and that it is therefore “a mistake of a piece with the so-called ‘naturalistic
fallacy’ in ethics.” To become rationally normative we must take the
deliverances of our natural dispositions to constitute hypotheses, to be
corroborated or refined – possibly even rejected – by further empirical
investigation. For in this way, we take on rational responsibility for our
dispositions and so integrate them into the self-correcting enterprise of
discovering the empirical order of nature. For Kant, our most fundamental
aesthetic experience of the world is not conceptual or rational. It can,
nevertheless, serve as the ground of conceptual norms and can thus be
brought under our rational responsibility. I thus believe that Kant’s
insistence on the subjectivity and distinct normative status of pure judgments of taste is of real philosophical significance.
C.. The Obduracy or Givenness of Perception
In this short subsection of my concluding chapter, I set out from the
thought that what we most fundamentally perceive as objects and salient
relations of similarity is unchanging. No matter what we later find out
about these objects and relations, we still see them as coherent objects and
as similar to certain others. In short, what we most fundamentally see as
objects and kinds is immune to rational criticism or is cognitively

Wilfrid Sellars, Empiricism and the Philosophy of Mind (Cambridge, MA: Harvard University Press,
), §, .
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C. The Aesthetic Purposiveness of Nature
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impenetrable. This I will refer to as the obduracy or givenness of perception. And the point I want to make is that Kant’s account of pure aesthetic
judgments and their relation to cognition can account for the obduracy of
perception, while also avoiding the myth of the given.
By speaking of the obduracy of perception, I don’t mean to say that we
cannot learn to perceive an object where in the past we did not, nor do
I claim that our capacity for seeing similarities cannot be honed and greatly
improved. I mean to claim only that at least part of what is most
fundamentally given to us in perception is unchanging. It is this thought
that supports the familiar empiricist idea that perception is the common
and stable ground of our knowledge of the world.
The question is whether the claim that what we most fundamentally
experience are certain invariable simple sensible objects and relations of
similarity can be reconciled with conceptualism about experience or perception. Why think it cannot? If the fundamental content of empirical
experience is in principle invariable, then it seems that it cannot be
conceptual. For revisability or openness to revision is a mark of the
empirically conceptual. Kant’s holistic conception of empirical knowledge
and its essential openness to revision seems to preclude an account of the
obduracy of perception; for if all empirical concepts are essentially revisable, then there is no part of our system of concepts that is in principle
stable. This raises the question of whether claiming that our most fundamental hold on the empirical world is nonconceptual is ipso facto succumbing to the myth of the given. I will claim that in Kant’s unique case it is
not. Kant shows us how to account for the invariability of the fundamental
ground of experience, while at the same time avoiding the myth of
the given.
I suggest that Kant can be read as contending with this knot by claiming
that our most fundamental hold on empirical objects and a rudimentary
sorting of these objects is nonconceptual. On the interpretation of the
Analytic of the Beautiful presented in the previous chapter, pure judgments of taste nonconceptually delineate the sensible manifold into objects
and allow a sorting of them into natural kinds that have in common their
(aesthetically pleasing) spatial form alone. Indeed, I claimed that the great
discovery that led Kant to write a third Critique, which includes an analysis
of pure judgments of taste, was coming to believe that such judgments
underwrite our empirical investigation of nature. Now Kant nowhere says
that his analysis has the virtue of accounting for the obduracy of our most
fundamental taking in of the empirical order. But he does make a logically
very closely related point, namely, that we cannot offer demonstrations
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Conclusion: Kant’s Empiricism
that might compel others to agree with our judgments of taste (see KU
:). The important point, conversely, is that at this fundamental level
no rational argument will bring us to stop viewing what appear to be
objects as objects, nor to stop seeing certain objects as similar – no matter
what empirical evidence we acquire regarding them. What Kant thinks of
as an aesthetically pleasing spatial form would continue to please us
aesthetically, even if we again and again learn upon touching it that it is
comprised of two empirically distinct objects joined seamlessly or that it is
causally quite unlike other similarly shaped objects. Precisely because pure
aesthetic judgments are not conceptual, reasons cannot be given for them –
nor indeed against them.
The analysis of pure judgments of taste as nonconceptual accounts then
for the givenness or obduracy of perception. But they are not conceptual;
and so the obduracy of the most fundamental order of nature, as Kant
conceives of it, does not contradict the claim that revisability is the mark of
the empirically conceptual. At the same time, the view does not succumb
to the myth of the given. As I said above, taking rational responsibility for
what our senses present to us as objects and similarities comes with the
commitment to refine, revise or even reject what we observe, if there are
reasons to do this. This is why it is so important to distinguish what is
most fundamentally presented to us aesthetically from a first conceptual
empirical ordering of nature. Viewed in the latter way, the order is
hypothetical. We are not epistemically bound by it. Quite the contrary,
we take on the responsibility of testing it through ongoing empirical
research and to revise it, if that proves necessary. In this way Kant meets
the Sellarsian dictum that pronounces that “science is rational . . . because
it is a self-correcting enterprise which can put any claim in jeopardy,
though not all at once.” Kant avoids then this way of succumbing to the
myth of given.
I have focused in this concluding section on two virtues of Kant’s
analysis of the role pure judgments of taste play in empirical experience.
Kant offers us a noncircular account of concept acquisition – that is, an
account that does not assume we already possess concepts through which
we perceive or experience the world. According to Kant, we have the
capacity to focus upon significant spatial forms that does not require
conceptualizing them, but does allow for a first preconceptual sorting of
natural objects according to their form. This, in turn, allows us to seek
further resemblances between the objects of these kinds; in the best case,
they allow us to discover similarities in causal properties. It is the discovery
of such further similarities that counts as beginning to discover the
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C. The Conceptual Purposiveness of Nature

system of concepts that the empirical world would ideally be given to us
in whole.
I further tried to explicate Kant’s claim that the employment of any
empirical concept presupposes the comprehensive conceptual purposiveness of nature – this was the second, crucial argument missing from the
deduction. Kant’s assumption of empirical determination by a comprehensive hierarchy of concepts, leading up to the most general concepts and
down to ever more specific concepts, is his way of talking about real or
objective unity. The thought is that only the complete determination of
the sensibly given by a comprehensive system of concepts would ground in
full the claims to objectivity and truth we make when we subsume a
particular under an empirical concept. In other words, Kant thinks of
truth and objectivity both locally and holistically: () locally, as the
correspondence of a concept with a particular object or state of affairs
given in sensibility; () holistically, as ideally cohering in a comprehensive
system of conceptual determinations. Kant holds then that employing
any empirical universal concept to make a purportedly objectively true
assertion presupposes the conceptual purposiveness of nature as a whole.
We view nature as though it were systematically constituted by unities that
can be subsumed under a comprehensive system of universal concepts.
This is why the assumption of the comprehensive conceptual purposiveness of nature underwrites any subsumption of a particular under an
empirical concept.
I further suggested that we should add to the picture of a comprehensive
system of empirical concepts the thought that the hierarchy of concepts
leads up to general causal forces and laws and down to ever more specific
complexes explainable in their terms. Ideally, our empirical concepts are to
inform us about the causal connections between things in the world. Kant
is thus concerned with the objectivity of kinds, causal laws and causal
explanations. Thought of in this way, the assumption of the comprehensive conceptual purposiveness of nature underwrites the universality and
strict necessity of empirical causal laws.
The principle of the conceptual purposiveness of nature is a subjective
regulative principle. It does not determine objects. But it is nevertheless a
condition of our particular experience of nature. The regulative assumption of the conceptual purposiveness of nature is the transcendental bridge
Kant draws between the general conditions of experience and the principle
of causality specifically, on the one hand, and, on the other hand, the
conditions of a particular experience of nature comprising empirical concepts and causal laws. It is thus the discussion of the discursivity of our
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C. The Aesthetic Purposiveness of Nature
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conceptual order of nature as part of the ongoing investigation of science.
This investigation is characterized by a continual refinement of our concepts. I have argued that an essential aspect of Kant’s conception of
empirical knowledge is the thought that empirical rationality must be
committed to such a process of continual refinement and correction.
I have also argued that viewing the most fundamental order of nature as
given purely aesthetically has the virtue of accounting for the obduracy of
this order – the fact that at the most fundamental level we simply see
certain spatial forms as objects and as similar to certain others, whether or
not they in fact turn out to be coherent objects and significantly similar to
others that look like them. Kant’s account of the obduracy of perception
does not conflict with the essential revisability of all empirical concepts,
precisely because he does not view this experience and the order it reveals
as conceptual. In this way, Kant’s account of the obduracy of perception
avoids the myth of the given. As it turns out, we don’t have to be
conceptualists in our account of the most fundamental encounter with
the empirical world to avoid the myth of the given.
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Index
aesthetic ideas, , , , 
Allison, Henry E., , , , , , ,
, , , –
Ameriks, Karl, 
animal cognition, 
Anthropology from a Pragmatic Point of View, ,

antinomy/antinomies
in the Critique of Pure Reason, , , –,
, 
of taste, , 
of teleological judgment, , –, –,
, , , , 
apprehension of forms in pure judgments of
taste, , –, , –, –.
See threefold synthesis
art, –, , –, , , 
decorative arts, 
Idealist theories of, , –, 
Banham, Gary, 
Baum, Manfred, 
beauty
of artifacts, –, 
beautiful views, 
free and dependent, , , , , ,
–, 
ideal of, 
problem of ubiquity of, –
Bellori, Giovanni Pietro, –
Berkeley, George, 
Biemel, Walter, , 
Blumenbach, Johann Friedrich, ,
–
Brandt, Reinhard, –
Breitenbach, Angela, , , , , 
Brittan, Gordon G. Jr., 
Buffon, Georges-Louis Leclerc, , 
Canon. See Polycletus’s Doryphorous
Cassirer, Ernst, 
causal laws
as blind/mechanistic, , , , 
and empirical objectivity, –, , ,
, . See revisability and defeasibility of
concepts/laws/knowledge
empirical order of nature ultimately a system
of, , , , , , , 
gap between transcendental principle of
causality and, , , , , , 
and natural history/description, , . See
explanation and description/observation
necessitation view of, , , , , ,
–
and ongoing process of investigation,
, –, , , . See revisability and
defeasibility of empirical concepts/laws/
knowledge
and scientific explanation, –, , , , ,
–, 
Chignell, Andrew, 
Cicero, Marcus Tullius, 
Cohen, Alix A., , , , 
common sense (sensus communis), , ,
–, , 
Cooper, Andrew, 
Cornell, John F., 
Critique of Practical Reason, , 
Critique of Pure Reason, , , , , –,
–, –, –, , , , ,
–, –, , –, –,
, –, –, , –,

Appendix to the Transcendental Dialectic, ,
, –, , , , , , , ,
, , , 
Darwin, Charles, , –, 
Daston, Lorraine, –
Descartes, René, 
Determination of the Concept of a Human Race,
–, , –

https://doi.org/10.1017/9781108992565.010 Published online by Cambridge University Press

Index
Dijksterhuis, Eduard. J., , 
disinterestedness of pure judgments of taste, ,
–, , , , , , ,

Dream of a Sprit-Seer Elucidated by Dreams of
Metaphysics, , 
Düsing, Klaus, , , 
Euler, Leonhard, –
explanation. See causal laws
in biology, not reductive, , –, ,

and description/observation, –, , ,

part-to-whole or mechanistic, , , ,
–, 
part-to-whole or mechanistic in biology,
–
and purposiveness, 
Falkenburg, Brigitte, 
Förster, Eckart, , , , 
Freudenthal, Gideon, , , , 
Fricke, Christel, , 
Friedlander, Eli, 
Galileo, Galilei, 
Gallison, Peter, –
Geiger, Ido, , , , , , , , ,
–, , , , 
Ginsborg, Hannah, , , , , , , ,
, , , 
Goethe, Johann Wolfgang von, 
Gotshalk, D. W., 
Goy, Ina, 
gulf between nature and freedom, , . See
highest good as bridge between nature and
freedom
Guyer, Paul, , , , , , , ,
, , 
Hakfoort, Casper, –
Hanna, Robert, , 
harmony (coordination, agreement) of
imagination and understanding
different interpretations of, –. See
understanding, functioning of in pure
judgments of taste
Hegel, G. W. F., , –, , 
Henrich, Dieter, , , 
highest good as bridge between nature and
freedom, , . See gulf between nature
and freedom
Hume, David, , , , –, , ,

Idea for a Universal History with a Cosmopolitan
Aim, 
Illetterati, Luca, , , 
imagination. See threefold synthesis
and empirical schematism, 
functioning in forming normal ideas of
species, 
functioning in pure judgments of taste, ,
–, , 
functioning in reproducing marks for
concepts, 
and nonconceptuality of pure judgments of
taste, , , . See apprehension of
forms in pure judgments of taste
and understanding, in accord in cognitive
judgments, , 
and understanding, in accord in pure
judgments of taste, , , , –,
, , 
Inquiry Concerning the Distinctness of the
Principles of Natural Theology and Morality,

Johnson, Mark L., 
Kant’s Correspondence, , , , , 
Kitcher, Patricia, 
Kreines, James, , , , , 
Kuehn, Manfred, 
Lectures on Anthropology, Friedländer, 
Lectures on Anthropology, Mrongovius, 
Lectures on Logic, Blomberg, 
Lectures on Logic, Dohna-Wundlacken, ,
–, 
Lectures on Logic, Heschel, 
Lectures on Logic, Wiener, , , , 
Lectures on Metaphysics, Dohna, 
Lectures on Physics, Danziger, 
Leibniz, Gottfried Wilhelm, 
Lenoir, Timothy, , 
Linnaeus, Carl, , 
Locke, John, 
Logic, Jäsche, , , –, 
Longuenesse, Béatrice, 
Lorand, Ruth, 
Lovejoy, Arthur O., 
Lüthe, Rudolf, 
Makkreel, Rudolf A., 
Matherne, Samantha, 
Mayr, Ernst, , 
McDowell, John, , –
McLaughlin, Peter, , –, , , –,
, –, –, 
https://doi.org/10.1017/9781108992565.010 Published online by Cambridge University Press
Index
Meerbote, Ralf, , –
Messina, James, , 
Metaphysical Foundations of Natural Science, ,
–, , , 
Metaphysics of Morals, , –, 
Møller Pedersen, Kurt, 
music, , 
Myron’s cow, 
Newton, Isaac, , , 
Newton of the blade of grass, –, , ,

Nuzzo, Angelica, , 
Of the Different Races of Human Beings, –,
–
On the Use of Teleological Principles in Philosophy,
, , , , –, 
Opus Postumum, , 
Panofsky, Erwin, 
Physical Geography, 
pleasure
intellectual (in discovering the empirical order
of nature), –
intellectual, of a kind with pure aesthetic
pleasure, 
pure aesthetic, different from practical
pleasures, , 
requiring a critique as a higher cognitive
faculty, –, , 
Pliny, , 
Polycletus’s Doryphorous, 
Prolegomena to Any Future Metaphysics, , ,
, 
Quarfood, Marcel, –, , 
reason
“space of reason”, –, 
transcendental principle of, for the power of
judgment, , , , , , , ,
, . See antinomy/antinomies, in the
Critique of Pure Reason, See Critique of Pure
Reason, Appendix to the Transcendental
Dialectic
Reiter, Aviv, , , –, , , ,

Religion within the Boundaries of Mere Reason,

revisability and defeasibility of empirical
concepts/laws/knowledge, , –, ,

, , . See causal laws and ongoing
process of investigation
and obduracy of perception, –
and pure judgments of taste,
, , 
Richards, Robert J., , 
Rind, Miles, 
Roe, Shirley A., 
Roth, Siegfried, –, 
Rush, Fred L. Jr., , 
schematism, –, , 
empirical, –, 
Schiller, Johann Christoph Friedrich von,

Seel, Gerhard, 
Sellars, Wilfrid, , , , 
spatiotemporal forms, , , , ,
–
sublime, , –, –, 
Terrasson, Jean, Abbé, 
Teufel, Thomas, , , 
threefold synthesis, –, –
Uehling, Theodore E., Jr., 
ugliness, no conception of, –
understanding
common/ordinary, –, –, , , ,
. See antinomy/antinomies
functioning of, in pure judgments of taste,
–. See imagination and
understanding, in accord in pure judgments
of taste
not the only faculty of theoretical cognition,

Universal Natural History and Theory of the
Heavens, , , 
Walker, Ralph C. S., –, 
Watkins, Eric, , –, , , –
Wicks, Robert, 
Williams, Jessica J., 
Winckelmann, Johann Joachim, –
Wittgenstein, Ludwig, 
Zammito, John H., , 
Zeuxis, , 
Zinkin, Melissa, , , 
Zuckert, Rachel, , , , , , , ,
, , , , 
Zumbach, Clark, , , 
https://doi.org/10.1017/9781108992565.010 Published online by Cambridge University Press
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